The Works of Robert Louis Stevenson – Swanston Edition. Volume 23

MY DEAR COLVIN, – Thank you, and God bless you for ever: this is a far better lot than the last; I have chosen four complete sets out of it for setting, quite admirable: the others are not quite one’s taste; I find the colour far from always being agreeable, it is a great toss up. They have sent me duplicates of first a mad little scene with a white horse, a red monarch and a blue arm of the sea in it; and second of a night scene with water, flowers and a black and white umbrella and a wonderful grey distance and a wonderful general effect – one of my best in fact. Do not now force yourself to make any more purchases for me; but if ever you see a thing you would like to lecture off, remember I am the person who is ready to buy it and let you have the use of it: keep this in view always.

I am working very hard (for me) and am very happy over my picters.

Goodbye, mon vieux. – Ever yours,

    Robert Louis Stevenson.

P.S. – In fact if ever you see anything exceptionally fine, purchase for R. L. S. I owe you lots of money besides this, don’t I? John Knox is red and sparkling on the anvil and the hammer goes about six hours on him.

    R. L. S.

To Mrs. Sitwell

During his days in London Stevenson had gone with Mrs. Sitwell to revisit the Elgin marbles, and had carried off photographs of them to put up in his room at Edinburgh. King Matthias’s Hunting Horn has perished like so many other stories of this time.

    [Edinburgh, November 1874], Tuesday.

Well, I’ve got some women now, and they’re better than nothing. Three, without heads, who have been away getting framed. And you know they are more to me, after a fashion, than they can be to you, because, after a fashion also, they are women. I have come now to think the sitting figure in spite of its beautiful drapery rather a blemish, rather an interruption to the sentiment. The two others are better than one has ever dreamed; I think these two women are the only things in the world that have been better than, in Bible phrase, it had entered into my heart to conceive. Who made them? Was it Pheidias? or do they not know? It is wonderful what company they are – noble company. And then I have now three Japanese pictures that are after my own heart, and I get up from time to time and turn a bit of favourite colour over and over, roll it under my tongue, savour it till it gets all through me; and then back to my chair and to work.

This afternoon about six there was a small orange moon, lost in a great world of blue evening. A few leafless boughs, and a bit of garden railing, criss-cross its face; and below it there was blueness and the spread lights of Leith, lost in blue haze. To the east, the town, also subdued to the same blue, piled itself up, with here and there a lit window, until it could print off its outline against a faint patch of green and russet that remained behind the sunset.

I must tell you about my way of life, which is regular to a degree. Breakfast 8.30; during breakfast and my smoke afterwards till ten, when I begin work, I read Reformation; from ten, I work until about a quarter to one; from one until two, I lunch and read a book on Schopenhauer or one on Positivism; two to three work, three to six anything; if I am in before six, I read about Japan: six, dinner and a pipe with my father and coffee until 7.30; 7.30 to 9.30, work; after that either supper and a pipe at home, or out to Simpson’s or Baxter’s: bed between eleven and twelve.

Wednesday.– Two good things have arrived to me to-day: your letter for one, and the end of John Knox for another. I cannot write English because I have been speaking French all evening with some French people of my knowledge. It’s a sad thing the state I get into, when I cannot remember English and yet do not know French! And it is worse when it is complicated, as at present, with a pen that will not write! If you knew how I have to paint and how I have to manœuvre to get the stuff legible at all.

Thursday.– I have said the Fates are only women after a fashion; and that is one of the strangest things about them. They are wonderfully womanly – they are more womanly than any woman – and those girt draperies are drawn over a wonderful greatness of body instinct with sex; I do not see a line in them that could be a line in a man. And yet, when all is said, they are not women for us; they are of another race, immortal, separate; one has no wish to look at them with love, only with a sort of lowly adoration, physical, but wanting what is the soul of all love, whether admitted to oneself or not, hope; in a word “the desire of the moth for the star.” O great white stars of eternal marble, O shapely, colossal women, and yet not women. It is not love that we seek from them, we do not desire to see their great eyes troubled with our passions, or the great impassive members contorted by any hope or pain or pleasure; only now and again, to be conscious that they exist, to have knowledge of them far off in cloudland or feel their steady eyes shining, like quiet watchful stars, above the turmoil of the earth.

