Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844

Willingly would the woman now have shrunk away before the maddened witchfinder’s objurgation; but the wild accusation thus thundered against her froze her with terror, and riveted her to the spot.

“I have marked thee well,” continued the frantic man, “and I have seen thee pause upon the threshold of the holy house of God, and kneel in mockery upon the steps before it: but thou hast never dared to enter it. Thou knewest well that the devil thou servest would have torn thee in pieces hadst thou done it. Ha! do I catch thee there?” he continued, as at these words the woman buried her face between her hands.

“Thou canst not deny it!” shouted the witchfinder with an air of triumph.

“God best judges the motives of the heart,” murmured Magdalena.

“I will tell thee more, vile hag, and thou shalt hear it face to face,” pursued the cripple, seizing the poor woman’s arms with his long bony fingers, and dragging her hands from before her face, in spite of her efforts at resistance. “Thou watchest at street corners and in doorways, on the bridge or on the causeway, to see fair Fraulein Bertha, the Ober-Amtmann’s daughter, ride past upon her ambling jennet, or mount the church-steps, her missal in her hand. Thou watchest her to cast thy spells upon her. Thou hatest her for her youth and beauty and spotless purity, like all thy wretched tribe, whom the sight of innocence and brightness sickens to the heart’s core. Thou wouldst fascinate her with thy eye of evil and thy deadly incantations.”

The moon, the light of which still struggled faintly through the fast-accumulating clouds, shone for a moment upon the face of old Magdalena, as the cripple pronounced these words. Her features were more deadly pale than usual, and convulsed with an excess of agitation at this mention of Bertha’s name, which she evidently struggled to control in vain.

“Ah! I have thee there again!” screamed Claus in triumph a second time. “Already have I seen her cheek grow pale, her head bow down like a blighted flower, her walk become weary with faintness. Hast thou already been at thy filthy machinations? But Black Claus, the witchfinder, is there to wrestle with the powers of evil. And hear me! That fair sweet girl is the only comfort of my wretched life. My soul grows calm and soothed when I look upon that lovely face. A ray of sunshine gleams upon the darkness of my path when her smile beams upon me. My heart leaps within me for joy when her small white hand drops an offering into my beggar’s bowl. She is my only life, my only joy, and my guardian angel. And couldst thou harm her, woman, no torment should be too horrible for thee, body and soul. The chains of the stake still lie upon the market-place—the ashes of yon pile still reek with heat; and the pile shall rise again, the chains shall bind once more. Wretched hag! I bid thee again beware!”

As with one hand the raving witchfinder pointed to the spot where one unhappy woman had already perished that day, a victim to the superstition of the times, Magdalena, who, during his praise of the fair girl, had again looked at him with awakened interest, disengaged herself from the other. “God’s will be done!” she said with humility. “I am prepared for all. But thou, unhappy man!” she continued, “beware in turn, lest, before thou hast time to repent thee of the hardness and cruelty of thy heart, His judgement fall on thee, and his justice punish thee.”

She spoke with hand upraised to heaven; and then, pulling her hood over her face, hurried from the market-place.

The witchfinder gazed after her, fixed to the spot, and for a moment awe-struck by her words. As he still stood struggling with his various passions, the storm, which had been gathering ever since sunset, began to burst over his head. The rain came down in torrents.

“Ah! was it that?” screamed the beggar, with a fit of wild laughter. “The miserable old beldam! she stretched out her finger to the sky, and it was to bring down these waterspouts   upon my head. Curses on the foul malicious fiend!” And he spat upon the ground, as if to exorcise the evil spirit.

“But I must find shelter,” he murmured. “Already pains rack my limbs; my bones ache; a shudder runs through my frame! The old hag has worked her spell upon me. Apage, Sathanas! Anathema!”

Speaking thus, the wretched man shuffled along as fast as the crippled state of his limbs, and the acute pains of rheumatism, which the damp night-air had again brought upon him, would allow him to proceed. He staggered to the shelter of a doorway, which was placed under the advancing terrace of the town-hall, and between two staircases which descended on either side on to the market-place. The protruding vault of the Gothic archway afforded him some refuge from the storm, which now burst down with increased violence. But the excited witchfinder’s brain seemed to wander, as he caught an indistinct vision of the gaping jaws of the dragons and other grotesque monsters, which protruded as waterspouts from the roofs of the surrounding houses, and now disgorged torrents of rain.

