Les Misérables, v. 2

"Answer me as if I knew nothing."

"Well, it is the Convent of the Little Picpus, then."

Jean Valjean's recollections returned to him. Chance, that is to say, Providence, had brought him to the very convent in the Quartier St. Antoine where Fauchelevent after his accident had been engaged on his recommendation two years back. He repeated, as if speaking to himself, —

"'Little Picpus'!"

"But come, tell me," Fauchelevent continued, "how the deuce did you get in here, Father Madeleine? For though you are a saint, you are a man, and no men are admitted here."

"Why, you are!"

"Well, only I."

"And yet," Jean Valjean continued, "I must remain."

"Oh, Lord!" Fauchelevent exclaimed.

Jean Valjean walked up to the gardener and said in a grave voice, —

"Fauchelevent, I saved your life."

"I was the first to remember it," Fauchelevent answered.

"Well, you can do for me to-day what I did for you formerly."

Fauchelevent took Jean Valjean's muscular hands in his old wrinkled and trembling hands, and for some seconds seemed as if unable to speak; at length he exclaimed, —

"Oh, it would be a blessing from Heaven if I could repay you a slight portion! Save your life! M. Madeleine, you can dispose of an old man as you please."

An admirable joy had transfigured the aged gardener, and his face seemed radiant.

"What do you wish me to do?" he continued.

"I will explain. Have you a room?"

"I have a cottage behind the ruins of the old convent, in a corner which no one visits, with three rooms."

"Good," said Jean Valjean; "now I will ask two things of you."

"What are they, M. le Maire?"

"First, that you will tell nobody what you know about me; and secondly, that you will not try to learn anything further."

"As you please. I know that you can do nothing but what is honest, and that you have ever been a man after God's heart. And then, again, it was you who got me this situation, and I am at your service."

"Enough; now come with me, and we will go and fetch the child."

"Ah," said Fauchelevent,"there is a child!"

He did not add a word, but followed Jean Valjean as a dog follows its master. In less than half an hour, Cosette, who had become rosy again by the heat of a good fire, was asleep in the old gardener's bed. Jean Valjean had put on his cravat and coat again; the hat thrown over the wall had been found and picked up, and Fauchelevent took off his knee-cap and bell, which now adorned the wall by the side of a door. The two men were seated near the fire at a table on which Fauchelevent had placed a lump of cheese, biscuits, a bottle of wine, and two glasses, and the old man said to Jean Valjean as he laid his hand on his knee, —

"Ah, Father Madeleine! you did not recognize me at once; you save people's lives and forget them afterwards! Oh, that is wrong, for they remember you; you are an ungrateful man."

CHAPTER X

HOW JAVERT ONLY FOUND THE NEST

The events of which we have just seen the back, so to speak, had occurred under the simplest conditions. When Jean Valjean, on the night of the day on which Javert arrested him by Fantine's death-bed, broke out of M – jail, the police supposed that the escaped convict would proceed to Paris. Paris is a maelstrom in which everything is lost and disappears in the whirlpool of the streets: no forest can conceal a man so well as that crowd, and fugitives of every description are aware of the fact. They go to Paris to be swallowed up, for that is at times a mode of safety. The police are aware of this too, and it is at Paris they seek what they have lost elsewhere. They sought there the ex-mayor of M – , and Javert was summoned to assist in the search, and in truth powerfully assisted in recapturing Jean Valjean. The zeal and intelligence he displayed in this office were noticed by M. Chabouillet, Secretary to the Prefecture under Count Anglès, and this gentleman, who had before been a friend to Javert, had the police-inspector of M – appointed to the Paris district. Here Javert proved himself variously and – let us say it, though the word seems inappropriate when applied to such services – honorably useful.

He thought no more of Jean Valjean – with these dogs ever on the hunt the wolf of to-day causes the wolf of yesterday to be forgotten – until in December, 1823, he, who never read newspapers, read one. But Javert, who was a legitimist, was anxious to learn the details of the triumphal entry of the "Prince Generalissimo" into Bayonne. When he had finished the article that interested him a name – the name of Jean Valjean at the foot of a column – attracted him. The newspaper announced that the convict Jean Valjean was dead, and published the fact in such formal terms that Javert did not doubt it. He musing said, "That is the best bolt;" then threw away the paper, and thought no more of the subject. Some time after, it happened that a report was sent by the Prefecture of the Seine et Oise to that of Paris about the abduction of a child, which took place, it was said, under peculiar circumstances, in the parish of Montfermeil. A little girl of seven or eight years of age, who had been intrusted by her mother to a publican in the town, had been stolen by a stranger. The child answered to the name of Cosette, and her mother was a certain Fantine, who had died in an hospital, it was not known when or where. This report passed under Javert's eyes, and rendered him thoughtful. The name of Fantine was familiar to him; he remembered that Jean Valjean had made him laugh by asking him for a respite of three days to go and fetch this creature's child. He remembered that Jean Valjean was arrested at Paris at the very moment when he was getting into the Montfermeil coach, and some facts had led to the supposition at the time that he had taken a trip to the vicinity of the village on the previous day, for he had not been seen in the village itself. What was his business at Montfermeil? No one was able to guess; but Javert now understood it. Fantine's daughter was there, and Jean Valjean had gone to fetch her. Now this child had just been stolen by a stranger. Who could the stranger be? Could it be Jean Valjean? But he was dead. Javert, without saying a word to anybody, took the coach at the "Pewter Platter," and went off to Montfermeil.

