Secret Seduction

Secret Seduction
Susan Napier

Nina knew she'd lost her memory–because when she met Ryan Flint he clearly recognized her, but Nina had no idea who he was.Had they once been lovers? Ryan was obviously hiding something. He seemed angry with Nina, yet intent on seducing her. The tense sexual attraction between them demanded release, but when passion finally exploded between them, what secrets would be revealed?

“I don’t need you, Ryan. I’m willing to put up with you, that’s all!”

“Oh, I think there’s more to it than that, Nina. Much, much more…”

The trailing tip of thumb brushed the corner of her mouth, which parted in alarm.

When had he moved so close? “Don’t touch me!”

“Why not?” His voice dropped to a bittersweet tenderness. “What are you so afraid of? What will happen if I do?”

“Nothing will happen!”

“All right. I won’t—” he turned back to the house “—for now.” He gave her a smoldering smile over his shoulder. “But we both know that I don’t have to touch you for you to be touched by me, don’t we…Nina, darling?”

Amnesia

What the memory has lost, the body never forgets

An electric chemistry with a disturbingly familiar stranger…. A reawakening of passions long forgotten…. And a compulsive desire to get to know this stranger all over again!

A brand-new miniseries from Harlequin Presents

featuring top-selling authors: Penny Jordan, Susan Napier and Lynne Graham

In November don’t miss The Sicilian’s Mistress

by

Lynne Graham

#2139

Secret Seduction

Amnesia

Susan Napier

CONTENTS

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

CHAPTER NINE

CHAPTER TEN

CHAPTER ONE

ANOTHER salt-laden blast of wind funnelled past the low cliffs at the entrance of the bay and howled across the seething waves to dash itself against the ragged row of houses along the beachfront. In the back room of her rented cottage Nina Dowling flinched as the windows rattled violently in their sun-warped frames and the woodwork creaked and groaned in protest at the assault.

Hunching protectively over her desktop drawing board, she dipped her brush into the narrow-mouthed water jar at her elbow and meticulously reshaped the sable bristles, trying to block out her awareness of the growing tumult outside by concentrating on the intricate task at hand.

So what if she had just heard the radio weather bulletin issue an overnight gale warning for the Hauraki Gulf? Despite its ramshackle appearance, this sturdy bungalow had weathered more than fifty years of winter storms. And, anyway, Shearwater Island was in the southern reaches of the gulf, less exposed to the full force of the storms that regularly blew in from the Pacific Ocean than many of the other hundred or so islands that were scattered off the coast of Auckland.

A few minutes later, Nina gave up pretending that she was going to get any more work done. The ominous crack of approaching thunder was the last straw. Trying to etch the delicate path of a minute leaf vein with the moistened edge of her chisel-shaped brush tip was impossible when her nerves were braced against the next assault of nature. She pursed her ripe mouth as she surveyed what she had just done, her sea-green eyes narrowed with dissatisfaction, her silky dark brows drawn together in a rippling frown. Instead of abrading away the wash of green pigment to expose a hair-thin line of white paper, the nervous jerks of her clenched fingers were in danger of creating a major new vein at the margin of the leaf.

Such botanical incorrectness would give George palpitations! she thought ruefully as she set aside the unfinished illustration and replaced the labelled pot containing the original plant specimen on the crowded shelf by the window. While Nina freely employed a great deal of artistic licence in her own paintings, the bread-and-butter commissions she executed for the local botanist demanded strict biological accuracy. It was exacting work but Nina enjoyed the challenge, and the flat fee that George paid her for each completed watercolour was sufficient to support her in very modest style.

Fortunately, there were few temptations to frivolous spending on Shearwater Island. Most of the islanders were laid-back alternative lifestylers, eccentric loners, or descendants of original owners who either commuted to Auckland to work or merely used their properties during weekends and holidays.

Part of the island was a nature and marine reserve, and the locals jealously guarded their relatively unspoiled environment by enduring rudimentary public services and supporting by-laws that precluded commercial development. That meant there were no chic beach cafés or hotels, or well-serviced moorings for glitzy yachts on Shearwater Island, no flash millionaires’ mansions or noisy helipads.

The only store, at the wooden ferry jetty on the other side of the island from Puriri Bay, stocked little more than the basic necessities of life—except during the summer months, when the resident population of a few hundred was swollen by holiday-makers, visiting boaties who dropped anchor in the deepwater bays and daytrippers who made the hour-and-a-half ferry ride from Auckland.

In the nine months that she had lived on the island, Nina had been pleased to discover that there was nothing that she couldn’t buy, barter, mail-order or stoically go without.

Another shuddering gust of wind buffeted the house on its foundations as Nina cleaned her brushes with the speed and efficiency of long practise and covered her palette of watercolours with a damp cloth to prevent the shallow pans from drying out overnight. She carried the squat jars of stained water into the kitchen to rinse them out for the next day, flicking off the fluorescent lights in the cramped studio. Usually she preferred using the natural light from the sloping skylight and small, southerly facing window for her studio-based paintings, but the dense cloud cover had made artificial illumination necessary for most of the day.

Leaving her clean jars draining upside down on the bench, Nina hurried through the sprawling, three-bedroom cottage, making sure that all the external door and window latches were secure, and checking that there was nothing loose outside that high winds might turn into a potential missile.

In the last big storm, Ray Stewart, who lived in the sun-bleached weatherboard house next door, had almost been skewered in his rocking chair by an unsecured water-ski that had blown off someone’s deck and cartwheeled along the wide strip of interconnecting front yards to spear through his window. The grizzled old man, who also happened to be Nina’s landlord, had taken his near impalement in his stride, more angry at his neighbour’s carelessness than frightened by his brush with mortality, but to Nina it had been a graphic warning of the awesome power of nature.

Now, standing in her living room, looking out at the deserted, wind-scoured beach, she wrapped her arms around her waist in an unconsciously self-protective gesture. The sliding glass door, misted with salt and sand, framed a panoramic view of the tempest. Along the grassy public foreshore, the huge, gnarled puriri trees that gave the bay its name were writhing, their twisted limbs semaphoring the rising strength of the wind, the thick, evergreen foliage tossing in sympathy with the storm-whipped sea.

Spray was thick in the swirling air and even the hardiest of seabirds, the squalling gulls, had taken cover. The tide was nearly full in, the greedy waves chewing more than halfway up the wide curve of sloping sand towards the low bank on which the puriri trees perched, their venerable roots knitted deep into the sandy clay.

Farther out, the deep swells pushing in from the gulf boomed onto the rocks at the base of the cliffs, exploding upwards in sheets of ghostly white foam that instantly dissolved into the jagged cliff face. Within the semicircle of the bay itself, the murky sea was a frenzy of whitecaps, the few boats still anchored there pitching and rolling as they strained at their moorings. Clumps of dirty white foam broke away from the building crest at the high-water line and swirled up onto the back of the beach, rolling and tumbling over moisture-darkened soft sand still pockmarked from earlier showers.

Although sunset was officially still hours away, it was already almost dark outside, the dense black clouds continuing to sweep in from the north-east, bringing with them forked flashes of lightning and a thick band of rain that blurred the gap between turbulent sky and tumultuous sea until they were indistinguishable from each other in the intensifying gloom.

The artist in Nina revelled in the visual drama of the scene. It was beautiful, wild…dangerous….