The Atlantic Monthly, Volume 02, No. 12, October, 1858

"Ah! if Simon Blount would but come now to advise me what is safest and best to do!"

Should she go to Mrs. Splurge and tell her all? No,—what right had she? That would but precipitate an exposure which might not be necessary. The case was not clear enough to justify so officious a step. Madeline was in no immediate danger. Perhaps she had only taken a different road to avoid the odious companionship of Withers. No doubt she was half-way home already. She would wait till morning, for clearer judgment and information. Till then she would hope for the best.

When Miss Wimple reached her humble little nest, she knelt beside her bed and prayed, tearfully, to the God who averts danger and forgives sin; but she did not sleep all night.

In the morning a gossiping neighbor came with the news;—"that little cooped-up Wimple never hears anything," she thought.

Miss Madeline Splurge had disappeared. Mr. Philip Withers was searching for her high and low. She had not been seen since yesterday afternoon,—had not returned home last night. It was feared she had drowned herself in the river for spite. She, the knowing neighbor, "had always said so,—had always said that Madeline Splurge was a quare girl,—sich high and mighty airs, and sich a temper. Now here it was, and what would people say,—specially them as had always turned up their nose at her opinion?"

Miss Wimple said nothing; but she treated Pity to two poor little lies;—one she told, and the other she looked:—She was not well, she said, which was the reason why she was so pale; and then she looked surprised at the news of Madeline's flitting.

Later in the day another report:—A letter left by Madeline had been found at home. She had taken offence at some sharp thing that sarcastic Mr. Withers, who always did hate her, had said; and had gone off in a miff, without even good-by or a carpet-bag, and taken the night train to New York, where she had an uncle on the mother's side.—And a good riddance! Now Miss Addy and Mr. Withers would have some peace of their time. Such a sweet couple, too!

Madeline had left a note:—"I was sick of you all, and I have escaped from you. You will be foolish to take any trouble about it."

[To be continued.]

THE CUP

The cup I sing is a cup of gold,
Many and many a century old,
Sculptured fair, and over-filled
With wine of a generous vintage, spilled
In crystal currents and foaming tides
All round its luminous, pictured sides.

Old Time enamelled and embossed
This ancient cup at an infinite cost.
Its frame he wrought of metal that run
Red from the furnace of the sun.
Ages on ages slowly rolled
Before the glowing mass was cold,
And still he toiled at the antique mould,
Turning it fast in his fashioning hand,
Tracing circle, layer, and band,
Carving figures quaint and strange,
Pursuing, through many a wondrous change,
The symmetry of a plan divine.
At last he poured the lustrous wine,
Crowned high the radiant wave with light,
And held aloft the goblet bright,
Half in shadow, and wreathed in mist
Of purple, amber, and amethyst.

This is the goblet from whose brink
All creatures that have life must drink:
Foemen and lovers, haughty lord
And sallow beggar with lips abhorred.
The new-born infant, ere it gain
The mother's breast, this wine must drain.
The oak with its subtile juice is fed,
The rose drinks till her cheeks are red,
And the dimpled, dainty violet sips
The limpid stream with loving lips.
It holds the blood of sun and star,
And all pure essences that are:
No fruit so high on the heavenly vine,
Whose golden hanging clusters shine
On the far-off shadowy midnight hills,
But some sweet influence it distils
That slideth down the silvery rills.
Here Wisdom drowned her dangerous thought,
The early gods their secrets brought;
Beauty, in quivering lines of light,
Ripples before the ravished sight;
And the unseen mystic spheres combine
To charm the cup and drug the wine.

All day I drink of the wine and deep
In its stainless waves my senses steep;
All night my peaceful soul lies drowned
In hollows of the cup profound;
Again each morn I clamber up
The emerald crater of the cup,
On massive knobs of jasper stand
And view the azure ring expand:
I watch the foam-wreaths toss and swim
In the wine that o'erruns the jewelled rim,
Edges of chrysolite emerge,
Dawn-tinted, from the misty surge;
My thrilled, uncovered front I lave,
My eager senses kiss the wave,
And drain, with its viewless draught, the lore
That warmeth the bosom's secret core,
And the fire that maddens the poet's brain
With wild sweet ardor and heavenly pain.

