The Atlantic Monthly, Volume 07, No. 42, April, 1861

The Atlantic Monthly, Volume 07, No. 42, April, 1861
Various

Various

The Atlantic Monthly, Volume 07, No. 42, April, 1861 / A Magazine of Literature, Art, and Politics

APRIL DAYS

"Can trouble dwell with April days?"

In Memoriam.

In our methodical New England life, we still recognize some magic in summer. Most persons reluctantly resign themselves to being decently happy in June, at least. They accept June. They compliment its weather. They complained of the earlier months as cold, and so spent them in the city; and they will complain of the later months as hot, and so refrigerate themselves on some barren sea-coast. God offers us yearly a necklace of twelve pearls; most men choose the fairest, label it June, and cast the rest away. It is time to chant a hymn of more liberal gratitude.

There are no days in the whole round year more delicious than those which often come to us in the latter half of April. On these days one goes forth in the morning, and an Italian warmth broods over all the hills, taking visible shape in a glistening mist of silvered azure, with which mingles the smoke from many bonfires. The sun trembles in his own soft rays, till one understands the old English tradition, that he dances on Easter-Day. Swimming in a sea of glory, the tops of the hills look nearer than their bases, and their glistening watercourses seem close to the eye, as is their liberated murmur to the ear. All across this broad interval the teams are ploughing. The grass in the meadow seems all to have grown green since yesterday. The blackbirds jangle in the oak, the robin is perched upon the elm, the song-sparrow on the hazel, and the bluebird on the apple-tree. There rises a hawk and sails slowly, the stateliest of airy things, a floating dream of long and languid summer-hours. But as yet, though there is warmth enough for a sense of luxury, there is coolness enough for exertion. No tropics can offer such a burst of joy; indeed, no zone much warmer than our Northern States can offer a genuine spring. There can be none where there is no winter, and the monotone of the seasons is broken only by wearisome rains. Vegetation and birds being distributed over the year, there is no burst of verdure nor of song. But with us, as the buds are swelling, the birds are arriving; they are building their nests almost simultaneously; and in all the Southern year there is no such rapture of beauty and of melody as here marks every morning from the last of April onward.

But days even earlier than these in April have a charm,—even days that seem raw and rainy, when the sky is dull and a bequest of March-wind lingers, chasing the squirrel from the tree and the children from the meadows. There is a fascination in walking through these bare early woods,—there is such a pause of preparation, winter's work is so cleanly and thoroughly done. Everything is taken down and put away; throughout the leafy arcades the branches show no remnant of last year, save a few twisted leaves of oak and beech, a few empty seed-vessels of the tardy witch-hazel, and a few gnawed nutshells dropped coquettishly by the squirrels into the crevices of the bark. All else is bare, but prophetic: buds everywhere, the whole splendor of the coming summer concentrated in those hard little knobs on every bough; and clinging here and there among them, a brown, papery chrysalis, from which shall yet wave the superb wings of the Luna moth. An occasional shower patters on the dry leaves, but it does not silence the robin on the outskirts of the wood: indeed, he sings louder than ever, though the song-sparrow and the bluebird are silent.

Then comes the sweetness of the nights in latter April. There is as yet no evening-primrose to open suddenly, no cistus to drop its petals; but the May-flower knows the hour, and becomes more fragrant in the darkness, so that one can then often find it in the woods without aid from the eye. The pleasant night-sounds are begun; the hylas are uttering their shrill peep from the meadows, mingled soon with hoarser toads, who take to the water at this season to deposit their spawn. The tree-toads soon join them; but one listens in vain for bullfrogs, or katydids, or grasshoppers, or whippoorwills, or crickets: we must wait for them until the delicious June.

The earliest familiar token of the coming season is the expansion of the stiff catkins of the alder into soft, drooping tresses. These are so sensitive, that, if you pluck them at almost any time during the winter, a day's bright sunshine will make them open in a glass of water, and thus they eagerly yield to every moment of April warmth. The blossom of the birch is more delicate, that of the willow more showy, but the alders come first. They cluster and dance everywhere upon the bare boughs above the watercourses; the blackness of the buds is softened into rich brown and yellow; and as this graceful creature thus comes waving into the spring, it is pleasant to remember that the Norse Eddas fabled the first woman to have been named Embla, because she was created from an alder-bough.

