The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 477, February 19, 1831

The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 477, February 19, 1831
Various

Various

The Mirror of Literature, Amusement, and Instruction / Volume 17, No. 477, February 19, 1831

MOUNT ST. MICHAEL, NORMANDY.

MOUNT ST. MICHAEL, NORMANDY

The interest attached to this extraordinary place is of so popular a character as fully to justify its introduction to our pages. It is situate at the southern extremity of the ancient province of Normandy, a district of considerable importance in the early histories of France and England. The "Mount" is likewise one of the most stupendous of Nature's curiosities, it being one mass of granite, and referred to by geologists as a fine specimen of that primary or primitive rock; or, to speak untechnically, of that rock "which is most widely spread over the globe in the lowest relative situation," and which contains no remains of a former world.[1 - Primary rocks are supposed by geologists to constitute the foundation on which rocks of all the other classes are laid; and if we take an enlarged view of the structure of the globe, we may admit this to be the fact,—but the admission requires certain limitations.—Bakewell.] St. Michael's therefore stands pre-eminently in the sublime philosophy of Nature. It figures also in the page of man's history: its early celebrity is recognised in the chronicles of olden France and England; and it promises note in the history of our own times; since to this monastic spot will the political balance of France, in all probability, exile the person of the ambitious Polignac, ex-minister of France. The reader will perhaps suspect the political concatenation of Lulworth Castle, the Hotel de Ville, and the Palais Royal in our last volume; and the Prison of Vincennes and Mount St. Michael in the present. Instead of catching "the manners living as they rise," we appear to be looking out for crowns and ministers headlong as they fall.

St. Michael's is in that portion of Normandy which is not often visited by English tourists. One of its recent visitors was Mrs. Charles Stothard, wife of the distinguished artist, who, in 1820, published a narrative of her journey in, the autumn of 1818. Mrs. Stothard's description of the "Mount" is dated from Avranches, a coast town of some consequence, not far from Caen. Speaking of the delightfully situated town of Avranches, the fair correspondent says,

"Beyond, in the midst of the sea, arises 400 feet above the surface of the water, the majestic rock of Mount St. Michael, and near it another, but smaller rock, called the Tombalaine. In the distant and blue horizon appears the long and extending land of Britanny, mingling with the surrounding atmosphere, from which it is alone distinguished by a faint and uncertain line, that, like the prospect of our future years, impresses the mind with a deeper interest from its distant and impenetrable form. Mount St. Michael is a league in circumference; in some parts of the rock is perpendicular; it is flooded entirely at high water, but when the tide is out, the rock may be approached by the sands; some danger, however, attends the passage to those who are not perfectly well acquainted with the track, as many quicksands intercept, where travellers have frequently been lost.

"There is a small town on Mount St. Michael. The castle, which stands at the top, is accessible by steps cut in the solid rock. In the year 708, St. Aubert, Bishop of Avranches, here first created the chapel dedicated to St. Michael; in 966, Richard the first Duke of Normandy, established a convent of monks of the order of St. Benoit, and in 1024, Richard the second Duke of Normandy, built the church, which still exists. The provisions that supply the fortress, are sent up in a basket drawn by a machine. Tradition says, that there was in this castle an obligatory, or concealed trap-door, where, in feudal times, persons were taken, whom the state directed should be secretly put out of the way. Under pretext, of showing them the castle, they were conducted into a remote chamber, there they soon met their destined fate, for chancing to step upon the concealed door, they were precipitated into the abyss, many hundred feet below. They still exhibit at this fortress the sword and shield of St. Michael, and some cannon left by the English, when they made a fruitless attempt to take possession of the rock. Here it was that in former times, the Kings of France and the Dukes of Britanny made frequent pilgrimages, and performed penance at the shrine of St. Michael."

The lofty situation of the church appears to be peculiar to the churches dedicated to St. Michael. In many parts of the world they are built on very lofty eminences, in allusion, it is said, to St. Michael's having been the highest of the heavenly host. St. Michael's, in Cornwall, is another confirmation of this remark.