I write so ill; so cheap and miserable and penny-a-linerish is this John Knox that I have just sent, that I am low. Only I keep my heart up by thinking of you. And if all goes to the worst, shall I not be able to lay my head on the great knees of the middle Fate – O these great knees – I know all Baudelaire meant now with his géante– to lay my head on her great knees and go to sleep.

Friday.– I have finished The Story of King Matthias’ Hunting Horn, whereof I spoke to you, and I think it should be good. It excites me like wine, or fire, or death, or love, or something; nothing of my own writing ever excited me so much; it does seem to me so weird and fantastic.

Saturday.– I know now that there is a more subtle and dangerous sort of selfishness in habit than there ever can be in disorder. I never ceased to be generous when I was most déréglé; now when I am beginning to settle into habits, I see the danger in front of me – one might cease to be generous and grow hard and sordid in time and trouble. However, thank God it is life I want, and nothing posthumous, and for two good emotions I would sacrifice a thousand years of fame. Moreover I know so well that I shall never be much as a writer that I am not very sorely tempted.

My only chance is in my stories; and so you will forgive me if I postpone everything else to copy out King Matthias; I have learned by experience that a story should be copied out and finished fairly off at the first heat if ever. I am even thinking of finishing up half-a-dozen perhaps and trying the publishers? what do you say? Give me your advice?

Sunday.– Good-bye. A long story to tell but no time to tell it: well and happy. Adieu. – Ever your faithful friend,

    Robert Louis Stevenson.

To Mrs. Sitwell

    Edinburgh [Sunday, November 1874].

Here is my long story: yesterday night, after having supped, I grew so restless that I was obliged to go out in search of some excitement. There was a half-moon lying over on its back, and incredibly bright in the midst of a faint grey sky set with faint stars: a very inartistic moon, that would have damned a picture.

At the most populous place of the city I found a little boy, three years old perhaps, half frantic with terror, and crying to every one for his “Mammy.” This was about eleven, mark you. People stopped and spoke to him, and then went on, leaving him more frightened than before. But I and a good-humoured mechanic came up together; and I instantly developed a latent faculty for setting the hearts of children at rest. Master Tommy Murphy (such was his name) soon stopped crying, and allowed me to take him up and carry him; and the mechanic and I trudged away along Princes Street to find his parents. I was soon so tired that I had to ask the mechanic to carry the bairn; and you should have seen the puzzled contempt with which he looked at me, for knocking in so soon. He was a good fellow, however, although very impracticable and sentimental; and he soon bethought him that Master Murphy might catch cold after his excitement, so we wrapped him up in my greatcoat. “Tobauga (Tobago) Street” was the address he gave us; and we deposited him in a little grocer’s shop and went through all the houses in the street without being able to find any one of the name of Murphy. Then I set off to the head police office, leaving my greatcoat in pawn about Master Murphy’s person. As I went down one of the lowest streets in the town, I saw a little bit of life that struck me. It was now half-past twelve, a little shop stood still half-open, and a boy of four or five years old was walking up and down before it imitating cockcrow. He was the only living creature within sight.

At the police offices no word of Master Murphy’s parents; so I went back empty-handed. The good groceress, who had kept her shop open all this time, could keep the child no longer; her father, bad with bronchitis, said he must forth. So I got a large scone with currants in it, wrapped my coat about Tommy, got him up on my arm, and away to the police office with him: not very easy in my mind, for the poor child, young as he was – he could scarce speak – was full of terror for the “office,” as he called it. He was now very grave and quiet and communicative with me; told me how his father thrashed him, and divers household matters. Whenever he saw a woman on our way he looked after her over my shoulder and then gave his judgment: “That’s no her,” adding sometimes, “She has a wean wi’ her.” Meantime I was telling him how I was going to take him to a gentleman who would find out his mother for him quicker than ever I could, and how he must not be afraid of him, but be brave, as he had been with me. We had just arrived at our destination – we were just under the lamp – when he looked me in the face and said appealingly, “He’ll no put me in the office?” And I had to assure him that he would not, even as I pushed open the door and took him in.