The first wild-flower of the spring is like land after sea. The two which, throughout the Northern Atlantic States, divide this interest are the Epigaea repens (May-flower, ground-laurel, or trailing-arbutus) and the Hepatica triloba (liverleaf, liverwort, or blue anemone). Of these two, the latter is perhaps more immediately exciting on first discovery; because it does not, like the epigaea, exhibit its buds all winter, but opens its blue eyes almost as soon as it emerges from the ground. Without the rich and delicious odor of its compeer, it has an inexpressibly fresh and earthy scent, that seems to bring all the promise of the blessed season with it; indeed, that clod of fresh turf with the inhalation of which Lord Bacon delighted to begin the day must undoubtedly have been full of the roots of our little hepatica. Its healthy sweetness belongs to the opening year, like Chaucer's poetry; and one thinks that anything more potent and voluptuous would be less enchanting,—until one turns to the May-flower. Then comes a richer fascination for the senses. To pick the May-flower is like following in the footsteps of some spendthrift army which has scattered the contents of its treasure-chest among beds of scented moss. The fingers sink in the soft, moist verdure, and make at each instant some superb discovery unawares; again and again, straying carelessly, they clutch some new treasure; and, indeed, all is linked together in bright necklaces by secret threads beneath the surface, and where you grasp at one, you hold many. The hands go wandering over the moss as over the keys of a piano, and bring forth fragrance for melody. The lovely creatures twine and nestle and lay their glowing faces to the very earth beneath withered leaves, and what seemed mere barrenness becomes fresh and fragrant beauty. So great is the charm of the pursuit, that the epigaea is really the one wild-flower for which our country-people have a hearty passion. Every village child knows its best haunts, and watches for it eagerly in the spring; boys wreathe their hats with it, girls twine it in their hair, and the cottage-windows are filled with its beauty.

In collecting these early flowers, one finds or fancies singular natural affinities. I flatter myself with being able always to find hepatica, if there is any within reach, for I was brought up with it ("Cockatoo he know me berry well"); but other persons, who were brought up with May-flower, and remember searching for it with their almost baby-fingers, can find that better. The most remarkable instance of these natural affinities was in the case of L.T. and his double anemones. L. had always a gift for wild-flowers, and used often to bring to Cambridge the largest white anemones that ever were seen, from a certain special hill in Watertown; they were not only magnificent in size and whiteness, but had that exquisite blue on the outside of the petals, as if the sky had bent down in ecstasy at last over its darlings, and left visible kisses there. But even this success was not enough, and one day he came with something yet choicer. It was a rue-leaved anemone (A. thalictraides); and, if you will believe it, each one of the three white flowers was double, not merely with that multiplicity of petals in the disk which is common with this species, but technically and horticulturally double, like the double-flowering almond or cherry,—the most exquisitely delicate little petals, seeming like lace-work. He had three specimens,—gave one to the Autocrat of Botany, who said it was almost or quite unexampled, and another to me. As the man in the fable says of the chameleon,—"I have it yet, and can produce it."

Now comes the marvel. The next winter L. went to New York for a year, and wrote to me, as spring drew near, with solemn charge to visit his favorite haunt and find another specimen. Armed with this letter of introduction, I sought the spot, and tramped through and through its leafy corridors. Beautiful wood-anemones I found, to be sure, trembling on their fragile stems, deserving all their pretty names,—Wind-flower, Easter-flower, Pasque-flower, and homeopathic Pulsatilla; rue-leaved anemones I found also, rising taller and straighter and firmer in stem, with the whorl of leaves a little higher up on the stalk than one fancies it ought to be, as if there were a supposed danger that the flowers would lose their balance, and as if the leaves must be all ready to catch them. These I found, but the special wonder was not there for me. Then I wrote to L. that he must evidently come himself and search; or that, perhaps, as Sir Thomas Browne avers that "smoke doth follow the fairest," so his little treasures had followed him towards New York. Judge of my surprise, when, on opening his next letter, out dropped, from those folds of metropolitan paper, a veritable double anemone. He had just been out to Hoboken, or some such place, to spend an afternoon, and, of course, his pets were there to meet him; and from that day to this, I have never heard of the thing happening to any one else.

May-Day is never allowed to pass in this community without profuse lamentations over the tardiness of our spring as compared with that of England and the poets. Yet it is very common to exaggerate this difference. Even so good an observer as Wilson Flagg is betrayed into saying that the epigaea and hepatica "seldom make their appearance until after the middle of April" in Massachusetts, and that "it is not unusual for the whole month of April to pass away without producing more than two or three species of wild-flowers." But I have formerly found the hepatica in bloom at Mount Auburn, for three successive years, on the twenty-seventh of March; and last spring it was actually found, farther inland, where the season is later, on the seventeenth. The May-flower is usually as early, though the more gradual expansion of the buds renders it less easy to give dates. And there are nearly twenty species which I have noted, for five or six years together, as found before May-Day, and which may therefore be properly assigned to April. The list includes bloodroot, cowslip, houstonia, saxifrage, dandelion, chickweed, cinquefoil, strawberry, mouse-ear, bellwort, dog's-tooth violet, five species of violet proper, and two of anemone. These are all common flowers, and easily observed; and the catalogue might be increased by rare ones, as the white corydalis, the smaller yellow violet, (V. rotundifolia,) and the claytonia or spring-beauty.

