Poems of To-Day: an Anthology
Various
Various
Poems of To-Day: an Anthology
PREFATORY NOTE
This book has been compiled in order that boys and girls, already perhaps familiar with the great classics of the English speech, may also know something of the newer poetry of their own day. Most of the writers are living, and the rest are still vivid memories among us, while one of the youngest, almost as these words are written, has gone singing to lay down his life for his country's cause. Although no definite chronological limit has been set, and Meredith at least began to write in the middle of the nineteenth century, the intention has been to represent mainly those poetic tendencies which have become dominant as the influence of the accepted Victorian masters has grown weaker, and from which the poetry of the future, however it may develope, must in turn take its start. It may be helpful briefly to indicate the sequence of themes. Man draws his being from the heroic Past and from the Earth his Mother; and in harmony with these he must shape his life to what high purposes he may. Therefore this gathering of poems falls into three groups. {viii} First there are poems of History, of the romantic tale of the world, of our own special tradition here in England, and of the inheritance of obligation which that tradition imposes upon us. Naturally, there are some poems directly inspired by the present war, but nothing, it is hoped, which may not, in happier days, bear translation into any European tongue. Then there come poems of the Earth, of England again and the longing of the exile for home, of this and that familiar countryside, of woodland and meadow and garden, of the process of the seasons, of the "open road" and the "wind on the heath," of the city, its deprivations and its consolations. Finally there are poems of Life itself, of the moods in which it may be faced, of religion, of man's excellent virtues, of friendship and childhood, of passion, grief, and comfort. But there is no arbitrary isolation of one theme from another; they mingle and inter-penetrate throughout, to the music of Pan's flute, and of Love's viol, and the bugle-call of Endeavour, and the passing-bell of Death.
May, 1915.
1. ALL THAT'S PAST
Very old are the woods;
And the buds that break
Out of the briar's boughs,
When March winds wake,
So old with their beauty are—
Oh, no man knows
Through what wild centuries
Roves back the rose.
Very old are the brooks;
And the rills that rise
Where snow sleeps cold beneath
The azure skies
Sing such a history
Of come and gone,
Their every drop is as wise
As Solomon.
Very old are we men;
Our dreams are tales
Told in dim Eden
By Eve's nightingales;
We wake and whisper awhile,
But, the day gone by,
Silence and sleep like fields
Of amaranth lie.
Walter de la Mare.
2. PRE-EXISTEHCE
I laid me down upon the shore
And dreamed a little space;
I heard the great waves break and roar;
The sun was on my face.
My idle hands and fingers brown
Played with the pebbles grey;
The waves came up, the waves went down,
Most thundering and gay.
The pebbles, they were smooth and round
And warm upon my hands,
Like little people I had found
Sitting among the sands.
The grains of sands so shining-small
Soft through my fingers ran;
The sun shone down upon it all,
And so my dream began:
How all of this had been before;
How ages far away
I lay on some forgotten shore
As here I lie to-day.
The waves came shining up the sands,
As here to-day they shine;
And in my pre-pelasgian hands
The sand was warm and fine.
I have forgotten whence I came,
Or what my home might be,
Or by what strange and savage name
I called that thundering sea.
I only know the sun shone down
As still it shines to-day,
And in my fingers long and brown
The little pebbles lay.
Frances Cornford.
3. FRAGMENTS
Troy Town is covered up with weeds,
The rabbits and the pismires brood
On broken gold, and shards, and beads
Where Priam's ancient palace stood.
The floors of many a gallant house
Are matted with the roots of grass;
The glow-worm and the nimble mouse
Among her ruins flit and pass.