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The Book of Three Hundred Anecdotes

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2018
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The Price of Bread.—Some years ago, the bakers of Lyons thought they could prevail on M. Dugas, the provost of the merchants in that city, to befriend them at the expense of the public. They waited upon him in a body, and begged leave to raise the price of bread, which could not be done without the sanction of the chief magistrate. M. Dugas told them that he would examine their petition, and give them an early answer. The bakers retired, having first left upon the table a purse of two hundred louis d'ors. In a few days the bakers called upon the magistrate for an answer, not in the least doubting but that the money had effectually pleaded their cause. "Gentlemen," said M. Dugas, "I have weighed your reasons in the balance of justice, and I find them light. I do not think that the people ought to suffer under a pretence of the dearness of corn, which I know to be unfounded; and as to the purse of money that you left with me, I am sure that I have made such a generous and noble use of it as you yourself intended. I have distributed it among the poor objects of charity in our two hospitals. As you are opulent enough to make such large donations, I cannot possibly think that you can incur any loss in your business; and I shall, therefore, continue the price of bread as it was."

Kosciusko.—The hero of Poland once wished to send some bottles of good wine to a clergyman at Solothurn; and as he hesitated to trust them by his servant, lest he should smuggle a part, he gave the commission to a young man of the name of Zeltner, and desired him to take the horse which he himself usually rode. On his return, young Zeltner said that he never would ride his horse again unless he gave him his purse at the same time. Kosciusko enquiring what he meant, he answered, "As soon as a poor man on the road takes off his hat and asks charity, the horse immediately stands still, and will not stir till something is given to the petitioner; and as I had no money about me, I was obliged to feign giving something, in order to satisfy the horse."

Mysterious Benefactor.—In the year 1720, celebrated for the bursting of the South Sea Bubble, a gentleman called late in the evening at the banking house of Messrs. Hankey and Co. He was in a coach, but refused to get out, and desired that one of the partners of the house would come to him, into whose hands, when he appeared, he put a parcel, very carefully sealed up, and desired that it might be taken care of till he should call again. A few days passed away—a few weeks—a few months—but the stranger never returned. At the end of the second or third year the partners agreed to open this mysterious parcel, when they found it to contain £30,000, with a letter, stating that it had been obtained by the South Sea speculation, and directing that it should be vested in the hands of three trustees, whose names were mentioned, and the interest appropriated to the relief of the poor.

DINNERS

Bannister.—Charles Bannister dining one day at the Turk's Head Tavern, was much annoyed by a gentleman in the adjoining box, who had just ordered fish for dinner, and was calling on the waiter for every species of fish sauce known to the most refined epicure. "Waiter," said he, "bring me anchovy sauce, and soy; and have you got Harvey's? and be sure you bring me Burgess's;—and waiter—do you hear?—don't omit the sauce epicurienne." How many more he would have enumerated it is difficult to say, had not Bannister stepped up to him, and bowing very politely, said, "Sir, I beg your pardon for thus interrupting you, but I see you are advertised for in the newspaper of this morning." "Me, sir, advertised for!" exclaimed the gentleman, half petrified with surprise; "pray, sir, what do you mean?" Bannister, taking the paper, pointed to an advertisement addressed to "The Curious in Fish Sauces." The gentleman felt the rebuke, sat down, and ate his dinner without further ceremony.

A Christmas Pudding Extraordinary.—When the late Lord Paget was ambassador at Constantinople, he, with the rest of the gentlemen who were in a public capacity at the same court, determined one day when there was to be a grand banquet, to have each of them a dish dressed after the manner of their respective countries; and Lord Paget, for the honour of England, ordered a piece of roast beef and a plum pudding. The beef was easily cooked, but the court cooks not knowing how to make a plum pudding, he gave them a receipt:—"So many eggs, so much milk, so much flour, and a given quantity of raisins; to be beaten up together, and boiled so many hours in so many gallons of water." When dinner was served up, first came the French ambassador's dish—then that of the Spanish ambassador—and next, two fellows bearing an immense pan, and bawling, "Room for the English ambassador's dish!" "Confound my stupidity!" cried his lordship; "I forgot to tell them of the bag, and these stupid scoundrels have boiled it without one; and in five gallons of water too. It will be good plum broth, however!"