But in England the crocus and the snowdrop—neither being probably an indigenous flower, since neither is mentioned by Chaucer—usually open before the first of March; indeed, the snowdrop was formerly known by the yet more fanciful name of "Fair Maid of February." Chaucer's daisy comes equally early; and March brings daffodils, narcissi, violets, daisies, jonquils, hyacinths, and marsh-marigolds. This is altogether in advance of our season, so far as the flowers give evidence,—though we have plucked snowdrops in February. But, on the other hand, it would appear, that, though a larger number of birds winter in England than in Massachusetts, yet the return of those which migrate is actually earlier among us. From journals kept during sixty years in England, and an abstract of which is printed in Hone's "Every-Day Book," it appears that only two birds of passage revisit England before the fifteenth of April, and only thirteen more before the first of May; while with us the song-sparrow and the bluebird appear about the first of March, and quite a number more by the middle of April. This is a peculiarity of the English spring which I have never seen explained or even mentioned.

After the epigaea and the hepatica have opened, there is a slight pause among the wild-flowers,—these two forming a distinct prologue for their annual drama, as the brilliant witch-hazel in October brings up its separate epilogue. The truth is, Nature attitudinizes a little, liking to make a neat finish with everything, and then to begin again with éclat. Flowers seem spontaneous things enough, but there is evidently a secret marshalling among them, that all may be brought out with due effect. As the country-people say that so long as any snow is left on the ground more snow may be expected, it must all vanish simultaneously at last,—so every seeker of spring-flowers has observed how accurately they seem to move in platoons, with little straggling. Each species seems to burst upon us with a united impulse; you may search for them day after day in vain, but the day when you find one specimen the spell is broken and you find twenty. By the end of April all the margins of the great poem of the woods are illuminated with these exquisite vignettes.

Most of the early flowers either come before the full unfolding of their leaves or else have inconspicuous ones. Yet Nature always provides for her bouquets the due proportion of green. The verdant and graceful sprays of the wild raspberry are unfolded very early, long before its time of flowering. Over the meadows spread the regular Chinese-pagodas of the equisetum, (horsetail or scouring-rush,) and the rich coarse vegetation of the veratrum, or American hellebore. In moist copses the ferns and osmundas begin to uncurl in April, opening their soft coils of spongy verdure, coated with woolly down, from which the humming-bird steals the lining of her nest.

The early blossoms represent the aboriginal epoch of our history: the blood-root and the May-flower are older than the white man, older perchance than the red man; they alone are the true Native Americans. Of the later wild plants, many of the most common are foreign importations. In our sycophancy we attach grandeur to the name exotic: we call aristocratic garden-flowers by that epithet; yet they are no more exotic than the humbler companions they brought with them, which have become naturalized. The dandelion, the buttercup, duckweed, celandine, mullein, burdock, yarrow, whiteweed, nightshade, and most of the thistles,—these are importations. Miles Standish never crushed these with his heavy heel as he strode forth to give battle to the savages; they never kissed the daintier foot of Priscilla, the Puritan maiden. It is noticeable that these are all of rather coarser texture than our indigenous flowers; the children instinctively recognize this, and are apt to omit them, when gathering the more delicate native blossoms of the woods.

There is something touching in the gradual retirement before civilization of these delicate aborigines. They do not wait for the actual brute contact of red bricks and curbstones, but they feel the danger miles away. The Indians called the low plantain "the white man's footstep"; and these shy creatures gradually disappear, the moment the red man gets beyond their hearing. Bigelow's delightful "Florula Bostoniensis" is becoming a series of epitaphs. Too well we know it,—we who in happy Cambridge childhood often gathered, almost within a stone's throw of Professor Agassiz's new Museum, the arethusa and the gentian, the cardinal-flower and the gaudy rhexia,—we who remember the last secret hiding-place of the rhodora in West Cambridge, of the yellow violet and the Viola debilis in Watertown, of the Convallaria trifolia near Fresh Pond, of the Hottonia beyond Wellington's Hill, of the Cornus florida in West Roxbury, of the Clintonia and the dwarf ginseng in Brookline,—we who have found in its one chosen nook the sacred Andromeda polyfolia of Linnaeus. Now vanished almost or wholly from city-suburbs, these fragile creatures still linger in more rural parts of Massachusetts; but they are doomed everywhere, unconsciously, yet irresistibly; while others still more shy, as the Linnoea, the yellow Cypripedium, the early pink Azalea, and the delicate white Corydalis or "Dutchman's breeches," are being chased into the very recesses of the Green and the White Mountains. The relics of the Indian tribes are supported by the legislature at Martha's Vineyard, while these precursors of the Indian are dying unfriended away.

