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The Book of Three Hundred Anecdotes

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The Book of Three Hundred Anecdotes
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The Book of Three Hundred Anecdotes / Historical, Literary, and Humorous—A New Selection

AFFECTION

General St. Amour.—This officer, who distinguished himself in the Imperial service, was the son of a poor Piedmontese peasant, but he never forgot his humble extraction. While the army was in Piedmont, he invited his principal officers to an entertainment, when his father happened to arrive just as they were sitting down to table. This being announced to the general, he immediately rose, and stated to his guests his father's arrival. He said he knew the respect he owed to them, but at the same time he hoped they would excuse him if he withdrew, and dined with his father in another room. The guests begged that the father might be introduced, assuring him that they should be happy to see one so nearly related to him; but he replied, "Ah, no, gentlemen; my father would find himself so embarrassed in company so unsuited to his rank, that it would deprive us both of the only pleasure of the interview—the unrestrained intercourse of a parent and his son." He then retired, and passed the evening with his father.

The Deaf and Dumb Mother.—The late Countess of Orkney, who died at an advanced age, was deaf and dumb, and was married in 1753 by signs. She resided with her husband at his seat, Rostellan, near Cork. Shortly after the birth of her first child, the nurse saw the mother cautiously approach the cradle in which the infant lay asleep, evidently full of some deep design. The Countess, having first assured herself that her babe was fast asleep, took from under her shawl a large stone, which had purposely been concealed there, and, to the utter horror of the nurse, who largely shared the popular notion that all dumb persons are possessed of peculiar cunning and malignity, raised it up, as if to enable her to dash it down with greater force. Before the nurse could interpose to prevent what she believed would bring certain death to the sleeping and unconscious child, the dreadful stone was flung, not at the cradle, however, but upon the ground, and fell with great violence. The noise awakened the child. The Countess was overjoyed, and, in the fulness of a mother's heart, she fell upon her knees to express her thankfulness that her beloved infant possessed a blessing denied to herself—the sense of hearing. This lady often gave similar indications of superior intelligence, though we can believe that few of them equalled the present in interest.

Filial Affection.—A veteran, worn out in the service of France, was left without a pension, although he had a wife and three children to share his wretchedness. His son was placed at L'Ecole militaire, where he might have enjoyed every comfort, but the strongest persuasion could not induce him to taste anything but coarse bread and water. The Duke de Choiseul being informed of the circumstance, ordered the boy before him, and enquired the reason of his abstemiousness. The boy, with a manly fortitude, replied, "Sir, when I had the honour of being admitted to this royal foundation, my father conducted me hither. We came on foot: on our journey the demands of nature were relieved by bread and water. I was received. My father blessed me, and returned to the protection of a helpless wife and family. As long as I can remember, bread of the blackest kind, with water, has been their daily subsistence, and even that is earned by every species of labour that honour does not forbid. To this fare, sir, my father is reduced; and while he, my mother, and my sisters, are compelled to endure such wretchedness, is it possible that I can enjoy the plenty which my sovereign has provided for me?" The duke felt this tale of nature, gave the boy three louis d'ors for pocket-money, and promised to procure the father a pension. The boy begged the louis d'ors might be sent to his father, which, with the patent of his pension, was immediately done. The boy was patronised by the duke, and became one of the best officers in the service of France.

Racine.—The celebrated French poet, Racine, having one day returned from Versailles, where he had been on a visit, was waited upon by a gentleman with an invitation to dine at the Hotel de Condé. "I cannot possibly do myself that honour," said the poet; "it is some time since I have been with my family; they are overjoyed to see me again, and have provided a fine carp; so that I must dine with my dear wife and children." "But my good sir," replied the gentleman, "several of the most distinguished characters in the kingdom expect your company, and will be anxious to see you." On this, Racine brought out the carp and showed it to his visitor, saying, "Here, sir, is our little meal; then say, having provided such a treat for me, what apology could I make for not dining with my poor children? Neither they nor my wife could have any pleasure in eating a bit of it without me; then pray be so obliging as to mention my excuse to the Prince of Condé and my other illustrious friends." The gentleman did so; and not only His Serene Highness, but all the company present, professed themselves infinitely more charmed with this proof of the poet's affection as a husband and a father, than they possibly could have been with his delightful conversation.