THE LANGUAGE OF THE SEA

Every calling has something of a special dialect. Even where there is, one would think, no necessity for it, as in the conversation of Sophomores, sporting men, and reporters for the press, a dialect is forthwith partly invented, partly suffered to grow, and the sturdy stem of original English exhibits a new crop of parasitic weeds which often partake of the nature of fungi and betoken the decay of the trunk whence they spring.

Is this the case with the language of the sea? Has the sea any language? or has each national tongue grafted into it the technology of the maritime calling?

The sea has its own laws,—the common and unwritten law of the forecastle, of which Admiralty Courts take infrequent cognizance, and the law of the quarter-deck, which is to be read in acts of Parliament and statutes of Congress. The sea has its own customs, superstitions, traditions, architecture, and government; wherefore not its own language? We maintain that it has, and that this tongue, which is not enumerated by Adelung, which possesses no grammar and barely a lexicon of its own, and which is not numbered among the polyglot achievements of Mezzofanti or Burritt, has yet a right to its place among the world's languages.

Like everything else which is used at sea,—except salt-water,—its materials came from shore. As the ship is originally wrought from the live-oak forests of Florida and the pine mountains of Norway, the iron mines of England, the hemp and flax fields of Russia, so the language current upon her deck is the composite gift of all sea-loving peoples. But as all these physical elements of construction suffer a sea-change on passing into the service of Poseidon, so again the landward phrases are metamorphosed by their contact with the main. But no one set of them is allowed exclusive predominance. For the ocean is the only true, grand, federative commonwealth which has never owned a single master. The cloud-compelling Zeus might do as he pleased on land; but far beyond the range of outlook from the white watch-tower of Olympus rolled the immeasurable waves of the wine-purple deep, acknowledging only the Enosigaios Poseidon. Consequently, while Zeus allotted to this and that hero and demigod Argos and Mycene and the woody Zacynthus, each to each, the ocean remained unbounded and unmeted. Nation after nation, race after race, has tried its temporary lordship, but only at the pleasure of the sea itself. Sometimes the ensign of sovereignty has been an eagle, sometimes a winged lion,—now a black raven, then a broom,—to-day St. Andrew's Cross, to-morrow St George's, perhaps the next a starry cluster. There is no permanent architecture of the main by which to certify the triumphs of these past invaders. Their ruined castles are lying "fifty fathom deep,"—Carthaginian galley and Roman trireme, the argosy of Spain, the "White Ship" of Fitz Stephen, the "Ville de Paris," down to the latest "non-arrival" whispered at Lloyd's,—all are gone out of sight into the forgotten silences of the green underworld. Upon the land we can trace Roman and Celt, Saxon and Norman, by names and places, by minster, keep, and palace. This one gave the battlement, that the pinnacle, the other the arch. But the fluent surface of the sea takes no such permanent impression. Gone are the quaint stern-galleries, gone the high top-gallant fore-castles, gone the mighty banks of oars of the olden time. It is only in the language that we are able to trace the successive nations in their march along the mountain waves; for to that each has from time to time given its contribution, and of each it has worn the seeming stamp, till some Actium or Lepanto or Cape Trafalgar has compelled its reluctant transfer to another's hands.

Or rather, we may say, the language of the sea comes and makes a part, as it were, of the speech of many different nations, as the sailor abides for a season in Naples, Smyrna, Valparaiso, Canton, and New York,—and from each it borrows, as the sailor does, from this a silk handkerchief, from that a cap, here a brooch, and there a scrap of tattooing, but still remains inhabitant of all and citizen of none,—the language of the seas.