The International Monthly, Volume 2, No. 4, March, 1851

"Infinitely more so," continued Gaetano. "Every one is talking of it, and crazed with it—especially myself, who am a pazzo per la musica, like the here of Fioravanti. You know, Signori, nothing is more pleasant than to win again a pleasure we fancy to have been lost to us."

"Go on," said Taddeo, who had a presentiment that something pleasant was about to be related. The very mention of music made him quiver.

"Well, Signori," said Gaetano, "the Sicilian siren, the fairy La Felina, sings to-night at San Carlo."

"La Felina?" said all the listeners at once.

"La Felina! impossible!" said Rovero. "She left Naples last night."

"Certainly she did," said Gaetano; "and that makes the matter more charming and pleasant. La Felina has her caprices as all pretty women, and singers especially. That is the condition and very qualification of talent. A prima donna who did not keep the public uneasy about her health, her business, or her amours, one who did not outrage the manager, would not be a complete woman. How could she? One does not earn a hundred thousand francs a year for acting as if the salary was only a thousand crowns. It would be vulgar and common and altogether unbecoming a fine lady. La Felina, therefore, annoyed by the effect produced on the public mind by the drama of the Trial of Count Monte-Leone, which occupied the attention she thought should be engrossed by her own performances, would not appear while the trial was going on. She was about to throw up her engagement, and actually did so, when she was at the Porta-Capuana. The patrons of the opera, with the empresario at their head, accompanied by the orchestra and troupe, not wanting an enormous crowd of other admirers of la Diva, and they are many, prevented the carriage from passing. She was surrounded, pressed, and besought to such a degree that she was dragged back to her hotel, and promised to sing once more in the Griselda of the Maestro Paër, the best of all her characters. You can fancy the enthusiasm thus excited, and how all struggle to secure seats. I paid for mine thrice the usual price, and think I am very fortunate."

For a moment Taddeo said nothing, he saw nothing, and scarcely breathed. He was half stifled with joy and surprise. To see one again, from whom he had expected to be separated for so long a time, and perhaps for ever, seemed to him a dream from which he seemed afraid to awake. The friends of the Count left: all hurried to the theatre to secure an opportunity of being present at the solemnity.

"Come, come," said Taddeo, hurrying young Brignoli away. "I must go to San Carlo to-night at any price, even at that of my life!"

"Indeed!" said Gaetano, "I did not think you so passionate a dilettante. You exceed me—to pay for music with gold is well enough, but with life—ah, that is altogether a different thing; mine is valuable, and I keep it for greater occasions."

The Count stopped Rovero just as he was about to leave.

"What," said he, with an air of deep concern, "will you not go with me to-morrow to Sorrento?"

"To-morrow, to-morrow, for pity's sake," said Taddeo in a low tone. "Let me be happy to-day, and I will devote all my life to you."

He left with Gaetano.

"No, no," said Monte-Leone, "I will not wait a day, not an hour, before I see Aminta,—even if I go to Sorrento alone. I will go thither at once."

"Impossible," said a grave voice behind the Count.

The latter turned around and saw Pignana, who had glided unseen from the room as soon as he heard the young people leave.

"Why so?" said the Count.

"Why, Monsignore?" replied Pignana, who, casting aside the air and manner of a retired tradesman, became a dry and cold old man with a dignified bearing. "Because our brothers, terrified at your arrest, were on the point of dissolving the vente.—Because, it has been reported that your excellency was on the point of abandoning the cause, and laying aside the functions of supreme chief:—Because, the principal Carbonari, the agent of whom I am, wish to be informed of your intentions, and to be assured by you personally that you will not abandon them."

"Then," said the Count, with a gesture of ill-restrained temper, for these political embarrassments came in conflict with ideas which were far dearer to him, "that is the meaning of what you said just now. How can I restore confidence to our associates? The Neapolitan police watches over me; the least imprudence, the slightest exhibition of the existence of our association, would revive all, and endanger the fate and future success of the society, and also my life. You have few men of energy among you; you, who are one of the most devoted, trembled in the presence of my friends. You deserve to be hissed like a bad actor in a good part! Listen to me, Pignana: I wish to be your chief; I wish to risk a heavy stake in your cause; but now, especially when heavy matters weigh on me, I do not purpose to appear in political comedy. I wish to play a serious part, the theories of which are actions, with many deeds and few words. I will do all that is necessary to serve our cause, but nothing more. Remember this. The Castle Del Uovo, dungeons beneath the sea, the executioner and conversations with the Grand-Judge, warn me to be careful and prudent. Ask me, then, nothing more. In eight days our great general venta will be held at the monastery of San Paola, fifty leagues from Naples. I will be there, and will tell you what our brethren in France and Germany have informed me of. Until then, however, question me about nothing."

"We do not, Monsignore," replied Pignana, who was aware of the firmness of the Count, and saw at once that he had mistaken his course. "The association, which admires your excellency, especially since the trial, which looks on your excellency as a martyr, asks nothing except one favor, which will overwhelm it with gratitude and joy."

"And what is that favor?" rejoined the Count.

"That Monsignore will appear to-night at San Carlo in a box, the key of which I have with me. This box may be seen from every part of the house. All of our principal men will be present, and if Monsignore will advance, during the interlude, to the front of the box, placing his hand on his heart, all our friends will know that they may rely on him."

"By my faith, shrewd as the Duke of Palma is, suspicious as the police may be, I do not think this can be construed into an act of treason. It pledges me to nothing. The ladies to whom we make the gesture understand it. I will then make this exhibition of my person, as the English say, and I will increase the interest of the performance by my presence. In a word, I will appear for the benefit of La Felina. The brave girl and myself will not even then be quits."