Touching Recognition.—Some years ago, in making a new communication between two shafts of a mine at Fahkin, the capital of Delecarlia, the body of a miner was discovered by the workmen in a state of perfect preservation, and impregnated with vitriolic water. It was quite soft, but hardened on being exposed to the air. No one could identify the body: it was merely remembered that the accident, by which he had thus been buried in the bosom of the earth, had taken place above fifty years ago. All enquiries about the name of the sufferer had already ceased, when a decrepid old woman, supported on crutches, slowly advanced towards the corpse, and knew it to be that of a young man to whom she had been promised in marriage more than half a century ago. She threw herself on the corpse, which had all the appearance of a bronze statue, bathed it with her tears, and fainted with joy at having once more beheld the object of her affections. One can with difficulty realize the singular contrast afforded by that couple—the one buried above fifty years ago, still retaining the appearance of youth; while the other, weighed down by age, evinced all the fervency of youthful affections.

Family Sacrifice.—During the French revolution, Madame Saintmaraule, with her daughter, and a youth, her son, not yet of age, were confined in prison and brought to trial. The mother and daughter behaved with resolution, and were sentenced to die; but of the youth no notice was taken, and he was remanded to prison. "What!" exclaimed the boy, "am I then to be separated from my mother? It cannot be!" and immediately he cried out, "Vive le Roi!" In consequence of this, he was condemned to death, and, with his mother and his sister, was led out to execution.

Expedient of Conjugal Affection.—Napoleon used to relate an anecdote shewing the conjugal affection of some women who accompanied his troops when he was at Col de Tende. To enter this mountainous and difficult country, it was necessary for the soldiers to pass over a narrow bridge, and, as the enterprise was a hazardous one, Napoleon had given orders that no women should be permitted to cross it with them. To enforce this order, two captains were stationed on the bridge with instructions, on pain of death, not to suffer a woman to pass. The passage was effected, and the troops continued their march. When some miles beyond the bridge, the Emperor was greatly astonished at the appearance of a considerable number of women with the soldiers. He immediately ordered the two captains to be put under arrest, intending to have them tried for a breach of duty. The prisoners protested their innocence, and stoutly asserted that no women had crossed the bridge. Napoleon, on hearing this, commanded that some of the women should be brought before him, when he interrogated them on the subject. To his utter surprise they readily acknowledged that the captains had not betrayed their trust, but that a contrivance of their own had brought them into their present situation. They informed Napoleon, that having taken the provisions, which had been prepared for the support of the army, out of some of the casks, they had concealed themselves in them, and by this stratagem succeeded in passing the bridge without discovery.

ARTISTS

Sir Joshua Reynolds.—"What do you ask for this sketch?" said Sir Joshua to an old picture-dealer, whose portfolio he was looking over. "Twenty guineas, your honour." "Twenty pence, I suppose you mean?" "No, sir; it is true I would have taken twenty pence for it this morning, but if you think it worth looking at, all the world will think it worth buying." Sir Joshua ordered him to send the sketch home, and gave him the money.

Ditto.—Two gentlemen were at a coffee-house, when the discourse fell upon Sir Joshua Reynold's painting; one of them said that "his tints were admirable, but the colours flew." It happened that Sir Joshua was in the next box, who taking up his hat, accosted them thus, with a low bow—"Gentlemen, I return you many thanks for bringing me off with flying colours."

Richardson, in his anecdotes of painting, says, a gentleman came to me to invite me to his house: "I have," says he, "a picture of Rubens, and it is a rare good one. There is little H. the other day came to see it, and says it is a copy. If any one says so again, I'll break his head. Pray, Mr. Richardson, will you do me the favour to come, and give me your real opinion of it?"

Gainsborough.—A countryman was shown Gainsborough's celebrated picture of "The Pigs." "To be sure," said he, "they be deadly like pigs; but there is one fault; nobody ever saw three pigs feeding together but what one on 'em had a foot in the trough."

