To be new-clothed with brighter tints in spring
The blasted tree of verdant leaves is stripped,
A fresher foliage on each branch to bring.
The aerial songster moults his plumerie,
To vie in sleekness with each feathered brother.
A twelvemonth's wear hath ta'en thy nap from thee,
My seedy coat! —when shall I get another?
"My name," said a tall, good-looking man, with a decidedly distingué air, as he entered the office of a daily newspaper in a sister city, "my name, Sir, is Page – Ed-w-a-rd Pos-th-el-wa-ite Pa-ge! You have heard of me no doubt. In fact, Sir, I was sent to you, by Mr. C – r, of the ' – Gazette.' I spent some time with him – an hour perhaps – conversing with him. But as I was about explaining to him a little problem which I had had in my mind for some time, I thought I saw that he was busy, and couldn't hear me. In fact, he said, 'I wish you would do me the kindness to go now and come again; and always send up your name, so that I may know that it is you; otherwise,' said he, 'I shouldn't know that it was you, and might refuse you without knowing it.' Now, Sir, that was kind – that was kind, and gentlemanly, and I shall remember it. Then he told me to come to see you; he said yours was an afternoon paper, and that your paper for to-day was out, while he was engaged in getting his ready for the morning. He rose, Sir, and saw me to the door; and downstairs; in fact, Sir, he came with me to the corner, and showed me your office; and for fear I should miss my way, he gave a lad a sixpence, to show me here, Sir.
"They call me crazy, Sir, some people do —crazy! The reason is simple – I'm above their comprehension. Do I seem crazy? I am an educated man, my conduct has been unexceptionable. I've wronged no man – never did a man an injury. I wouldn't do it.
"I came to America in 1829 2^m which being multiplied by Cæsar's co-sine, which is C B to Q equal X' 3^m."
Yes, reader; this was Page, the Monomaniac: a man perfectly sound on any subject, and capable of conversing upon any topic, intelligently and rationally, until it so happened, in the course of conversation, that he mentioned any numerical figure, when his wild imagination was off at a tangent, and he became suddenly as "mad as a March hare" on one subject. Here his monomania was complete. In every thing else, there was no incoherency; nothing in his speech or manner that any gentleman might not either say or do. So much for the man: now for a condensed exhibition of his peculiar idiosyncrasy, as exhibited in a paper which he published, devoted to an elaborate illustration of the great extent to which he carried the science of mathematics. The fragments of various knowledge, like the tumbling objects in a kaleidoscope, are so jumbled together, that we defy any philosopher, astronomer, or mathematician, to read it without roaring with laughter; for the feeling of the ridiculous will overcome the sensations of sympathy and pity. But listen: "Here's 'wisdom' for you," as Captain Cuttle would say: intense wisdom:
"Squares are to circles as Miss Sarai 18 when she did wed her Abram 20 on Procrustes' bed, and 19 parted between each head; so Sarah when 90 to Abraham when 100, and so 18 squared in 324, a square to circle 18 × 20 = 360, a square to circle 400, a square to circle 444, or half Jesous 888 in half the Yankee era 1776; which 888 is sustained by the early Fathers and Blondel on the Sibyls. It is a square to triangle Sherwood's no-variation circle 666 in the sequel. But 19 squared is 361 between 360 and 362, each of which multiply by the Sun's magic compass 36, Franklin's magic circle of circles 360 × 36 considered.
"Squares are to circles as 18 to 20, or 18 squared in 324 to 18 × 20 = 360. But more exactly as 17 to 19, or 324 to 362 × 36, or half 26064. As 9 to 10, so square 234000 to circle 26000.
"Squares are to circles as 17 to 19, or 23360 to 26108. The sequel's 5832 and 5840 are quadrants of 23328 and 23360.
"18 cubed is 5832, the world's age in 1828, 5840 its age in the Halley comet year 1836, 5878 its age the next transit of Venus in 1874, but 5870 is its age in the prophet's year 1866.
"100 times the Saros 18 = 18-1/2 = 19 in 1800 last year's 1850, 1900 for new moons.
"If 360 degrees, each 18, in Guy's 6480, evidently 360 × 18-1/2 in the adorable 6660, or ten no-variation circles, each 36 × 18-1/2 = 666, like ten Chaldee solar cycles, each 600 in our great theme, 6000, the second advent date of Messiah, as explained by Barnabas, Chap. xiii in the Apocryphal New Testament, 600 and 666 being square and circle, like 5994 and 6660. Therefore 5995 sum the Arabic 28, or Persic 32, or Turkish 33 letters.