Dr. Kirwan, the celebrated Irish chemist, having one day at dinner with him a party of friends, was descanting upon the antiseptic qualities of charcoal, and added, that if a quantity of pulverised charcoal were boiled together with tainted meat, it would remove all symptoms of putrescence, and render it perfectly sweet. Shortly afterwards, the doctor helped a gentleman to a slice of boiled leg of mutton, which was so far gone as to shed an odour not very agreeable to the noses of the company. The gentleman repeatedly turned it upon his plate, without venturing to taste it; and the doctor observing him, said, "Sir, perhaps you don't like mutton?" "Oh, yes, doctor," he replied, "I am very fond of mutton, but I do not think the cook has boiled charcoal enough with it."

When the Archbishop of York sent Ben Jonson an excellent dish of fish from his dinner table, but without drink, he said,—

"In a dish came fish
From the arch-bis-
Hop was not there,
Because there was no beer."

Poor-Man-of-Mutton is a term applied to a shoulder of mutton in Scotland after it has been served as a roast at dinner, and appears as a broiled bone at supper, or at the dinner next day. The late Earl of B., popularly known as "Old Rag," being indisposed at a hotel in London, one morning the landlord came to enumerate the good things in his larder, in order to prevail on his guest to eat something, when his lordship replied, "Landlord, I think I could eat a morsel of a poor man;" which, with the extreme ugliness of his lordship's countenance, so terrified the landlord, that he fled from the room and tumbled down stairs, supposing the earl, when at home, was in the habit of eating a joint of a vassal, or tenant when his appetite was dainty.

Swift.—A gentleman, at whose house Swift was dining in Ireland, after dinner introduced remarkably small hock glasses, and at length, turning to Swift, addressed him,—"Mr. Dean, I shall be happy to take a glass of hic, hæc, hoc, with you." "Sir," rejoined the doctor, "I shall be happy to comply, but it must be out of a hujus glass."

Swift, having a shoulder of mutton too much done brought up for his dinner, sent for the cook, and told her to take the mutton down, and do it less. "Please your honour, I cannot do it less." "But," said the dean, "if it had not been done enough, you could have done it more, could you not?" "Oh, yes, sir, very easily." "Why, then," said the dean, "for the future, when you commit a fault, let it be such a one as can be mended."

DOCTORS

Making Things Better.—A rich man sent to call a physician for a slight disorder. The physician felt his pulse, and said, "Do you eat well?" "Yes," said the patient. "Do you sleep well?" "I do." "Oh, then," said the physician, "I must give you something to take away all that."

Madame de Villecerf, who was brought to death in the flower of her age by the unskilfulness of her surgeon, comforted him thus: "I do not look upon you," she said, in dying, "as a person whose error has cost me my life, but as a benefactor, who hastens my entry into a happy immortality. As the world may judge otherwise, I have put you in a situation, by my will, to quit your profession."

Willie Law, a half-witted man, was the descendant of an ancient family, nearly related to the famous John Law, of Lauriston, the celebrated financier of France. Willie on that account was often spoken to and taken notice of by gentlemen of distinction. Posting one day through Kirkaldy, with more than ordinary speed, he was met by Mr. Oswald, of Dunnikier, who asked him where he was going in such a hurry. "Going!" says Willie, with apparent surprise, "I'm gaen to my cousin Lord Elgin's burial." "Your cousin Lord Elgin's burial, you fool! Lord Elgin's not dead," replied Mr. Oswald. "Oh, never mind," quoth Willie; "there's six doctors out o' Edinbro' at him, and they'll hae him dead afore I get there."

Physicians in China.—Caleb Colton, nephew of the late Sir George Staunton, gives in a recent publication the following anecdote:—"My late uncle, Sir G. Staunton, related to me a curious anecdote of old Kien Long, Emperor of China. He was inquiring of Sir George the manner in which physicians were paid in England. When, after some difficulty, his majesty was made to comprehend the system, he exclaimed, 'Is any man well in England that can afford to be ill? Now, I will inform you,' said he, 'how I manage my physicians. I have four, to whom the care of my health is committed: a certain weekly salary is allowed them; but the moment I am ill the salary stops till I am well again. I need not tell you that my illnesses are usually short.'"

Zimmerman, who was very eminent as a physician, went from Hanover to attend Frederick the Great in his last illness. One day the king said to him, "You have, I presume, sir, helped many a man into another world?" This was rather a bitter pill for the doctor; but the dose he gave the king in return was a judicious mixture of truth and flattery: "Not so many as your majesty, nor with so much honour to myself."