Turner.—Once, at a dinner, where several artists, amateurs and literary men were convened, a poet, by way of being facetious, proposed as a toast the health of the painters and glaziers of Great Britain. The toast was drunk, and Turner, after returning thanks for it, proposed the health of the British paper-stainers.

Lely and the Alderman.—Sir Peter Lely, a famous painter in the reign of Charles I., agreed for the price of a full-length, which he was to draw for a rich alderman of London, who was not indebted to nature either for shape or face. When the picture was finished, the alderman endeavoured to beat down the price; alleging that if he did not purchase it, it would lie on the painter's hands. "That's a mistake," replied Sir Peter, "for I can sell it at double the price I demand."—"How can that be?" says the alderman; "for it is like nobody but myself."—"But I will draw a tail to it, and then it will be an excellent monkey." The alderman, to prevent exposure, paid the sum agreed for, and carried off the picture.

Morland.—It is well known that Morland the painter used to go on an expedition with a companion sometimes without a guinea, or perhaps scarcely a shilling, to defray the expenses of their journey; and thus they were often reduced to an unpleasant and ludicrous dilemma. On one occasion the painter was travelling in Kent, in company with a relative, and finding their cash exhausted, while at a distance from their destination, they were compelled to exert their wits, for the purpose of recruiting themselves after a long and fatiguing march. As they approached Canterbury, a homely village ale-house caught their eye; and the itinerant artists hailed, with delight, the sign of the Black Bull, which indicated abundance of home-made bread and generous ale. They entered, and soon made considerable havoc among the good things of mine host, who, on reckoning up, found that they had consumed as much bread, cheese and ale, as amounted to 12s. 6d. Morland now candidly informed his host that they were two poor painters going in search of employment, and that they had spent all their money. He, however, added that, as the sign of the Bull was a disgraceful daub for so respectable a house, he would have no objection to repaint it, as a set-off for what he and his companion had received. The landlord, who had long been wishing for a new sign (the one in question having passed through two generations), gladly accepted his terms, and Morland immediately went to work. The next day the Bull was sketched in such a masterly manner that the landlord was enraptured; he supplied his guests with more provisions, and generously gave them money for their subsequent expenses. About three months after a gentleman well acquainted with Morland's works, accidentally passing through the village, recognised it instantly to be the production of that inimitable painter: he stopped, and was confirmed in his opinion, by the history which the landlord gave of the transaction. In short, he purchased the sign of him for twenty pounds; the landlord was struck with admiration at his liberality; but this identical painting was some time afterwards sold at a public auction for the sum of one hundred guineas!

When Benjamin West was seven years old, he was left, one summer day, with the charge of an infant niece. As it lay in the cradle and he was engaged in fanning away the flies, the motion of the fan pleased the child, and caused it to smile. Attracted by the charms thus created, young West felt his instinctive passion aroused; and seeing paper, pen and some red and black ink on a table, he eagerly seized them and made his first attempt at portrait painting. Just as he had finished his maiden task, his mother and sister entered. He tried to conceal what he had done, but his confusion arrested his mother's attention, and she asked him what he had been doing. With reluctance and timidity, he handed her the paper, begging, at the same time, that she would not be offended. Examining the drawing for a short time, she turned to her daughter, and, with a smile, said, "I declare he has made a likeness of Sally." She then gave him a fond kiss, which so encouraged him that he promised her some drawings of the flowers which she was then holding, if she wished to have them. The next year a cousin sent him a box of colours and pencils, with large quantities of canvas prepared for the easel, and half a dozen engravings. Early the next morning he took his materials into the garret, and for several days forgot all about school. His mother suspected that the box was the cause of his neglect of his books, and going into the garret and finding him busy at a picture, she was about to reprimand him; but her eye fell on some of his compositions, and her anger cooled at once. She was so pleased with them that she loaded him with kisses, and promised to secure his father's pardon for his neglect of school. The world is much indebted to Mrs. West for her early and constant encouragement of the talent of her son. He often used to say, after his reputation was established, "My mothers kiss made me a painter!"