"But as 9 to 10, so square 1665 of the Latin IVXLCDM = 1666 to circle last year's 1850 – 12 such signs are as much 19980 and 22200, whose quadrants are 4995 and 5550, as 12 signs, each the Halley comet year 1836, are 5508 Olympiads, the Greek Church claiming this era 5508 for Christ.
"But though the ecliptic angle has decreased only 40 × 40 in 1600 during 43 × 43 = 1849, say 1850 from the birth of Christ, and double that since the creation; yet 1600 and Yankee era 1776 being square and circle like 9 and 10 – place 32 for a round of the seasons in a compass of 32 points, or shrine them in 32 chessmen, like 1600 and 1600 in each of 16 pieces; then shall 32 times Sherwood's no-variation circle 666, meaning 666 rounds of the seasons, each 32, be 12 signs, each 1776, or 24 degrees in the ecliptic angle, each Jesous 888, in circle 21312 to square 19200, or 12 signs each 1600, that the quadrants of square 19200 and circle 21312 may be the Cherubim of Glory 4800 and 5328; which explains ten Great Paschal cycles each 532, a square to circle 665 of the Beast's number 666. Because, like 3, 4, 5, in my Urim and Thummim's 12 jewels, are
"Because 3990 of the Latin Church's era 4000 for Christ, is doubled in the Julian period 7980.
"Every knight of the queen of night may know that each of 9 columns in the Moon's magic compass for 9 squared in 81, sums 369, and that 370 are between it and 371, while 19 times 18-1/2 approach 351, when 19 squared are 361 in
"The Saros 18 times 369 in 6642 of the above 6650; but 18 × 370 = 6660, or 360 times 18-1/2.
"1800 and proemptosis 2400 are half this Seraphim 3600 and Cherubim 4800: but 7 × 7 × 49 × 49 = 2401 in 4802.
"All that Homer's Iliad ever meant, was this: 10 years as degrees on Ahaz's dial between the positive 4790, mean 4800, negative 4810: If the Septuagints' 72 times 90 in 360 × 18 = 6480, equally 72 times 24 and 66 degrees in 12 cubed and 4752."
Now it is about enough to make one crazy to read this over; and yet it is impossible not to see, as it is impossible not to laugh at the transient glimpses of scattered knowledge which the singular ollapodrida contains.
"If you regard, Mr. Editor, the following," says a city friend, "as worthy a place in your 'Drawer,' you are perfectly welcome to it. It was an actual occurrence, and its authenticity is beyond a question:
"Many years ago, when sloops were substituted for steamboats on the Hudson River, a celebrated Divine was on his way to hold forth to the inhabitants of a certain village, not many miles from New York. One of his fellow-passengers who was an unsophisticated countryman, to make himself appear 'large' in the eyes of the passengers, entered into a conversation with the learned Doctor of Divinity. After several ordinary remarks, and introducing himself as one of the congregation, to whom he (the doctor) would expound the Word on the morrow, the following conversation took place:
"'Wal, Doctor, I reckon you know the Scripters pooty good,' remarked the countryman.
"'Really, my friend,' said the clergyman, 'I leave that for other persons to determine. You know it does not become a person of any delicacy to utter praise in his own behalf.'
"'So it doesn't,' replied the querist; 'but I've heerd folks say, you know rather more than we do. They say you're pooty good in larning folks the Bible: but I guess I can give you a poser.'
"'I am pleased to answer questions, and feel gratified to tender information at any time, always considering it my duty to impart instruction, as far as it lies in my power,' replied the clergyman.
"'Wall,' says the countryman, with all the imperturbable gravity in the world, 'I spose you've heerd tell on, in the Big Book, 'bout Aaron and the golden calf: now, in your opinion, do you think the calf Aaron worshiped, was a heifer or a bull?'
"The Doctor of Divinity, as may be imagined, immediately 'vamosed,' and left the countryman bragging to the by-standers, that he had completely nonplussed the clergyman!"
Literary Notices
A new work by Herman Melville, entitled Moby Dick; or, The Whale, has just been issued by Harper and Brothers, which, in point of richness and variety of incident, originality of conception, and splendor of description, surpasses any of the former productions of this highly successful author. Moby Dick is the name of an old White Whale; half fish and half devil; the terror of the Nantucket cruisers; the scourge of distant oceans; leading an invulnerable, charmed life; the subject of many grim and ghostly traditions. This huge sea monster has a conflict with one Captain Ahab; the veteran Nantucket salt comes off second best; not only loses a leg in the affray, but receives a twist in the brain; becomes the victim of a deep, cunning monomania; believes himself predestined to take a bloody revenge on his fearful enemy; pursues him with fierce demoniac energy of purpose; and at last perishes in the dreadful fight, just as he deems that he has reached the goal of his frantic passion. On this slight framework, the author has constructed a romance, a tragedy, and a natural history, not without numerous gratuitous suggestions on psychology, ethics, and theology. Beneath the whole story, the subtle, imaginative reader may perhaps find a pregnant allegory, intended to illustrate the mystery of human life. Certain it is that the rapid, pointed hints which are often thrown out, with the keenness and velocity of a harpoon, penetrate deep into the heart of things, showing that the genius of the author for moral analysis is scarcely surpassed by his wizard power of description.
