Virginibus Puerisque, and Other Papers

The promise is so great, and we are all so easily led away when hope and memory are both in one story, that I daresay the sick man is not very inconsolable when he receives sentence of banishment, and is inclined to regard his ill-health as not the least fortunate accident of his life. Nor is he immediately undeceived. The stir and speed of the journey, and the restlessness that goes to bed with him as he tries to sleep between two days of noisy progress, fever him, and stimulate his dull nerves into something of their old quickness and sensibility. And so he can enjoy the faint autumnal splendour of the landscape, as he sees hill and plain, vineyard and forest, clad in one wonderful glory of fairy gold, which the first great winds of winter will transmute, as in the fable, into withered leaves. And so too he can enjoy the admirable brevity and simplicity of such little glimpses of country and country ways as flash upon him through the windows of the train; little glimpses that have a character all their own; sights seen as a travelling swallow might see them from the wing, or Iris as she went abroad over the land on some Olympian errand. Here and there, indeed, a few children huzzah and wave their hands to the express; but for the most part it is an interruption too brief and isolated to attract much notice; the sheep do not cease from browsing; a girl sits balanced on the projecting tiller of a canal boat, so precariously that it seems as if a fly or the splash of a leaping fish would be enough to overthrow the dainty equilibrium, and yet all these hundreds of tons of coal and wood and iron have been precipitated roaring past her very ear, and there is not a start, not a tremor, not a turn of the averted head, to indicate that she has been even conscious of its passage. Herein, I think, lies the chief attraction of railway travel. The speed is so easy, and the train disturbs so little the scenes through which it takes us, that our heart becomes full of the placidity and stillness of the country; and while the body is borne forward in the flying chain of carriages, the thoughts alight, as the humour moves them, at unfrequented stations; they make haste up the poplar alley that leads towards the town; they are left behind with the signalman as, shading his eyes with his hand, he watches the long train sweep away into the golden distance.

Moreover, there is still before the invalid the shock of wonder and delight with which he will learn that he has passed the indefinable line that separates South from North. And this is an uncertain moment; for sometimes the consciousness is forced upon him early, on the occasion of some slight association, a colour, a flower, or a scent; and sometimes not until, one fine morning, he wakes up with the southern sunshine peeping through the persiennes, and the southern patois confusedly audible below the windows. Whether it come early or late, however, this pleasure will not end with the anticipation, as do so many others of the same family. It will leave him wider awake than it found him, and give a new significance to all he may see for many days to come. There is something in the mere name of the South that carries enthusiasm along with it. At the sound of the word, he pricks up his ears; he becomes as anxious to seek out beauties and to get by heart the permanent lines and character of the landscape, as if he had been told that it was all his own – an estate out of which he had been kept unjustly, and which he was now to receive in free and full possession. Even those who have never been there before feel as if they had been; and everybody goes comparing, and seeking for the familiar, and finding it with such ecstasies of recognition, that one would think they were coming home after a weary absence, instead of travelling hourly farther abroad.

It is only after he is fairly arrived and settled down in his chosen corner, that the invalid begins to understand the change that has befallen him. Everything about him is as he had remembered, or as he had anticipated. Here, at his feet, under his eyes, are the olive gardens and the blue sea. Nothing can change the eternal magnificence of form of the naked Alps behind Mentone; nothing, not even the crude curves of the railway, can utterly deform the suavity of contour of one bay after another along the whole reach of the Riviera. And of all this, he has only a cold head knowledge that is divorced from enjoyment. He recognises with his intelligence that this thing and that thing is beautiful, while in his heart of hearts he has to confess that it is not beautiful for him. It is in vain that he spurs his discouraged spirit; in vain that he chooses out points of view, and stands there, looking with all his eyes, and waiting for some return of the pleasure that he remembers in other days, as the sick folk may have awaited the coming of the angel at the pool of Bethesda. He is like an enthusiast leading about with him a stolid, indifferent tourist. There is some one by who is out of sympathy with the scene, and is not moved up to the measure of the occasion; and that some one is himself. The world is disenchanted for him. He seems to himself to touch things with muffled hands, and to see them through a veil. His life becomes a palsied fumbling after notes that are silent when he has found and struck them. He cannot recognise that this phlegmatic and unimpressionable body with which he now goes burthened, is the same that he knew heretofore so quick and delicate and alive.

He is tempted to lay the blame on the very softness and amenity of the climate, and to fancy that in the rigours of the winter at home, these dead emotions would revive and flourish. A longing for the brightness and silence of fallen snow seizes him at such times. He is homesick for the hale rough weather; for the tracery of the frost upon his window-panes at morning, the reluctant descent of the first flakes, and the white roofs relieved against the sombre sky. And yet the stuff of which these yearnings are made, is of the flimsiest: if but the thermometer fall a little below its ordinary Mediterranean level, or a wind come down from the snow-clad Alps behind, the spirit of his fancies changes upon the instant, and many a doleful vignette of the grim wintry streets at home returns to him, and begins to haunt his memory. The hopeless, huddled attitude of tramps in doorways; the flinching gait of barefoot children on the icy pavement; the sheen of the rainy streets towards afternoon; the meagre anatomy of the poor defined by the clinging of wet garments; the high canorous note of the North-easter on days when the very houses seem to stiffen with cold: these, and such as these, crowd back upon him, and mockingly substitute themselves for the fanciful winter scenes with which he had pleased himself a while before. He cannot be glad enough that he is where he is. If only the others could be there also; if only those tramps could lie down for a little in the sunshine, and those children warm their feet, this once, upon a kindlier earth; if only there were no cold anywhere, and no nakedness, and no hunger; if only it were as well with all men as it is with him!

For it is not altogether ill with the invalid, after all. If it is only rarely that anything penetrates vividly into his numbed spirit, yet, when anything does, it brings with it a joy that is all the more poignant for its very rarity. There is something pathetic in these occasional returns of a glad activity of heart. In his lowest hours he will be stirred and awakened by many such; and they will spring perhaps from very trivial sources; as a friend once said to me, the “spirit of delight” comes often on small wings. For the pleasure that we take in beautiful nature is essentially capricious. It comes sometimes when we least look for it; and sometimes, when we expect it most certainly, it leaves us to gape joylessly for days together, in the very home-land of the beautiful. We may have passed a place a thousand times and one; and on the thousand and second it will be transfigured, and stand forth in a certain splendour of reality from the dull circle of surroundings; so that we see it “with a child’s first pleasure,” as Wordsworth saw the daffodils by the lake side. And if this falls out capriciously with the healthy, how much more so with the invalid. Some day he will find his first violet, and be lost in pleasant wonder, by what alchemy the cold earth of the clods, and the vapid air and rain, can be transmuted into colour so rich and odour so touchingly sweet. Or perhaps he may see a group of washerwomen relieved, on a spit of shingle, against the blue sea, or a meeting of flower-gatherers in the tempered daylight of an olive-garden; and something significant or monumental in the grouping, something in the harmony of faint colour that is always characteristic of the dress of these southern women, will come home to him unexpectedly, and awake in him that satisfaction with which we tell ourselves that we are the richer by one more beautiful experience. Or it may be something even slighter: as when the opulence of the sunshine, which somehow gets lost and fails to produce its effect on the large scale, is suddenly revealed to him by the chance isolation – as he changes the position of his sunshade – of a yard or two of roadway with its stones and weeds. And then, there is no end to the infinite variety of the olive-yards themselves. Even the colour is indeterminate and continually shifting: now you would say it was green, now gray, now blue; now tree stands above tree, like “cloud on cloud,” massed into filmy indistinctness; and now, at the wind’s will, the whole sea of foliage is shaken and broken up with little momentary silverings and shadows. But every one sees the world in his own way. To some the glad moment may have arrived on other provocations; and their recollection may be most vivid of the stately gait of women carrying burthens on their heads; of tropical effects, with canes and naked rock and sunlight; of the relief of cypresses; of the troubled, busy-looking groups of sea-pines, that seem always as if they were being wielded and swept together by a whirlwind; of the air coming, laden with virginal perfumes, over the myrtles and the scented underwood; of the empurpled hills standing up, solemn and sharp, out of the green-gold air of the east at evening.

