Blackwood's Edinburgh Magazine - Volume 62, No. 384, October 1847

AGRIPPA

In another instant, the impostor was standing upon the floor of a gigantic amphitheatre in Palestine. The whole air was refulgent with the light of a summer morning, and through the loopholes of the structure, the eye caught the blue shimmer of the Mediterranean. Banners, emblazoned with the ciphers of Rome, fluttered from the walls of the amphitheatre. Its internal circumference was thronged with a vast concourse of citizens; and, immediately about the Rosicrucian, groups of foreign traders, habited as if for some unusual ceremony, were scattered over the arena. Expectation was evinced in every movement of the assemblage, in every murmur that floated round the benches. The worshippers were there, it seemed, and were awaiting the high-priest. That high-priest was approaching, and more than a high-priest; for Herod Agrippa, the tetrarch of Judea had descended from Jerusalem to Cæsarea, for the celebration of warlike games in honour of the Emperor Claudius, and, on the completion of those festivities, the deputed sovereign had consented, at the intercession of Blastus, to receive a deputation of certain Phenician ambassadors who were solicitous for an assurance of his clemency. Those envoys—the merchant princes of Tyre and Sidon—were tarrying in the public theatre of the city for the promised interview in the presence of the people of Samaria.

Cagliostro marvelled, as he scanned the scene before him, whether it were all a reality or a delusion of his fancy; but the lapping of the surge upon the adjacent beach, and the perfume of Oriental spices which impregnated the breezes from the Levant, and even the motes that swarmed about him like phosphoric atoms, proved that it was no juggle of a distempered imagination.

Suddenly the air was rent with acclamations; the crowd rose as if by a single impulse; trumpets sounded in the seven porches of the amphitheatre; again the plaudits shook the air like the concussion of enthusiasm, and the deputation in the arena prostrated themselves in the dust. Balsamo saw, at once, the reason of this rejoicing; he saw the tetrarch of Judea seated upon a throne of ivory. The crown of Agrippa glittered upon his forehead with an unnatural brightness—it was of the purest gold, radiating from the brow in spikes, and flecked with pearls of an uncommon size. Silent—erect—inflated with pride at his own grandeur, and the adulation of the rabble, sate the King of Palestine. Silent—awe-stricken—uncovered before the majesty of the representative of Claudius, stood the people of Samaria and Phenicia. Extreme beauty of an elevated and heroic character shone upon the features of Herod, although his beard was grizzled with the passage of fifty-four winters. In the midst of the silence of the populace, the morning sun rose, almost abruptly, above the topmost arches of the edifice, and darted his beams full upon the glorious garments of Agrippa. It played in sparkles of intense lustre upon the jewels of his diadem; and upon the outer robe, which was of silver tissue woven with consummate skill and powdered with diamonds, the refraction of the sunlight produced an intolerable splendour.[13 - His garb, writes Josephus, "was so resplendent as to spread a horror over those that looked intently upon Him."—Lib. xix. c. 8.] The Samaritans shielded their eyes from its magnificence; they were dazzled; they were blinded; they thrilled with admiration and astonishment.

Agrippa spoke.

At the first sound of his accents, there was a whisper of awe among the multitude—it increased—it grew louder—it arose to the heavens in one prolonged and jubilant shout of adoration.

"It is a God!" they cried—"it is a God that speaketh, not a man!"

As the language of that impious homage saluted the ears of Herod, his mouth curled with a smile of satisfaction, his soul expanded with an inexpressible tumult of emotions, he drank in the blasphemous flatteries of the rabble, and assumed to himself the power and the dignity of the Most High God. Yet in the very ecstasy of those sensations, his countenance became ghastly, his lips writhed, his eyes beheld with unutterable dismay the omen of his dissolution—the visible phantom of an avenging Nemesis.[14 - "An owl," says Josephus (xix. 8); "an angel of the Lord," αγγελος Κυριου, say the scriptures, (Acts. xii. 23,)—in either case a spectral illusion.] He staggered from his throne, crying aloud in the extremity of his anguish; a sudden corruption had seized upon his body—he was being devoured by worms.