“Spit, spit, ye devils all!” he shouted aloud. “Ye cannot reach me here. Ha! ha! rage, storm, spew forth your venom, do the bidding of your mistress—I defy you!” And as the wind swept round the corners of the building, and spattered some of the water of the gushing cataracts in his face, he cried, “Avaunt!” as if speaking to a living thing, and, clinging to the bars of an aperture in the upper part of the door, turned away his face.

As he thus came to look upon the strongly-barred opening in the door, the current of his ideas changed. Within was the small and wretched prison of the town, which just occupied the space of the terrace above—a miserable hole.

“There she lay this morning,” he murmured, looking into the interior, which was now in utter darkness, and quite empty—“there she lay, old Martha Dietz, and called in vain upon the demon who deserted her. There have lain all the foul hags who tortured my poor aching limbs. There shall she lie also, the scoffer and reviler, the worker of evil. The witchfinder will be revenged. Revenge! no, no! He will do the work of the holy church. Who shall say the contrary? Not thou, old Martha—nor thou—nor thou. If ye say so, ye lie in death, as ye have lied in life. Ay! glare upon me with your lack-lustre eyes. Ye are powerless now, though ye are there, and make mouths at me. One—two—three—God stand by me! There they are—all seven!”

With a wild scream of horror, the cripple covered his eyes with his hands, and rushed forth into the tempest.

Situated in the picturesque and fertile valley of the Saale, the town of Hammelburg stands upon a gentle declivity, commanding one of the numerous windings of the river, and sloping downwards to its banks. A part of the old walls of the town is thus bathed by the waters of the stream, which, calm and peaceful in the summer months, become tumultuous, and even dangerous, during rainy weather, or after the melting of the snows. From the ancient gateway of the town on the river side, a triple bridge of great length and many arches, which, in the dry season, seems to occupy a most unnecessary space across the narrower waters, but which, at other times, scarce suffices to span the extent of the invading inundation, affords a communication with the high-road.

At the commencement of the sixteenth century, this bridge was only constructed of wood, and although put together with rude strength, ill-sufficed to resist the force of the torrents, and had been repeatedly swept before them.

Not far from the town gateway that commanded this bridge, stood a huge mansion, constructed as a palace for the Prince Bishops of Fulda, the sovereign rulers of the district; although, at the period in question, it had been ceded to the Ober-Amtmann, a near relation of the reigning bishop, as his official dwelling. On the side of this ancient palace furthest removed from the town gate, ran, along the river’s banks, its spacious gardens, abutting at their extremity upon the premises of an extensive Benedictine monastery,   from which they were only separated by a narrow lane, that led from the town to the river. At the very angle of this lane, where it opened by a small water-gate upon a narrow towing-path, skirting alike the town-walls and the banks of the stream, there stood a low building attached to the monastery, the upper story of which thus overlooked the old gardens of the palace on the one hand, and, on the other, the river banks.

At one of the windows of this humble dwelling, that which overlooked the palace gardens, stood a young man, intently gazing through its small octagon panes. Two or three times he turned away with a heavy sigh, as if wearied with long and vain watching, and as often returned again to his previous occupation. At length the opening of the door of the room startled him from his position; and as if ashamed of being caught in the act of looking out, he hurried to a table in the middle of the room, and flung himself into an old chair.

The various objects with which the table was covered, as well as those which filled and littered the room in all directions, clearly designated the young man’s employment to be that of a sculptor and colourer of images for the ornament of churches, as well as an illuminator of missals and manuscripts—an occupation at that time still pursued, although gradually falling into disuse since the invention of printing. Scattered about upon the table were several old parchment manuscripts, which had served as models for the artist’s use, or had been confided to his hands to clean. Old illuminated missals, some of the gorgeous illustrations of which were open, as if lately retouched by the hand of the young painter, lay here and there. At the further end of the table stood a small figure of a Virgin and Child, delicately and exquisitely carved, and painted with the richest colours. The group was bright with its fresh finish, and evidently had not long been completed by the hand of the artist. Upon an elevated bench or dresser were littered the tools of the sculptor and wood-carver, with a few unfinished trials of small saintly figures; and around the room were fragments of wooden images of saints, some discoloured, some broken, a few in tolerable preservation, which were either destined to be restored and repainted, or had served as studies for the artist. Upon the walls hung a few pictures of female saints, bedecked with garlands of flowers, which showed them to be objects of devotion and respect in the eyes of the possessor. Among all this confusion, space was scarcely left, in the small chamber of the artist, for the pallet-bed and cumbrous press that formed his only furniture.