There go many elements, without doubt, to the making of one such moment of intense perception; and it is on the happy agreement of these many elements, on the harmonious vibration of many nerves, that the whole delight of the moment must depend. Who can forget how, when he has chanced upon some attitude of complete restfulness, after long uneasy rolling to and fro on grass or heather, the whole fashion of the landscape has been changed for him, as though the sun had just broken forth, or a great artist had only then completed, by some cunning touch, the composition of the picture? And not only a change of posture – a snatch of perfume, the sudden singing of a bird, the freshness of some pulse of air from an invisible sea, the light shadow of a travelling cloud, the merest nothing that sends a little shiver along the most infinitesimal nerve of a man’s body – not one of the least of these but has a hand somehow in the general effect, and brings some refinement of its own into the character of the pleasure we feel.

And if the external conditions are thus varied and subtle, even more so are those within our own bodies. No man can find out the world, says Solomon, from beginning to end, because the world is in his heart; and so it is impossible for any of us to understand, from beginning to end, that agreement of harmonious circumstances that creates in us the highest pleasure of admiration, precisely because some of these circumstances are hidden from us for ever in the constitution of our own bodies. After we have reckoned up all that we can see or hear or feel, there still remains to be taken into account some sensibility more delicate than usual in the nerves affected, or some exquisite refinement in the architecture of the brain, which is indeed to the sense of the beautiful as the eye or the ear to the sense of hearing or sight. We admire splendid views and great pictures; and yet what is truly admirable is rather the mind within us, that gathers together these scattered details for its delight, and makes out of certain colours, certain distributions of graduated light and darkness, that intelligible whole which alone we call a picture or a view. Hazlitt, relating in one of his essays how he went on foot from one great man’s house to another’s in search of works of art, begins suddenly to triumph over these noble and wealthy owners, because he was more capable of enjoying their costly possessions than they were; because they had paid the money and he had received the pleasure. And the occasion is a fair one for self-complacency. While the one man was working to be able to buy the picture, the other was working to be able to enjoy the picture. An inherited aptitude will have been diligently improved in either case; only the one man has made for himself a fortune, and the other has made for himself a living spirit. It is a fair occasion for self-complacency, I repeat, when the event shows a man to have chosen the better part, and laid out his life more wisely, in the long run, than those who have credit for most wisdom. And yet even this is not a good unmixed; and like all other possessions, although in a less degree, the possession of a brain that has been thus improved and cultivated, and made into the prime organ of a man’s enjoyment, brings with it certain inevitable cares and disappointments. The happiness of such an one comes to depend greatly upon those fine shades of sensation that heighten and harmonise the coarser elements of beauty. And thus a degree of nervous prostration, that to other men would be hardly disagreeable, is enough to overthrow for him the whole fabric of his life, to take, except at rare moments, the edge off his pleasures, and to meet him wherever he goes with failure, and the sense of want, and disenchantment of the world and life.

It is not in such numbness of spirit only that the life of the invalid resembles a premature old age. Those excursions that he had promised himself to finish, prove too long or too arduous for his feeble body; and the barrier-hills are as impassable as ever. Many a white town that sits far out on the promontory, many a comely fold of wood on the mountain side, beckons and allures his imagination day after day, and is yet as inaccessible to his feet as the clefts and gorges of the clouds. The sense of distance grows upon him wonderfully; and after some feverish efforts and the fretful uneasiness of the first few days, he falls contentedly in with the restrictions of his weakness. His narrow round becomes pleasant and familiar to him as the cell to a contented prisoner. Just as he has fallen already out of the mid race of active life, he now falls out of the little eddy that circulates in the shallow waters of the sanatorium. He sees the country people come and go about their everyday affairs, the foreigners stream out in goodly pleasure parties; the stir of man’s activity is all about him, as he suns himself inertly in some sheltered corner; and he looks on with a patriarchal impersonality of interest, such as a man may feel when he pictures to himself the fortunes of his remote descendants, or the robust old age of the oak he has planted over-night.

In this falling aside, in this quietude and desertion of other men, there is no inharmonious prelude to the last quietude and desertion of the grave; in this dulness of the senses there is a gentle preparation for the final insensibility of death. And to him the idea of mortality comes in a shape less violent and harsh than is its wont, less as an abrupt catastrophe than as a thing of infinitesimal gradation, and the last step on a long decline of way. As we turn to and fro in bed, and every moment the movements grow feebler and smaller and the attitude more restful and easy, until sleep overtakes us at a stride and we move no more, so desire after desire leaves him; day by day his strength decreases, and the circle of his activity grows ever narrower; and he feels, if he is to be thus tenderly weaned from the passion of life, thus gradually inducted into the slumber of death, that when at last the end comes, it will come quietly and fitly. If anything is to reconcile poor spirits to the coming of the last enemy, surely it should be such a mild approach as this; not to hale us forth with violence, but to persuade us from a place we have no further pleasure in. It is not so much, indeed, death that approaches as life that withdraws and withers up from round about him. He has outlived his own usefulness, and almost his own enjoyment; and if there is to be no recovery; if never again will he be young and strong and passionate, if the actual present shall be to him always like a thing read in a book or remembered out of the far-away past; if, in fact, this be veritably nightfall, he will not wish greatly for the continuance of a twilight that only strains and disappoints the eyes, but steadfastly await the perfect darkness. He will pray for Medea: when she comes, let her either rejuvenate or slay.

And yet the ties that still attach him to the world are many and kindly. The sight of children has a significance for him such as it may have for the aged also, but not for others. If he has been used to feel humanely, and to look upon life somewhat more widely than from the narrow loophole of personal pleasure and advancement, it is strange how small a portion of his thoughts will be changed or embittered by this proximity of death. He knows that already, in English counties, the sower follows the ploughman up the face of the field, and the rooks follow the sower; and he knows also that he may not live to go home again and see the corn spring and ripen, and be cut down at last, and brought home with gladness. And yet the future of this harvest, the continuance of drought or the coming of rain unseasonably, touch him as sensibly as ever. For he has long been used to wait with interest the issue of events in which his own concern was nothing; and to be joyful in a plenty, and sorrowful for a famine, that did not increase or diminish, by one half loaf, the equable sufficiency of his own supply. Thus there remain unaltered all the disinterested hopes for mankind and a better future which have been the solace and inspiration of his life. These he has set beyond the reach of any fate that only menaces himself; and it makes small difference whether he die five thousand years, or five thousand and fifty years, before the good epoch for which he faithfully labours. He has not deceived himself; he has known from the beginning that he followed the pillar of fire and cloud, only to perish himself in the wilderness, and that it was reserved for others to enter joyfully into possession of the land. And so, as everything grows grayer and quieter about him, and slopes towards extinction, these unfaded visions accompany his sad decline, and follow him, with friendly voices and hopeful words, into the very vestibule of death. The desire of love or of fame scarcely moved him, in his days of health, more strongly than these generous aspirations move him now; and so life is carried forward beyond life, and a vista kept open for the eyes of hope, even when his hands grope already on the face of the impassable.