The heart of Cagliostro quailed within him at the lamentations of the people of Samaria, as they beheld their idol smitten down by death in the midst of his surpassing pomp. Even the Jewish hagiographer tells us, with pathetic simplicity, that King Agrippa himself wept at the wailings of the adoring mob.

Again the Alchemist found himself enveloped in darkness, again the unearthly Voice stole into his brain.

"Lo!" it said, "how the frame rots in the ermine: how the body and soul are polluted by vicious passions! Such, Balsamo, are the penalties of the lusts of the flesh."

MILTON

Another scene then revealed itself to the Rosicrucian, but one altogether different from those he had already witnessed. Instead of being in an Oriental amphitheatre, he was standing in a rural lane; instead of tumult he found tranquillity; instead of regal pageantries an almost primitive simplicity. He inhaled the sweet smells of clover and newly-turned mould with a zest hitherto unexperienced. The gurgling of a brook by the wayside saluted his ears, as it struggled through the rushes and tinkled over the pebbles, with a sound more agreeable than he ever remembered to have heard from the instruments of court musicians. For the first time nature seemed to disclose her real loveliness to his comprehension. Every where she appeared to abound with beauties: in the bee that lit upon the nettle and sucked the honey out of its blossom; in the nettle that nodded under the weight of the bee; in the dew that dropped like a diamond from the alder-bough when the thrush alighted on its stem; in the thrush that warbled till the speckled feathers on its throat throbbed as if its heart were in its song; in the slug that trailed a silver track upon the dust; in the very dust itself that twirled in threads and circles on the ground as the wind swerved round the corner of the hedgerow. Cagliostro was entranced with the most novel and pleasurable emotions, as he strolled on towards the building he had already observed. From the elevation of the ground which he was traversing, his glance roved with admiration over a wide and diversified extent of country; over a prospect richly wooded and teeming with vegetation; over orchards laden with fruit and knee-deep in grass; over fields of barley bristling with golden ripeness; over distant mills, churning the water into foam, and driving gusts of meal out through the open doorway; over meadows where the sheep cropped the cool herbage, and the cattle lay in the sunshine sleeping; over village steeples, over homesteads brown with age, or hid amongst the verdure. The worldling scanned the profusion of the panorama with an amazement that was exquisite from its newness. He marvelled at the charms that strewed the earth in such abundance, at the almost unnumbered forms and colours of her vitality, at the wonderful harmony that subsisted amidst all those various hues and shapes. Never had the joys derivable from the sense of vision appeared of so much value as now that he gazed into the deep and delicious magnificence of nature. His sight, with a sort of luxurious abandonment, strayed over the contrasts, and penetrated into the distances of the landscape; his bosom swelled with the consciousness of a sympathy with that creation of which he felt himself to be but a kindred unit, or, at best, a sentient atom.

It was while absorbed in these sensations, that Cagliostro paused before the rustic dwelling-house towards which his steps had been involuntarily directed. The building was situated at a few paces from the pathway. There was nothing about it to arrest the attention of a passer-by, except, perhaps, all appearance of extreme but picturesque humility. The walls were riveted together with iron-bands in crossbars and zig-zags; the brickwork was decayed and crumbling away in blotches; the roof was low and thatched. Yet, in spite of these evidences of poverty, the scholar regarded the structure with a reverential aspect, with such an aspect as he might have presented had he contemplated the hut of Baucis and Philemon.

The threshold of this obscure edifice formed of itself a bower of greenery, thickly covered with the blooms of the honey-suckle. Under the porch was seated a man of a most venerable countenance. He was muffled in a gray coat of the coarsest texture, and his legs being crossed, a worsted stocking and a slipper of untanned leather betrayed the meanness of his under garments. His hair, brilliant with a whiteness like that of milk, was parted in the centre of the forehead, and fell over his shoulders in those negligent curls called oreilles de chien, which became fashionable long afterwards, during the days of the French Directory. Had the Alchemist remained profoundly ignorant as to the identity of the old man, he must still have observed with interest, features which were equally characterised by the pensiveness of the student and the paleness of the valetudinarian. He knew, however, instinctively, as he had done upon the two preceding occasions, that he beheld a personage of illustrious memory. And he knew rightly, for it was Milton. While the great plague was desolating the metropolis, he had escaped from his residence in the Artillery Walk, and sought security from the contagion by a temporary sojourn in Buckinghamshire.

