The Confession of Katherine Howard

The Confession of Katherine Howard
Suzannah Dunn

The new novel from the bestselling author of THE SIXTH WIFE.When 12-year-old Katherine Howard comes to live in the Duchess of Norfolk's household, poor relation Cat Tilney is deeply suspicious. The two girls couldn't be more different: Cat, watchful and ambitious; Katherine, interested only in clothes and boys. Their companions are in thrall to Katherine, but it's Cat in whom Katherine confides and, despite herself, Cat is drawn to her. Summoned to court at 17, Katherine leaves Cat in the company of her ex-lover, Francis, and the two begin their own, much more serious, love affair.Within months, the king has set aside his Dutch wife Anne for Katherine. The future seems assured for the new queen and her maid-in-waiting, although Cat would feel more confident if Katherine hadn't embarked on an affair with one of the king's favoured attendants, Thomas Culpeper.However, for a blissful year and a half, it seems that Katherine can have everything she wants. But then allegations are made about her girlhood love affairs. Desperately frightened, Katherine recounts a version of events which implicates Francis but which Cat knows to be a lie. With Francis in the Tower, Cat alone knows the whole truth of Queen Katherine Howard – but if she tells, Katherine will die.

The

Confession

of Katherine

Howard

SUZANNAH DUNN

Contents

Cover (#uf2c13370-59a2-5546-b0bf-2ba1afabdbb8)

Title Page (#u80ea11da-743f-543d-9d9b-be38c3b7e56b)

November 2nd, 1541 (#u3d767137-9a50-5e45-ae6d-f38e79144202)

November 3rd (#ue483069d-3a16-5ead-b76c-ffb5f095fb8a)

November 4th (#ue8e542d9-60fb-5974-bebf-03904b1ec56d)

November 5th (#ubb57ab08-8ebe-512e-9a8e-cef055281d96)

First at the flattering and fair persuasions of Manox… (#ua000851f-7a49-5f12-8ea7-a9e068a02bce)

November 6th (#litres_trial_promo)

Also Francis Dereham by many persuasions… (#litres_trial_promo)

November 7th (#litres_trial_promo)

Master Culpeper, I never longed so much… (#litres_trial_promo)

November 7th, late afternoon (#litres_trial_promo)

Afterword (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

Author’s Note (#litres_trial_promo)

Praise for Suzannah Dunn (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

‘Comet-like, brilliant yet transitory, Catherine Howard blazed

across the Tudor sky.’

Lacey Baldwin Smith, A Tudor Tragedy: The life and times of Catherine Howard, 1961

November 2nd, 1541 (#ulink_3f82525b-1bd4-5b72-bb8d-84c84c56281a)

The second of November was the last time when everything was all right, and of all days it was All Souls, the day of the dead. The day when, back in the old world, the bells rang for hours into the darkness to reach the souls in purgatory, to tell them we’d never forsake them, never stop pleading with God to take them in. Those bells clamoured on our behalf, too, though, I’d always felt: calling to the dead - so much more numerous than us - to spare a backwards glance. They couldn’t resist it, creeping back to steal a look at us: we, the hapless living, ignorant of what was to come. They pressed in on us, after dark, coming in on the night air despite the closed doors, hovering among the rafters despite the flaring wicks, and drawing deep on our exhaled breaths. Much was made of their mischief, back in the old days, but all I’d ever detected in the air on that one night of the year was despair.

As All Souls came to a close, that year, we were in the queen’s private chamber. Soon to be free again of the doleful reproaches of the dead for a whole year, we’d already been reclaiming the world for the living. Life was never so much for the young as on the day that was soon to dawn and we in the queen’s retinue were so much younger than everyone else at the palace, which the king and his company had acknowledged, leaving us to our dancing.