Lastly, he is bound tenderly to life by the thought of his friends; or shall we not say rather, that by their thought for him, by their unchangeable solicitude and love, he remains woven into the very stuff of life, beyond the power of bodily dissolution to undo? In a thousand ways will he survive and be perpetuated. Much of Etienne de la Boetie survived during all the years in which Montaigne continued to converse with him on the pages of the ever-delightful essays. Much of what was truly Goethe was dead already when he revisited places that knew him no more, and found no better consolation than the promise of his own verses, that soon he too would be at rest. Indeed, when we think of what it is that we most seek and cherish, and find most pride and pleasure in calling ours, it will sometimes seem to us as if our friends, at our decease, would suffer loss more truly than ourselves. As a monarch who should care more for the outlying colonies he knows on the map or through the report of his vicegerents, than for the trunk of his empire under his eyes at home, are we not more concerned about the shadowy life that we have in the hearts of others, and that portion in their thoughts and fancies which, in a certain far-away sense, belongs to us, than about the real knot of our identity – that central metropolis of self, of which alone we are immediately aware – or the diligent service of arteries and veins and infinitesimal activity of ganglia, which we know (as we know a proposition in Euclid) to be the source and substance of the whole? At the death of every one whom we love, some fair and honourable portion of our existence falls away, and we are dislodged from one of these dear provinces; and they are not, perhaps, the most fortunate who survive a long series of such impoverishments, till their life and influence narrow gradually into the meagre limit of their own spirits, and death, when he comes at last, can destroy them at one blow.

Note. – To this essay I must in honesty append a word or two of qualification; for this is one of the points on which a slightly greater age teaches us a slightly different wisdom:

A youth delights in generalities, and keeps loose from particular obligations; he jogs on the footpath way, himself pursuing butterflies, but courteously lending his applause to the advance of the human species and the coming of the kingdom of justice and love. As he grows older, he begins to think more narrowly of man’s action in the general, and perhaps more arrogantly of his own in the particular. He has not that same unspeakable trust in what he would have done had he been spared, seeing finally that that would have been little; but he has a far higher notion of the blank that he will make by dying. A young man feels himself one too many in the world; his is a painful situation: he has no calling; no obvious utility; no ties, but to his parents. and these he is sure to disregard. I do not think that a proper allowance has been made for this true cause of suffering in youth; but by the mere fact of a prolonged existence, we outgrow either the fact or else the feeling. Either we become so callously accustomed to our own useless figure in the world, or else – and this, thank God, in the majority of cases – we so collect about us the interest or the love of our fellows, so multiply our effective part in the affairs of life, that we need to entertain no longer the question of our right to be.

And so in the majority of cases, a man who fancies himself dying, will get cold comfort from the very youthful view expressed in this essay. He, as a living man, has some to help, some to love, some to correct; it may be, some to punish. These duties cling, not upon humanity, but upon the man himself. It is he, not another, who is one woman’s son and a second woman’s husband and a third woman’s father. That life which began so small, has now grown, with a myriad filaments, into the lives of others. It is not indispensable; another will take the place and shoulder the discharged responsibility; but the better the man and the nobler his purposes, the more will he be tempted to regret the extinction of his powers and the deletion of his personality. To have lived a generation, is not only to have grown at home in that perplexing medium, but to have assumed innumerable duties. To die at such an age, has, for all but the entirely base, something of the air of a betrayal. A man does not only reflect upon what he might have done in a future that is never to be his; but beholding himself so early a deserter from the fight, he eats his heart for the good he might have done already. To have been so useless and now to lose all hope of being useful any more – there it is that death and memory assail him. And even if mankind shall go on, founding heroic cities, practising heroic virtues, rising steadily from strength to strength; even if his work shall be fulfilled, his friends consoled, his wife remarried by a better than he; how shall this alter, in one jot, his estimation of a career which was his only business in this world, which was so fitfully pursued, and which is now so ineffectively to end?

ÆS TRIPLEX

The changes wrought by death are in themselves so sharp and final, and so terrible and melancholy in their consequences, that the thing stands alone in man’s experience, and has no parallel upon earth. It outdoes all other accidents because it is the last of them. Sometimes it leaps suddenly upon its victims, like a Thug; sometimes it lays a regular siege and creeps upon their citadel during a score of years. And when the business is done, there is sore havoc made in other people’s lives, and a pin knocked out by which many subsidiary friendships hung together. There are empty chairs, solitary walks, and single beds at night. Again, in taking away our friends, death does not take them away utterly, but leaves behind a mocking, tragical, and soon intolerable residue, which must be hurriedly concealed. Hence a whole chapter of sights and customs striking to the mind, from the pyramids of Egypt to the gibbets and dule trees of mediæval Europe. The poorest persons have a bit of pageant going towards the tomb; memorial stones are set up over the least memorable; and, in order to preserve some show of respect for what remains of our old loves and friendships, we must accompany it with much grimly ludicrous ceremonial, and the hired undertaker parades before the door. All this, and much more of the same sort, accompanied by the eloquence of poets, has gone a great way to put humanity in error; nay, in many philosophies the error has been embodied and laid down with every circumstance of logic; although in real life the bustle and swiftness, in leaving people little time to think, have not left them time enough to go dangerously wrong in practice.

As a matter of fact, although few things are spoken of with more fearful whisperings than this prospect of death, few have less influence on conduct under healthy circumstances. We have all heard of cities in South America built upon the side of fiery mountains, and how, even in this tremendous neighbourhood, the inhabitants are not a jot more impressed by the solemnity of mortal conditions than if they were delving gardens in the greenest corner of England. There are serenades and suppers and much gallantry among the myrtles overhead; and meanwhile the foundation shudders underfoot, the bowels of the mountain growl, and at any moment living ruin may leap sky-high into the moonlight, and tumble man and his merry-making in the dust. In the eyes of very young people, and very dull old ones, there is something indescribably reckless and desperate in such a picture. It seems not credible that respectable married people, with umbrellas, should find appetite for a bit of supper within quite a long distance of a fiery mountain; ordinary life begins to smell of high-handed debauch when it is carried on so close to a catastrophe; and even cheese and salad, it seems, could hardly be relished in such circumstances without something like a defiance of the Creator. It should be a place for nobody but hermits dwelling in prayer and maceration, or mere born-devils drowning care in a perpetual carouse.

And yet, when one comes to think upon it calmly, the situation of these South American citizens forms only a very pale figure for the state of ordinary mankind. This world itself, travelling blindly and swiftly in over-crowded space, among a million other worlds travelling blindly and swiftly in contrary directions, may very well come by a knock that would set it into explosion like a penny squib. And what, pathologically looked at, is the human body with all its organs, but a mere bagful of petards? The least of these is as dangerous to the whole economy as the ship’s powder-magazine to the ship; and with every breath we breathe, and every meal we eat, we are putting one or more of them in peril. If we clung as devotedly as some philosophers pretend we do to the abstract idea of life, or were half as frightened as they make out we are, for the subversive accident that ends it all, the trumpets might sound by the hour and no one would follow them into battle – the blue-peter might fly at the truck, but who would climb into a sea-going ship? Think (if these philosophers were right) with what a preparation of spirit we should affront the daily peril of the dinner-table: a deadlier spot than any battle-field in history, where the far greater proportion of our ancestors have miserably left their bones! What woman would ever be lured into marriage, so much more dangerous than the wildest sea? And what would it be to grow old? For, after a certain distance, every step we take in life we find the ice growing thinner below our feet, and all around us and behind us we see our contemporaries going through. By the time a man gets well into the seventies, his continued existence is a mere miracle; and when he lays his old bones in bed for the night, there is an overwhelming probability that he will never see the day. Do the old men mind it, as a matter of fact? Why, no. They were never merrier; they have their grog at night, and tell the raciest stories; they hear of the death of people about their own age, or even younger, not as if it was a grisly warning, but with a simple childlike pleasure at having outlived some one else; and when a draught might puff them out like a guttering candle, or a bit of a stumble shatter them like so much glass, their old hearts keep sound and unaffrighted, and they go on, bubbling with laughter, through years of man’s age compared to which the valley at Balaklava was as safe and peaceful as a village cricket-green on Sunday. It may fairly be questioned (if we look to the peril only) whether it was a much more daring feat for Curtius to plunge into the gulf, than for any old gentleman of ninety to doff his clothes and clamber into bed.