Vernet relates, that he was once employed to paint a landscape, with a cave, and St. Jerome in it; he accordingly painted the landscape with St. Jerome at the entrance of the cave. When he delivered the picture, the purchaser, who understood nothing of perspective, said, "the landscape and the cave are well made, but St. Jerome is not in the cave."—"I understand you, sir," replied Vernet, "I will alter it." He therefore took the painting, and made the shade darker, so that the saint seemed to sit farther in. The gentleman took the painting; but it again appeared to him that the saint was not actually in the cave. Vernet then wiped out the figure, and gave it to the gentleman, who seemed perfectly satisfied. Whenever he saw strangers to whom he showed the picture, he said, "Here you see a picture by Vernet, with St. Jerome in the cave." "But we cannot see the saint," replied the visitors. "Excuse me, gentlemen," answered the possessor, "he is there; for I saw him standing at the entrance, and afterwards farther back; and am therefore quite sure that he is in it."

Hogarth.—A nobleman, not remarkable for generosity, sent for Hogarth and desired that he would represent on one of the compartments of his staircase, Pharoah and his host drowned in the Red Sea. At the same time he hinted that no great price would be given for the performance. Hogarth however agreed. Soon afterwards he applied for payment to his employer, who seeing that the space allotted for the picture had only been daubed over with red, declared he had no idea of paying a painter when he had proceeded no farther than to lay his ground. "Ground!" exclaimed Hogarth, "there is no ground in the case, my lord, it is all sea. The red you perceive is the Red Sea. Pharoah and his host are drowned as you desired, and cannot be made objects of sight, for the sea covers them all."

Tantara, the celebrated landscape painter, was a man of ready wit, but he once met his match. An amateur had ordered a landscape for his gallery, in which there was to be a church. Our painter did not know how to draw figures well, so he put none in the landscape. The amateur was astonished at the truthfulness and colouring of the picture, but he missed the figures. "You have forgotten to put in any figures," said he, laughingly. "Sir," replied the painter, "the people are gone to mass." "Oh, well," replied the amateur, "I will wait and take your picture when they come out."

Chantrey's First Sculpture.—Chantrey, when a boy, used to take milk to Sheffield on an ass. To those not used to seeing and observing such things, it may be necessary to state that the boys generally carry a good thick stick, with a hooked or knobbed end, with which they belabour their asses sometimes unmercifully. On a certain day, when returning home, riding on his ass, Chantrey was observed by a gentleman to be intently engaged in cutting a stick with his penknife, and, excited by curiosity, he asked the lad what he was doing, when, with great simplicity of manner, but with courtesy, he replied, "I am cutting old Fox's head." Fox was the schoolmaster of the village. On this, the gentleman asked to see what he had done, pronounced it to be an excellent likeness, and presented the youth with sixpence. This may, perhaps, be reckoned the first money Chantry ever obtained in the way of his art.

BEGGING

Admiral Chatillon had gone one day to hear mass in the Dominican Friars' chapel; a poor fellow came and begged his charity. He was at the moment occupied with his devotions, and he gave him several pieces of gold from his pocket, without counting them, or thinking what they were. The large amount astonished the beggar, and as M. Chatillon was going out of the church-door, the poor man waited for him: "Sir," said he, showing him what he had given him, "I cannot think that you intended to give me so large a sum, and am very ready to return it." The admiral, admiring the honesty of the man, said, "I did not, indeed, my good man, intend to have given you so much; but, since you have the generosity to offer to return it, I will have the generosity to desire you to keep it; and here are five pieces more for you."

A Beggar's Wedding.—Dean Swift being in the country, on a visit to Dr. Sheridan, they were informed that a beggar's wedding was about to be celebrated. Sheridan played well upon the violin; Swift therefore proposed that he should go to the place where the ceremony was to be performed, disguised as a blind fiddler, while he attended him as his man. Thus accoutred they set out, and were received by the jovial crew with great acclamation. They had plenty of good cheer, and never was a more joyous wedding seen. All was mirth and frolic; the beggars told stories, played tricks, cracked jokes, sung and danced, in a manner which afforded high amusement to the fiddler and his man, who were well rewarded when they departed, which was not till late in the evening. The next day the Dean and Sheridan walked out in their usual dress, and found many of their late companions, hopping about upon crutches, or pretending to be blind, pouring forth melancholy complaints and supplications for charity. Sheridan distributed among them the money he had received; but the Dean, who hated all mendicants, fell into a violent passion, telling them of his adventure of the preceding day, and threatening to send every one of them to prison. This had such an effect, that the blind opened their eyes, and the lame threw away their crutches, running away as fast as their legs could carry them.