He expected to find here a great clearing up, but only found a great obscurity. At the beginning, the Thénardier, in their vexation, had chattered, and the disappearance of the Lark produced a sensation in the village. There were at once several versions of the story, which finally settled down into an abduction, and hence the police report. Still, after he had got over his first outburst of temper, Thénardier, with his admirable instinct, very speedily comprehended that it is never useful to set the authorities at work, and that his complaint about the abduction of Cosette would have the primary result of fixing the flashing gaze of justice upon himself, and many dark matters he was mixed up in. The thing that owls least like is to have a candle brought to them. And then, again, how would he get out of the fifteen hundred francs which he had received? He stopped short, put a gag in his wife's mouth, and affected amazement when people spoke about "the stolen child." He did not at all understand; he had certainly complained at the first moment about his little darling being taken from him so suddenly; he should have liked to keep her for two or three days longer through affection; but it was her grandfather who had come to fetch her in the most natural way in the world. He added the "grandfather," which produced a good effect, and it was on this story that Javert fell upon reaching Montfermeil: the grandfather caused Jean Valjean to fade out of memory. Javert, however, drove a few questions like probes into Thénardier's story: "Who was this grandfather, and what was his name?" Thénardier answered simply, "He is a rich farmer; I saw his passport, and I fancy his name was M. Guillaume Lambert." Lambert is a respectable and most reassuring name, and so Javert returned to Paris. "Jean Valjean is really dead," he said to himself, "and I am an ass."

He was beginning to forget the whole affair again, when in the course of March, 1824, he heard talk of a peculiar character who lived in the parish of St. Médard, and was surnamed the "beggar who gives alms." This man was said to be an annuitant, whose name no one exactly knew, and who lived alone with a little girl of eight years of age, who knew nothing about herself except that she came from Montfermeil. Montfermeil! that name constantly returned, and made Javert prick up his ears. An old begging spy, an ex-beadle, to whom this person was very charitable, added a few more details. "He was a very stern person; he never went out till night; he spoke to nobody, except to the poor now and then, and let no one approach him. He wore a horrible old yellow coat, which was worth several millions, as it was lined all through with bank-notes." This decidedly piqued Javert's curiosity. In order to see this annuitant closer without startling him, he one day borrowed the beadle's rags and the place where the old spy crouched every evening, snuffling his orisons through his nose, and spying between his prayers. "The suspicious individual" really came up to Javert, thus travestied, and gave him alms. At this moment Javert raised his head, and the shock which Jean Valjean received on fancying that he recognized Javert, Javert received on fancying that he recognized Jean Valjean. Still, the darkness might have deceived him; and Jean Valjean's death was official. Javert felt serious doubts; and when in doubt, Javert, a scrupulous man, never put his hand on the person's collar. He followed his man to No. 50-52, and made the old woman talk, which was no difficult task. She confirmed the fact of the great-coat lined with millions, and told the story about the thousand-franc note; she had seen it; she had felt it! Javert hired a room, and took possession of it that same night. He listened at the door of the mysterious lodger, in the hope of hearing his voice; but Jean Valjean saw his candle through the key-hole, and foiled the spy by holding his tongue.