Opposite the immortal sage stood a person of about the same years, but of a very different deportment—it was the dearest of his few friends, and the most ardent of his many worshippers, Richardson. The latter was leaning against the trunk of a great maple-tree that grew close to the parlour-lattice, stretching forth its enormous branches in all directions, and mingling its foliage with the smoke that issued from the chimney. Richardson had been reading aloud but a moment before, from a volume of Boccaccio; he had placed the book, however, upon the window-sill, in obedience to a movement from his companion, and continued, with his arms folded and his eyelids closed, a silent and almost inanimate portion of the domestic group. The quietude which ensued was so contagious that Cagliostro remarked with a feeling of listlessness, the details and accessories of the spectacle—the silk curtains of rusty green festooned before the open window, the tobacco-pipe lying among the manuscripts upon the table, even the slouched-hat hanging from the back of an arm-chair. The rambling meditations of Balsamo were soon concentrated upon a loftier theme, by the voice of Milton singing in a subdued tone the antistrophe of a favourite ode of Pindar. As the noble words of the Greek lyrist rolled with an indescribable gusto from the lips of Milton, it seemed to the Rosicrucian that he had never before comprehended the true euphony of the language. And the visage of the old bard responded to the strain of Pindar; it was illumined with a certain majesty of expression that imparted additional dignity to a countenance at all times beaming with wisdom. In appreciating the Pagan poet, the poet of Christianity appeared to glow with enthusiasm like that which entranced his whole soul in the moments of his own superb inspiration.[15 - It is impossible for anyone devoted to the study of "Paradise Lost," of "Comus," even of "Sampson Agonistes," and especially of "Il Pensoroso" and "L'Allegro," to doubt that their writer was carried away at times by the œstrum, or divine afflatus, although Dr Johnson discredits "these bursts of light, and involutions of darkness, these transient and involuntary excursions and retrocessions of invention."—See Lives of the Poets, vol. i. p. 188.] Nor was the grandeur of the head diminished in any manner by the unpoetical proportions of the body, for, to the acknowledgment of his most partial biographer, Richardson, the stature of Milton was so much below the ordinary height, and so much beyond the ordinary bulk, that he might almost be described as "short and thick." Yet, notwithstanding these peculiarities of the frame, an august radiance seemed to envelope the brow—a brow, hoary alike from years and from misfortunes—and to invest with a sublime air the figure of that old man huddled in that old gray coat. Cagliostro gazed with profound interest upon Milton as the rolling melody of Pindar streamed into his ears, when suddenly the song ceased, and the face of the singer was raised to the resplendent light of the heavens. Alas! those eyes turned vacantly in their sockets—those eyes which had once looked so sorrowfully on the sightless Galileo—those eyes which had mourned over the ashes of Lycidas, and rained upon them tears transmuted by poetry into a shower of precious stones! The misery of his blindness recurred to Milton himself at that same instant. A cloud of grief descended upon his countenance. He experienced one of those poignant feelings of regret which, in our own day, occasionally oppress the heart of Augustin Thierry—for with the sensibility of a poet he knew that the hour was beautiful. Never had Cagliostro seen human face express such exquisite but patient suffering; it seemed to be listening to the loveliness of the earth; it seemed to be inhaling the glories of nature, as it were, through those channels which were not obliterated. The stirring of the leaves, the scent of the woodbine, the pattering of the winged seeds of the maple upon the pages of Boccaccio, the fitful twittering of the birds—all ascended as offerings of recompense to the blind man, but they only tended to enhance the sense of his affliction. He caught but the skirts of the goddess of that creation whose glories he had chanted in his celestial epic; and yet no murmur escaped from the dejected lip of Milton!

Again darkness surrounded the Rosicrucian—again the awful voice resounded in his imagination.

"Behold!" it said, "the sorrows of the great and virtuous when the light is quenched: behold the divine prerogative of those who see! And know, Balsamo, that such are the boons thou hast contemned—such are the faculties thou hast polluted."

