Blackwood's Edinburgh Magazine — Volume 56, No. 345, July, 1844

Again mine eye could scan the sparkling meadow,
I look'd to heaven, and all was clear and bright;
I saw her hold a veil without a shadow,
That undulated round her in the light.

"I know thee!—all thy weakness, all that yet
Of good within thee lives and glows, I've measured;"
She said—her voice I never may forget—
"Accept the gift that long for thee was treasured.
Oh! happy he, thrice-bless'd in earth and heaven,
Who takes this gift with soul serene and true,
The veil of song, by Truth's own fingers given,
Enwoven of sunshine and the morning dew.

"Wave but this veil on high, whene'er beneath
The noonday fervour thou and thine are glowing,
And fragrance of all flowers around shall breathe,
And the cool winds of eve come freshly blowing.
Earth's cares shall cease for thee, and all its riot;
Where gloom'd the grave, a starry couch be seen;
The waves of life shall sink in halcyon quiet;
The days be lovely fair, the nights serene."

Come then, my friends, and whether 'neath the load
Of heavy griefs ye struggle on, or whether
Your better destiny shall strew the road
With flowers, and golden fruits that cannot wither,
United let us move, still forwards striving;
So while we live shall joy our days illume,
And in our children's hearts our love surviving
Shall gladden them, when we are in the tomb.

This is a noble metaphysical and metaphorical poem, but purely German of its kind. It has been imitated, not to say travestied, at least fifty times, by crazy students and purblind professors—each of whom, in turn, has had an interview with the goddess of nature upon a hill-side. For our own part, we confess that we have no great predilection for such mysterious intercourse, and would rather draw our inspiration from tangible objects, than dally with a visionary Egeria. But the fault is both common and national.

The next specimen we shall offer is the far-famed Bride of Corinth. Mrs Austin says of this poem very happily—"An awful and undefined horror breathes throughout it. In the slow measured rhythm of the verse, and the pathetic simplicity of the diction, there is a solemnity and a stirring spell, which chains the feelings like a deep mysterious strain of music." Owing to the peculiar structure and difficulty of the verse, this poem has hitherto been supposed incapable of translation. Dr Anster, who alone has rendered it into English, found it necessary to depart from the original structure; and we confess that it was not without much labour, and after repeated efforts, that we succeeded in vanquishing the obstacle of the double rhymes. If the German scholar should perceive, that in three stanzas some slight liberties have been taken with the original, we trust that he will perceive the reason, and at least give us credit for general fidelity and close adherence to the text.

THE BRIDE OF CORINTH

I

A youth to Corinth, whilst the city slumber'd,
Came from Athens: though a stranger there,
Soon among its townsmen to be number'd,
For a bride awaits him, young and fair:
From their childhood's years
They were plighted feres,
So contracted by their parents' care.

II

But may not his welcome there be hinder'd?
Dearly must he buy it, would he speed.
He is still a heathen with his kindred,
She and her's wash'd in the Christian creed.
When new faiths are born,
Love and troth are torn
Rudely from the heart, howe'er it bleed.

III

All the house is hush'd. To rest retreated
Father, daughters—not the mother quite;
She the guest with cordial welcome greeted,
Led him to a room with tapers bright;
Wine and food she brought
Ere of them he thought,
Then departed with a fair good-night.

IV

But he felt no hunger, and unheeded
Left the wine, and eager for the rest
Which his limbs, forspent with travel, needed,
On the couch he laid him, still undress'd.
There he sleeps—when lo!
Onwards gliding slow,
At the door appears a wondrous guest.

V

By the waning lamp's uncertain gleaming
There he sees a youthful maiden stand,
Robed in white, of still and gentle seeming,
On her brow a black and golden band.
When she meets his eyes,
With a quick surprise
Starting, she uplifts a pallid hand.

VI

"Is a stranger here, and nothing told me?
Am I then forgotten even in name?
Ah! 'tis thus within my cell they hold me,
And I now am cover'd o'er with shame!
Pillow still thy head
There upon thy bed,
I will leave thee quickly as I came."

VII