In the course of the narrative the habits of the whale are fully and ably described. Frequent graphic and instructive sketches of the fishery, of sea-life in a whaling vessel, and of the manners and customs of strange nations are interspersed with excellent artistic effect among the thrilling scenes of the story. The various processes of procuring oil are explained with the minute, painstaking fidelity of a statistical record, contrasting strangely with the weird, phantom-like character of the plot, and of some of the leading personages, who present a no less unearthly appearance than the witches in Macbeth. These sudden and decided transitions form a striking feature of the volume. Difficult of management, in the highest degree, they are wrought with consummate skill. To a less gifted author, they would inevitably have proved fatal. He has not only deftly avoided their dangers, but made them an element of great power. They constantly pique the attention of the reader, keeping curiosity alive, and presenting the combined charm of surprise and alternation.
The introductory chapters of the volume, containing sketches of life in the great marts of Whalingdom, New Bedford and Nantucket, are pervaded with a fine vein of comic humor, and reveal a succession of portraitures, in which the lineaments of nature shine forth, through a good deal of perverse, intentional exaggeration. To many readers, these will prove the most interesting portions of the work. Nothing can be better than the description of the owners of the vessel, Captain Peleg and Captain Bildad, whose acquaintance we make before the commencement of the voyage. The character of Captain Ahab also opens upon us with wonderful power. He exercises a wild, bewildering fascination by his dark and mysterious nature, which is not at all diminished when we obtain a clearer insight into his strange history. Indeed, all the members of the ship's company, the three mates, Starbuck, Stubbs, and Flash, the wild, savage Gayheader, the case-hardened old blacksmith, to say nothing of the pearl of a New Zealand harpooner, the bosom friend of the narrator – all stand before us in the strongest individual relief, presenting a unique picture gallery, which every artist must despair of rivaling.
The plot becomes more intense and tragic, as it approaches toward the denouement. The malicious old Moby Dick, after long cruisings in pursuit of him, is at length discovered. He comes up to the battle, like an army with banners. He seems inspired with the same fierce, inveterate cunning with which Captain Ahab has followed the traces of his mortal foe. The fight is described in letters of blood. It is easy to foresee which will be the victor in such a contest. We need not say that the ill-omened ship is broken in fragments by the wrath of the weltering fiend. Captain Ahab becomes the prey of his intended victim. The crew perish. One alone escapes to tell the tale. Moby Dick disappears unscathed, and for aught we know, is the same "delicate monster," whose power in destroying another ship is just announced from Panama.
G. P. Putnam announces the Home Cyclopedia, a series of works in the various branches of knowledge, including history, literature, and the fine arts, biography, geography, science, and the useful arts, to be comprised in six large duodecimos. Of this series have recently appeared The Hand-book of Literature and the Fine Arts, edited by George Ripley and Bayard Taylor, and The Hand-book of Universal Biography, by Parke Godwin. The plan of the Encyclopedia is excellent, adapted to the wants of the American people, and suited to facilitate the acquisition of knowledge. As a collateral aid in a methodical course of study, and a work of reference in the daily reading, which enters so largely into the habits of our countrymen, it will, no doubt, prove of great utility.
Rural Homes, by Gervasse Wheeler (published by Charles Scribner), is intended to aid persons proposing to build, in the construction of houses suited to American country life. The author writes like a man of sense, culture, and taste. He is evidently an ardent admirer of John Ruskin, and has caught something of his æsthetic spirit. Not that he deals in mere theories. His book is eminently practical. He is familiar with the details of his subject, and sets them forth with great simplicity and directness. No one about to establish a rural homestead should neglect consulting its instructive pages.