Indeed, it is a memorable subject for consideration, with what unconcern and gaiety mankind pricks on along the Valley of the Shadow of Death. The whole way is one wilderness of snares, and the end of it, for those who fear the last pinch, is irrevocable ruin. And yet we go spinning through it all, like a party for the Derby. Perhaps the reader remembers one of the humorous devices of the deified Caligula: how he encouraged a vast concourse of holiday-makers on to his bridge over Baiæ bay; and when they were in the height of their enjoyment, turned loose the Prætorian guards among the company, and had them tossed into the sea. This is no bad miniature of the dealings of nature with the transitory race of man. Only, what a chequered picnic we have of it, even while it lasts! and into what great waters, not to be crossed by any swimmer, God’s pale Prætorian throws us over in the end!

We live the time that a match flickers; we pop the cork of a ginger-beer bottle, and the earthquake swallows us on the instant. Is it not odd, is it not incongruous, is it not, in the highest sense of human speech, incredible, that we should think so highly of the ginger-beer, and regard so little the devouring earthquake? The love of Life and the fear of Death are two famous phrases that grow harder to understand the more we think about them. It is a well-known fact that an immense proportion of boat accidents would never happen if people held the sheet in their hands instead of making it fast; and yet, unless it be some martinet of a professional mariner or some landsman with shattered nerves, every one of God’s creatures makes it fast. A strange instance of man’s unconcern and brazen boldness in the face of death!

We confound ourselves with metaphysical phrases, which we import into daily talk with noble inappropriateness. We have no idea of what death is, apart from its circumstances and some of its consequences to others; and although we have some experience of living, there is not a man on earth who has flown so high into abstraction as to have any practical guess at the meaning of the word life. All literature, from Job and Omar Khayam to Thomas Carlyle or Walt Whitman, is but an attempt to look upon the human state with such largeness of view as shall enable us to rise from the consideration of living to the Definition of Life. And our sages give us about the best satisfaction in their power when they say that it is a vapour, or a show, or made out of the same stuff with dreams. Philosophy, in its more rigid sense, has been at the same work for ages; and after a myriad bald heads have wagged over the problem, and piles of words have been heaped one upon another into dry and cloudy volumes without end, philosophy has the honour of laying before us, with modest pride, her contribution towards the subject: that life is a Permanent Possibility of Sensation. Truly a fine result! A man may very well love beef, or hunting, or a woman; but surely, surely, not a Permanent Possibility of Sensation! He may be afraid of a precipice, or a dentist, or a large enemy with a club, or even an undertaker’s man; but not certainly of abstract death. We may trick with the word life in its dozen senses until we are weary of tricking; we may argue in terms of all the philosophies on earth, but one fact remains true throughout – that we do not love life, in the sense that we are greatly preoccupied about its conservation; that we do not, properly speaking, love life at all, but living. Into the views of the least careful there will enter some degree of providence; no man’s eyes are fixed entirely on the passing hour; but although we have some anticipation of good health, good weather, wine, active employment, love, and self-approval, the sum of these anticipations does not amount to anything like a general view of life’s possibilities and issues; nor are those who cherish them most vividly, at all the most scrupulous of their personal safety. To be deeply interested in the accidents of our existence, to enjoy keenly the mixed texture of human experience, rather leads a man to disregard precautions, and risk his neck against a straw. For surely the love of living is stronger in an Alpine climber roping over a peril, or a hunter riding merrily at a stiff fence, than in a creature who lives upon a diet and walks a measured distance in the interest of his constitution.

There is a great deal of very vile nonsense talked upon both sides of the matter: tearing divines reducing life to the dimensions of a mere funeral procession, so short as to be hardly decent; and melancholy unbelievers yearning for the tomb as if it were a world too far away. Both sides must feel a little ashamed of their performances now and again when they draw in their chairs to dinner. Indeed, a good meal and a bottle of wine is an answer to most standard works upon the question. When a man’s heart warms to his viands, he forgets a great deal of sophistry, and soars into a rosy zone of contemplation. Death may be knocking at the door, like the Commander’s statue; we have something else in hand, thank God, and let him knock. Passing bells are ringing all the world over. All the world over, and every hour, some one is parting company with all his aches and ecstasies. For us also the trap is laid. But we are so fond of life that we have no leisure to entertain the terror of death. It is a honeymoon with us all through, and none of the longest. Small blame to us if we give our whole hearts to this glowing bride of ours, to the appetites, to honour, to the hungry curiosity of the mind, to the pleasure of the eyes in nature, and the pride of our own nimble bodies.

We all of us appreciate the sensations; but as for caring about the Permanence of the Possibility, a man’s head is generally very bald, and his senses very dull, before he comes to that. Whether we regard life as a lane leading to a dead wall – a mere bag’s end, as the French say – or whether we think of it as a vestibule or gymnasium, where we wait our turn and prepare our faculties for some more noble destiny; whether we thunder in a pulpit, or pule in little atheistic poetry-books, about its vanity and brevity; whether we look justly for years of health and vigour, or are about to mount into a bath-chair, as a step towards the hearse; in each and all of these views and situations there is but one conclusion possible: that a man should stop his ears against paralysing terror, and run the race that is set before him with a single mind. No one surely could have recoiled with more heartache and terror from the thought of death than our respected lexicographer; and yet we know how little it affected his conduct, how wisely and boldly he walked, and in what a fresh and lively vein he spoke of life. Already an old man, he ventured on his Highland tour; and his heart, bound with triple brass, did not recoil before twenty-seven individual cups of tea. As courage and intelligence are the two qualities best worth a good man’s cultivation, so it is the first part of intelligence to recognise our precarious estate in life, and the first part of courage to be not at all abashed before the fact. A frank and somewhat headlong carriage, not looking too anxiously before, not dallying in maudlin regret over the past, stamps the man who is well armoured for this world.

And not only well armoured for himself, but a good friend and a good citizen to boot. We do not go to cowards for tender dealing; there is nothing so cruel as panic; the man who has least fear for his own carcase, has most time to consider others. That eminent chemist who took his walks abroad in tin shoes, and subsisted wholly upon tepid milk, had all his work cut out for him in considerate dealings with his own digestion. So soon as prudence has begun to grow up in the brain, like a dismal fungus, it finds its first expression in a paralysis of generous acts. The victim begins to shrink spiritually; he develops a fancy for parlours with a regulated temperature, and takes his morality on the principle of tin shoes and tepid milk. The care of one important body or soul becomes so engrossing, that all the noises of the outer world begin to come thin and faint into the parlour with the regulated temperature; and the tin shoes go equably forward over blood and rain. To be overwise is to ossify; and the scruple-monger ends by standing stockstill. Now the man who has his heart on his sleeve, and a good whirling weathercock of a brain, who reckons his life as a thing to be dashingly used and cheerfully hazarded, makes a very different acquaintance of the world, keeps all his pulses going true and fast, and gathers impetus as he runs, until, if he be running towards anything better than wildfire, he may shoot up and become a constellation in the end. Lord look after his health, Lord have a care of his soul, says he; and he has at the key of the position, and swashes through incongruity and peril towards his aim. Death is on all sides of him with pointed batteries, as he is on all sides of all of us; unfortunate surprises gird him round; mim-mouthed friends and relations hold up their hands in quite a little elegiacal synod about his path: and what cares he for all this? Being a true lover of living, a fellow with something pushing and spontaneous in his inside, he must, like any other soldier, in any other stirring, deadly warfare, push on at his best pace until he touch the goal. “A peerage or Westminster Abbey!” cried Nelson in his bright, boyish, heroic manner. These are great incentives; not for any of these, but for the plain satisfaction of living, of being about their business in some sort or other, do the brave, serviceable men of every nation tread down the nettle danger, and pass flyingly over all the stumbling-blocks of prudence. Think of the heroism of Johnson, think of that superb indifference to mortal limitation that set him upon his dictionary, and carried him through triumphantly until the end! Who, if he were wisely considerate of things at large, would ever embark upon any work much more considerable than a halfpenny post card? Who would project a serial novel, after Thackeray and Dickens had each fallen in mid-course? Who would find heart enough to begin to live, if he dallied with the consideration of death?