Montaigne, who is great upon doctors, used to beseech his friends that if he felt ill they would let him get a little stronger before sending for the doctor.

Molière, when once travelling through Auvergne, was taken very ill at a distance from any place where he could procure respectable medical aid. It was proposed to him to send for a celebrated physician at Clermont. "No, no," said he, "he is too great a man for me: go and bring me the village surgeon; he will not, perhaps, have the hardihood to kill me so soon."

Louis XIV., who was a slave to his physicians, asked Molière one day what he did with his doctor. "Oh, sire," said he, "when I am ill I send for him. He comes; we have a chat, and enjoy ourselves. He prescribes;—I don't take it, and I am cured."

General Guise going over one campaign to Flanders, observed a raw young officer, who was in the same vessel with him, and with his usual humanity told him that he would take care of him, and conduct him to Antwerp, where they were both going, which he accordingly did, and then took leave of him. The young fellow was soon told by some arch rogues, whom he happened to fall in with, that he must signalise himself by fighting some man of known courage, or else he would soon be despised in the regiment. The young man said he knew no one but Colonel Guise, and he had received great obligations from him. "It is all one for that," said they, "in these cases. The Colonel is the fittest man in the world, as everybody knows his bravery." Soon afterwards the young officer accosted Colonel Guise, as he was walking up and down the coffee room, and began, in a hesitating manner, to tell him how much obliged he had been to him, and how sensible he was of his obligations. "Sir," replied Colonel Guise, "I have done my duty by you, and no more." "But Colonel," added the young officer, faltering, "I am told that I must fight some gentleman of known courage, and who has killed several persons, and that nobody"—"Oh, sir," interrupted the Colonel, "your friends do me too much honour; but there is a gentleman (pointing to a fierce-looking black fellow that was sitting at one of the tables) who has killed half the regiment, and who will suit you much better." The officer went up to him, and told him he had heard of his bravery, and that for that reason he must fight him. "Who?—I, sir?" said the gentleman; "why, I am the apothecary."

Dr. Moore, author of "Zeluco," used to say that at least two-thirds of a physician's fees were for imaginary complaints. Among several instances of this nature, he mentions one of a clothier, who, after drinking the Bath waters, took it into his head to try Bristol hot wells. Previous, however, to his setting off, he requested his physician to favour him with a letter, stating his case to any brother doctor. This done, the patient got into a chaise and started. After proceeding half way, he felt curious to see the contents of the letter, and on opening it, read as follows:—"Dear Sir,—The bearer is a fat Wiltshire clothier: make the most of him." It is almost unnecessary to add that his cure was from that moment effected, as he ordered the chaise to turn, and immediately proceeded home.

Sir Charles Wager had a sovereign contempt for physicians, though he believed a surgeon, in some cases, might be of service. It happened that Sir Charles was seized with a fever while he was out upon a cruise, and the surgeon, without much difficulty, prevailed upon him to lose a little blood, and suffer a blister to be laid on his back. By-and-bye it was thought necessary to lay on another blister, and repeat the bleeding, to which Sir Charles also consented. The symptoms then abated, and the surgeon told him that he must now swallow a few bolusses, and take a draught. "No, no, doctor," says Sir Charles, "you shall batter my hulk as long as you will, but depend on it, you shan't board me."

Nash and the Doctor.—When the celebrated Beau Nash was ill, Dr. Cheyne wrote a prescription for him. The next day, the doctor coming to see his patient, inquired if he had followed his prescription? "No, truly, doctor," said Nash; "if I had, I should have broken my neck, for I threw it out of a two-pair-of-stairs window."

Gin versus Medicine.—The celebrated Dr. Ward was not more remarkable for humanity and skill than for wit and humour. An old woman, to whom he had administered some medicines proper for a disorder under which she laboured, applied to him, with a complaint that she had not experienced any kind of effect from taking them. "No effect at all?" said the doctor. "None in the least," replied the woman. "Why, then you should have taken a bumping glass of gin." "So I did, sir." "Well, but when you found that did not succeed, you should have taken another." "So I did, sir; and another after that." "Oh, you did?" said the doctor; "aye, aye, it is just as I imagined: you complain that you found no effect from my prescription, and you confess yourself that you swallowed gin enough to counteract any medicine in the whole system of physic."