And with these receding plants go also the special insects which haunt them. Who that knew that pure enthusiast, Dr. Harris, but remembers the accustomed lamentations of the entomologist over the departure of these winged companions of his lifetime? Not the benevolent Mr. John Beeson more tenderly mourns the decay of the Indians than he the exodus of these more delicate native tribes. In a letter which I happened to receive from him a short time previous to his death, he thus renewed the lament:—"I mourn for the loss of many of the beautiful plants and insects that were once found in this vicinity. Clethra, Rhodora, Sanguinaria, Viola debilis, Viola acuta, Dracoena borealis, Rhexia, Cypripedium, Corallorhiza verna, Orchis spectabilis, with others of less note, have been rooted out by the so-called hand of improvement. Cicindela rugifrons, Helluo proeusta, Sphoeroderus stenostomus, Blethisa quadricollis, (Americana mî,) Carabus, Horia, (which for several years occurred in profusion on the sands beyond Mount Auburn,) with others, have entirely disappeared from their former haunts, driven away, or exterminated perhaps, by the changes effected therein. There may still remain in your vicinity some sequestered spots, congenial to these and other rarities, which may reward the botanist and the entomologist who will search them carefully. Perhaps you may find there the pretty coccinella-shaped, silver-margined Omophron, or the still rarer Panagoeus fasciatus, of which I once took two specimens on Wellington's Hill, but have not seen it since." Is not this indeed handling one's specimens "gently as if you loved them," as Isaak Walton bids the angler do with his worm?

There is this merit, at least, among the coarser crew of imported flowers, that they bring their own proper names with them, and we know precisely whom we have to deal with. In speaking of our own native flowers, we must either be careless and inaccurate, or else resort sometimes to the Latin, in spite of the indignation of friends. There is something yet to be said on this point. In England, where the old household and monkish names adhere, they are sufficient for popular and poetic purposes, and the familiar use of scientific names seems an affectation. But here, where many native flowers have no popular names at all, and others are called confessedly by wrong ones,—where it really costs less trouble to use Latin names than English, the affectation seems the other way. Think of the long list of wild-flowers where the Latin name is spontaneously used by all who speak of the flower: as, Arethusa, Aster, Cistus, ("after the fall of the cistus-flower,") Clematis, Clethra, Geranium, Iris, Lobdia, Bhodora, Spirtea, Tiarella, Trientalis, and so on. Even those formed from proper names (the worst possible system of nomenclature) become tolerable at last, and we forget the man in the more attractive flower. Are those who pick the Houstonia to be supposed thereby to indorse the Texan President? Or are the deluded damsels who chew Cassia-buds to be regarded as swallowing the late Secretary of State? The names have long since been made over to the flowers, and every questionable aroma has vanished. When the godfather happens to be a botanist, there is a peculiar fitness in the association; the Linaea, at least, would not smell so sweet by any other name.

In other cases the English name is a mere modification of the Latin one, and our ideal associations have really a scientific basis: as with Violet, Lily, Laurel, Gentian, Vervain. Indeed, our enthusiasm for vernacular names is like that for Indian names, one-sided: we enumerate only the graceful ones, and ignore the rest. It would be a pity to Latinize Touch-me-not, or Yarrow, or Gold-Thread, or Self-Heal, or Columbine, or Blue-Eyed-Grass,—though, to be sure, this last has an annoying way of shutting up its azure orbs the moment you gather it, and you reach home with a bare, stiff blade, which deserves no better name than Sisyrinchium anceps. But in what respect is Cucumber-Root preferable to Medeola, or Solomon's-Seal to Convallaria, or Rock-Tripe to Umbilicaria, or Lousewort to Pedicularis? In other cases the merit is divided: Anemone may dispute the prize of melody with Windflower, Campanula with Harebell, Neottia with Ladies'-Tresses, Uvularia with Bellwort and Strawbell, Potentilla with Cinquefoil, and Sanguinaria with Bloodroot. Hepatica may be bad, but Liverleaf is worse. The pretty name of May-flower is not so popular, after all, as that of Trailing-Arbutus, where the graceful and appropriate adjective redeems the substantive, which happens to be Latin and incorrect at the same time. It does seem a waste of time to say Chrysanthemum leucanthemum instead of Whiteweed; though, if the long scientific name were an incantation to banish the intruder, our farmers would gladly consent to adopt it.

