That cake marked the crisis in my fortunes. Than it nothing could be worse; therefore things must begin to mend. And they did. At the very next house I was given a «set-down.» Now a «set-down» is the height of bliss. One is taken inside, very often is given a chance to wash, and is then «set-down» at a table. Tramps love to throw their legs under a table.
The house was large and comfortable, in the midst of spacious grounds and fine trees, and sat well back from the street. They had just finished eating, and I was taken right into the dining room – in itself a most unusual happening, for the tramp who is lucky enough to win a set-down usually receives it in the kitchen. A grizzled and gracious Englishman, his matronly wife, and a beautiful young Frenchwoman talked with me while I ate.
I wonder if that beautiful young Frenchwoman would remember, at this late day, the laugh I gave her when I uttered the barbaric phrase, «two-bits.» You see, I was trying delicately to hit them for a «light piece.» That was how the sum of money came to be mentioned. «What?» she said. «Two-bits,» said I. Her mouth was twitching as she again said, «What?» «Two-bits,» said I.
Whereat she burst into laughter. «Won’t you repeat it?» she said, when she had regained control of herself. «Two-bits,» said I. And once more she rippled into uncontrollable silvery laughter. «I beg your pardon,» said she; «but what… what was it you said?» «Two-bits,» said I; «is there anything wrong about it?» «Not that I know of,» she gurgled between gasps; «but what does it mean?» I explained, but I do not remember now whether or not I got that two-bits out of her; but I have often wondered since as to which of us was the provincial.
When I arrived at the depot, I found, much to my disgust, a bunch of at least twenty tramps that were waiting to ride out the blind baggages of the overland. Now two or three tramps on the blind baggage are all right. They are inconspicuous. But a score! That meant trouble. No train-crew would ever let all of us ride.
I may as well explain here what a blind baggage is. Some mail-cars are built without doors in the ends; hence, such a car is «blind.» The mail-cars that possess end doors, have those doors always locked. Suppose, after the train has started, that a tramp gets on to the platform of one of these blind cars.
There is no door, or the door is locked. No conductor or brakeman can get to him to collect fare or throw him off. It is clear that the tramp is safe until the next time the train stops. Then he must get off, run ahead in the darkness, and when the train pulls by, jump on to the blind again. But there are ways and ways, as you shall see.
When the train pulled out, those twenty tramps swarmed upon the three blinds. Some climbed on before the train had run a car-length. They were awkward dubs, and I saw their speedy finish. Of course, the train-crew was «on,» and at the first stop the trouble began. I jumped off and ran forward along the track. I noticed that I was accompanied by a number of the tramps.
They evidently knew their business. When one is beating an overland, he must always keep well ahead of the train at the stops. I ran ahead, and as I ran, one by one those that accompanied me dropped out. This dropping out was the measure of their skill and nerve in boarding a train.
For this is the way it works. When the train starts, the shack rides out the blind. There is no way for him to get back into the train proper except by jumping off the blind and catching a platform where the car-ends are not «blind.» When the train is going as fast as the shack cares to risk, he therefore jumps off the blind, lets several cars go by, and gets on to the train. So it is up to the tramp to run so far ahead that before the blind is opposite him the shack will have already vacated it.
I dropped the last tramp by about fifty feet, and waited. The train started. I saw the lantern of the shack on the first blind. He was riding her out. And I saw the dubs stand forlornly by the track as the blind went by. They made no attempt to get on. They were beaten by their own inefficiency at the very start. After them, in the line-up, came the tramps that knew a little something about the game. They let the first blind, occupied by the shack, go by, and jumped on the second and third blinds.
Of course, the shack jumped off the first and on to the second as it went by, and scrambled around there, throwing off the men who had boarded it. But the point is that I was so far ahead that when the first blind came opposite me, the shack had already left it and was tangled up with the tramps on the second blind. A half dozen of the more skilful tramps, who had run far enough ahead, made the first blind, too.