MIRABEAU

After a scarcely perceptible pause, the Voice resumed: "The miseries of those who have abused or lost the powers of seeing, of tasting, or of feeling, have been revealed to thee, O sceptic! Thine eyes have penetrated into the dim retrospections of the past. Look onwards, Balsamo, and thou shalt discern the things that are germinating in the womb of the future."

Cagliostro had scarcely heard this assurance when the curtain hitherto impenetrable to mortal, was raised—the dread shadows of the future were dispelled. He found himself in the upper apartment of one of the most distinguished mansions in Paris. The chamber, which was lofty and spacious, was enriched with the most costly furniture, and the most gorgeous decorations. Pilasters, incrusted with marble, and enamelled with lapis-lazuli, broke the monotony of the walls and supported the ceiling with their capitals. Between these pilasters were pedestals surmounted with statuary and busts; and these, again, were reflected in the mirrors hung about the room in profusion. An almost oriental luxury characterised the Turkish carpets, as soft as the greensward, and the draperies of velvet which concealed the windows, and fell in graceful folds about a bed at the opposite end of the apartment. An antique candelabrum stood upon the mantelpiece and shed a rosy and voluptuous light over this domestic pomp, while some odorous gums crackled in a chafing-dish upon the hearth and loaded the air with their fragrance.

Familiar as the Rosicrucian was with splendour, his glance roved over these appurtenances with delight, for he had never before seen the evidences of wealth so enhanced by the evidences of refinement. He thought that the possession of such a dwelling would be something towards the realisation of happiness. In the very conception of that ignoble thought, however, he received a solemn and effectual admonition. Before him, in the silent chamber, on either side of it groups of attendants and men robed in the costumes of the court and the barracks, was a deathbed. It was the deathbed of an extraordinary being, the owner of all this grandeur. It was the deathbed of Honoré-Gabriel de Mirabeau.

The patrician demagogue reposed upon the pillows in the final stage of dissolution, and his broad forehead was already damp with the sweat of his last agony. Cagliostro surveyed the dying tribune with emotion, for in the very hideousness of his countenance there was a subtle and indefinable fascination. The gigantic stature which had so often awed the tumults of the National Assembly was prostrate. The voice, whose brazen tones had sounded like a trumpet over the land, was hushed—that voice which had exclaimed with such sublime significance to the Marseillais,—"When the last of the Gracchi expired, he flung dust towards heaven, and from this dust sprang Marius!"—that voice which had conquered the aversion of Mademoiselle de Marignan with its seductive melody—that voice which had been at once the oracle of the king and the law of the rabble. Mirabeau lay before the Rosicrucian, with his natural ugliness rendered yet more repulsive by the tokens of a terrible malady. The touch of death imparted additional horror to the massive deformity of his skull, to the coarseness of his pockmarked features, to his sunken eyeballs, to his cheeks scared by disease, to his hair bristling and dishevelled like that of a gorgon. Still, through all these unsightly and almost loathsome peculiarities, there was perceptible a sort of masculine susceptibility. It was that susceptibility which gave zest to his debaucheries, and occasionally subdued into pathos the storms of his dazzling and sonorous eloquence.