By around eleven o’clock we were reeling. Only a handful of us remained with the queen, having retreated at her invitation to her gorgeous private chamber, where we reclined on cushions around her vast, gold-canopied chair. Our pale faces were flushed with fireglow but the room could’ve been lit by our pearls and gems alone, the hundreds of them worked into the fabrics of our gowns and sleeves, collars and cuffs. England: firelight and fireblush; wine-dark, winking gemstones and a frost of pearls. Wool as soft as silk, in leaf-green and moss; satins glossy like a midsummer midnight or opalescent like winter sunrise.

To see us there, no one would ever have guessed that we were barely free of a decade of destruction: the stripping of churches and dismantling of monasteries, the chaining of monks to walls to die, the smash of a sword-blade into a queen’s bared neck. None of it had actually happened to us, though; it’d passed us by as we’d sat embroidering alongside our housekeeper. Our parish church had been whitewashed, the local priory sold to a rich man, and we’d celebrated fewer saints’ days, but that, for us, had been the extent of it. The tumultuous decade had passed, the reforming queen was long gone and the reformations had ceased if not reversed, and there we were, grown up and at the palace as if nothing had ever happened: English girls, demure and bejewelled; Catholic girls, no less, half-asleep around an English Catholic queen.

My friend Kate: the queen. Little Kate Howard, my girlhood friend, who’d been nobody much: she’d become England’s queen. Just over a year on the throne, but from how she sat there under that shimmering canopy, she might’ve been born to it. Just nineteen years old, but doing a perfect job. At last, the king was happy again and life at the palace was, once again, fun: that’s what everyone was saying. It was as if we’d gone back twenty years, people were saying, to the days of the first Catherine, the king’s first queen, before all the trouble began. Before all the wives. And whoever would’ve believed that was possible? Kate looked to have a lifetime of queenship ahead of her: easing the king through his latter years before living on as dowager queen and - God willing - mother of his successor. Kate was the happy ending, of which - even better - we were, so far, only at the beginning.

Tiny Kate, in poppy-coloured silk, in the gold-glow of the canopy. With her eyes closed and head back, the Norfolk-family chin gave her — in spite of her repose — a teasing, testing look. Her silk-clad legs, outstretched, were crossed at the ankle and the sole of the uppermost shoe was visible: softest Spanish leather which was scuffed beyond repair by just one evening of dancing. Her fingers were laced in her lap, the rings numerous and their jewels so big that her little hands disappeared beneath them.

I was resting back on Francis; he was turning a skein of my hair in his fingers, his breath warm on the top of my head. Across the room, Alice and Maggie, my other girlhood friends, were gazing into the smouldering sea-coal in the brazier. All of us were lost to the exquisite playing of one of Kate’s favoured musicians, a doe-eyed boy of sixteen or seventeen, his head low over his lute.

It felt, to me, like the beginning, that night: finally, the real beginning of our future. I’d never had any reason to doubt it but - if truth be told - I’d always been sceptical of our sudden, unexpected success. That was the evening, though, when I finally let myself believe it, when I allowed it to work its magic on me. What I was thinking as I looked around that room was, This is who we are: the perfect queen and her faithful retinue. Now, I wish I could go back, patter over the lavish carpets to tap us on the shoulders, whisper in our ears and get us out of there alive. Little did we know it, but, that night, we were already ghosts in our own lives.

Just after the strike of eleven, Thomas Culpeper swaggered through the door, cloaked in raw night air but otherwise as polished as ever. He’d been around earlier but had gone off to see someone or do something and here he was again, with a sharp, meagre bow towards Kate. She slid down in her chair to reach him with her toes, to poke his shin, her playful kick an admonishment - Don’t - because so perfunctory a bow was a provocation. He sat down at the foot of her chair, a halo of candlelight slipping on his chestnut hair as he looked up to whisper to her, ‘You been sent for?’