And, after all, what sorry and pitiful quibbling all this is! To forego all the issues of living in a parlour with a regulated temperature – as if that were not to die a hundred times over, and for ten years at a stretch! As if it were not to die in one’s own lifetime, and without even the sad immunities of death! As if it were not to die, and yet be the patient spectators of our own pitiable change! The Permanent Possibility is preserved, but the sensations carefully held at arm’s length, as if one kept a photographic plate in a dark chamber. It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sickroom. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which out-lives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For surely, at whatever age it overtake the man, this is to die young. Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tip-toe on the highest point of being, he passes at a bound on to the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land.

EL DORADO

It seems as if a great deal were attainable in a world where there are so many marriages and decisive battles, and where we all, at certain hours of the day, and with great gusto and despatch, stow a portion of victuals finally and irretrievably into the bag which contains us. And it would seem also, on a hasty view, that the attainment of as much as possible was the one goal of man’s contentious life. And yet, as regards the spirit, this is but a semblance. We live in an ascending scale when we live happily, one thing leading to another in an endless series. There is always a new horizon for onward-looking men, and although we dwell on a small planet, immersed in petty business and not enduring beyond a brief period of years, we are so constituted that our hopes are inaccessible, like stars, and the term of hoping is prolonged until the term of life. To be truly happy is a question of how we begin and not of how we end, of what we want and not of what we have. An aspiration is a joy for ever, a possession as solid as a landed estate, a fortune which we can never exhaust and which gives us year by year a revenue of pleasurable activity. To have many of these is to be spiritually rich. Life is only a very dull and ill-directed theatre unless we have some interests in the piece; and to those who have neither art nor science, the world is a mere arrangement of colours, or a rough footway where they may very well break their shins. It is in virtue of his own desires and curiosities that any man continues to exist with even patience, that he is charmed by the look of things and people, and that he wakens every morning with a renewed appetite for work and pleasure. Desire and curiosity are the two eyes through which he sees the world in the most enchanted colours: it is they that make women beautiful or fossils interesting: and the man may squander his estate and come to beggary, but if he keeps these two amulets he is still rich in the possibilities of pleasure. Suppose he could take one meal so compact and comprehensive that he should never hunger any more; suppose him, at a glance, to take in all the features of the world and allay the desire for knowledge; suppose him to do the like in any province of experience – would not that man be in a poor way for amusement ever after?

One who goes touring on foot with a single volume in his knapsack reads with circumspection, pausing often to reflect, and often laying the book down to contemplate the landscape or the prints in the inn parlour; for he fears to come to an end of his entertainment, and be left companionless on the last stages of his journey. A young fellow recently finished the works of Thomas Carlyle, winding up, if we remember aright, with the ten note-books upon Frederick the Great. “What!” cried the young fellow, in consternation, “is there no more Carlyle? Am I left to the daily papers?” A more celebrated instance is that of Alexander, who wept bitterly because he had no more worlds to subdue. And when Gibbon had finished the Decline and Fall, he had only a few moments of joy; and it was with a “sober melancholy” that he parted from his labours.

Happily we all shoot at the moon with ineffectual arrows; our hopes are set on inaccessible El Dorado; we come to an end of nothing here below. Interests are only plucked up to sow themselves again, like mustard. You would think, when the child was born, there would be an end to trouble; and yet it is only the beginning of fresh anxieties; and when you have seen it through its teething and its education, and at last its marriage, alas! it is only to have new fears, new quivering sensibilities, with every day; and the health of your children’s children grows as touching a concern as that of your own. Again, when you have married your wife, you would think you were got upon a hilltop, and might begin to go downward by an easy slope. But you have only ended courting to begin marriage. Falling in love and winning love are often difficult tasks to overbearing and rebellious spirits; but to keep in love is also a business of some importance, to which both man and wife must bring kindness and goodwill. The true love story commences at the altar, when there lies before the married pair a most beautiful contest of wisdom and generosity, and a life-long struggle towards an unattainable ideal. Unattainable? Ay, surely unattainable, from the very fact that they are two instead of one.

“Of making books there is no end,” complained the Preacher; and did not perceive how highly he was praising letters as an occupation. There is no end, indeed, to making books or experiments, or to travel, or to gathering wealth. Problem gives rise to problem. We may study for ever, and we are never as learned as we would. We have never made a statue worthy of our dreams. And when we have discovered a continent, or crossed a chain of mountains, it is only to find another ocean or another plain upon the further side. In the infinite universe there is room for our swiftest diligence and to spare. It is not like the works of Carlyle, which can be read to an end. Even in a corner of it, in a private park, or in the neighbourhood of a single hamlet, the weather and the seasons keep so deftly changing that although we walk there for a lifetime there will be always something new to startle and delight us.

There is only one wish realisable on the earth; only one thing that can be perfectly attained: Death. And from a variety of circumstances we have no one to tell us whether it be worth attaining.

A strange picture we make on our way to our chimæras, ceaselessly marching, grudging ourselves the time for rest; indefatigable, adventurous pioneers. It is true that we shall never reach the goal; it is even more than probable that there is no such place; and if we lived for centuries and were endowed with the powers of a god, we should find ourselves not much nearer what we wanted at the end. O toiling hands of mortals! O unwearied feet, travelling ye know not whither! Soon, soon, it seems to you, you must come forth on some conspicuous hilltop, and but a little way further, against the setting sun, descry the spires of El Dorado. Little do ye know your own blessedness; for to travel hopefully is a better thing than to arrive, and the true success is to labour.

THE ENGLISH ADMIRALS

“Whether it be wise in men to do such actions or no, I am sure it is so in States to honour them.” – Sir William Temple.

There is one story of the wars of Rome which I have always very much envied for England. Germanicus was going down at the head of the legions into a dangerous river – on the opposite bank the woods were full of Germans – when there flew out seven great eagles which seemed to marshal the Romans on their way; they did not pause or waver, but disappeared into the forest where the enemy lay concealed. “Forward!” cried Germanicus, with a fine rhetorical inspiration, “Forward! and follow the Roman birds.” It would be a very heavy spirit that did not give a leap at such a signal, and a very timorous one that continued to have any doubt of success. To appropriate the eagles as fellow-countrymen was to make imaginary allies of the forces of nature; the Roman Empire and its military fortunes, and along with these the prospects of those individual Roman legionaries now fording a river in Germany, looked altogether greater and more hopeful. It is a kind of illusion easy to produce. A particular shape of cloud, the appearance of a particular star, the holiday of some particular saint, anything in short to remind the combatants of patriotic legends or old successes, may be enough to change the issue of a pitched battle; for it gives to the one party a feeling that Right and the larger interests are with them.