Old Age Secured.—As Sir Walter Scott was riding once with a friend in the neighbourhood of Abbotsford, he came to a field gate, which an Irish beggar who happened to be near hastened to open for him. Sir Walter was desirous of rewarding his civility by the present of sixpence, but found that he had not so small a coin in his purse. "Here, my good fellow," said the baronet, "here is a shilling for you; but mind, you owe me sixpence." "God bless your honour!" exclaimed Pat: "may your honour live till I pay you."

Maximilian I.—A beggar once asked alms of the Emperor Maximilian I., who bestowed upon him a small coin. The beggar appeared dissatisfied with the smallness of the gift, and on being asked why, he replied that it was a very little sum for an emperor, and that his highness should remember that we were all descended from one father, and were therefore all brothers. Maximilian smiled good-humouredly, and replied: "Go—go, my good man: if each of your brothers gives you as much as I have done, you will very soon be far richer than me."

BENEVOLENCE

A Benevolent Judge.—The celebrated Anthony Domat, author of a treatise on the civil laws, was promoted to the office of judge of the provincial court of Clermont, in the territory of Auvergne, in the south of France. In this court he presided, with general applause, for twenty-four years. One day a poor widow brought an action against the Baron de Nairac, her landlord, for turning her out of her mill, which was the poor creature's sole dependence. M. Domat heard the cause, and finding by the evidence that she had ignorantly broken a covenant in the lease which gave her landlord the power of re-entry, he recommended mercy to the baron for a poor but honest tenant, who had not wilfully transgressed, or done him any material injury. Nairac being inexorable, the judge was compelled to pronounce an ejectment, with the penalty mentioned in the lease and costs of suit; but he could not pronounce the decree without tears. When an order of seizure, both of person and effects was added, the poor widow exclaimed, "O merciful and righteous God, be thou a friend to the widow and her helpless orphans!" and immediately fainted away. The compassionate judge assisted in raising the unfortunate woman, and after enquiring into her character, number of children, and other circumstances, generously presented her with one hundred louis d'ors, the amount of the damages and costs, which he prevailed upon the baron to accept as a full compensation, and to let the widow again enter upon her mill. The poor widow anxiously enquired of M. Domat when he would require payment, that she might lay up accordingly. "When my conscience (he replied) shall tell me that I have done an improper act."

Pope Pius IX.—An advocate, the father of a large family, fell into ill health, and soon afterwards into want. Pius IX., hearing of this, sent a messenger with a letter to the advocate, but he was at first refused admittance, on the ground that the physician had enjoined the utmost quiet. On the messenger explaining from whom he came he was admitted, and, on the letter being opened, what was the surprise of the family on finding within 300 scudi (£62), with the words, "For the advocate …—Pius IX.," in the pontiff's own handwriting.

Dr. Glynn was remarkable for many acts of kindness to poor persons. He had attended a sick family in the fens near Cambridge for a considerable time, and had never thought of any recompense for his skill and trouble but the satisfaction of being able to do good. One day he heard a noise on the college staircase, and his servant brought him word that the poor woman from the fens waited upon him with a magpie, of which she begged his acceptance. This at first a little discomposed the doctor. Of all presents, a magpie was the least acceptable to him, as he had a hundred loose things about his rooms, which the bird, if admitted, was likely to make free with. However, his good nature soon returned: he considered the woman's intention, and ordered her to be shown in. "I am obliged to you for thinking of me, good woman," said he, "but you must excuse my not taking your bird, as it would occasion me a great deal of trouble." "Pray, doctor," answered the woman, "do, pray, be pleased to have it. My husband, my son, and myself have been long consulting together in what way we could show our thankfulness to you, and we could think of nothing better than to give you our favourite bird. We would not part with it to any other person upon earth. We shall be sadly hurt if you refuse our present." "Well, well, my good woman," said Dr. Glynn, "if that is the case, I must have the bird; but do you, as you say you are so fond of it, take it back again, and keep it for me, and I will allow you eighteenpence a week for the care of it. I shall have the pleasure of seeing it every time I come." This allowance Dr. G. punctually paid as long as the bird lived.

