José, too, had disappeared: the latter had been last seen riding furiously towards Folkestone early in the preceding afternoon; to a question from Hodge Gardener he had hastily answered, that he bore a missive of moment from his mistress. The lean apprentice of Erasmus Buckthorne declared that the page had summoned his master in haste about six of the clock, and that they had rode forth together, as he very believed, on their way back to the Hall, where he had supposed Master Buckthorne's services to be suddenly required on some pressing emergency. Since that time he had seen nought of either of them: the grey cob, however, had returned late at night, masterless, with his girths loose, and the saddle turned upside down.
Nor was Master Erasmus Buckthorne ever seen again. Strict search was made through the neighbourhood, but without success; and it was at length presumed that he must, for reasons which nobody could divine, have absconded with José and his faithless mistress. The latter had carried off with her the strong box, divers articles of valuable plate, and jewels of price. Her boudoir appeared to have been completely ransacked; the cabinet and drawers stood open, and empty; the very carpet, a luxury then newly introduced into England, was gone. Marsh, however, could trace no vestige of the visionary scene which he affirmed to have been last night presented to his eyes. Much did the neighbours marvel at his story: some thought him mad; others, that he was merely indulging in that privilege to which, as a traveller, he had a right indefeasible. Trusty Ralph said nothing, but shrugged his shoulders; and, falling into the rear, imitated the action of raising the wine-cup to his lips. An opinion, indeed, soon prevailed, that Master Thomas Marsh had gotten, in common parlance, exceedingly drunk on the preceding evening, and dreamt all that he had so circumstantially related. This belief acquired additional credit when they whom curiosity induced to visit the woody knoll of Aldington Mount declared that they could find no building such as that described; nor any cottage near, save one, indeed, a low-roofed hovel, once a house of public entertainment, but now half in ruins. The "Old Cat and Fiddle" – so was the tenement called – had been long uninhabited; yet still exhibited the remains of a broken sign, on which the keen observer might decypher something like a rude portrait of the animal from which it derived its name. It was also supposed still to afford an occasional asylum to the smugglers of the coast, but no trace of any visit from sage or mountebank could be detected; nor was the wise Aldrovando, whom many remembered to have seen at the fair, ever found again on all that country-side. Of the runaways nothing was ever certainly known. A boat, the property of an old fisherman who plied his trade on the outskirts of the town, had been seen to quit the bay that night; and there were those who declared that she had more hands on board than Carden and his son, her usual complement; but, as a gale came on, and the frail bark was eventually found keel upwards on the Goodwin Sands, it was presumed that she had struck on that fatal quicksand in the dark, and that all on board had perished.
Little Marian, whom her profligate mother had abandoned, grew up to be a fine girl, and a handsome. She became, moreover, heiress to Marshton Hall, and brought the estate into the Ingoldsby family by her marriage with one of its scions.
It is a little singular that, on pulling down the old Hall in my grandfather's time, a human skeleton was discovered among the rubbish, under what particular part of the building I could never with any accuracy ascertain; but it was found enveloped in a tattered cloth, that seemed to have been once a carpet, and which fell to pieces almost immediately on being exposed to the air. The bones were perfect, but those of one hand were wanting; and the skull, perhaps from the labourer's pick-axe, had received considerable injury.
The portrait of the fair Marian hangs yet in the Gallery of Tappington; and near it is another, of a young man in the prime of life, whom Mrs. Botherby pronounces her father. It exhibits a mild and rather melancholy countenance, with a high forehead, and the picked beard and moustaches of the seventeenth century. The signet-finger of the left hand is gone, and appears, on close inspection, to have been painted out by some later artist; possibly in compliment to the tradition, which, teste Botherby, records that of Mr. Marsh to have gangrened, and to have undergone amputation at the knuckle-joint. If really the resemblance of the gentleman alluded to, it must have been taken at some period antecedent to his marriage. There is neither date nor painter's name; but, a little above the head, on the dexter side of the picture, is an escutcheon, bearing Quarterly, Gules and Argent; in the first quarter, a horse's head of the second; beneath it are the words "Ætatis suæ, 26." On the opposite side is the following marks which Mr. Simpkinson declares to be that of a Merchant of the Staple, and pretends to discover in the anagram comprised in it all the characters which compose the name of THOMAS MARSH, of MARSHTON.
Thomas Ingoldsby.
SONG OF THE MONTH. No. VIII
August, 1837
I
Of all the months in the twelve that fly
So lightly on, and noiselessly by,
There is not one who can show so fair
As this, with its soft and balmy air.
The light graceful corn waves to and fro,
Tinging the earth with its richest glow;
The forest trees in their state and might
Proclaim that Summer is at his height.