If an Englishman wishes to have such a feeling, it must be about the sea. The lion is nothing to us; he has not been taken to the hearts of the people, and naturalised as an English emblem. We know right well that a lion would fall foul of us as grimly as he would of a Frenchman or a Moldavian Jew, and we do not carry him before us in the smoke of battle. But the sea is our approach and bulwark; it has been the scene of our greatest triumphs and dangers; and we are accustomed in lyrical strains to claim it as our own. The prostrating experiences of foreigners between Calais and Dover have always an agreeable side to English prepossessions. A man from Bedfordshire, who does not know one end of the ship from the other until she begins to move, swaggers among such persons with a sense of hereditary nautical experience. To suppose yourself endowed with natural parts for the sea because you are the countryman of Blake and mighty Nelson, is perhaps just as unwarrantable as to imagine Scotch extraction a sufficient guarantee that you will look well in a kilt. But the feeling is there, and seated beyond the reach of argument. We should consider ourselves unworthy of our descent if we did not share the arrogance of our progenitors, and please ourselves with the pretension that the sea is English. Even where it is looked upon by the guns and battlements of another nation we regard it as a kind of English cemetery, where the bones of our seafaring fathers take their rest until the last trumpet; for I suppose no other nation has lost as many ships, or sent as many brave fellows to the bottom.

There is nowhere such a background for heroism as the noble, terrifying, and picturesque conditions of some of our sea fights. Hawke’s battle in the tempest, and Aboukir at the moment when the French Admiral blew up, reach the limit of what is imposing to the imagination. And our naval annals owe some of their interest to the fantastic and beautiful appearance of old warships and the romance that invests the sea and everything sea-going in the eyes of English lads on a half-holiday at the coast. Nay, and what we know of the misery between decks enhances the bravery of what was done by giving it something for contrast. We like to know that these bold and honest fellows contrived to live, and to keep bold and honest, among absurd and vile surroundings. No reader can forget the description of the Thunder in Roderick Random: the disorderly tyranny; the cruelty and dirt of officers and men; deck after deck, each with some new object of offence; the hospital, where the hammocks were huddled together with but fourteen inches space for each; the cockpit, far under water, where, “in an intolerable stench,” the spectacled steward kept the accounts of the different messes; and the canvas enclosure, six feet square, in which Morgan made flip and salmagundi, smoked his pipe, sang his Welsh songs, and swore his queer Welsh imprecations. There are portions of this business on board the Thunder over which the reader passes lightly and hurriedly, like a traveller in a malarious country. It is easy enough to understand the opinion of Dr. Johnson: “Why, sir,” he said, “no man will be a sailor who has contrivance enough to get himself into a jail.” You would fancy any one’s spirit would die out under such an accumulation of darkness, noisomeness, and injustice, above all when he had not come there of his own free will, but under the cutlasses and bludgeons of the press-gang. But perhaps a watch on deck in the sharp sea air put a man on his mettle again; a battle must have been a capital relief; and prize-money, bloodily earned and grossly squandered, opened the doors of the prison for a twinkling. Somehow or other, at least, this worst of possible lives could not overlie the spirit and gaiety of our sailors; they did their duty as though they had some interest in the fortune of that country which so cruelly oppressed them, they served their guns merrily when it came to fighting, and they had the readiest ear for a bold, honourable sentiment, of any class of men the world ever produced.

Most men of high destinies have high-sounding names. Pym and Habakkuk may do pretty well, but they must not think to cope with the Cromwells and Isaiahs. And you could not find a better case in point than that of the English Admirals. Drake and Rooke and Hawke are picked names for men of execution. Frobisher, Rodney, Boscawen, Foul-Weather, Jack Byron, are all good to catch the eye in a page of a naval history. Cloudesley Shovel is a mouthful of quaint and sounding syllables. Benbow has a bulldog quality that suits the man’s character, and it takes us back to those English archers who were his true comrades for plainness, tenacity, and pluck. Raleigh is spirited and martial, and signifies an act of bold conduct in the field. It is impossible to judge of Blake or Nelson, no names current among men being worthy of such heroes. But still it is odd enough, and very appropriate in this connection, that the latter was greatly taken with his Sicilian title. “The signification, perhaps, pleased him,” says Southey; “Duke of Thunder was what in Dahomey would have been called a strong name; it was to a sailor’s taste, and certainly to no man could it be more applicable.” Admiral in itself is one of the most satisfactory of distinctions; it has a noble sound and a very proud history; and Columbus thought so highly of it, that he enjoined his heirs to sign themselves by that title as long as the house should last.

But it is the spirit of the men, and not their names, that I wish to speak about in this paper. That spirit is truly English; they, and not Tennyson’s cotton-spinners or Mr. D’Arcy Thompson’s Abstract Bagman, are the true and typical Englishmen. There may be more head of bagmen in the country, but human beings are reckoned by number only in political constitutions. And the Admirals are typical in the full force of the word. They are splendid examples of virtue, indeed, but of a virtue in which most Englishmen can claim a moderate share; and what we admire in their lives is a sort of apotheosis of ourselves. Almost everybody in our land, except humanitarians and a few persons whose youth has been depressed by exceptionally æsthetic surroundings, can understand and sympathise with an Admiral or a prize-fighter. I do not wish to bracket Benbow and Tom Cribb; but, depend upon it, they are practically bracketed for admiration in the minds of many frequenters of ale-houses. If you told them about Germanicus and the eagles, or Regulus going back to Carthage, they would very likely fall asleep; but tell them about Harry Pearce and Jem Belcher, or about Nelson and the Nile, and they put down their pipes to listen. I have by me a copy of Boxiana, on the fly-leaves of which a youthful member of the fancy kept a chronicle of remarkable events and an obituary of great men. Here we find piously chronicled the demise of jockeys, watermen, and pugilists – Johnny Moore, of the Liverpool Prize Ring; Tom Spring, aged fifty-six; “Pierce Egan, senior, writer of Boxiana and other sporting works” – and among all these, the Duke of Wellington! If Benbow had lived in the time of this annalist, do you suppose his name would not have been added to the glorious roll? In short, we do not all feel warmly towards Wesley or Laud, we cannot all take pleasure in Paradise Lost; but there are certain common sentiments and touches of nature by which the whole nation is made to feel kinship. A little while ago everybody, from Hazlitt and John Wilson down to the imbecile creature who scribbled his register on the fly-leaves of Boxiana, felt a more or less shamefaced satisfaction in the exploits of prize-fighters. And the exploits of the Admirals are popular to the same degree, and tell in all ranks of society. Their sayings and doings stir English blood like the sound of a trumpet; and if the Indian Empire, the trade of London, and all the outward and visible ensigns of our greatness should pass away, we should still leave behind us a durable monument of what we were in these sayings and doings of the English Admirals.