Ticknor, Reed, and Fields have published a new work, by Nathaniel Hawthorne, for juvenile readers, entitled A Wonder-Book for Boys and Girls with engravings by Barker from designs by Billings. It is founded on various old classical legends, but they are so ingeniously wrought over and stamped with the individuality of the author, as to exercise the effect of original productions. Mr. Hawthorne never writes more genially and agreeably than when attempting to amuse children. He seems to find a welcome relief in their inartificial ways from his own weird and sombre fancies. Watching their frisky gambols and odd humors, he half forgets the saturnine moods from which he draws the materials of his most effective fictions, and becomes himself a child. A vein of airy gayety runs through the present volume, revealing a sunny and beautiful side of the author's nature, and forming a delightful contrast to the stern, though irresistibly fascinating horrors, which he wields with such terrific mastery in his recent productions. Child and man will love this work equally well. Its character may be compared to the honey with which the author crowns the miraculous hoard of Baucis and Philemon. "But oh the honey! I may just as well let it alone, without trying to describe how exquisitely it smelt and looked. Its color was that of the purest and most transparent gold; and it had the odor of a thousand flowers; but of such flowers as never grew in an earthly garden, and to seek which the bees must have flown high above the clouds. Never was such honey tasted, seen, or smelt. The perfume floated around the kitchen, and made it so delightful, that had you closed your eyes you would instantly have forgotten the low ceiling and smoky walls, and have fancied yourself in an arbor with celestial honeysuckles creeping over it."
Glances at Europe, by Horace Greeley (published by Dewitt and Davenport), has passed rapidly to a second edition, being eagerly called for by the numerous admirers of the author in his capacity as public journalist. Composed in the excitement of a hurried European tour, aiming at accuracy of detail rather than at nicety of language, intended for the mass of intelligent readers rather than for the denizens of libraries, these letters make no claim to profound speculation or to a high degree of literary finish. They are plain, straight-forward, matter-of-fact statements of what the writer saw and heard in the course of his travels, recording at night the impressions made in the day, without reference to the opinions or descriptions of previous travelers. The information concerning various European countries, with which they abound, is substantial and instructive; often connected with topics seldom noticed by tourists; and conveyed in a fresh and lively style. With the reputation of the author for acute observation and forcible expression, this volume is bound to circulate widely among the people.
Ticknor, Reed, and Fields, have issued a new volume of Poems, by Richard Henry Stoddard, consisting of a collection of pieces which have been before published, and several which here make their appearance for the first time. It will serve to elevate the already brilliant reputation of the youthful author. His vocation to poetry is clearly stamped on his productions. Combining great spontaneity of feeling, with careful and elaborate composition, he not only shows a native instinct of verse, but a lofty ideal of poetry as an art. He has entered the path which will lead to genuine and lofty fame. The success of his early effusions has not elated him with a vain conceit of his own genius. Hence, we look for still more admirable productions than any contained in the present volume. He is evidently destined to grow, and we have full faith in the fulfillment of his destiny. His fancy is rich in images of gorgeous and delicate beauty; a deep vein of reflection underlies his boldest excursions; and on themes of tender and pathetic interest, his words murmur with a plaintive melody that reaches the hidden source of tears. His style, no doubt, betrays the influence of frequent communings with his favorite poets. He is eminently susceptible and receptive. He does not wander in the spicy groves of poetical enchantment, without bearing away sweet odors. But this is no impeachment of his own individuality. He is not only drawn by the subtle affinities of genius to the study of the best models, but all the impressions which he receives, take a new form from his own plastic nature. The longest poem in the volume is entitled, "The Castle in the Air" – a production of rare magnificence. "The Hymn to Flora," is full of exquisite beauties, showing a masterly skill in the poetical application of classical legends. "Harley River," "The Blacksmith's Shop," "The Old Elm," are sweet rural pictures, soft and glowing as a June meadow in sunset. "The Household Dirge," and several of the "Songs and Sonnets," are marked by a depth of tenderness which is too earnest for any language but that of the most severe simplicity.
We have a translation of Neander on the Philippians, by Mrs. H. C. Conant, which renders that admirable practical commentary into sound and vigorous English. A difficult task accomplished with uncommon skill. (Published by Lewis Colby).
The Heavenly Recognition, by Rev. H. Harbaugh, is the title of an interesting religious work on the question, "Shall we know our friends in Heaven?" This is treated by the author with great copiousness of detail, and in a spirit of profound reverence and sincere Christian faith. His book will be welcome to all readers who delight in speculations on the mysteries of the unseen world. Relying mainly on the testimony of Scripture, the author seeks for evidence on the subject in a variety of collateral sources, which he sets forth in a tone of strong and delightful confidence. (Published by Lindsay and Blackiston).
Lindsay and Blackiston have issued several richly ornamented gift books, which will prove attractive during the season of festivity and friendship. Among them are, "The Star of Bethlehem," by Rev. H. Hastings Weld, a collection of Christmas stories, with elegant engravings. "The Woodbine," edited by Caroline May, containing original pieces and selections, among the latter, "several racy stories of Old England," and a tempting series of Tales for Boys and Girls, by Mrs. Hughes, a justly celebrated writer of juvenile works.