BOOKS

An Odd Fault.—It is said that when the learned Humphrey Prideaux offered his Life of Mahomet to the bookseller, he was desired to leave the copy with him for a few days, for his perusal. The bookseller said to the doctor at his return, "Well, Mr. What's your Name, I have perused your manuscript; I don't know what to say of it; I believe I shall venture to print it; the thing is well enough; but I could wish there were a little more humour in it." This story is otherwise told in a note in Swift's works, where the book is said to have been Prideaux's "Connexion of the History of the Old and New Testament," in which, it must be confessed, the difficulty of introducing humour is more striking.

Dictionaries.—Dr. Johnson, while compiling his dictionary, sent a note to the Gentleman's Magazine, to inquire the etymology of the word curmudgeon. Having obtained the desired information, he thus recorded in his work his obligation to an anonymous writer: "Curmudgeon, s. a vicious way of pronouncing cœur mechant. An unknown correspondent." Ash copied the word into his dictionary, in the following manner: Curmudgeon, from the French, cœur, "unknown," and mechant, "correspondent!"

Heber's Palestine.—When Reginald Heber read his prize poem, "Palestine," to Sir Walter Scott, the latter observed that, in the verses on Solomon's Temple, one striking circumstance had escaped him, namely, that no tools were used in its erection. Reginald retired for a few minutes to the corner of the room, and returned with the beautiful lines:—

"No hammer fell, no ponderous axes rung;
Like some tall palm, the mystic fabric sprung.
Majestic silence," &c.

Use of H.—"What has become of your famous General Eel?" said the Count d'Erleon to Mr. Campbell. "Eel," said a bystander, "that is a military fish I never heard of;" but another at once enlightened his mind by saying to the count, "General Lord Hill is now Commander-in-Chief of the British forces!"

Cowper's "John Gilpin."—It happened one afternoon, in those years when Cowper's accomplished friend, Lady Austen, made a part of his little evening circle, that she observed him sinking into increased dejection. It was her custom, on these occasions, to try all the resources of her sprightly powers for his immediate relief, and at this time it occurred to her to tell him the story of John Gilpin, (which had been treasured in her memory from her childhood), in order to dissipate the gloom of the passing hour. Its effects on the fancy of Cowper had the air of enchantment. He informed her the next morning that convulsions of laughter, brought on by his recollection of her story, had kept him waking during the greatest part of the night! and that he had turned it into a ballad. So arose the pleasant poem of "John Gilpin."

Catalogue Making.—Mr. Nichols, in the fourth vol. of his Literary Anecdotes, mentions that Dr. Taylor, who was librarian at Cambridge, about the year 1732, used to relate of himself that one day throwing books in heaps for the purpose of classing and arranging them, he put one among works on Mensuration, because his eye caught the word height in the title-page; and another which had the word salt conspicuous, he threw among books on Chemistry or Cookery. But when he began a regular classification, it appeared that the former was "Longinus on the Sublime," and the other a "Theological Discourse on the Salt of the World, that good Christians ought to be seasoned with." Thus, too, in a catalogue published about twenty years ago, the "Flowers of Ancient Literature" are found among books on Gardening and Botany, and "Burton's Anatomy of Melancholy" is placed among works on Medicine and Surgery.

Dickens' Origin of "Boz."—A fellow passenger with Mr. Dickens, in the Britannia steam-ship, across the Atlantic, inquired of the author the origin of his signature "Boz." Mr. Dickens replied that he had a little brother who resembled so much the Moses in the Vicar of Wakefield, that he used to call him Moses also; but a younger girl, who could not then articulate plainly, was in the habit of calling him Bozie or Boz. This simple circumstance made him assume that name in the first article he risked before the public, and as the first effort was approved of he continued the name.