Never was a solitary life prized by so many millions, as that which was then ebbing from the breast of Mirabeau. He seemed to be the only guarantee for the solid adjustment of the Revolution. With his disappearance, all hope of tranquillity and good government was prepared to vanish. His was the intellect in which the extremes of that momentous epoch were united. He was the antithesis of public opinion. Noble by birth and plebeian by accident, a democrat in principle and a dictator in ambition, the shield of the monarch and the sword of the people, he was placed exactly between the contending powers of the age. He was the arbiter between royalty and revolt: on the one side he acquired the obedience of the sovereign through his fears, and on the other he obtained the allegiance of the multitude through their aspirations. His supremacy occupied at the same moment the palace, the legislative chamber, and the marketplace; for all recognised in him the omen of their good fortune, and through him, the realisation of their wishes. Flattered by the minions of the monarchy, applauded by the members of the National Assembly, and idolised by the mob, his influence rested, as it were, upon a triple foundation. And yet, by a contradiction as remarkable as the anomalies of his own character, all parties were disposed to rejoice at the probability of his departure. The King was gratified at the thought of his removal, forasmuch as Mirabeau was the impersonation of a formidable sedition; the political adventurers exulted in the prospect of his decease, because he monopolised popularity, and rendered them insignificant by the contrast of his colossal genius; the people, in like manner, were, not altogether displeased at the notion of his extinction, because he appeared to them the only obstacle between themselves, and the supreme authority. All valued him as their present preserver, and all hated him as their future impediment. Such were the conflicting sentiments entertained towards Mirabeau, during the last incidents of his eccentric and volatile career. And in the midst of so many antagonistic interests, he alone remained unshaken and unappalled, his oratory rendering him still the mouth-piece of the Revolution, his duplicity its diplomatist, and his intellectual contrivance its statesman. Nor was he satisfied with these successes; he sought others, and was equally fortunate. Profligacy and legislation equally divided his enthusiasm between them, and proved him to be not only the most daring politician, but the most debauched citizen in France. His power and popularity had now, however, reached their apogee, and Honoré-Gabriel Riquetti Comte de Mirabeau was stretched upon his deathbed.

Cagliostro approached the couch and listened, for the great demagogue was speaking. His voice was harsh even in a murmur, though it still retained, according to Lemercier, "a slight meridional accent." The rosy light of the candelabrum beamed upon his cadaverous lips.

"Sprinkle me with perfumes, crown me with flowers, that thus I may enter upon eternal sleep."

Memorable words—the last words of Gabriel de Mirabeau. They embody the spirit of his sterile philosophy, and are in unison with the evanescence of his genius.[16 - Even M. Alphonse de Lamartine acknowledges of Mirabeau, that "neither his character, his deeds, nor his thoughts, have the brand of immortality."—Hist. Giron. Liv. i. chap. 3.] As Cagliostro observed the limbs convulsed and the eyes glazed with a simultaneous pang, he was caught up again into the darkness, and again his soul hearkened to the whispers of the Holy Voice.

"Thus," it said, "are those recompensed with disease and satiety, who are the slaves of their meanest, as of their noblest appetites; thus is their talisman shattered in the hour of its attainment."

BEETHOVEN

When the reproachful accents ceased, Balsamo felt his feet once more pressing the earth, and the breezes rustling against his domino. He was wandering in the garden of what is termed the Schwarzpanier House, situated on a slope or glacis in the outskirts of Wahring. The evening was so far advanced, that candles already twinkled from the upper windows of the building, while the fires of the kitchens checkered the shrubs and gravel with patches of glaring light. Through the flowerbeds, and along the intricate paths of the shrubbery, the Alchemist strolled at a languid pace, musing upon the things he had already witnessed, when his vigilant ears caught the tones of a musical instrument. Although it was scarcely audible from the distance, Cagliostro was struck by the extreme beauty and espièglerie of the performance. He hurried forward in the direction from which the sounds proceeded, and at each step they became more distinguishable and bewitching. After a momentary feeling of indecision when he reached the walls of the Schwarzpanier, the Alchemist ascended a flight of steps, and passed through the open casement of a French-window into a modest sitting-room. The musician whose skill had attracted him, was seated in the gray twilight at a piano. Cagliostro scarcely noticed that he was a man of short stature but of muscular proportions; he scarcely remarked, indeed, either the apartment or its occupant; his whole consciousness was absorbed in the melody that streamed from the instrument.