But the great advantage of a reasonable use of the botanical name is, that it does not deceive us. Our primrose is not the English primrose, any more than it was our robin who tucked up the babes in the wood; our cowslip is not the English cowslip, it is the English marsh-marigold,—Tennyson's "wild marsh-marigold shines like fire in swamps and hollows gray." The pretty name of Azalea means something definite; but its rural name of Honeysuckle confounds under that name flowers without even an external resemblance,—Azalea, Diervilla, Lonioera, Aquilegia,—just as every bird which sings loud in deep woods is popularly denominated a thrush. The really rustic names of both plants and animals are very few with us,—the different species are many; and as we come to know them better and love them more, we absolutely require some way to distinguish them from their half-sisters and second-cousins. It is hopeless to try to create new popular epithets, or even to revive those which are thoroughly obsolete. Miss Cooper may strive in vain, with benevolent intent, to christen her favorite spring-blossoms "May-Wings" and "Gay-Wings," and "Fringe-Cup" and "Squirrel-Cup," and "Cool-Wort" and "Bead-Ruby"; there is no conceivable reason why these should not be the familiar appellations, except the irresistible fact that they are not. It is impossible to create a popular name: one might as well attempt to invent a legend or compose a ballad. Nascitur, non fit.

As the spring comes on, and the densening outlines of the elm give daily a new design for a Grecian urn,—its hue, first brown with blossoms, then emerald with leaves,—we appreciate the vanishing beauty of the bare boughs. In our favored temperate zone, the trees denude themselves each year, like the goddesses before Paris, that we may see which unadorned loveliness is the fairest. Only the unconquerable delicacy of the beech still keeps its soft vestments about it: far into spring, when worn to thin rags and tatters, they cling there still; and when they fall, the new appear as by magic. It must be owned, however, that the beech has good reasons for this prudishness, and possesses little beauty of figure; while the elms, maples, chestnuts, walnuts, and even oaks, have not exhausted all their store of charms for us, until we have seen them disrobed. Only yonder magnificent pine-tree,—that pitch-pine, nobler when seen in perfection than white-pine, or Norwegian, or Norfolk Islander,—that pitch-pine, herself a grove, una nemus, holds her unchanging beauty throughout the year, like her half-brother, the ocean, whose voice she shares; and only marks the flowing of her annual tide of life by the new verdure that yearly submerges all trace of last year's ebb.

How many lessons of faith and beauty we should lose, if there were no winter in our year! Sometimes, in following up a watercourse among our hills, in the early spring, one comes to a weird and desolate place, where one huge wild grapevine has wreathed its ragged arms around a whole thicket and brought it to the ground,—swarming to the tops of hemlocks, clenching a dozen young maples at once and tugging them downward, stretching its wizard black length across the underbrush, into the earth and out again, wrenching up great stones in its blind, aimless struggle. What a piece of chaos is this! Yet come here again, two months hence, and you shall find all this desolation clothed with beauty and with fragrance, one vast bower of soft green leaves and graceful tendrils, while summer-birds chirp and flutter amid these sunny arches all the livelong day. "Out of the strong cometh forth sweetness."

To the end of April, and often later, one still finds remains of snowbanks in sheltered woods, especially those consisting of evergreen trees; and this snow, like that upon high mountains, has become hardened by the repeated thawing and freezing of the surface, till it is more impenetrable than ice. But the snow that actually falls during April is usually only what Vermonters call "sugar-snow,"—falling in the night and just whitening the surface for an hour or two, and taking its name, not so much from its looks as from the fact that it denotes the proper weather for "sugaring," namely, cold nights and warm days. Our saccharine associations, however, remain so obstinately tropical, that it seems almost impossible for the imagination to locate sugar in New England trees; though it is known that not the maple only, but the birch and the walnut even, afford it in appreciable quantities.

Along our maritime rivers the people associate April, not with "sugaring," but with "shadding." The pretty Amelanchier Canadensis of Gray—the Aronia of Whittler's song—is called Shad-bush or Shad-blow in Essex County, from its connection with this season; and there is a bird known as the Shad-spirit, which I take to be identical with the flicker or golden-winged woodpecker, whose note is still held to indicate the first day when the fish ascend the river. Upon such slender wings flits our New England romance!

In April the creative process described by Thales is repeated, and the world is renewed by water. The submerged creatures first feel the touch of spring, and many an equivocal career, beginning in the ponds and brooks, learns later to ignore this obscure beginning, and hops or flutters in the dusty daylight. Early in March, before the first male canker-moth appears on the elm-tree, the whirlwig beetles have begun to play round the broken edges of the ice, and the caddis-worms to crawl beneath it; and soon come the water-skater (Gerris) and the water-boatman (Notonecta). Turtles and newts are in busy motion when the spring-birds are only just arriving. Those gelatinous masses in yonder wayside-pond are the spawn of water-newts or tritons: in the clear transparent jelly are imbedded, at regular intervals, little blackish dots; these elongate rapidly, and show symptoms of head and tail curled up in a spherical cell; the jelly is gradually absorbed for their nourishment, until on some fine morning each elongated dot gives one vigorous wriggle, and claims thenceforward all the privileges attendant on this dissolution of the union. The final privilege is often that of being suddenly snapped up by a turtle or a snake: for Nature brings forth her creatures liberally, especially the aquatic ones, sacrifices nine-tenths of them as food for their larger cousins, and reserves only a handful to propagate their race, on the same profuse scale, next season.