At the next stop, as we ran forward along the track, I counted but fifteen of us. Five had been ditched. The weeding-out process had begun nobly, and it continued station by station. Now we were fourteen, now twelve, now eleven, now nine, now eight. It reminded me of the ten little niggers of the nursery rhyme. I was resolved that I should be the last little nigger of all. And why not?
Was I not blessed with strength, agility, and youth? (I was eighteen, and in perfect condition.) And didn’t I have my «nerve» with me? And furthermore, was I not a tramp-royal? Were not these other tramps mere dubs and «gay-cats» and amateurs alongside of me? If I weren’t the last little nigger, I might as well quit the game and get a job on an alfalfa farm somewhere.
By the time our number had been reduced to four, the whole train-crew had become interested. From then on it was a contest of skill and wits, with the odds in favor of the crew. One by one the three other survivors turned up missing, until I alone remained. My, but I was proud of myself! No Croesus was ever prouder of his first million. I was holding her down in spite of two brakemen, a conductor, a fireman, and an engineer.
And here are a few samples of the way I held her down. Out ahead, in the darkness, – so far ahead that the shack riding out the blind must perforce get off before it reaches me, – I get on. Very well. I am good for another station. When that station is reached, I dart ahead again to repeat the manoeuvre. The train pulls out. I watch her coming. There is no light of a lantern on the blind. Has the crew abandoned the fight? I do not know.
One never knows, and one must be prepared every moment for anything. As the first blind comes opposite me, and I run to leap aboard, I strain my eyes to see if the shack is on the platform. For all I know he may be there, with his lantern doused, and even as I spring upon the steps that lantern may smash down upon my head. I ought to know. I have been hit by lanterns two or three times.
But no, the first blind is empty. The train is gathering speed. I am safe for another station. But am I? I feel the train slacken speed. On the instant I am alert. A manoeuvre is being executed against me, and I do not know what it is. I try to watch on both sides at once, not forgetting to keep track of the tender in front of me. From any one, or all, of these three directions, I may be assailed.
Ah, there it comes. The shack has ridden out the engine. My first warning is when his feet strike the steps of the right-hand side of the blind. Like a flash I am off the blind to the left and running ahead past the engine. I lose myself in the darkness. The situation is where it has been ever since the train left Ottawa. I am ahead, and the train must come past me if it is to proceed on its journey. I have as good a chance as ever for boarding her.
I watch carefully. I see a lantern come forward to the engine, and I do not see it go back from the engine. It must therefore be still on the engine, and it is a fair assumption that attached to the handle of that lantern is a shack. That shack was lazy, or else he would have put out his lantern instead of trying to shield it as he came forward. The train pulls out. The first blind is empty, and I gain it. As before the train slackens, the shack from the engine boards the blind from one side, and I go off the other side and run forward.
As I wait in the darkness I am conscious of a big thrill of pride. The overland has stopped twice for me – for me, a poor hobo on the bum. I alone have twice stopped the overland with its many passengers and coaches, its government mail, and its two thousand steam horses straining in the engine. And I weigh only one hundred and sixty pounds, and I haven’t a five-cent piece in my pocket!
Again I see the lantern come forward to the engine. But this time it comes conspicuously. A bit too conspicuously to suit me, and I wonder what is up. At any rate I have something else to be afraid of than the shack on the engine. The train pulls by. Just in time, before I make my spring, I see the dark form of a shack, without a lantern, on the first blind. I let it go by, and prepare to board the second blind. But the shack on the first blind has jumped off and is at my heels.
Also, I have a fleeting glimpse of the lantern of the shack who rode out the engine. He has jumped off, and now both shacks are on the ground on the same side with me. The next moment the second blind comes by and I am aboard it. But I do not linger. I have figured out my countermove. As I dash across the platform I hear the impact of the shack’s feet against the steps as he boards. I jump off the other side and run forward with the train. My plan is to run forward and get on the first blind. It is nip and tuck, for the train is gathering speed. Also, the shack is behind me and running after me.
