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The Tragedy of Hamlet, Prince of Denmark
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To all that fortune, death, and danger dare,
Even for an eggshell. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw
When honour's at the stake. How stand I then,
That have a father klll'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep, while to my shame I see
The imminent death of twenty thousand men
That for a fantasy and trick of fame
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth! Exit.
Scene V. Elsinore. A room in the Castle
Enter Horatio, Queen, and a Gentleman.
Queen. I will not speak with her.
Gent. She is importunate, indeed distract.
Her mood will needs be pitied.
Queen. What would she have?
Gent. She speaks much of her father; says she hears
There's tricks i' th' world, and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense. Her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks and nods and gestures yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
Hor. 'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
Queen. Let her come in.
[Exit Gentleman.]
[Aside] To my sick soul (as sin's true nature is)
Each toy seems Prologue to some great amiss.
So full of artless jealousy is guilt
It spills itself in fearing to be spilt.
Enter Ophelia distracted.
Oph. Where is the beauteous Majesty of Denmark?
Queen. How now, Ophelia?
Oph. (sings)
How should I your true-love know
From another one?
By his cockle bat and' staff
And his sandal shoon.
Queen. Alas, sweet lady, what imports this song?
Oph. Say you? Nay, pray You mark.
(Sings) He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.
O, ho!
Queen. Nay, but Ophelia-
Oph. Pray you mark.
(Sings) White his shroud as the mountain snow-
Enter King.
Queen. Alas, look here, my lord!
Oph. (Sings)
Larded all with sweet flowers;
Which bewept to the grave did not go
With true-love showers.
King. How do you, pretty lady?
Oph. Well, God dild you! They say the owl was a baker's
daughter.
Lord, we know what we are, but know not what we may be. God
be at
your table!
King. Conceit upon her father.
Oph. Pray let's have no words of this; but when they ask, you
what
it means, say you this:
(Sings) To-morrow is Saint Valentine's day,
All in the morning bedtime,
And I a maid at your window,
To be your Valentine.
Then up he rose and donn'd his clo'es
And dupp'd the chamber door,
Let in the maid, that out a maid
Never departed more.
King. Pretty Ophelia!
Oph. Indeed, la, without an oath, I'll make an end on't!
Even for an eggshell. Rightly to be great
Is not to stir without great argument,
But greatly to find quarrel in a straw
When honour's at the stake. How stand I then,
That have a father klll'd, a mother stain'd,
Excitements of my reason and my blood,
And let all sleep, while to my shame I see
The imminent death of twenty thousand men
That for a fantasy and trick of fame
Go to their graves like beds, fight for a plot
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, from this time forth,
My thoughts be bloody, or be nothing worth! Exit.
Scene V. Elsinore. A room in the Castle
Enter Horatio, Queen, and a Gentleman.
Queen. I will not speak with her.
Gent. She is importunate, indeed distract.
Her mood will needs be pitied.
Queen. What would she have?
Gent. She speaks much of her father; says she hears
There's tricks i' th' world, and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense. Her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;
Which, as her winks and nods and gestures yield them,
Indeed would make one think there might be thought,
Though nothing sure, yet much unhappily.
Hor. 'Twere good she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds.
Queen. Let her come in.
[Exit Gentleman.]
[Aside] To my sick soul (as sin's true nature is)
Each toy seems Prologue to some great amiss.
So full of artless jealousy is guilt
It spills itself in fearing to be spilt.
Enter Ophelia distracted.
Oph. Where is the beauteous Majesty of Denmark?
Queen. How now, Ophelia?
Oph. (sings)
How should I your true-love know
From another one?
By his cockle bat and' staff
And his sandal shoon.
Queen. Alas, sweet lady, what imports this song?
Oph. Say you? Nay, pray You mark.
(Sings) He is dead and gone, lady,
He is dead and gone;
At his head a grass-green turf,
At his heels a stone.
O, ho!
Queen. Nay, but Ophelia-
Oph. Pray you mark.
(Sings) White his shroud as the mountain snow-
Enter King.
Queen. Alas, look here, my lord!
Oph. (Sings)
Larded all with sweet flowers;
Which bewept to the grave did not go
With true-love showers.
King. How do you, pretty lady?
Oph. Well, God dild you! They say the owl was a baker's
daughter.
Lord, we know what we are, but know not what we may be. God
be at
your table!
King. Conceit upon her father.
Oph. Pray let's have no words of this; but when they ask, you
what
it means, say you this:
(Sings) To-morrow is Saint Valentine's day,
All in the morning bedtime,
And I a maid at your window,
To be your Valentine.
Then up he rose and donn'd his clo'es
And dupp'd the chamber door,
Let in the maid, that out a maid
Never departed more.
King. Pretty Ophelia!
Oph. Indeed, la, without an oath, I'll make an end on't!
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