The slightest shift of her head, the merest suggestion of a shake; and if the king hadn’t sent for her by this time in the evening, he wouldn’t do so. Strange, perhaps, that the king didn’t want her on this night of all nights, when he’d spent the evening at a special service of his own devising to give thanks to God for his wonderful wife, for his late-flowering happiness. After four months on the road, showing her off around the country, he’d chosen for his homecoming this celebratory Mass from which modesty had demanded that she stay away. Yet he hadn’t sent for her, afterwards.

Perhaps he wanted to think of her for that one night as God-given, as something like a miracle, which would’ve been tested by a tussle in the bed. And a tussle was surely what it would’ve been. Extraordinary though he was, whenever Kate was summoned to his bed I could only think of him as huge and old. To me, back then, he was already huge and old, even though actually he was only in his forties and not yet in particularly bad shape, only thickening as muscle softened to fat. He was more than twice my age, though, and had been ruler for longer than I’d been alive. To me, back then, older people seemed to have accumulated disappointment, to be weighed down by their disapproval for the rest of us - not unlike how I imagined the dead to be - and this was indeed the look of the king: the tight mouth; the eyes narrowed with distrust. The exception for him was Kate: he shone whenever he looked at her; his features lifted and he looked alive, he looked relieved.

They made the oddest pair in every respect but most obviously in their physical mismatch: Kate tiny, and the king twice her size. She was only shoulder-high to most of the ladies at court but her husband was a head and shoulders taller than most of the men and half as wide again. He was twice as wide as Francis, who might’ve been considered girlish by those who didn’t know him as I did. Francis’s bones rose high in his silky boy-skin and I’d cupped each and every one. My hands had explored the configuration of him, edging along the shield of skull behind his ears, stroking down his breastbone, circling the knots of his wrists, spanning his hips, as if unwrapping a gift.

I couldn’t help but wonder how Kate felt whenever she was summoned from her own bedroom to the one adjoining the king’s apartment, the one they shared on those occasions when he asked for her and to which he came with a pair of attendants who’d wait outside for him. It seemed, to me, a hefty price to pay for all the deference, the egg-sized diamonds, the acres of cloth of gold that she wore and in which she draped her rooms - those river-view rooms occupied by the most talented young musicians and most knowledgeable chaplains and physicians. Then again, most of her ladies and maids would end up settling for situations that weren’t so dissimilar, but for far less recompense. Not me, though: I was going to marry Francis, I’d make sure that happened and, now that he was the queen’s private secretary, I was confident my parents could be persuaded.

There’d been no way, I knew, for Kate to refuse the king. He’d hadn’t ordered her to marry him and he’d been careful to court her - for appearance’s sake, for the sake of his pride - but all the same she could never have said no: he and her family would’ve seen to that. Whenever she went off to that shared bedroom, I didn’t quite know what I was witnessing: coercion or compromise. She’d have known that it was what everyone was thinking but she let nothing slip, never even acknowledged the curiosity, which was quite something for a girl of knowing looks, the mistress of the cryptic confidence. She acted blithe when leaving for that shared bedroom and again when she returned, making clear that as far as she was concerned - and, thus, as far as everyone else should be concerned - it was nothing. I supposed she had to think of it that way for her to be able to endure it.

She lifted her head to catch my eye, and spoke quietly but emphatically: ‘Room going free.’ Thomas Culpeper’s: she was offering me - and Francis - his bed for the night, as she did whenever she could. Thomas Culpeper would stay with her, and Francis and I would be able to spend a whole night alone together in his bed. Behind me, Francis tensed, making as if to decline. I knew why, I knew what he was thinking: Not Thomas Culpeper’s, anyone but Thomas Culpeper’s. But, as ever, I was quicker: ‘Good, thank you.’ Anyway, the offer had been made to me, not to Francis. Dutifully, I smiled my gratitude in Thomas Culpeper’s direction but avoided meeting his eye, which wasn’t hard because a glance at the likes of me was beneath him.