On the next day Jean Valjean decamped; but the noise of the five-franc piece which he let drop was noticed by the old woman, who supposed that he was about to leave, and hastened to warn Javert. Hence, when Jean Valjean left the house at night, Javert was waiting for him behind the trees with two men. Javert had requested assistance at the Prefecture, but had not mentioned the name of the individual whom he hoped to seize. That was his secret, and he kept it for three reasons: first, because the slightest indiscretion might give Jean Valjean the alarm; secondly, because laying hands on an old escaped convict supposed to be dead, on a condemned man whom justice had already classified forever among "the malefactors of the most dangerous class," was a magnificent success, which the older policemen of Paris would certainly not leave to a new-comer like Javert, – and he was afraid lest he might be robbed of his galley-slave; lastly, because Javert, having artistic tastes, was fond of anything unexpected. He hated those successes which are deflowered by being talked of a long time beforehand, and he liked to elaborate his masterpieces in the darkness and suddenly unveil them. Javert followed Jean Valjean from tree to tree, and then from street corner to street corner, and had not once taken his eye off him; even at the moment when Jean Valjean fancied himself the safest, Javert's eye was upon him. Why did Javert not arrest him, though? Because he was still in doubt. It must be borne in mind that at this period the police were not exactly at their ease, and the free press annoyed them. A few arbitrary arrests, denounced by the newspapers, had found an echo in the Chambers, and rendered the Prefecture timid. Attacking individual liberty was a serious matter; the agents were afraid of being deceived, for the Prefect made them answerable, and a mistake was dismissal. Just imagine the effect which would have been produced in Paris by the following short paragraph reproduced by twenty papers, – "Yesterday an old white-haired grandfather, a respectable fund-holder, who was taking a walk with his granddaughter, eight years of age, was arrested and taken to the House of Detention as an escaped convict." Let us repeat also that Javert had scruples of his own; the warnings of his conscience were added to those of the Prefect, and he really doubted. Jean Valjean had his back turned to him, and was walking in the dark; sorrow, anxiety, despondency, the fresh misfortune of being compelled to fly by night and seek a chance refuge for Cosette and himself in Paris, the necessity of regulating his pace by that of a child, – all this had unconsciously changed Jean Valjean's demeanor, and imparted to him such a senility, that the very police, incarnated in Javert, might be deceived and were deceived. The impossibility of approaching close, his attire as an old émigré tutor, Thénardier's statement which made him out a grandpapa, and lastly, the belief in his death at the galleys, added to the uncertainty that clouded Javert's mind. For a moment he had the idea of suddenly asking for his papers; but if the man was not Jean Valjean, and if he were not a respectable fund-holder, he was in all probability some fellow deeply entangled in the meshes of Parisian crime; some leader of a band who gave alms to hide his other talents, and who had his "pals," his accomplices, and his lurking-places, where he could conceal himself. All the turnings this man made in the streets seemed to indicate that all was not quite right with him, and arresting him too quickly would be "killing the goose with the golden eggs." Where was the harm of waiting? Javert felt quite certain that he could not escape. He walked along, therefore, in great perplexity, asking himself a hundred questions about this enigmatical personage. It was not till some time after that he decidedly recognized Jean Valjean in the Rue Pontoise, by the brilliant light that poured from a wine-shop.

There are only two beings in the world that thrill profoundly, – the mother who recovers her child, and the tiger that finds its prey again; but Javert had the same thrill. So soon as he had positively recognized Jean Valjean, the formidable convict, he noticed that he had only two companions, and asked for support at the police office in the Rue Pontoise. Before catching hold of a thorn-bush, people put on gloves. This delay and the halt at the Rollin Square to arrange with his agents all but made him lose the trail; but he quickly guessed that Jean Valjean wished to place the river between himself and his hunters. He hung his head and reflected, like a blood-hound putting its nose to the ground to lift the scent, and then, with the powerful correctness of his instinct, walked to the Austerlitz bridge. One remark of the toll-collector's put him on his track. "Have you seen a man with a little girl?" "I made him pay two sous," the collector answered. Javert reached the bridge just in time to see Jean Valjean leading Cosette across the moonlit square; he saw him enter the Rue du Chemin Vert St. Antoine; he thought of the blind alley arranged there like a trap, and the sole issue from it by the little Rue Picpus; and in order to stop the earth, as sportsmen say, he sent off a policeman by a detour to guard the issue. A patrol, which was returning to the arsenal, happening to pass, he requested its assistance; for in such games as this soldiers are trumps, and, moreover, it is a principle that, in forcing a boar from its lair, the hunter must be scientific, and there must be a strong pack of hounds. These arrangements made, Javert, feeling that Jean Valjean was caught between the blind alley on the right, his own agent on the left, and himself behind, took a pinch of snuff. Then he began playing and enjoying a delicious and infernal moment; he let his man go before him, knowing that he held him, but desiring to defer as long as possible the moment of arresting him; delighted at feeling him caught, and at seeing him free, and watching him with the pleasure of the spider that lets the fly flutter for a while, and the cat that lets the mouse run. The claw and the talon have a monstrous sensuality in the fluttering movements of the animal imprisoned in their prisons. What a delight such a strangling must be! Javert was playing. The meshes of his net were so solidly made, he was certain of success, and now he only needed to close his hand. Accompanied as he was, the idea of resistance was impossible, however energetic, vigorous, and desperate Jean Valjean might be.