"Thank you, Count," said Pignana, as he left—"and now, adieu, until we meet at San Carlo."

A few hours after the scene we have described, an immense crowd thronged every entry to the theatre of San Carlo. It was not, however, the joyous crowd intoxicated with folly which we have seen hurry into its precincts at the commencement of this story. On this occasion the public seemed rather busy than in search of pleasure. It was a matter of importance, indeed, to be present at the last appearance of La Felina. The keys of the boxes, therefore, according to the Italian custom, were sold at the door of the theatre, and at double the usual price. I speak only of the small number of boxes, the proprietors of which were absent from Naples. We may also as well add, that in Naples a box is often property. All the other boxes were occupied by illustrious personages, or by the wealthiest inhabitants of the great city. San Carlo on that night was brilliant as possible. The Count had just come. The women glittered with flowers and diamonds. As on the occasion of the masked ball, the theatre was illuminated a giorno. No detail of the festival, no beauty present could escape observation. Count Monte-Leone appeared in the box which had been reserved for him, which soon became the object of every lorgnette and the theme of every conversation. He bore this annoying attention with icy sang-froid, seeming even not to observe it. His vanity, however, was secretly gratified, and we have said that this was his weak point. The overture began, and the curtain was finally raised. During this time, and the first scenes of the opera, the private conversation was so loud and animated that the singers and orchestra were almost overpowered. Suddenly silence was restored—admiration as respectful as that which precedes a sovereign's arrival pervaded all.

The true Queen of Naples, at this moment, was La Felina. This complete calmness was soon succeeded by a thunder of applause. A thousand voices uttered a long shout of commingled bravos and hurras. La Felina was on the stage. This delirium produced by a single person, this passionate worship expressed by an almost furious admiration, those thousand hearts hung to the lips of a single person, is found only on the stage, and was one of the triumphs which Naples decreed to the greatest artist in Italy. A report was in circulation, also, which added to this almost furious admiration. It was said, that she was about to retire for ever, and that this was her last appearance. The eyes of love have a secret and admirable instinct, enabling them to see what persons who are indifferent cannot discover. Among this eager and compact crowd, the glances of La Felina were immediately attracted to a point of the hall, to a single box in which Monte-Leone sat. To him Felina acted and sang, and she was sublime. At the moment when Paër's heroine appeared, a single voice was heard above all others, and the person who had uttered it, having exhausted all the powers of his soul, during the whole time Felina was on the stage, stood with his eyes fixed on her, as if he had been fascinated by some charm he could not shake off.

"Poor Taddeo," said the Count, when he saw him, "why does she not love him?"

The first act was concluded by a torrent of bouquets, which the audience threw at the feet of their favorite actress. The curtain fell. This was the moment expected by the associate of Monte-Leone. Faithful to his promise, the Count leaned forward in his box, naturally as possible, and looked around the brilliant assembly. He then placed his hand on his heart, and disappeared in the recess of his box. Before, however, he left, he heard a confused and joyous murmur, which rose from the parquet to the boxes, and became lost in the arch of the gilded ceiling.

"They were there," said Monte-Leone, "and Pignana must be satisfied. I have done all he asked literally."

A few friends joined the Count in his box.

"Indeed, dear Monte-Leone," said one of these, with whom he was most intimate, a friend of his childhood, "You have resumed your old habits."

"What do you mean?"

"That, scarcely out of prison, I saw you from my box beginning a new intrigue by exchanging signs with some fair unknown. This, too, at San Carlo. This is bold, indeed, unless the hand on your heart is the resumption of an old intrigue, interrupted, perhaps, by your imprisonment."

"I do not understand you, Barberini," said the Count, not a little annoyed. "I made no sign to any one."

"Perhaps so: if you please, I was mistaken. But if I am, it is all the better; for it proves to me that you no longer adhere to the plans you once confided to me. I was delighted, too, at what I heard yesterday evening."

"Of what plans do you speak?" replied the Count, moved, in spite of himself, by this half-confidence.

"Mon Dieu! of your own. Did you not tell me that you were passionately fond of the sister of Taddeo de Sorrento, of the beautiful Aminta Rovero, daughter of the old minister of finances of Murat?"

"True," said the Count.

"Well," continued Barberini, "I hope you are cured of that love, for you have a rival."

"A rival!" said the Count.

"Yes, and perhaps a happy one."

"Signor," said Monte-Leone, restraining himself with difficulty, "let me tell you I purpose to make that lady my wife. All that touches her honor, touches mine also."

"I say nothing derogatory to it, but merely repeat what I have heard."

"What have you heard?" said Monte-Leone, and the blood rushed to his head.

"One of my young relations," continued Count Barberini, "was at an entertainment given on the recurrence of her daughter's birthday by Signora Rovero. He spoke to me of a Frenchman who is with them, and who seems passionately fond of the young Aminta."

"And then?" said Monte-Leone, with the same tone in which he would have asked the executioner to strike him with certainty.

"And then! why that is all," said Barberini, who had become terrified at Monte-Leone's manner. "I heard nothing more.... If I did, I would take care to be silent when you look so furiously. All this interests me very slightly. One's own love affairs are too troublesome to enable us to occupy ourselves with those of others.... There, too, is the Countess d'Oliviero, waving her bouquet so impatiently to and fro that I see she will break it to pieces unless I go. I must leave you, to save her flowers." The young man left.

"I was right," said he, "not to tell the story of the night affair of which my kinsman was a witness. I think he would have killed me at once."

III. A PATERNAL LETTER

On the day after the terrible night during which Aminta had strayed in her sleep to the room of Maulear, two ladies met at about nine in the morning in the saloon of the villa of Sorrento, and were locked in each other's arms.