The curse of Frau Proch had been most terribly fulfilled.
Circumstances soon pointed to Carl Proch as the perpetrator. A stranger, corresponding to the deceased in size and dress, had been seen, about the time of his disappearance, by the neighboring family, walking towards Proch's house; and on the evening of the same day an Irishman met Carl going at a rapid rate, with a gun on his shoulder, as though in furious pursuit of some one. A warrant for his arrest was issued, and he was lodged in jail to await his trial. If now the Hebrew had followed the lex talionis, after the manner of his race in ancient times, it might have fared badly with poor Carl. But as soon as the broker was satisfied beyond a peradventure that the depositor was actually dead, he hastened back to New York, joyful as a crow over a newly-found carcass, to administer upon the estate, leaving the law to take its own course with regard to the murderer.
Beyond the two facts just mentioned as implicating Carl, nothing was proved at the trial. Jameson, the lawyer, whom I mentioned at the beginning of this story, was engaged for the defence. He found Carl singularly uncommunicative; and though the government failed to make out a shadow of a case against his client, he was yet puzzled in his own mind by Carl's silence, and his real or assumed indifference. Katrine was in court with her child in her arms, watching the proceedings with the closest attention; though she, as well as Carl, was unable to understand any but the most familiar and colloquial English. The case was speedily decided; the few facts presented to the jury appeared to have no necessary connection, and there was no known motive for the deed. The jury unanimously acquitted Carl, and with his wife and boy he left the court-room. The verdict was approved by the spectators, for no man in the neighborhood was more universally loved and respected than Carl Proch.
Having paid Jameson his fee for his services, Carl was about to depart, when the lawyer's curiosity could be restrained no longer, and he called his client back to the private room of his office.
"Carl," said he, "you look like a good fellow, above anything mean or wicked; but yet I don't know what to make of you. Now you are entirely through with this scrape; you are acquitted; and I want to know what is the meaning of it all. I will keep it secret from all your neighbors. Did you kill Stolzen, or not?"
"Well, if I did," he answered, "can they do anything with me?"
"No," said Jameson.
"Not if I acknowledge?"
"No, you have been acquitted by a jury; and by our law a man can never be tried twice for the same offence. You are safe, even if you should go into court and confess the deed."
"Well, then, I did kill him,—and I would again!"
For the moment, a fierce light gleamed upon the calm and kindly face. Then, feeling that his answer would give a false view of the case, without the previous history of the parties, Carl sat down and in his broken English told to his lawyer the story I have here attempted to record. It was impossible to doubt a word of it; for the simplicity and pathos of the narrative were above all art. Here was a simple case, which the boldest inventor of schemes to punish villany would have been afraid to use. Its truth is the thing that most startles the mind accustomed to deal with fictions.
We leave Carl to return to his farm with his wife, for whom he had suffered so much, and with the hope that no further temptation may come to him in such a guise as almost to make murder a virtue.
THE TELEGRAPH
Thou lonely Bay of Trinity,
Ye bosky shores untrod,
Lean, breathless, to the white-lipped sea
And hear the voice of God!
From world to world His couriers fly,
Thought-winged and shod with fire;
The angel of His stormy sky
Rides down the sunken wire.
What saith the herald of the Lord?—
"The world's long strife is done!
Close wedded by that mystic cord,
Her continents are one.
"And one in heart, as one in blood,
Shall all her peoples be;
The hands of human brotherhood
Shall clasp beneath the sea.
"Through Orient seas, o'er Afric's plain,
And Asian mountains borne,
The vigor of the Northern brain
Shall nerve the world outworn.
"From clime to clime, from shore to shore,
Shall thrill the magic thread;
The new Prometheus steals once more
The fire that wakes the dead!
"Earth gray with age shall hear the strain
Which o'er her childhood rolled;
For her the morning stars again
Shall sing their song of old.
"For, lo! the fall of Ocean's wall,
Space mocked, and Time outrun!—
And round the world, the thought of all
Is as the thought of one!"
Oh, reverently and thankfully
The mighty wonder own!
The deaf can hear, the blind may see,
The work is God's alone.
Throb on, strong pulse of thunder! beat
From answering beach to beach!
Fuse nations in thy kindly heat,
And melt the chains of each!
Wild terror of the sky above,
Glide tamed and dumb below!
Bear gently, Ocean's carrier-dove,
Thy errands to and fro!
Weave on, swift shuttle of the Lord,
Beneath the deep so far,
The bridal robe of Earth's accord,
The funeral shroud of war!
The poles unite, the zones agree,
The tongues of striving cease;
As on the Sea of Galilee,
The Christ is whispering, "Peace!"
THE BIRDS OF THE GARDEN AND ORCHARD
The singing-birds whose notes are familiar to us, in towns and villages and the suburbs of the city, are found in the breeding-season only in these places, and are strangers to the deep woods and solitary pastures. Most of our singing-birds follow in the wake of the pioneer of the wilderness, and increase in numbers with the clearing and settlement of the country,—not, probably, from any dependence on the protection of mankind, but on account of the increased abundance of the insect food upon which they subsist, consequent upon the tilling of the ground. It is well known that the labors of the husbandman cause an excessive multiplication of all those species of insects whose larvae are cherished in the soil, and of all that infest the orchard and garden. The farm is capable of supporting insects just in proportion to its capacity for producing corn and fruit. Insects will multiply with their means of subsistence in and upon the earth; and birds, if not destroyed by artificial methods, will increase in proportion to the multiplication of those insects which constitute their principal food.
These considerations will sufficiently account for the fact, which often excites a little astonishment, that more singing-birds are found in the suburbs of the city, and among the parks and gardens of the city, than in the deep forest, where, even in the singing-season, the silence is sometimes melancholy. It is still to be remarked, that the species which are thus familiar in their habits do not include all the singing-birds, but they include all that are well known to the majority of our people. These are the birds of the garden and orchard. There are many other species, wild and solitary in their habits, which are delightful songsters in uncultivated regions remote from the town. But even these are rare in the depths of the forest. They live on the edge of the wood and in the half-wooded pasture.
The birds of the garden and orchard have been frequently described, and their habits are very generally known; but in the usual descriptions little has been said of their powers and peculiarities of song. In the present sketches, I have given particular attention to the vocal powers of the different birds, and have endeavored to designate the parts which each one performs in the grand hymn of Nature. I shall first introduce the Song-Sparrow, (Fringilla melodia,) a little bird that is universally known and admired. The Song-Sparrow is the earliest visitant and the latest resident of the vocal tenants of the field. He is plain in his vesture, undistinguished from the female by any superiority of plumage, and comes forth in the spring and takes his departure in the autumn in the same suit of russet and gray by which he is always recognized.
In March, before the violet has ventured to peep out from the southern knoll of the pasture or the sunny brow of the hill, while the northern skies are liable to pour down at any hour a storm of sleet and snow, the Song-Sparrow, beguiled by southern winds, has already made his appearance, and, on still mornings, may be heard warbling his few merry notes, as if to make the earliest announcement of his arrival. He is, therefore, the true harbinger of spring, and, though not the sweetest songster of the woods, has the merit of bearing to man the earliest tidings of the opening year, and of declaring the first vernal promises of Nature. As the notes of those birds that sing only in the night come with a double charm to our ears, because they are harmonized by silence and hallowed by the hour that is sacred to repose—in like manner does the Song-Sparrow delight us in tenfold measure, because he sings the sweet prelude to the universal hymn of Nature.