Abernethy.—A Chancery barrister having been for a long while annoyed by an irritable ulcer on one of his legs, called upon Mr. Abernethy for the purpose of obtaining that gentleman's advice. The counsellor judging of an ulcer as of a brief, that it must be seen before its nature could be understood, was busily employed in removing his stocking and bandages, when Mr. Abernethy abruptly advanced towards him, and exclaimed in a stentorian voice, "Halloo! what are you about there? Put out your tongue, man! Aye, there 'tis—I see it—I'm satisfied. Quite enough;—shut up your leg, man—shut it up—shut it up! Go home and read my book, p.—, and take one of the pills there mentioned every night on going to bed." The lawyer handed over the fee, and was about to leave the room, when Mr. A. thus accosted him: "Why, look here;—this is but a shilling!" The barrister sarcastically replied, "Aye, there 'tis—I see it—I'm satisfied. Quite enough, man;—shut it up—shut it up!" and hastily decamped from the room.

A lady, who had received a severe bite in her arm from a dog, went to Mr. Abernethy, but knowing his aversion to hearing any statement of particulars, she merely uncovered the injured part, and held it before him in silence. After looking at it an instant, he said in an inquiring tone, "Scratch?" "Bite," replied the lady. "Cat?" asked the doctor. "Dog," rejoined the patient. So delighted was Mr. A. with the brevity and promptness of her answers, that he exclaimed, "Zounds, madam! you are the most sensible woman I ever met with in my life."

Astley Cooper.—Probably no surgeon of ancient or modern times enjoyed a greater share of reputation during his life than fell to the lot of Sir Astley, and that in all parts of the world. We cannot give a better example of this than the fact of his signature being received as a passport among the mountains of Biscay by the wild followers of Don Carlos. A young English surgeon, seeking for employment, was carried as a prisoner before Zumalacarrequi, who demanded what testimonials he had of his calling or his qualifications. Our countryman presented his diploma of the College of Surgeons, and the name of Astley Paston Cooper, which was attached to it, no sooner struck the eye of the Carlist leader, than he at once received his prisoner with friendship, and appointed him a surgeon in his army.

THE DRAMA—ACTORS, ETC

Shaving a Queen.—For some time after the restoration of Charles the Second, young smooth-faced men performed the women's parts on the stage. That monarch, coming before his usual time to hear Shakspeare's Hamlet, sent the Earl of Rochester to know the reason of the delay; who brought word back, that the queen was not quite shaved. "Ods fish" (his usual expression), "I beg her majesty's pardon! we will wait till her barber is done with her."

Liston, in his early career, was a favourite at Newcastle-upon-Tyne, and having applied to the manager for a remuneration equal to the increased value of his services, he refused the request, adding, "If you are dissatisfied you are welcome to leave me; such actors as you, sir, are to be found in every bush." On the evening of the day when this colloquy occurred, the manager was driving to another town, where he intended "to carry on the war," when he perceived Liston standing in the middle of a hedge by the road-side. "Good heavens! Liston," cried the manager, "what are you doing there?" "Only looking for some of the actors you told me of this morning," was the reply.

Good-natured Author.—The late M. Segur, among other literary productions, supplied the French theatres with a number of pleasing trifles. If he was not always successful, he was at least always gay in his reverses. When his works were ill received by the public, he consoled himself for a failure by a bon-mot; he made even a point of consoling his companions in misfortune. A piece of his was once brought forward called the Yellow Cabriolet, which happened to be condemned on the first representation. Some days afterwards a piece, by another author, was presented, which was equally unfortunate. The author, petrified at his failure, stood for a moment immoveable. "Come, come, my dear sir," said M. Segur, "don't be cast down, I will give you a seat in my Yellow Cabriolet."

A Heavy Play.—When Sir Charles Sedley's comedy of "Bellamira" was performed, the roof of the theatre fell down, by which, however, few people were hurt except the author. This occasioned Sir Fleetwood Shepherd to say, "There was so much fire in his play, that it blew up the poet, house and all." "No," replied the good-natured author, "the play was so heavy, that it broke down the house, and buried the poor poet in his own rubbish."

Monsieur de la Motte, soon after the representation of his "Ines de Castro," which was very successful, although much censured by the press, was sitting one day in a coffee-house, when he heard several of the critics abusing his play. Finding that he was unknown to them, he joined heartily in abusing it himself. At length, after a great many sarcastic remarks, one of them, yawning, said, "Well, what shall we do with ourselves this evening?" "Why, suppose," said de la Motte, "we go to the seventy-second representation of this bad play."