At first, the fingers of the player seemed to frolic over the keys, as though they toyed with the vibrations of the strings. The sounds were sportive and jocund; they rippled like laughter; they were capricious as the merriment of a coquette. Then they merged into a sweet and warbling cadence—a cadence of inimitable tenderness, the very suavity of which was rendered more piquant by its lavish variations. The measure changed, with an abrupt fling of the treble-hand: it gushed into an air quaint and sprightly as the dance of Puck—comic—odd—sparkling on the ear like zig-zags: it threw out a shower of notes; it was the voice of agility and merriment; it was grotesque and fitful, droll in its absurd confusion, and yet nimble, in its amazing ingenuity. Gradually, however, the humorous movement resolved itself into a strain of preternatural wildness—a strain that made the blood curdle, and the flesh creep, and the nerves shudder. It abounded with dark and goblin passages; it was the whirlwind blowing among the crags of the Jungfrau, and swarming with the forms and cries of the witches of the Walpurgis; it was Eurydice, traversing the corridors of hell; it was midnight over the wilderness, with the clouds drifting before the moon; it was a hurricane on the deep sea; it was every thing horrible, wierdlike, and tumultuous. And through the very fury of these passages there would start tones of ravishing and gentle beauty—the incense of an adoring heart wafted to the black heavens through the lightnings and lamentations of Nineveh. Again the musician changed the purpose of his improvisation; it was no longer dismal and appalling, it was pathetic. The instrument became, as it were, the organ of sadness, it became eloquent with an inarticulate wo; it was a breast bursting with affliction, a voice broken with sorrow, a soul dissolving with emotions. Then the variable harmonies rose from pensiveness into frenzy, from frenzy into the noise and the shocks of a great battle; they swelled to the din of contending armies, to the storm and vicissitudes of warlike deeds, and soared at last into a pæan such as that of victorious legions when—

"Gaily to glory they come,
Like a king in his pomp,
To the blast of the tromp,
And the roar of the mighty drum!"

As the triumphant tones of the instrument rolled up from its recesses, and filled the apartment with a torrent of majestic sounds, as the musician swayed to and fro in the enthusiasm of his sublime inspirations, and enhanced the divine symphony by the crash of many thrilling and abrupt discords, the Rosicrucian gazed with awe upon the responsive grandeur of his countenance. The impetus of his superb imagination imparted an inconceivable dignity to every lineament, to his capacious forehead, to his broad and distended nostrils, to the fierce protrusion of his under-lip, to the mobile and generous expression of his mouth, to the tawny yellow of his complexion, to the brown depths of his noble and dilated eyes. There was something in unison with the glorious sounds that reverberated through the chamber, even in the enormous contour of his head and the gray disorder of his hair. He seemed to exult in the torrent of melody as it gushed from the piano and streamed out upon the dusk of the evening. While Cagliostro was listening in an ecstasy of admiration, he was startled by a sudden clangour among the bass-notes—the music seemed to be jumbled into confusion, and the ear was stunned by a painful and intolerable dissonance. On looking more intently, he perceived that the composer had let one hand fall abstractedly upon the key-board, while the other executed, by itself, a passage of extraordinary difficulty and involution. Then, for the first time, the thought struck him that the musician was deaf.[17 - This incident was suggested by a touching sentence in Schindler's biography of Beethoven. After observing that the outward sense no longer co-operated with the inward mind of the great composer, and that, consequently, "the outpourings of his fancy became scarcely intelligible," Schindler continues:—"Sometimes he would lay his left hand flat upon the key-board, and thus drown, in discordant noise, the music to which his right was feelingly giving utterance."—See Life of Beethoven, Edited by Ignace Moschelles, ii. 175.] Alas! the supposition was too true: Beethoven was cursed with the loss of his most precious faculty. Those who appreciate the full splendour of his gigantic genius, those who conceive, with a distinguished composer now living, that "Beethoven began where Haydn and Mozart left off;" those who coincide with an eminent critic, in saying that "the discords of Beethoven are better than the harmonies of all other musicians;" those, in fine, who worship his memory with the devotion inspired by his compositions, can sympathise in that terrible deprivation of the powers of hearing, by which his art was rendered a blank, and the latter years of his life were imbittered. They will remember with gratitude the joys they have derived from the effusions of his fruitful intellect; they will call to their recollection the joyous chorus of the prisoners in Fidelio,—the sublime and adoring hymn of the "Alleluia" in The Mount of Olives,—the matchless pomp of the Sinfonia Eroica,—the passionate beauty of the sentiment of Adelaida,—the aerial grace of his quartets and waltzes,—the thrilling and almost awful pathos of the dirge written for six trombones,—but, above all, they will recall to mind the noblest work ever conceived and perfected by composer, one of the greatest achievements of the human mind, the Mass in D. And, bearing these wonders in their memory, their hearts will ache for the doom of Ludwig Von Beethoven. None of these things, however, being known to the Rosicrucian, his sympathies were aroused solely by what he himself had heard and witnessed. Still that was more than enough to fill his whole soul with commiseration, especially as the sounds again burst in bewitching concert from the instrument, and a new inspiration lit up the visage of the musician. Cagliostro found himself, with profound sorrow, returning into the silent darkness, and the solemn Voice stealing, for the last time, into his brain.