Thomson and Quin.—Thomson the poet, when he first came to London, was in very narrow circumstances, and was many times put to shifts even for a dinner. Upon the publication of his Seasons one of his creditors arrested him, thinking that a proper opportunity to get his money. The report of this misfortune reached the ears of Quin, who had read the Seasons, but never seen their author; and he was told that Thompson was in a spunging-house in Holborn. Thither Quin went, and being admitted into his chamber, "Sir," said he, "you don't know me, but my name is Quin." Thomson said, "That, though he could not boast of the honour of a personal acquaintance, he was no stranger either to his name or his merit;" and invited him to sit down. Quin then told him he was come to sup with him, and that he had already ordered the cook to provide supper, which he hoped he would excuse. When supper was over, and the glass had gone briskly about, Mr. Quin told him, "It was now time to enter upon business." Thomson declared he was ready to serve him as far as his capacity would reach, in anything he should command, (thinking he was come about some affair relating to the drama). "Sir," says Quin, "you mistake me. I am in your debt. I owe you a hundred pounds, and I am come to pay you." Thomson, with a disconsolate air, replied, that, as he was a gentleman whom he had never offended, he wondered he should seek an opportunity to jest with his misfortunes. "No," said Quin, raising his voice, "I say I owe you a hundred pounds, and there it is," (laying a bank note of that value before him). Thomson, astonished, begged he would explain himself. "Why," says Quin, "I'll tell you; soon after I had read your Seasons, I took it into my head, that as I had something to leave behind me when I died, I would make my will; and among the rest of my legatees I set down the author of the Seasons for a hundred pounds; and, this day hearing that you were in this house, I thought I might as well have the pleasure of paying the money myself, as order my executors to pay it, when, perhaps, you might have less need of it; and this, Mr. Thomson, is my business." Of course Thomson left the house in company with his benefactor.

Denon and De Foe.—M. de Talleyrand, having one day invited M. Denon, the celebrated traveller, to dine with him, told his wife to read the work of his guest, which she would find in the library, in order that she might be the better able to converse with him. Madame Talleyrand, unluckily, got hold, by mistake, of the "Adventures of Robinson Crusoe," by De Foe, which she ran over in great haste; and, at dinner, she began to question Denon about his shipwreck, his island, &c., and, finally, about his man Friday!

BONAPARTE

Possibility.—Bonaparte was passing along the dreadful road across the Echelles de Savoie, with his engineer, when he stopped, and pointing to the mountain, said, "Is it not possible to cut a tunnel through yonder rock, and to form a more safe and commodious route beneath it?" "It is possible, certainly, sire," replied his scientific companion, "but"—"No buts;—let it be done, and immediately," replied the Emperor.

Sir and Sire.—A petition from the English deténus at Valenciennes was left for signature at the house of the colonel of gendarmerie, addressed in a fulsome manner to Bonaparte, under his title of Emperor of the French, and beginning with "Sire." Some unlucky wag took an opportunity of altering this word into "Dear Sir," and nearly caused the whole party to be imprisoned.

Polignac.—Monsieur le Compte de Polignac had been raised to honour by Bonaparte; but, from some unaccountable motive, betrayed the trust his patron reposed in him. As soon as Bonaparte discovered the perfidy, he ordered Polignac to be put under arrest. Next day he was to have been tried, and in all probability would have been condemned, as his guilt was undoubted. In the meantime, Madame Polignac solicited and obtained an audience of the Emperor. "I am sorry, madam, for your sake," said he, "that your husband has been implicated in an affair which is marked throughout with such deep ingratitude." "He may not have been so guilty as your majesty supposes," said the countess. "Do you know your husband's signature?" asked the Emperor, as he took a letter from his pocket and presented it to her. Madame de Polignac hastily glanced over the letter, recognised the writing, and fainted. As soon as she recovered, Bonaparte, offering her the letter, said, "Take it; it is the only legal evidence against your husband: there is a fire beside you." Madame de P. eagerly seized the important document, and in an instant committed it to the flames. The life of Polignac was saved: his honour it was beyond the power even of the generosity of an emperor to redeem.

CHARITY
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