Immediately before the chair into which the young man so hastily flung himself, lay a rich missal, upon the adornment of which he had been employed, before other thoughts and feelings had sent him to the window; and when he again resumed his work, it was upon the face of a fair saint, which formed the headpiece of a chapter, peering out from among the various graceful arabesques that twined in the brightest colours along the margin of the leaf.

In truth, the face of the young artist was almost as fair as that of the bright being he was engaged in painting. His light brown hair was parted in the middle, over a high white forehead, and fell in faintly waving curls almost to his neck, forming a frame to the soft oval face, to which his violet-blue melancholy-looking eyes, his calm, finely-chiselled features, and the serious repose of his imaginative mouth, imparted an air of gentleness and thoughtfulness combined. His dark, sober-coloured, simple dress, although somewhat too severe to suit his youthful figure, accorded well with the character of his physiognomy. His falling collar displayed a full white throat, which might have served as a model for a statue of Antinous, had it not borne more the stamp of genius in its proportions than of physical voluptuousness. The hands, which now hastily resumed their neglected occupation, had all the fairness and well-moulded contour of a woman’s, without that delicacy of size which would have stamped them as effeminate. Had he been aware of his own beauty, he might have copied his own graceful form for a personification of the lily-bearing angel in a group of the Annunciation.

The person who had startled him from the window, by opening the door of his room, was an aged-looking woman, in a plain dress of coarse black serge. She bore in her hands a coarse brown porringer filled with steaming viands, a lump of dark homely bread, and a white cloth.

“Ah! my good Magdalena, art thou there?” said the young artist, raising his head with an almost unconscious affectation of surprise, as though unexpectedly disturbed at his work.

“You forget all hours, and all human wants, in your zeal for your beautiful art, Master Gottlob,” said the woman. “I bring you your noon-day repast, which you would never have called for, had I allowed it to stand by even until sundown. But I have ventured to transgress your orders. You must be faint with long fasting;” and the old woman made a movement as if to place the food upon the table before the artist.

“Thanks, good Magdalena! thanks!” said the young man, looking at her with that sweet smile, and tender expression of his mild blue eyes, which had procured him, among all who knew him, the constant designation of “Gentle Gottlob;” but at the same time repelling the porringer. “Not here. Place the food elsewhere. I will eat anon. I am not hungry now; and I must not leave my work. I have promised it to his noble reverence the prior, for the eve of the fête of St Ursula, and to-morrow is the very day. There is still much to do. It seems as if I could never give sufficient finish to this face, or impart to it, with my dull colours and rebellious pencil, that look of heavenly brightness that ought to dwell upon it. And yet, alas! I would it never could be finished! It will break my heart to part with it—although I love not my own work, nor deem it excellent. But still I cherish it—all imperfect as it is—I know not why; and when to-morrow comes, and I must give it up into his reverence’s hands, it seems that my life and spirit would depart from me with its loss, and that all around me would be dark and joyless.”

After placing the porringer and bread upon a spare corner of the sculptor’s working bench, Magdalena moved gently behind the young man’s chair, and having asked respectfully his pardon, looked over his shoulder. At the sight of the fair face upon which the young artist was bestowing so much care, her looks betrayed feelings of surprise, mingled with much emotion. Once or twice she passed her hand over her eyes, as if doubting the reality of what she saw. It was some time before she could sufficiently master her agitation to speak; and when at last she spoke, after a long-drawn sigh, it was with a tone which still betrayed, in spite of her efforts, the interest inspired in her by the painter’s work of art.

“It is indeed a fine performance, and right bravely limned,” she said; “and in truth the countenance you have given to yonder saint, with the pale glory, is one of exquisite beauty. I wonder not that you should be grieved to look upon so sweet a face no more; although, methinks, I know a face as fair, to which it bears a marvellous resemblance.”

“What meanest thou, Magdalena?” said the young artist, bending his head still lower over his work. “Whom dost thou know who could bear a likeness to this creation of my own imagination?”

“Of your own memory, Master Gottlob! you should have said,” pursued Magdalena. “Surely—or my eyes deceive themselves most strangely—although in that sweet face they were not easily deceived; surely the face is that of”–

The old woman again paused, as if to suppress her emotion.