It is surprising, in the midst of our Museums and Scientific Schools, how little we yet know of the common things before our eyes. Our savans still confess their inability to discriminate with certainty the egg or tadpole of a frog from that of a toad; and it is strange that these hopping creatures, which seem so unlike, should coincide so nearly in their juvenile career, while the tritons and salamanders, which border so closely on each other in their maturer state as sometimes to be hardly distinguishable, yet choose different methods and different elements for laying their eggs. The eggs of our salamanders or land-lizards are deposited beneath the moss on some damp rock, without any gelatinous envelope; they are but few in number, and the anxious mamma may sometimes be found coiled in a circle around them, like the symbolic serpent of eternity.

The small number of birds yet present in early April gives a better opportunity for careful study,—more especially if one goes armed with that best of fowling-pieces, a small spy-glass: the best,—since how valueless for purposes of observation is the bleeding, gasping, dying body, compared with the fresh and living creature, as it tilts, trembles, and warbles on the bough before you! Observe that robin in the oak-tree's top: as he sits and sings, every one of the dozen different notes which he flings down to you is accompanied by a separate flirt and flutter of his whole body, and, as Thoreau says of the squirrel, "each movement seems to imply a spectator," and to imply, further, that the spectator is looking through a spy-glass. Study that song-sparrow: why is it that he always goes so ragged in spring, and the bluebird so neat? is it that the song-sparrow is a wild artist, absorbed in the composition of his lay, and oblivious of ordinary proprieties, while the smooth bluebird and his ash-colored mate cultivate their delicate warble only as a domestic accomplishment, and are always nicely dressed before sitting down to the piano? Then how exciting is the gradual arrival of the birds in their summer-plumage! to watch it is as good as sitting at the window on Easter Sunday to observe the new bonnets. Yonder, in that clump of alders by the brook, is the delicious jargoning of the first flock of yellow-birds; there are the little gentlemen in black and yellow, and the little ladies in olive-brown; "sweet, sweet, sweet" is the only word they say, and often they will so lower their ceaseless warble, that, though almost within reach, the little minstrels seem far away. There is the very earliest cat-bird, mimicking the bobolink before the bobolink has come: what is the history of his song, then? is it a reminiscence of last year? or has the little coquette been practising it all winter, in some gay Southern society, where cat-birds and bobolinks grow intimate, just as Southern fashionables from different States may meet and sing duets at Saratoga? There sounds the sweet, low, long-continued trill of the little hair-bird, or chipping-sparrow, a suggestion of insect sounds in sultry summer, and produced, like them, by a slight fluttering of the wings against the sides: by-and-by we shall sometimes hear that same delicate rhythm burst the silence of the June midnights, and then, ceasing, make stillness more still. Now watch that woodpecker, roving in ceaseless search, travelling over fifty trees in an hour, running from top to bottom of some small sycamore, pecking at every crevice, pausing to dot a dozen inexplicable holes in a row upon an apple-tree, but never once intermitting the low, querulous murmur of housekeeping anxiety: now she stops to hammer with all her little life at some tough piece of bark, strikes harder and harder blows, throws herself back at last, flapping her wings furiously as she brings down her whole strength again upon it; finally it yields, and grub after grub goes down her throat, till she whets her beak after the meal as a wild beast licks its claws, and off on her pressing business once more.

It is no wonder that there is so little substantial enjoyment of Nature in the community, when we feed children on grammars and dictionaries only, and take no pains to train them to see that which is before their eyes. The mass of the community have "summered and wintered" the universe pretty regularly, one would think, for a good many years; and yet nine persons out of ten in the town or city, and two out of three even in the country, seriously suppose, for instance, that the buds upon trees are formed in the spring; they have had them before their eyes all winter, and never seen them. As large a proportion suppose, in good faith, that a plant grows at the base of the stem, instead of at the top: that is, if they see a young sapling in which there is a crotch at five feet from the ground, they expect to see it ten feet from the ground by-and-by,—confounding the growth of a tree with that of a man or animal. But perhaps the best of us could hardly bear the severe test unconsciously laid down by a small child of my acquaintance. The boy's father, a college-bred man, had early chosen the better part, and employed his fine faculties in rearing laurels in his own beautiful nursery-gardens, instead of in the more arid soil of court-rooms or state-houses. Of course the young human scion knew the flowers by name before he knew his letters, and used their symbols more readily; and after he got the command of both, he was one day asked by his younger brother what the word idiot meant,—for somebody in the parlor had been saying that somebody else was an idiot. "Don't you know?" quoth Ben, in his sweet voice: "an idiot is a person who doesn't know an arbor-vitae from a pine,—he doesn't know anything." When Ben grows up to maturity, bearing such terrible tests in his unshrinking hands, who of us will be safe?