I guess I am the better sprinter, for I make the first blind. I stand on the steps and watch my pursuer. He is only about ten feet back and running hard; but now the train has approximated his own speed, and, relative to me, he is standing still. I encourage him, hold out my hand to him; but he explodes in a mighty oath, gives up and makes the train several cars back.
The train is speeding along, and I am still chuckling to myself, when, without warning, a spray of water strikes me. The fireman is playing the hose on me from the engine. I step forward from the car-platform to the rear of the tender, where I am sheltered under the overhang. The water flies harmlessly over my head. My fingers itch to climb up on the tender and lam that fireman with a chunk of coal; but I know if I do that, I’ll be massacred by him and the engineer, and I refrain.
At the next stop I am off and ahead in the darkness. This time, when the train pulls out, both shacks are on the first blind. I divine their game. They have blocked the repetition of my previous play. I cannot again take the second blind, cross over, and run forward to the first.
As soon as the first blind passes and I do not get on, they swing off, one on each side of the train. I board the second blind, and as I do so I know that a moment later, simultaneously, those two shacks will arrive on both sides of me. It is like a trap. Both ways are blocked. Yet there is another way out, and that way is up.
So I do not wait for my pursuers to arrive. I climb upon the upright ironwork of the platform and stand upon the wheel of the hand-brake. This has taken up the moment of grace and I hear the shacks strike the steps on either side. I don’t stop to look. I raise my arms overhead until my hands rest against the down-curving ends of the roofs of the two cars. One hand, of course, is on the curved roof of one car, the other hand on the curved roof of the other car.
By this time both shacks are coming up the steps. I know it, though I am too busy to see them. All this is happening in the space of only several seconds. I make a spring with my legs and «muscle» myself up with my arms. As I draw up my legs, both shacks reach for me and clutch empty air. I know this, for I look down and see them. Also I hear them swear.
I am now in a precarious position, riding the ends of the down-curving roofs of two cars at the same time. With a quick, tense movement, I transfer both legs to the curve of one roof and both hands to the curve of the other roof. Then, gripping the edge of that curving roof, I climb over the curve to the level roof above, where I sit down to catch my breath, holding on the while to a ventilator that projects above the surface.
I am on top of the train – on the «decks,» as the tramps call it, and this process I have described is by them called «decking her.» And let me say right here that only a young and vigorous tramp is able to deck a passenger train, and also, that the young and vigorous tramp must have his nerve with him as well.
The train goes on gathering speed, and I know I am safe until the next stop – but only until the next stop. If I remain on the roof after the train stops, I know those shacks will fusillade me with rocks. A healthy shack can «dewdrop» a pretty heavy chunk of stone on top of a car – say anywhere from five to twenty pounds. On the other hand, the chances are large that at the next stop the shacks will be waiting for me to descend at the place I climbed up. It is up to me to climb down at some other platform.
Registering a fervent hope that there are no tunnels in the next half mile, I rise to my feet and walk down the train half a dozen cars. And let me say that one must leave timidity behind him on such a passear. The roofs of passenger coaches are not made for midnight promenades.
And if any one thinks they are, let me advise him to try it. Just let him walk along the roof of a jolting, lurching car, with nothing to hold on to but the black and empty air, and when he comes to the down-curving end of the roof, all wet and slippery with dew, let him accelerate his speed so as to step across to the next roof, down-curving and wet and slippery. Believe me, he will learn whether his heart is weak or his head is giddy.
As the train slows down for a stop, half a dozen platforms from where I had decked her I come down. No one is on the platform. When the train comes to a standstill, I slip off to the ground. Ahead, and between me and the engine, are two moving lanterns.
The shacks are looking for me on the roofs of the cars. I note that the car beside which I am standing is a «four-wheeler» – by which is meant that it has only four wheels to each truck. (When you go underneath on the rods, be sure to avoid the «six-wheelers,» – they lead to disasters.)
I duck under the train and make for the rods, and I can tell you I am mighty glad that the train is standing still. It is the first time I have ever gone underneath on the Canadian Pacific, and the internal arrangements are new to me. I try to crawl over the top of the truck, between the truck and the bottom of the car. But the space is not large enough for me to squeeze through.