I, too, would’ve preferred that it wasn’t Thomas Culpeper’s bed, but it was his or none. And although I’d over-indulged at supper and was tired from the dancing, and although I’d have loved to close my eyes and slide into oblivion, I wasn’t going to turn down an all-too-rare night with Francis. Opportunities for even the swiftest encounter had been few and far between during the four long months on the road, but even in the palaces we too often had to suffer the embarrassment of begging time alone from room-mates or risk being discovered in the Office of Revels’ storage rooms among papier-mâché unicorns. A couple of times, we’d even taken our chances in a window recess at the far end of the Queen’s Gallery, flinching from distant footfalls. Very occasionally, when Kate and all her ladies were being elaborately entertained, she’d dare to slip me her bedroom key so that Francis and I could miss the show for some fun of our own. We’d sneak away to brave the line of yeomen on guard at the door to her apartment - the pair of us ostensibly on separate duties to prepare for the queen’s eventual return - and hurry through room after room, ignoring any chamberers, until we reached the door of the most private room of all, and there we’d slip inside unseen. The first time, the bed itself almost did for us, that immense bed piled with furs and hung with gold cloth: we’d hardly dared clamber up on to it. And then there’d been the distraction of the star-gilded ceiling.

That night, All Souls, I rose and took Francis by the hand to draw him to his feet, keen not to waste time, anxious in case the offer was for any reason withdrawn. I led him out past the guards, down the stairs and into the gloom. We were in step by the time we were skirting the inner courtyard, heading for the courtiers’ rooms on the boundary of Fountain Court. We could’ve found Thomas Culpeper’s rooms with our eyes closed, we probably knew the way better than he did: he was so rarely there. As a favoured Gentleman of the Privy Chamber, he was often required to sleep alongside the king’s bed. If he wasn’t, then - unbeknown to the king - there was a good chance he’d be in the queen’s.

Francis went on ahead while I took cover in an adjacent stairwell. He was up the first two or three stairs with a single stride, then disappeared from view; but the rooms were on the first floor and I heard his knock, the answering cry and the opening of the door. Thomas Culpeper’s attending man sounded disgruntled at having to shift so late. ‘You’re in here tonight?’ No reply that I could hear from Francis; I pictured his apologetic shrug and lopsided smile, which in turn had me smiling. Then a clattering of footfalls on the steps: more than one pair; the attendant had had company. Two men bounced down into the stairwell but the laggard drew his companion back into shadow and they kissed. It was a momentary embrace, but savoured. A long moment, in which I couldn’t quite make myself look away because I so envied them their passion, coming ahead of my own. Then they were crossing Fountain Court, heading for Base Court, as if it hadn’t happened, and I was half-wondering if I’d imagined it.

I hurried up the stone steps. The door was closed, safeguarding the warmth. Inside, the fire was down to embers but the heat had built up solid. I took off my cloak, unaware until then of how I’d been tensed against the riverside chill. The inner door was open so that the bedroom could benefit from the fire. Thomas Culpeper was so privileged as to be allocated a pair of rooms, but still there was little space to accommodate two grown men. The rooms were in dire need of an airing, and I had to fight the urge to clear up the tankards and clothes that were strewn around. That wasn’t what I was here for, I reminded myself.

I was here for Francis. My heart was thumping; it seemed to be saying, Just us, just us. He stood tall in front of the fireplace, yet also slightly hunched as if to make himself inconspicuous. As if that were possible. Which made me laugh, and then he was laughing, too, in response, although he couldn’t have known why. He was already uncloaked; the top half of him a linen-clad glow. Brighter still was his hair. I had the sense again of knowing him to the very bones, his body given over to me in all its beguiling, disarming complexity so that I never knew where to start. I could take his face in my hands, feel how its smoothness was deceptive, detecting its invisible graininess: that daily undoing of him. Or I could cap his shoulders, relish their nudge into my palms. Ease my fingers through his tangled hair and rest the tips in the groove at the back of his neck. Lay a hand against his breastbone, the satisfying flatness of it.