The softer aspects of Nature, especially, require time and culture before man can enjoy them. To rude races her processes bring only terror, which is very slowly outgrown. Humboldt has best exhibited the scantiness of finer natural perceptions in Greek and Roman literature, in spite of the grand oceanic anthology of Homer, and the delicate water-coloring of the Greek Anthology and of Horace. The Oriental and the Norse sacred books are full of fresh and beautiful allusions; but the Greek saw in Nature only a framework for Art, and the Roman only a camping-ground for men. Even Virgil describes the grotto of Aeneas merely as a "black grove" with "horrid shade,"—"Horrenti atrum nemus imminet umbrâ." Wordsworth points out, that, even in English literature, the "Windsor Forest" of Anne, Countess of Winchelsea, was the first poem which represented Nature as a thing to be consciously enjoyed; and as she was almost the first English poetess, we might be tempted to think that we owe this appreciation, like some other good things, to the participation of woman in literature. But, on the other hand, it must be remembered that the voluminous Duchess of Newcastle, in her "Ode on Melancholy," describes among the symbols of hopeless gloom "the still moonshine night" and "a mill where rushing waters run about,"—the sweetest natural images. So woman has not so much to claim, after all. In our own country, the early explorers seemed to find only horror in its woods and waterfalls. Josselyn, in 1672, could only describe the summer splendor of the White Mountain region as "dauntingly terrible, being full of rocky hills, as thick as mole-hills in a meadow, and full of infinite thick woods." Father Hennepin spoke of Niagara, in the narrative still quoted in the guide-books, as a "frightful cataract"; though perhaps his original French phrase was softer. And even John Adams could find no better name than "horrid chasm" for the gulf at Egg Rock, where he first saw the sea-anemone.

But we are lingering too long, perhaps, with this sweet April of smiles and tears. It needs only to add that all her traditions are beautiful. Ovid says well, that she was not named from aperire, to open, as some have thought, but from Aphrodite, goddess of beauty. April holds Easter-time, St. George's Day, and the Eve of St. Mark's. She has not, like her sister May in Germany, been transformed to a verb and made a synonyme for joy,—"Deine Seele maiet den trüben Herbst"—but April was believed in early ages to have been the birth-time of the world. According to Venerable Bede, the point was first accurately determined at a council held at Jerusalem about A.D. 200, when, after much profound discussion, it was finally decided that the world's birthday occurred on Sunday, April eighth,—that is, at the vernal equinox and the full moon. But April is certainly the birth-time of the year, at least, if not of the planet. Its festivals are older than Christianity, older than the memory of man. No sad associations cling to it, as to the month of June, in which month, says William of Malmesbury, kings are wont to go to war,—"Quando solent reges ad arma procedere,"—but it holds the Holy Week, and it is the Holy Month. And in April Shakspeare was born, and in April he died.

THE PROFESSOR'S STORY

CHAPTER XXIX

THE WHITE ASH

When Helen returned to Elsie's bedside, it was with a new and still deeper feeling of sympathy, such as the story told by Old Sophy might well awaken. She understood, as never before, the singular fascination and as singular repulsion which she had long felt in Elsie's presence. It had not been without a great effort that she had forced herself to become the almost constant attendant of the sick girl; and now she was learning, but not for the first time, the blessed truth which so many good women have found out for themselves, that the hardest duty bravely performed soon becomes a habit, and tends in due time to transform itself into a pleasure.

The old Doctor was beginning to look graver, in spite of himself. The fever, if such it was, went gently forward, wasting the young girl's powers of resistance from day to day; yet she showed no disposition to take nourishment, and seemed literally to be living on air. It was remarkable that with all this her look was almost natural, and her features were hardly sharpened so as to suggest that her life was burning away. He did not like this, nor various other unobtrusive signs of danger which his practised eye detected. A very small matter might turn the balance which held life and death poised against each other. He surrounded her with precautions, that Nature might have every opportunity of cunningly shifting the weights from the scale of death to the scale of life, as she will often do, if not rudely disturbed or interfered with.