Duncan, lying off the Texel with his own flagship, the Venerable, and only one other vessel, heard that the whole Dutch fleet was putting to sea. He told Captain Hotham to anchor alongside of him in the narrowest part of the channel, and fight his vessel till she sank. “I have taken the depth of the water,” added he, “and when the Venerable goes down, my flag will still fly.” And you observe this is no naked Viking in a prehistoric period; but a Scotch member of Parliament, with a smattering of the classics, a telescope, a cocked hat of great size, and flannel underclothing. In the same spirit, Nelson went into Aboukir with six colours flying; so that even if five were shot away, it should not be imagined he had struck. He too must needs wear his four stars outside his Admiral’s frock, to be a butt for sharp-shooters. “In honour I gained them,” he said to objectors, adding with sublime illogicality, “in honour I will die with them.” Captain Douglas of the Royal Oak, when the Dutch fired his vessel in the Thames, sent his men ashore, but was burned along with her himself rather than desert his post without orders. Just then, perhaps the Merry Monarch was chasing a moth round the supper-table with the ladies of his court. When Raleigh sailed into Cadiz, and all the forts and ships opened fire on him at once, he scorned to shoot a gun, and made answer with a flourish of insulting trumpets. I like this bravado better than the wisest dispositions to insure victory; it comes from the heart and goes to it. God has made nobler heroes, but he never made a finer gentleman than Walter Raleigh. And as our Admirals were full of heroic superstitions, and had a strutting and vainglorious style of fight, so they discovered a startling eagerness for battle, and courted war like a mistress. When the news came to Essex before Cadiz that the attack had been decided, he threw his hat into the sea. It is in this way that a schoolboy hears of a half-holiday; but this was a bearded man of great possessions who had just been allowed to risk his life. Benbow could not lie still in his bunk after he had lost his leg; he must be on deck in a basket to direct and animate the fight. I said they loved war like a mistress; yet I think there are not many mistresses we should continue to woo under similar circumstances. Trowbridge went ashore with the Culloden, and was able to take no part in the battle of the Nile. “The merits of that ship and her gallant captain,” wrote Nelson to the Admiralty, “are too well known to benefit by anything I could say. Her misfortune was great in getting aground, while her more fortunate companions were in the full tide of happiness.” This is a notable expression, and depicts the whole great-hearted, big-spoken stock of the English Admirals to a hair. It was to be “in the full tide of happiness” for Nelson to destroy five thousand five hundred and twenty-five of his fellow-creatures, and have his own scalp torn open by a piece of langridge shot. Hear him again at Copenhagen: “A shot through the mainmast knocked the splinters about; and he observed to one of his officers with a smile, ‘It is warm work, and this may be the last to any of us at any moment;’ and then, stopping short at the gangway, added, with emotion, ‘But, mark you – I would not be elsewhere for thousands.’”

I must tell one more story, which has lately been made familiar to us all, and that in one of the noblest ballads in the English language. I had written my tame prose abstract, I shall beg the reader to believe, when I had no notion that the sacred bard designed an immortality for Greenville. Sir Richard Greenville was Vice-Admiral to Lord Thomas Howard, and lay off the Azores with the English squadron in 1591. He was a noted tyrant to his crew: a dark, bullying fellow apparently; and it is related of him that he would chew and swallow wineglasses, by way of convivial levity, till the blood ran out of his mouth. When the Spanish fleet of fifty sail came within sight of the English, his ship, the Revenge, was the last to weigh anchor, and was so far circumvented by the Spaniards, that there were but two courses open – either to turn her back upon the enemy or sail through one of his squadrons. The first alternative Greenville dismissed as dishonourable to himself, his country, and her Majesty’s ship. Accordingly, he chose the latter, and steered into the Spanish armament. Several vessels he forced to luff and fall under his lee; until, about three o’clock of the afternoon, a great ship of three decks of ordnance took the wind out of his sails, and immediately boarded. Thence-forward, and all night long, the Revenge, held her own single-handed against the Spaniards. As one ship was beaten off, another took its place. She endured, according to Raleigh’s computation, “eight hundred shot of great artillery, besides many assaults and entries.” By morning the powder was spent, the pikes all broken, not a stick was standing, “nothing left overhead either for flight or defence;” six feet of water in the hold; almost all the men hurt; and Greenville himself in a dying condition. To bring them to this pass, a fleet of fifty sail had been mauling them for fifteen hours, the Admiral of the Hulks and the Ascension of Seville had both gone down alongside, and two other vessels had taken refuge on shore in a sinking state. In Hawke’s words, they had “taken a great deal of drubbing.” The captain and crew thought they had done about enough; but Greenville was not of this opinion; he gave orders to the master gunner, whom he knew to be a fellow after his own stamp, to scuttle the Revenge where she lay. The others, who were not mortally wounded like the Admiral, interfered with some decision, locked the master gunner in his cabin, after having deprived him of his sword, for he manifested an intention to kill himself if he were not to sink the ship; and sent to the Spaniards to demand terms. These were granted. The second or third day after, Greenville died of his wounds aboard the Spanish flagship, leaving his contempt upon the “traitors and dogs” who had not chosen to do as he did, and engage fifty vessels, well found and fully manned, with six inferior craft ravaged by sickness and short of stores. He at least, he said, had done his duty as he was bound to do, and looked for everlasting fame.

Some one said to me the other day that they considered this story to be of a pestilent example. I am not inclined to imagine we shall ever be put into any practical difficulty from a superfluity of Greenvilles. And besides, I demur to the opinion. The worth of such actions is not a thing to be decided in a quaver of sensibility or a flush of righteous commonsense. The man who wished to make the ballads of his country, coveted a small matter compared to what Richard Greenville accomplished. I wonder how many people have been inspired by this mad story, and how many battles have been actually won for England in the spirit thus engendered. It is only with a measure of habitual foolhardiness that you can be sure, in the common run of men, of courage on a reasonable occasion. An army or a fleet, if it is not led by quixotic fancies, will not be led far by terror of the Provost Marshal. Even German warfare, in addition to maps and telegraphs, is not above employing the Wacht am Rhein. Nor is it only in the profession of arms that such stories may do good to a man. In this desperate and gleeful fighting, whether it is Greenville or Benbow, Hawke or Nelson, who flies his colours in the ship, we see men brought to the test and giving proof of what we call heroic feeling. Prosperous humanitarians tell me, in my club smoking-room, that they are a prey to prodigious heroic feelings, and that it costs them more nobility of soul to do nothing in particular, than would carry on all the wars, by sea or land, of bellicose humanity. It may very well be so, and yet not touch the point in question. For what I desire is to see some of this nobility brought face to face with me in an inspiriting achievement. A man may talk smoothly over a cigar in my club smoking-room from now to the Day of Judgment, without adding anything to mankind’s treasury of illustrious and encouraging examples. It is not over the virtues of a curate-and-tea-party novel, that people are abashed into high resolutions. It may be because their hearts are crass, but to stir them properly they must have men entering into glory with some pomp and circumstance. And that is why these stories of our sea-captains, printed, so to speak, in capitals, and full of bracing moral influence, are more valuable to England than any material benefit in all the books of political economy between Westminster and Birmingham. Greenville chewing wineglasses at table makes no very pleasant figure, any more than a thousand other artists when they are viewed in the body, or met in private life; but his work of art, his finished tragedy, is an eloquent performance; and I contend it ought not only to enliven men of the sword as they go into battle, but send back merchant clerks with more heart and spirit to their book-keeping by double entry.

There is another question which seems bound up in this; and that is Temple’s problem: whether it was wise of Douglas to burn with the Royal Oak? and by implication, what it was that made him do so? Many will tell you it was the desire of fame.

“To what do Cæsar and Alexander owe the infinite grandeur of their renown, but to fortune? How many men has she extinguished in the beginning of their progress, of whom we have no knowledge; who brought as much courage to the work as they, if their adverse hap had not cut them off in the first sally of their arms? Amongst so many and so great dangers, I do not remember to have anywhere read that Cæsar was ever wounded; a thousand have fallen in less dangers than the least of these he went through. A great many brave actions must be expected to be performed without witness, for one that comes to some notice. A man is not always at the top of a breach, or at the head of an army in the sight of his general, as upon a platform. He is often surprised between the hedge and the ditch; he must run the hazard of his life against a henroost; he must dislodge four rascally musketeers out of a barn; he must prick out single from his party, as necessity arises, and meet adventures alone.”