The Sailor and the Actress.—"When I was a poor girl," said the Duchess of St. Albans, "working very hard for my thirty shillings a week, I went down to Liverpool during the holidays, where I was always kindly received. I was to perform in a new piece, something like those pretty little dramas they get up now at our minor theatres; and in my character I represented a poor, friendless orphan girl, reduced to the most wretched poverty. A heartless tradesman prosecutes the sad heroine for a heavy debt, and insists on putting her in prison unless some one will be bail for her. The girl replies, 'Then I have no hope, I have not a friend in the world.' 'What? will no one be bail for you, to save you from prison?' asks the stern creditor. 'I have told you I have not a friend on earth,' is the reply. But just as I was uttering the words, I saw a sailor in the upper gallery springing over the railing, letting himself down from one tier to another, until he bounded clear over the orchestra and footlights, and placed himself beside me in a moment.' Yes, you shall have one friend at least, my poor young woman,' said he, with the greatest expression in his honest, sunburnt countenance; 'I will go bail for you to any amount. And as for you (turning to the frightened actor), if you don't bear a hand, and shift your moorings, you lubber, it will be worse for you when I come athwart your bows.' Every creature in the house rose; the uproar was perfectly indescribable; peals of laughter, screams of terror, cheers from his tawny messmates in the gallery, preparatory scrapings of violins from the orchestra, were mingled together; and amidst the universal din there stood the unconscious cause of it, sheltering me, 'the poor, distressed young woman,' and breathing defiance and destruction against my mimic persecutor. He was only persuaded to relinquish his care of me by the manager pretending to arrive and rescue me, with a profusion of theatrical banknotes."

Kean.—In the second year of Kean's London triumph, an elderly lady, whose sympathy had been excited by his forlorn condition in boyhood, but who had lost sight of him in his wanderings till his sudden starting into fame astonished the world, was induced, on renewing their acquaintance, to pay a visit of some days to him and Mrs. Kean, at their residence in Clarges-street. She made no secret of her intention to evince the interest she felt in his welfare by a considerable bequest in her will; but, on accompanying Mrs. K. to the theatre to see Kean perform Luke, she was so appalled by the cold-blooded villany of the character, that, attributing the skill of the actor to the actual possession of the fiendlike attributes, her regard was turned into suspicion and distrust. She left London the next day, and dying soon afterwards, it appeared that she had altered her testamentary disposition of her property, which had once been made in Kean's favour, and bequeathed the sum originally destined for him to a distant relative, of whom she knew nothing but by name.

Mimic Reclaimed.—In the beginning of the last century, a comedian of the name of Griffin, celebrated for his talents as a mimic, was employed by a comic author to imitate the personal peculiarities of the celebrated Dr. Woodward, whom he intended to be introduced in a comedy as Dr. Fossil. The mimic, dressed as a countryman, waited on the doctor with a long catalogue of complaints with which he said his wife was afflicted. The physician heard with amazement diseases and pains of the most opposite nature, repeated and redoubled on the wretched patient. The actor having thus detained the doctor until he thought himself completely master of his errand, presented him with a guinea as his fee. "Put up thy money, poor fellow," cried the doctor, "thou hast need of all thy cash, and all thy patience, too, with such a bundle of diseases tied to thy back." The mimic returned to his employer, who was in raptures at his success, until he told him that he would sooner die than prostitute his talents to render such genuine humanity food for diversion.

Senesino and Farinelli, when in England together, being engaged at different theatres on the same night, had not an opportunity of hearing each other, till, by one of those sudden revolutions which frequently happen, yet are always unexpected, they were both employed to sing on the same stage. Senesino had the part of a furious tyrant to represent and Farinelli that of an unfortunate hero in chains; but in the course of the very first song, the latter so softened the heart of the enraged tyrant, that Senesino, forgetting his assumed character, ran to Farinelli and embraced him.