"Behold, Balsamo," it said, "the pleasures that may vanish with the loss of hearing. Behold, and shudder at the remembrance of thy blasphemies. Recognise the goodness of Omnipotence in thy five senses—value them beyond either rank, or wealth, or dignity, or fame, or power,—value them as the five mysterious talismans of human life; and, in their virtuous employment, know that earthly happiness is attainable!"

While these words were resounding in his mind, the Rosicrucian felt himself carried, with inconceivable swiftness, through the atmosphere. Immediately they ceased he became motionless, though he was still enveloped in the shadows of night. All that had recently occurred to him,—all the strange and moving circumstances of which he had been a spectator, then thronged upon his recollection, and stirred his heart with astonishment. His imagination responded to his amazement. He revisited again, in thought, the blooming grove of Capreæ, the pageantries of Cesarea, the green lanes of Buckingham, the luxurious salon of Paris, and the twilight of the garden of Wahring. Italian beauty lived again in his remembrance, but a beauty marred by licentiousness and cruelty. He seemed to behold once more the multitudes of Palestine, the landscapes of England, the dainty splendours of France, and the tranquil homes of Germany. Gradually, however, his reflections became less incoherent, and the meaning of the vision appeared to evolve itself before him, in inductions fraught at once with reproach and consolation. Coupling together the truths enunciated by the Voice of his unseen visitant, and the spectacles revealed to him in succession through its agency, the Alchemist bethought himself whether his original impressions, as to the condition of humanity, might not, in a great measure, have been erroneous. What he had just witnessed assured him, in an unanswerable manner, that overt crimes or overt virtues were merely the good or evil employment of one or other of the five senses; that they were the bright and black spots upon the spiritual nature of man, the faculæ and the maculæ, as it were, on the disc of his conscience. Satisfied, therefore, that the purity or depravity of every mortal was merely the consequence of the different purpose to which their senses had been directed, the Rosicrucian perceived the intimate relationship subsisting between the immaterial being and the physical organs. He perceived especially that those organs were the channels through which that immaterial portion of humanity was brought into communication with a material existence, was compelled to endure its miseries, or was enabled to appreciate its enjoyments. In this he recognised the veracity of that solemn assurance, that happiness is accessible, even on this earth, to all who use their senses with a virtuous discrimination. Nor had this consolatory truth been enforced merely by a barren asseveration. Balsamo had been taught the inestimable value of those senses, and the penalties of such as abused them by their vices. Five incidents, most touching, or most appalling, had reminded him of the exquisite pleasures derivable from created things, through the eyes, through the nostrils, through the ears, through the palate, and through the nerves. He had seen the anguish, moreover, of those who suffered from the deprivation of either sense, or of those who were tortured by the result of their own heinous misapplication. He had seen this in the insanity of Tiberius, in the torments of Agrippa, in the sadness of Milton, in the desolation of Mirabeau, and even in the philosophic sorrows of Beethoven. The emperor, the tetrarch, the poet, the demagogue, and the musician, crowded upon his memory, and appealed to his judgment with the same melancholy distinctness. Still the villainous predilections of the Rosicrucian contended for the mastery, although his intellect recognised the wisdom of the Vision. A fierce strife arose between his passions and his reason.

Suddenly his eyes opened to the splendour of an autumn morning; and as the sunlight poured along the Boulevard de la Madeleine, as it gilded every blade of grass in the paddock, and streamed in golden pencils through the open window of the cottage, it glittered upon his cheek like raindrops.

Cagliostro was weeping.

MAGA IN AMERICA

    New York, August 1847.