Thus far Montaigne, in a characteristic essay on Glory. Where death is certain, as in the cases of Douglas or Greenville, it seems all one from a personal point of view. The man who lost his life against a henroost, is in the same pickle with him who lost his life against a fortified place of the first order. Whether he has missed a peerage or only the corporal’s stripes, it is all one if he has missed them and is quietly in the grave. It was by a hazard that we learned the conduct of the four marines of the Wager. There was no room for these brave fellows in the boat, and they were left behind upon the island to a certain death. They were soldiers, they said, and knew well enough it was their business to die; and as their comrades pulled away, they stood upon the beach, gave three cheers, and cried “God bless the king!” Now, one or two of those who were in the boat escaped, against all likelihood, to tell the story. That was a great thing for us; but surely it cannot, by any possible twisting of human speech, be construed into anything great for the marines. You may suppose, if you like, that they died hoping their behaviour would not be forgotten; or you may suppose they thought nothing on the subject, which is much more likely. What can be the signification of the word “fame” to a private of marines, who cannot read and knows nothing of past history beyond the reminiscences of his grandmother? But whichever supposition you make, the fact is unchanged. They died while the question still hung in the balance; and I suppose their bones were already white, before the winds and the waves and the humour of Indian chiefs and Spanish governors had decided whether they were to be unknown and useless martyrs or honoured heroes. Indeed, I believe this is the lesson: if it is for fame that men do brave actions, they are only silly fellows after all.

It is at best but a pettifogging, pickthank business to decompose actions into little personal motives, and explain heroism away. The Abstract Bagman will grow like an Admiral at heart, not by ungrateful carping, but in a heat of admiration. But there is another theory of the personal motive in these fine sayings and doings, which I believe to be true and wholesome. People usually do things, and suffer martyrdoms, because they have an inclination that way. The best artist is not the man who fixes his eye on posterity, but the one who loves the practice of his art. And instead of having a taste for being successful merchants and retiring at thirty, some people have a taste for high and what we call heroic forms of excitement. If the Admirals courted war like a mistress; if, as the drum beat to quarters, the sailors came gaily out of the forecastle, – it is because a fight is a period of multiplied and intense experiences, and, by Nelson’s computation, worth “thousands” to any one who has a heart under his jacket. If the marines of the Wager gave three cheers and cried “God bless the king,” it was because they liked to do things nobly for their own satisfaction. They were giving their lives, there was no help for that; and they made it a point of self-respect to give them handsomely. And there were never four happier marines in God’s world than these four at that moment. If it was worth thousands to be at the Baltic, I wish a Benthamite arithmetician would calculate how much it was worth to be one of these four marines; or how much their story is worth to each of us who read it. And mark you, undemonstrative men would have spoiled the situation. The finest action is the better for a piece of purple. If the soldiers of the Birkenhead had not gone down in line, or these marines of the Wager had walked away simply into the island, like plenty of other brave fellows in the like circumstances, my Benthamite arithmetician would assign a far lower value to the two stories. We have to desire a grand air in our heroes; and such a knowledge of the human stage as shall make them put the dots on their own i’s, and leave us in no suspense as to when they mean to be heroic. And hence, we should congratulate ourselves upon the fact that our Admirals were not only great-hearted but big-spoken.

The heroes themselves say, as often as not, that fame is their object; but I do not think that is much to the purpose. People generally say what they have been taught to say; that was the catchword they were given in youth to express the aims of their way of life; and men who are gaining great battles are not likely to take much trouble in reviewing their sentiments and the words in which they were told to express them. Almost every person, if you will believe himself, holds a quite different theory of life from the one on which he is patently acting. And the fact is, fame may be a forethought and an afterthought, but it is too abstract an idea to move people greatly in moments of swift and momentous decision. It is from something more immediate, some determination of blood to the head, some trick of the fancy, that the breach is stormed or the bold word spoken. I am sure a fellow shooting an ugly weir in a canoe has exactly as much thought about fame as most commanders going into battle; and yet the action, fall out how it will, is not one of those the muse delights to celebrate. Indeed it is difficult to see why the fellow does a thing so nameless and yet so formidable to look at, unless on the theory that he likes it. I suspect that is why; and I suspect it is at least ten per cent. of why Lord Beaconsfield and Mr. Gladstone have debated so much in the House of Commons, and why Burnaby rode to Khiva the other day, and why the Admirals courted war like a mistress.

SOME PORTRAITS BY RAEBURN

Through the initiative of a prominent citizen, Edinburgh has been in possession, for some autumn weeks, of a gallery of paintings of singular merit and interest. They were exposed in the apartments of the Scotch Academy; and filled those who are accustomed to visit the annual spring exhibition, with astonishment and a sense of incongruity. Instead of the too common purple sunsets, and pea-green fields, and distances executed in putty and hog’s lard, he beheld, looking down upon him from the walls of room after room, a whole army of wise, grave, humorous, capable, or beautiful countenances, painted simply and strongly by a man of genuine instinct. It was a complete act of the Human Drawing-Room Comedy. Lords and ladies, soldiers and doctors, hanging judges, and heretical divines, a whole generation of good society was resuscitated; and the Scotchman of to-day walked about among the Scotchmen of two generations ago. The moment was well chosen, neither too late nor too early. The people who sat for these pictures are not yet ancestors, they are still relations. They are not yet altogether a part of the dusty past, but occupy a middle distance within cry of our affections. The little child who looks wonderingly on his grandfather’s watch in the picture, is now the veteran Sheriff emeritus of Perth. And I hear a story of a lady who returned the other day to Edinburgh, after an absence of sixty years: “I could see none of my old friends,” she said, “until I went into the Raeburn Gallery, and found them all there.”

It would be difficult to say whether the collection was more interesting on the score of unity or diversity. Where the portraits were all of the same period, almost all of the same race, and all from the same brush, there could not fail to be many points of similarity. And yet the similarity of the handling seems to throw into more vigorous relief those personal distinctions which Raeburn was so quick to seize. He was a born painter of portraits. He looked people shrewdly between the eyes, surprised their manners in their face, and had possessed himself of what was essential in their character before they had been many minutes in his studio. What he was so swift to perceive, he conveyed to the canvas almost in the moment of conception. He had never any difficulty, he said, about either hands or faces. About draperies or light or composition, he might see room for hesitation or afterthought. But a face or a hand was something plain and legible. There were no two ways about it, any more than about the person’s name. And so each of his portraits are not only (in Doctor Johnson’s phrase, aptly quoted on the catalogue) “a piece of history,” but a piece of biography into the bargain. It is devoutly to be wished that all biography were equally amusing, and carried its own credentials equally upon its face. These portraits are racier than many anecdotes, and more complete than many a volume of sententious memoirs. You can see whether you get a stronger and clearer idea of Robertson the historian from Raeburn’s palette or Dugald Stewart’s woolly and evasive periods. And then the portraits are both signed and countersigned. For you have, first, the authority of the artist, whom you recognise as no mean critic of the looks and manners of men; and next you have the tacit acquiescence of the subject, who sits looking out upon you with inimitable innocence, and apparently under the impression that he is in a room by himself. For Raeburn could plunge at once through all the constraint and embarrassment of the sitter, and present the face, clear, open, and intelligent as at the most disengaged moments. This is best seen in portraits where the sitter is represented in some appropriate action: Neil Gow with his fiddle, Doctor Spens shooting an arrow, or Lord Bannatyne hearing a cause. Above all, from this point of view, the portrait of Lieutenant-Colonel Lyon is notable. A strange enough young man, pink, fat about the lower part of the face, with a lean forehead, a narrow nose and a fine nostril, sits with a drawing-board upon his knees. He has just paused to render himself account of some difficulty, to disentangle some complication of line or compare neighbouring values. And there, without any perceptible wrinkling, you have rendered for you exactly the fixed look in the eyes, and the unconscious compression of the mouth, that befit and signify an effort of the kind. The whole pose, the whole expression, is absolutely direct and simple. You are ready to take your oath to it that Colonel Lyon had no idea he was sitting for his picture, and thought of nothing in the world besides his own occupation of the moment.