Weeping at a Play.—It is a prevailing folly to be ashamed to shed a tear at any part of a tragedy, however affecting. "The reason," says the Spectator, "is, that persons think it makes them look ridiculous, by betraying the weakness of their nature. But why may not nature show itself in tragedy, as well as in comedy or farce? We see persons not ashamed to laugh loudly at the humour of a Falstaff,—or the tricks of a harlequin; and why should not the tear be equally allowed to flow for the misfortunes of a Juliet, or the forlornness of an Ophelia?" Sir Richard Steele records on this subject a saying of Mr. Wilks the actor, as just as it was polite. Being told in the green-room that there was a general in the boxes weeping for Juliana, he observed with a smile, "And I warrant you, sir, he'll fight ne'er the worse for that."

Dramatic Effect.—It is related in the annals of the stage, as a remarkable instance of the force of imagination, that when Banks's play of the Earl of Essex was performed, a soldier, who stood sentinel on the stage, entered so deeply into the distress of the scene, that in the delusion of his imagination, upon the Countess of Nottingham's denying the receipt of the ring which Essex had sent by her to the queen to claim a promise of favour, he exclaimed, "'Tis false! she has it in her bosom;" and immediately seized the mock countess to make her deliver it up.

Charles Hulet, a comedian of some celebrity in the early part of the last century, was an apprentice to a bookseller. After reading plays in his master's shop, he used to repeat the speeches in the kitchen, in the evening, to the destruction of many a chair, which he substituted in the room of the real persons in the drama. One night, as he was repeating the part of Alexander, with his wooden representative of Clitus, (an elbow chair), and coming to the speech where the old general is to be killed, this young mock Alexander snatched a poker, instead of a javelin, and threw it with such strength, against poor Clitus, that the chair was killed upon the spot, and lay mangled on the floor. The death of Clitus made a monstrous noise, which disturbed the master in the parlour, who called out to know the reason; and was answered by the cook below, "Nothing, sir, but that Alexander has killed Clitus."

Goldsmith's Marlow.—Mr. Lewis Grummit, an eminent grazier of Lincolnshire, met late one night a commercial traveller who had mistaken his road, and inquired the way to the nearest inn or public house. Mr. G. replied, that as he was a stranger, he would show him the way to a quiet respectable house of public entertainment for man and horse; and took him to his own residence. The traveller, by the perfect ease and confidence of his manner, shewed the success of his host's stratagem; and every thing that he called for, was instantly provided for himself and his horse. In the morning he called, in an authoritative tone, for his bill, and the hospitable landlord had all the recompense he desired in the surprise and altered manners of his guest. It was from this incident that Dr. Goldsmith took the hint of Marlow mistaking the house of Mr. Hardcastle for an inn, in the comedy of "She Stoops to Conquer."

Mr. Quick, while performing the part of Romeo, was seized with an involuntary fit of laughter, which subjected him to the severe rebuke of his auditors. It happened in the scene of Romeo and the apothecary, who, going for the phial of poison, found it broken; not to detain the scene, he snatched, in a hurry, a pot of soft pomatum. Quick was no sooner presented with it, than he fell into a convulsive fit of laughter. But, being soon recalled to a sense of his duty by the reproofs of the audience, he came forward and made the following whimsical apology:—"Ladies and gentlemen, I could not resist the idea that struck me when the pot of pomatum, instead of the phial of poison, was presented. Had he at the same time given me a tea-spoon, it would not have been so improper; for the poison might have been made up as a lenitive electuary. But, if you please, ladies and gentlemen, we will begin the scene again without laughing."

Garrick and Rich.—Soon after the appearance of Garrick at the theatre of Drury Lane, to which he, by his astonishing powers, brought all the world, while Mr. Rich was playing his pantomimes at Covent Garden to empty benches, he and Mr. Garrick happened to meet one morning at the Bedford coffee-house. Having fallen into conversation, Garrick asked the Covent Garden manager, how much his house would hold, when crowded with company. "Why, master," said Rich, "I cannot well tell; but if you will come and play Richard for one night, I shall be able to give an account."

Morand, author of Le Capricieuse, was in a box of the theatre during the first representation of that comedy; the pit loudly expressing disapprobation at the extravagance and improbability of some traits in this character, the author became impatient; he put his head out of the box, and called, "Know, gentlemen, that this is the very picture of my mother-in-law. What do you say now?"

Foote, on his last journey to France for the recovery of his health, while waiting for the packet, entered the kitchen of the Ship tavern at Dover, and, addressing the cook, who prided herself in never having been ten miles out of town, exclaimed, "Why, cookee, I understand you have been a great traveller." She denying the charge, Foote replied, "Why, they tell me up stairs that you have been all over Grease


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