“Of whom?” enquired Gottlob in a low tone, also in much agitation.

“Of the fair Fraulein Bertha, the noble Ober-Amtmann’s daughter.”

“You think so, Magdalena?” replied the young man. “Perhaps it maybe a slight shade of a resemblance, caught unconsciously”–

“It is she herself,” exclaimed Magdalena. “It is the same angelic smile—the same beam of innocent brightness athwart her brow! It is she!”

“Perhaps thou art right,” stammered Gottlob, still in much confusion, but evidently well pleased with the species of praise thus bestowed   upon his performance. “There is, in truth, more resemblance to the Fraulein Bertha than I had thought.”

Magdalena seemed for a minute lost in her reflection, as if a new and painful idea had struck her; and after giving a long and anxious look at the window, from which the young artist had drawn back upon her entrance, she pressed her hand heavily to her heart, as if to support her in a sudden resolution, and, advancing to the artist’s side, said in an earnest tone, “Young man! thou lovest her!”

“Magdalena! thou knowest not what thou sayest,” cried Gottlob, more harshly than as the wont of his gentle nature.

“Oh! pardon me if I have offended. Condemn me not!” said the excited woman. “But I do entreat you, tell me! Tell me your secret as you would confide it to a mother—to your own mother, Gottlob. It is the purest interest for you—for her—that guides me! I swear it to you! Oh! tell me—is it not so? You love that fair and gentle girl!”

The young man looked at his strange interrogator with some astonishment at her evident agitation. The tears were swelling in her eyes. But without pausing to question the reasons of her emotion—so absorbed is love in its own self—he rose, and took the old woman’s hand.

“Yes! I will speak; my heart has long been overcharged with its own secret, even to bursting,” he said; “and it throbs to unburden itself into some sympathizing heart! And why not thine, good Magdalena? Ever since fate has brought us so strangely together, thou hast been like a mother to me!”

“Do not I owe you all?” interrupted the old woman; “my life—my daily bread—a shelter for my old limbs in the cell below?”

“Alas! I have but little to give, poor Magdalena!” said the young man kindly.

“And that little thou hast shared with me as a son,” continued Magdalena bending her head over his hand as if to kiss it.

“Yes, thou shalt know all,” pursued Gottlob; “for it would seem as though the destiny that threw thee in my way were linked with hers. Her image it was that led me to the spot where first I saw thee. It was the last day of the Carnival, at the beginning of this year, and there was a fête at the palace of the Ober-Amtmann. I had long gazed with adoration upon that angelic face, and treasured it in my heart. I already worshipped yon saintly portraits, because in one—God forgive me the profane thought!—I had found a faint forth-showing of the beam of her bright eye; in another, the gentle, dimpled smile of her sweet mouth; in a third, her pure and saint-like brow. It was not for such as I, a poor artist, to be invited to the noble Amtmann’s fête; but I thought that, through the windows in the illuminated halls, I might perchance trace her passing shadow. I fancied that, by some unforeseen accident, she might come forth upon the terrace, overhanging the river’s banks—a foolish fancy, for the night was wintry and cold. I hoped to see her, no matter how; and I wandered out of the town—for its gates were open for that holiday—to look upon the lighted windows of the palace from the opposite side of the stream. The snow was on the ground. My mantle scarcely preserved me from the bitter cold. But I felt it not. It was only when a groan sounded near me, that I thought on the sufferings of others in such a night. I looked around me; and there, not far from me, on the snow, before the very windows of the palace, where within was music and dancing, and feasting and mirth, lay thy form, poor Magdalena! Feeble, helpless, stiff with cold, thou appearedst to me in the last agonies of death.”

“Yes; I had laid me down to die, in sorrow and despair. It is too true,” sobbed the old woman, in a voice choked with tears. “But your hand raised me up—your arms warmed me into life—your voice encouraged me, and gave me force. You brought me to your home, fostered me, and nursed me—me, an unknown outcast, whose very history you did not even seek to know—whose silence and secrecy you respected. Your kindness saved me from despair, and gave me hope; and   I lived on, in order to pay, were it possible, my debt of gratitude to my preserver.”

“Good Magdalena,” said the young man soothingly, taking her withered hands between his own, “I did but the duty of a Christian man.”

“And you love her, then?” resumed Magdalena, recalling her young preserver to his promised confidence.