My Dear Godfrey—You will laugh when you hear into what a practical blunder I was led, by a desire to gratify your curiosity concerning Maga's Icon in America. I wondered you should ask me for a description, when it was so easy to have ordered out the thing itself; and so resolved to save myself the trouble of writing a long story, by duly exporting a specimen of the American Ebony, from which you might form your own conclusions as to its counterfeit merits, and its supposed relations to the great question of international copyright. Segnius irritant—you know! What disciple of old Plunkett's will ever forget the difference between the demissa per aurem, and

——"quæ sunt oculis subjecta fidelibus!"

I have always maintained that his illustration of this great principle gave Dickens the hint of his Dotheboy's Hall. You remember, doubtless, poor Harry Farmar's false quantity, and how Plunkett made him peel onions till he cried his eyes out; asserting his confidence in Horace's maxim, and that he had found the usual box on the ear quite incapable of any exciting effect on Harry's mind. Who would have said that the same Harry, surviving the operation, would have lived to hunt bisons on the prairies of Western America, after riding on elephants in India, and bestriding a camel's hump through the waste places of Edom! Harry's wandering mind has developed as vagabond a habit of life as ever his prophetic instructor ventured to predict; but he vows himself cured at last, and that, if he ever sets foot again on England's terra firma, he will at once become one of the manly hearts that guard the fair, and settle down in contented conjugation. He it was, then, who offered to be the bearer to yourself at C—— of any despatches, or parcels, I might choose to send; but he affected to think me so thoroughly Americanised, that he entered a caveat against my loading him with a consignment of bowie knives or cotton-bales. A nicely packthreaded parcel was accordingly put up, and duly adorned with your most Saxon name and address, in the delusive expectation that none but your own hands would presume

"——to set the imprison'd wranglers free
And give them voice and utterance once again."

I was doomed to be quickly undeceived; and as I doubt not Harry will be giving you his own version of the affair, over a glass of wine, some three weeks hence, at the Hall, you shall know beforehand how much to allow, in this matter, for his habitual unveracity, or rather love of romance.

I waited on him yesterday and presented the packet; but you should have seen him start, when I happened to mention its contents. Not the captors of Guido Fawkes bounced with more consternation, when that eminent pyrotechnist proposed to touch off his gunpowder for their especial gratification and amusement. "What!" exclaimed our mutual friend—"Have you lived so long in America, as to have forgotten the laws of a civilised and Christian land! Would you have me seized as a smuggler; posted in every newspaper as an importer of contraband goods; brutally insulted by the officers of her Majesty's Customs; and perhaps actually brought before a justice, and locked up where the only prospect would be a distant view of New South Wales!" It was in vain that I remonstrated with his eloquent horrors, at the thought of renewing his travels at government cost: he insisted that my proposal might actually have ensured the catastrophe; and from this appeal to my feelings, passed to a bold invective against literary piracy, and concluded by a generous compromise in favour of the cotton-bales, if I would pardon the warm expressions with which he found himself compelled to decline my extraordinary commission. You should have seen him, Godfrey! If he ever takes that seat in Parliament which he threatens to make the sequel of matrimony, I predict wo to the whole race of Humes, Brights, and Cobdens, should they ever start him on a subject capable of transatlantic illustration.

I could not but laugh, though, when I saw the true state of the case, at the comical scene that might have ensued, had he taken my parcel without explanations. Think of Harry's air of fearless innocence before the inspectors of imports, till from the depths of an enormous trunk comes forth a parcel, which those faithful officials at once lay bare, with the professional dexterity of a private tearing his cartridge. The officer stares, and Harry looks still more astounded, at the sight of a familiar visage, peering forth from under the wrapper, and giving mute but significant expressions of pain and displeasure. It is the head of Geordy Buchanan! It is Blackwood, imported from New York! The confounded servant of her Majesty's Customs begins to whisper contraband, and expresses a wish for the undoubted original, which you, just stepping up to welcome your friend, are enabled to supply. The fresh number from your coat-skirts, and the suspicious importation from America, are set together like the two Dromios before the duke. "Look on this picture, and on that!" Behold the two Buchanans!

"One of these men is genius to the other

——Which is the natural man,