Little tokens of good-will and kind remembrance were constantly coming to her from the girls in the school and the good people in the village. Some of the mansion-house people obtained rare flowers which they sent her, and her table was covered with fruits—which tempted her in vain. Several of the school-girls wished to make her a basket of their own handiwork, and, filling it with autumnal flowers, to send it as a joint offering. Mr. Bernard found out their project accidentally, and, wishing to have his share in it, brought home from one of his long walks some boughs full of variously tinted leaves, such as were still clinging to the stricken trees. With these he brought also some of the already fallen leaflets of the white ash, remarkable for their rich olive-purple color, forming a beautiful contrast with some of the lighter-hued leaves. It so happened that this particular tree, the white ash, did not grow upon The Mountain, and the leaflets were more welcome for their comparative rarity. So the girls made their basket, and the floor of it they covered with the rich olive-purple leaflets. Such late flowers as they could lay their hands upon served to fill it, and with many kindly messages they sent it to Miss Elsie Venner at the Dudley mansion-house.

Elsie was sitting up in her bed when it came, languid, but tranquil, and Helen was by her, as usual, holding her hand, which was strangely cold, Helen thought, for one who—was said to have some kind of fever. The school-girls' basket was brought in with its messages of love and hopes for speedy recovery. Old Sophy was delighted to see that it pleased Elsie, and laid it on the bed before her. Elsie began looking at the flowers and taking them from the basket, that she might see the leaves. All at once she appeared to be agitated; she looked at the basket,—then around, as if there were some fearful presence about her which she was searching for with her eager glances. She took out the flowers, one by one, her breathing growing hurried, her eyes staring, her hands trembling,—till, as she came near the bottom of the basket, she flung out all the rest with a hasty movement, looked upon the olive-purple leaflets as if paralyzed for a moment, shrunk up, as it were, into herself in a curdling terror, dashed the basket from her, and fell back senseless, with a faint cry which chilled the blood of the startled listeners at her bedside.

"Take it away!—take it away!—quick!" said Old Sophy, as she hastened to her mistress's pillow. "It's the leaves of the tree that was always death to her,—take it away! She can't live wi' it in the room!"

The poor old woman began chafing Elsie's hands, and Helen to try to rouse her with hartshorn, while a third frightened attendant gathered up the flowers and the basket and carried them out of the apartment. She came to herself after a time, but exhausted and then wandering. In her delirium, she talked constantly as if she were in a cave, with such exactness of circumstance that Helen could not doubt at all that she had some such retreat among the rocks of The Mountain, probably fitted up in her own fantastic way, where she sometimes hid herself from all human eyes, and of the entrance to which she alone possessed the secret.

All this passed away, and left her, of course, weaker than before. But this was not the only influence the unexplained paroxysm had left behind it. From this time forward there was a change in her whole expression and her manner. The shadows ceased flitting over her features, and the old woman, who watched her from day to day and from hour to hour as a mother watches her child, saw the likeness she bore to her mother coming forth more and more, as the cold glitter died out of the diamond eyes, and the scowl disappeared from the dark brows and low forehead.

With all the kindness and indulgence her father had bestowed upon her, Elsie had never felt that he loved her. The reader knows well enough what fatal recollections and associations had frozen up the springs of natural affection in his breast. There was nothing in the world he would not do for Elsie. He had sacrificed his whole life to her. His very seeming carelessness about restraining her was all calculated; he knew that restraint would produce nothing but utter alienation. Just so far as she allowed him, he shared her studies, her few pleasures, her thoughts; but she was essentially solitary and uncommunicative. No person, as was said long ago, could judge him,—because his task was not merely difficult, but simply impracticable to human powers. A nature like Elsie's had necessarily to be studied by itself, and to be followed in its laws where it could not be led.

Every day, at different hours, during the whole of his daughter's illness, Dudley Venner had sat by her, doing all he could to soothe and please her: always the same thin film of some emotional non-conductor between them; always that kind of habitual regard and family-interest, mingled with the deepest pity on one side and a sort of respect on the other, which never warmed into outward evidences of affection.

It was after this occasion, when she had been so profoundly agitated by a seemingly insignificant cause, that her father and Old Sophy were sitting, one at one side of her bed and one at the other. She had fallen into a light slumber. As they were looking at her, the same thought came into both their minds at the same moment. Old Sophy spoke for both, as she said, in a low voice,—

"It's her mother's look,—it's her mother's own face right over again,—she never look' so before,—the Lord's hand is on her! His will be done!"

When Elsie woke and lifted her languid eyes upon her father's face, she saw in it a tenderness, a depth of affection, such as she remembered at rare moments of her childhood, when she had won him to her by some unusual gleam of sunshine in her fitful temper.

"Elsie, dear," he said, "we were thinking how much your expression was sometimes like that of your sweet mother. If you could but have seen her, so as to remember her!"