The serjeant was very nice, and I got Tommy comfortably seated on a bench, and spirited him up with good words and the scone with the currants in it; and then, telling him I was just going out to look for Mammy, I got my greatcoat and slipped away.

Poor little boy! he was not called for, I learn, until ten this morning. This is very ill written, and I’ve missed half that was picturesque in it; but to say truth, I am very tired and sleepy: it was two before I got to bed. However, you see, I had my excitement.

Monday.– I have written nothing all morning; I cannot settle to it. Yes – I will though.

10.45. – And I did. I want to say something more to you about the three women. I wonder so much why they should have been women, and halt between two opinions in the matter. Sometimes I think it is because they were made by a man for men; sometimes, again, I think there is an abstract reason for it, and there is something more substantive about a woman than ever there can be about a man. I can conceive a great mythical woman, living alone among inaccessible mountain-tops or in some lost island in the pagan seas, and ask no more. Whereas if I hear of a Hercules, I ask after Iole or Dejanira. I cannot think him a man without women. But I can think of these three deep-breasted women, living out all their days on remote hilltops, seeing the white dawn and the purple even, and the world outspread before them for ever, and no more to them for ever than a sight of the eyes, a hearing of the ears, a far-away interest of the inflexible heart, not pausing, not pitying, but austere with a holy austerity, rigid with a calm and passionless rigidity; and I find them none the less women to the end.

And think, if one could love a woman like that once, see her once grow pale with passion, and once wring your lips out upon hers, would it not be a small thing to die? Not that there is not a passion of a quite other sort, much less epic, far more dramatic and intimate, that comes out of the very frailty of perishable women; out of the lines of suffering that we see written about their eyes, and that we may wipe out if it were but for a moment; out of the thin hands, wrought and tempered in agony to a fineness of perception, that the indifferent or the merely happy cannot know; out of the tragedy that lies about such a love, and the pathetic incompleteness. This is another thing, and perhaps it is a higher. I look over my shoulder at the three great headless Madonnas, and they look back at me and do not move; see me, and through and over me, the foul life of the city dying to its embers already as the night draws on; and over miles and miles of silent country, set here and there with lit towns, thundered through here and there with night expresses scattering fire and smoke; and away to the ends of the earth, and the furthest star, and the blank regions of nothing; and they are not moved. My quiet, great-kneed, deep-breasted, well-draped ladies of Necessity, I give my heart to you!

    R. L. S.

To Mrs. Sitwell

    [Edinburgh] December 23, 1874.

Monday.– I have come from a concert, and the concert was rather a disappointment. Not so my afternoon skating – Duddingston, our big loch, is bearing; and I wish you could have seen it this afternoon, covered with people, in thin driving snow flurries, the big hill grim and white and alpine overhead in the thick air, and the road up the gorge, as it were into the heart of it, dotted black with traffic. Moreover, I can skate a little bit; and what one can do is always pleasant to do.

Tuesday.– I got your letter to-day, and was so glad thereof. It was of good omen to me also. I worked from ten to one (my classes are suspended now for Xmas holidays), and wrote four or five Portfolio pages of my Buckinghamshire affair. Then I went to Duddingston and skated all afternoon. If you had seen the moon rising, a perfect sphere of smoky gold, in the dark air above the trees, and the white loch thick with skaters, and the great hill, snow-sprinkled, overhead! It was a sight for a king.