II
Of all the months in the twelve that speed
So quickly by, with so little heed
From man, of the years that swiftly pass
As an infant's breath from a polished glass,
There is not one whose fading away
Bears such a lesson to mortal clay,
Warning us sternly, when in our prime,
To look for the withering winter time.
III
I stood by a young girl's grave last night,
Beautiful, innocent, pure, and bright,
Who, in the bloom of her summer's pride,
And all its loveliness, drooped and died.
Since the sweetest flow'rs are soonest dust,
As truest metal is quick to rust,
Look for a change in that time of year,
When Nature's works at their best appear.
OLIVER TWIST;
OR, THE PARISH BOY'S PROGRESS
BY BOZ
ILLUSTRATED BY GEORGE CRUIKSHANK
CHAPTER THE TWELFTH
IN WHICH OLIVER IS TAKEN BETTER CARE OF, THAN HE EVER WAS BEFORE. WITH SOME PARTICULARS CONCERNING A CERTAIN PICTURE
The coach rattled away down Mount Pleasant and up Exmouth-street, – over nearly the same ground as that which Oliver had traversed when he first entered London in company with the Dodger, – and, turning a different way when it reached the Angel at Islington, stopped at length before a neat house in a quiet shady street near Pentonville. Here a bed was prepared without loss of time, in which Mr. Brownlow saw his young charge carefully and comfortably deposited; and here he was tended with a kindness and solicitude which knew no bounds.
But for many days Oliver remained insensible to all the goodness of his new friends; the sun rose and sunk, and rose and sunk again, and many times after that, and still the boy lay stretched upon his uneasy bed, dwindling away beneath the dry and wasting heat of fever, – that heat which, like the subtle acid that gnaws into the very heart of hardest iron, burns only to corrode and to destroy. The worm does not his work more surely on the dead body, than does this slow, creeping fire upon the living frame.
Weak, and thin, and pallid, he awoke at last from what seemed to have been a long and troubled dream. Feebly raising himself in the bed, with his head resting on his trembling arm, he looked anxiously round.
"What room is this? – where have I been brought to?" said Oliver. "This is not the place I went to sleep in."
He uttered these words in a feeble voice, being very faint and weak; but they were overheard at once, for the curtain at the bed's head was hastily drawn back, and a motherly old lady, very neatly and precisely dressed, rose as she undrew it, from an arm-chair close by, in which she had been sitting at needle-work.
"Hush, my dear," said the old lady softly. "You must be very quiet, or you will be ill again, and you have been very bad, – as bad as bad could be, pretty nigh. Lie down again, there's a dear." With these words the old lady very gently placed Oliver's head upon the pillow, and, smoothing back his hair from his forehead, looked so kindly and lovingly in his face, that he could not help placing his little withered hand upon her's and drawing it round his neck.
"Save us!" said the old lady, with tears in her eyes, "what a grateful little dear it is. Pretty creetur, what would his mother feel if she had sat by him as I have, and could see him now!"
"Perhaps she does see me," whispered Oliver, folding his hands together; "perhaps she has sat by me, ma'am. I almost feel as if she had."
"That was the fever, my dear," said the old lady mildly.
"I suppose it was," replied Oliver thoughtfully, "because Heaven is a long way off, and they are too happy there, to come down to the bedside of a poor boy. But if she knew I was ill, she must have pitied me even there, for she was very ill herself before she died. She can't know anything about me though," added Oliver after a moment's silence, "for if she had seen me beat, it would have made her sorrowful; and her face has always looked sweet and happy when I have dreamt of her."
The old lady made no reply to this, but wiping her eyes first, and her spectacles, which lay on the counterpane, afterwards, as if they were part and parcel of those features, brought some cool stuff for Oliver to drink, and then, patting him on the cheek, told him he must lie very quiet, or he would be ill again.
So Oliver kept very still, partly because he was anxious to obey the kind old lady in all things, and partly, to tell the truth, because he was completely exhausted with what he had already said. He soon fell into a gentle doze, from which he was awakened by the light of a candle, which, being brought near the bed, showed him a gentleman, with a very large and loud-ticking gold watch in his hand, who felt his pulse, and said he was a great deal better.
"You are a great deal better, are you not, my dear?" said the gentleman.
"Yes, thank you, sir," replied Oliver.
"Yes, I know you are," said the gentleman: "you're hungry too, an't you?"
"No, sir," answered Oliver.
"Hem!" said the gentleman. "No, I know you're not. He is not hungry, Mrs. Bedwin," said the gentleman, looking very wise.
The old lady made a respectful inclination of the head, which seemed to say that she thought the doctor was a very clever man. The doctor appeared very much of the same opinion himself.
"You feel sleepy, don't you, my dear?" said the doctor.
"No, sir," replied Oliver.