Bishop McIlvaine's Charge on the subject of Spiritual Regeneration has been issued in a neat pamphlet by Harper and Brothers. It forms an able and appropriate contribution to doctrinal theology, at a time when the topic discussed has gained a peculiar interest from the present position of Catholicism both in England and America. The theme is handled by Bishop McIlvaine with his accustomed vigor and earnestness, and is illustrated by the fruits of extensive research.
Speaking of the decease of our illustrious countryman, Fenimore Cooper, the London Athenæum has the following discriminating remarks: "Mr. Cooper was at home on the sea or in his own backwoods. His happiest tales are those of 'painted chiefs with pointed spears' – to use a happy description of Mr. Longfellow; and so felicitous has he been in setting them bodily, as it were, before the reader, that hereafter he will be referred to by ethnological and antiquarian writers as historical authority on the character and condition of the Lost Tribes of America. In his later works Mr. Cooper wandered too often and too much from the field of Romance into that of Polemics – and into the latter he imported a querulous spirit, and an extraordinarily loose logical method. All his more recent fictions have the taint of this temper, and the drawback of this controversial weakness. His political creed it would be very difficult to extract entire from the body of his writings; and he has been so singularly infelicitous in its partial expositions, that even of the discordant features which make up the whole, we generally find ourselves disagreeing in some measure with all. But throughout the whole course of his writing, whenever he turned back into his own domain of narrative fiction, the Genius of his youth continued to do him service, and something of his old power over the minds of readers continued to the last. His faults as a writer are far outbalanced by his great qualities – and altogether, he is the most original writer that America has yet produced – and one of whom she may well be proud."
"Hawthorne," says a London critic, "has few equals among the writers of fiction in the English language. There is a freshness, an originality of thought, a quiet humor, a power of description, a quaintness of expression in his tales, which recommend them to readers wearied of the dull commonplaces of all but a select few of the English novelists of our own time. He is beyond measure the best writer of fiction yet produced by America, somewhat resembling Dickens in many of his excellencies, yet without imitating him. His style is his own entirely."
In a notice of Hitchcock's "Religion of Geology," the London Literary Gazette remarks: "Dr. Hitchcock is a veteran American clergyman, of high reputation and unaffected piety. Officially, he is President of Amherst College, and Professor of Natural Theology and Geology in that institution. As a geologist, he holds a very distinguished position, and is universally reputed an original observer and philosophical inquirer. His fame is European as well as American. No author has ever entered upon his subject better fitted for his task. The work consists of a series of lectures, which may be characterized as so many scientific sermons. They are clear in style, logical in argument, always earnest, and often eloquent. The author of the valuable and most interesting work before us combines in an eminent degree the qualifications of theologian and geologist."
The London News briefly hits off an American work which has attracted little attention in this country: "A fast-sailing American clipper has appeared in the seas of philosophy. The author of 'Vestiges of Civilization; or the Etiology of History, Religious, Æsthetical, Political, and Philosophical,' advertised as written within two months, has puzzled the scientific public as much as did the original MS. of 'Pepys' Diary.' The reader, however, may be comforted in his bewilderment by finding that the author himself is but little better off. In a note there is a confession which should certainly have been extended to the whole production: "I freely own that, touching these extreme terms of the complication in Life and Mind, or rather the precise combinations of polarities that should produce them, my meaning is at present very far from clear, even to myself. And yet I know that I have a meaning; that it is logically involved in my statement; and is such as (perhaps within half a century) will set the name of some distinct enunciator side by side with, if not superior to that of Newton."
The Westminster Review has passed into the hands of John Chapman, the well-known publisher of works on Rationalistic theology. The Leader rather naïvely remarks, "We rely too much on his sagacity to entertain the fear, not unfrequently expressed, of his making the Review over theological, which would be its ruin."
Among the prominent forthcoming works announced by the English publishers, are the following: – "A Lady's Voyage round the World;" from the German of Ida Pfeiffer, from which some interesting extracts have already appeared in Blackwood. – "Wesley and Methodism," by Isaac Taylor – "Lectures on the History of France," by Professor Sir James Stephens – A condensed Edition of Dr. Layard's "Discoveries at Nineveh," prepared by the Author for popular reading – A second volume of Lamartine's "History of the Restoration of the Monarchy in France" – An improved Edition of the "Life and Works of Robert Burns" – Richardson's "Boat Voyage," or a History of the Expedition in Search of Sir John Franklin.