We have the pleasure of acknowledging the original of our Engraving from an elegant Print Scrap Book, now in course of publication by Mr. H. Dawe. It consists of well executed mezzotinto prints which are worthy of the album of any fair subscriber.

NIOBE

(For the Mirror.)

Hush'd are the groans of death, heart-piercing sound,
That mournful rose in peals on peals around;
Child after child by heav'nly darts expires,
And frequent corses feed the gloomy pyres.
Aghast she stands!—now here in wild amaze—
Now there the mother casts her madd'ning gaze:
In fixedness of grief, in dumb despair,
Her looks, her mien, her inmost soul declare:
Her looks, her mien, her deep-sunk anguish show
With all the silent eloquence of woe.

See! from her cheek the rosy lustre flies;
How dim the beams that sparkled in her eyes.
No more so softly heaves the throbbing breast;
The purple currents in their channels rest;—
No more the Zephyr's balmy breath can wave
The graceful locks which laughing Hebe gave;—
And fade those lips where fresh vermilion shone,
Cold as the clay, or monumental stone;—
O'er all her limbs an icy numbness spreads,
And marble death eternal quiet sheds.

Great[2 - Praxiteles.] sculptor hail! whom Nature's self design'd
To trace the labyrinths of the human mind—
To read the heart, and give with strong control,
To stone the silent workings of the soul:
Thine all-creative hand, thy matchless skill
Could what unbounded genius plann'd, fulfil.
Hence sprang that grief-wrung form—the languid eye—
The bloodless lip, and look of agony—
That face, where mute contending passions play—
That life of pain, of anguish, and dismay.

To sink she seems beneath the afflictive weight
Of gloomy cares portentous of her fate;—
Yet on her brow still soft Affection beams,
Tho' Desperation prompts her sombre dreams.
Parental feelings thrill her tortur'd breast,
And all the frantic mother stands confest—
A very Niobe—sad, hapless name!
In figure, features, and in all the same:
The same in all as Vengeance fierce pursued
Far to a wild and cheerless solitude.
For Salmo's bard has sung (by Heaven's decrees)
In awful pomp she mounted on the breeze—
Borne by the buoyant wind—a ghostly form—
She sail'd along the region of the storm.

So oft 'tis said in Lapland's chill domain,
Where dreary winter holds a lengthen'd reign,
What time the Runic drum and magic spell
Evoke the rapt soul from its fragile cell,
Attendant spirits, won by charms and prayer,
In gliding motion float upon the air.

Sydenham.

S.S

THE RHINE

(To the Editor.)

In looking over the last volume (16) of your interesting miscellany, I was much amused with a humorous legend at page 108, called the Rat's Tower, and according to your reference, having turned to page 68, of vol. xii. was equally entertained with the same laughable and well told story versified. This humorous production is extracted from a work entitled, if I mistake not, "The Rhinish Keepsake," containing many of the most wonderful and spirit-stirring legends connected with old chateaux, &c. on the banks of that majestic river, the Rhine. Amongst other pretty and choice morceaux, is a poem under the name of "L'Envoy," which may probably interest yourself and the readers of the Mirror. In perusing the enclosed, you will observe the infancy, manhood, and old age of "Father Rhine," as he is called, are all brought in succession before our eyes, which happy and ingenious idea is taken from a highly descriptive French publication, and perhaps having named the work, you will pardon my having extracted that portion which refers more particularly to the subject before us. The author says, "Dans son enfance le Rhin joue entre les fleurs des Alpes de la Suisse, il se berce dans le lac de Constance, il en sort avec des forces nouvelles, il devient un adolescent bouillant, fait une chute a Schaffhouse, s'avance vers l'age mur, se plait a remplir sa coupe de vin, court chercher les dangers et les affronte contre les écueils et les rochers: puis parvenu a un age plus avancée il abandonne les illusions, les sites romanesques, et cherche l'útile. Dans sa caducité il desserit et disparait enfin on ne sait trop comment!"

L'ENVOY

Cologne! Cologne! Thy walls are won,
Farewell my bark—be hush'd my song;
My voyage is o'er—my task is done—
Too pleasant both to last me long.

Adieu, thou noble Rhine, adieu,