This is new to me. Down in the United States I am accustomed to going underneath on rapidly moving trains, seizing a gunnel and swinging my feet under to the brake-beam, and from there crawling over the top of the truck and down inside the truck to a seat on the cross-rod.
Feeling with my hands in the darkness, I learn that there is room between the brake-beam and the ground. It is a tight squeeze. I have to lie flat and worm my way through. Once inside the truck, I take my seat on the rod and wonder what the shacks are thinking has become of me. The train gets under way. They have given me up at last.
But have they? At the very next stop, I see a lantern thrust under the next truck to mine at the other end of the car. They are searching the rods for me. I must make my get-away pretty lively. I crawl on my stomach under the brake-beam.
They see me and run for me, but I crawl on hands and knees across the rail on the opposite side and gain my feet. Then away I go for the head of the train. I run past the engine and hide in the sheltering darkness. It is the same old situation. I am ahead of the train, and the train must go past me.
The train pulls out. There is a lantern on the first blind. I lie low, and see the peering shack go by. But there is also a lantern on the second blind. That shack spots me and calls to the shack who has gone past on the first blind. Both jump off. Never mind, I’ll take the third blind and deck her. But heavens, there is a lantern on the third blind, too. It is the conductor. I let it go by. At any rate I have now the full train-crew in front of me.
I turn and run back in the opposite direction to what the train is going. I look over my shoulder. All three lanterns are on the ground and wobbling along in pursuit. I sprint. Half the train has gone by, and it is going quite fast, when I spring aboard. I know that the two shacks and the conductor will arrive like ravening wolves in about two seconds.
I spring upon the wheel of the hand-brake, get my hands on the curved ends of the roofs, and muscle myself up to the decks; while my disappointed pursuers, clustering on the platform beneath like dogs that have treed a cat, howl curses up at me and say unsocial things about my ancestors.
But what does that matter? It is five to one, including the engineer and fireman, and the majesty of the law and the might of a great corporation are behind them, and I am beating them out. I am too far down the train, and I run ahead over the roofs of the coaches until I am over the fifth or sixth platform from the engine. I peer down cautiously. A shack is on that platform.
That he has caught sight of me, I know from the way he makes a swift sneak inside the car; and I know, also, that he is waiting inside the door, all ready to pounce out on me when I climb down. But I make believe that I don’t know, and I remain there to encourage him in his error. I do not see him, yet I know that he opens the door once and peeps up to assure himself that I am still there.
The train slows down for a station. I dangle my legs down in a tentative way. The train stops. My legs are still dangling. I hear the door unlatch softly. He is all ready for me. Suddenly I spring up and run forward over the roof. This is right over his head, where he lurks inside the door. The train is standing still; the night is quiet, and I take care to make plenty of noise on the metal roof with my feet. I don’t know, but my assumption is that he is now running forward to catch me as I descend at the next platform.
But I don’t descend there. Halfway along the roof of the coach, I turn, retrace my way softly and quickly to the platform both the shack and I have just abandoned. The coast is clear. I descend to the ground on the off-side of the train and hide in the darkness. Not a soul has seen me.
I go over to the fence, at the edge of the right of way, and watch. Ah, ha! What’s that? I see a lantern on top of the train, moving along from front to rear. They think I haven’t come down, and they are searching the roofs for me. And better than that – on the ground on each side of the train, moving abreast with the lantern on top, are two other lanterns. It is a rabbit-drive, and I am the rabbit. When the shack on top flushes me, the ones on each side will nab me.
I roll a cigarette and watch the procession go by. Once past me, I am safe to proceed to the front of the train. She pulls out, and I make the front blind without opposition. But before she is fully under way and just as I am lighting my cigarette, I am aware that the fireman has climbed over the coal to the back of the tender and is looking down at me. I am filled with apprehension. From his position he can mash me to a jelly with lumps of coal. Instead of which he addresses me, and I note with relief the admiration in his voice.