Wednesday.– I stayed on Duddingston to-day till after nightfall. The little booths that hucksters set up round the edge were marked each one by its little lamp. There were some fires too; and the light, and the shadows of the people who stood round them to warm themselves, made a strange pattern all round on the snow-covered ice. A few people with torches began to travel up and down the ice, a lit circle travelling along with them over the snow. A gigantic moon rose, meanwhile, over the trees and the kirk on the promontory among perturbed and vacillating clouds.

The walk home was very solemn and strange. Once, through a broken gorge, we had a glimpse of a little space of mackerel sky, moon-litten, on the other side of the hill; the broken ridges standing grey and spectral between; and the hilltop over all, snow-white, and strangely magnified in size.

This must go to you to-morrow, so that you may read it on Christmas Day for company. I hope it may be good company to you.

Thursday.– Outside, it snows thick and steadily. The gardens before our house are now a wonderful fairy forest. And O, this whiteness of things, how I love it, how it sends the blood about my body! Maurice de Guérin hated snow; what a fool he must have been! Somebody tried to put me out of conceit with it by saying that people were lost in it. As if people don’t get lost in love, too, and die of devotion to art; as if everything worth were not an occasion to some people’s end.

What a wintry letter this is! Only I think it is winter seen from the inside of a warm greatcoat. And there is, at least, a warm heart about it somewhere. Do you know, what they say in Xmas stories is true. I think one loves their friends more dearly at this season. – Ever your faithful friend,

    Robert Louis Stevenson.

To Mrs. Sitwell

The Portfolio article here mentioned is An Autumn Effect (see Essays of Travel). The Italian story so delightedly begun was by and by condemned and destroyed like all the others of this time.

    [Edinburgh, January 1875], Monday.

Have come from a concert. Sinico sang, tant bien que mal, “Ah perfido spergiuro!”; and then we had the Eroica symphony (No. 3). I can, and need, say no more; I am rapt out of earth by it; Beethoven is certainly the greatest man the world has yet produced. I wonder, is there anything so superb – I can find no word for it more specific than superb – all I know is that all my knowledge is transcended. I finished to-day and sent off (and a mighty mean detail it is, to set down after Beethoven’s grand passion) my Portfolio article about Buckinghamshire. In its own way I believe it to be a good thing; and I hope you will find something in it to like; it touches, in a dry enough manner, upon most things under heaven, and if you like me, I think you ought to like this intellectual – no, I withdraw the word – this artistic dog of mine. Thaw – thaw – thaw, up here; and farewell skating, and farewell the clear dry air and the wide, bright, white snow-surface, and all that was so pleasant in the past.

Wednesday.– Yesterday I wasn’t well and to-night I have been ever so busy. There came a note from the Academy, sent by John H. Ingram, the editor of the edition of Poe’s works I have been reviewing, challenging me to find any more faults. I have found nearly sixty; so I may be happy; but that makes me none the less sleepy; so I must go to bed.

Friday.– I am awfully out of the humour to write; I am very inert although quite happy; I am informed by those who are more expert that I am bilious. Bien; let it be so; I am still content; and though I can do no original work, I get forward making notes for my Knox at a good trot.

Saturday.– I am so happy. I am no longer here in Edinburgh. I have been all yesterday evening and this forenoon in Italy, four hundred years ago, with one Sannazzaro, a sculptor, painter, poet, etc., and one Ippolita, a beautiful Duchess. O I like it badly! I wish you could hear it at once; or rather I wish you could see it immediately in beautiful type on such a page as it ought to be, in my first little volume of stories. What a change this is from collecting dull notes for John Knox, as I have been all the early part of the week – the difference between life and death. – I am quite well again and in such happy spirits, as who would not be, having spent so much of his time at that convent on the hills with these sweet people. Vous verrez, and if you don’t like this story – well, I give it up if you don’t like it. Not but what there’s a long way to travel yet; I am no farther than the threshold; I have only set the men, and the game has still to be played, and a lot of dim notions must become definite and shapely, and a deal be clear to me that is anything but clear as yet. The story shall be called, I think, When the Devil was well, in allusion to the old proverb.

Good-bye.

    Robert Louis Stevenson.