Javert advanced slowly, examining and searching as he passed every corner of the street, like the pockets of a thief; but when he reached the centre of the web he did not find his fly. We can imagine his exasperation. He questioned his watchmen, but they quietly declared that they had not seen the man pass. It happens at times that a stag will escape with the pack at its heels, and in such cases the oldest huntsmen know not what to say. In a disappointment of this nature Artonge exclaimed, – "It is not a stag, but a sorcerer." Javert would have gladly uttered the same cry, for his disappointment was midway between despair and fury.

It is certain that errors were committed by Napoleon in the Russian war, by Alexander in the Indian war, by Cæsar in his African war, by Cyrus in the Scythian war, and by Javert in his campaign against Jean Valjean. He was probably wrong in hesitating to recognize the ex-galley slave, for a glance ought to have been sufficient for him. He was wrong in not apprehending him purely and simply at No. 50-52. He was wrong in not arresting him, upon recognition, in the Rue Pontoise. He was wrong to arrange with his colleagues in the bright moonlight, although certainly advice is useful, and it is as well to interrogate those dogs which deserve credence. But the hunter cannot take too many precautions when he is following restless animals, like the wolf and the convict; and Javert, by displaying too much anxiety in setting the blood-hounds on the track, alarmed his game and started it off. Above all, he was wrong, on finding the trail again of the Austerlitz bridge, in playing the dangerous and foolish trick of holding such a man by a string. He fancied himself stronger than he really was, and that he could play with the lion as if it were a mouse. At the same time he imagined himself too weak when he fancied that he must procure help; it was a fatal precaution, and the loss of precious time. Javert committed all these faults, but for all that was not the less one of the cleverest and most certain spies that ever existed. He was, in the full acceptation of the term, a dog that runs cunning; but where is the man who is perfect? Great strategists have their eclipses, and great follies are often made, like stout ropes, of a multitude of fibres. Take the cable thread by thread, catch hold of all the small determining motives separately, and you break them one after the other, and say to yourself, "It is only that;" but twist them together and you have an enormity. It is Attila hesitating between Marcianus in the East and Valentinianus in the West; it is Hannibal delaying at Capua; it is Danton falling asleep at Arcis-sur-Aube.

However this may be, even at the moment when Javert perceived that Jean Valjean had slipped from his clutches he did not lose his head. Certain that the convict could not be very far off, he established watches, organized mousetraps and ambuscades, and beat up the quarter the whole night through. The first thing he saw was the cut cord of the lantern. This was a valuable sign, which, however, led him astray so far that it made him turn all his attention to the Genrot blind alley. There are in this alley low walls, surrounding gardens which skirt open fields, and Jean Valjean had evidently fled in that direction. The truth is, that if he had gone a little farther down the blind alley he would in all probability have done so and been a lost man. Javert explored the gardens and fields as if looking for a needle, and at daybreak he left two intelligent men on duty, and returned to the Prefecture of Police, looking as hang-dog as a spy captured by a robber.

BOOK VI

PETIT PICPUS

CHAPTER I

NO. 62, RUE PICPUS

Half a century ago nothing more resembled any ordinary porte-cochère than that of No. 62, Petite Rue Picpus. This door, generally half open in the most inviting manner, allowed you to see two things which are not of a very mournful nature, – a court-yard with walls covered with vines, and the face of a lounging porter. Above the bottom wall tall trees could be seen, and when a sunbeam enlivened the yard, and a glass of wine had enlivened the porter, it was difficult to pass before No. 62 and not carry away a laughing idea. And yet, you had had a glimpse of a very gloomy place. The threshold smiled, but the house prayed and wept. If you succeeded, which was not easy, in passing the porter – as was, indeed, impossible for nearly all, for there was an "Open, Sesame," which it was necessary to know – you entered on the right a small hall from which ran a staircase enclosed between two walls, and so narrow that only one person could go up at a time: if you were not frightened by the canary-colored plaster and chocolate wainscot of this staircase, and still boldly ascended, you crossed two landings and found yourself in a passage on the first floor, where the yellow distemper and chocolate skirting-board followed you with a quiet pertinacity. The staircase and passage were lighted by two fine windows, but the latter soon made a bend and became dark. When you had doubled this cape, you found yourself before a door, which was the more mysterious because it was not closed. You pushed it open, and found yourself in a small room about six feet square, well scrubbed, clean, and frigid, and hung with a yellow-green sprigged paper, at fifteen sous the piece. A white pale light came through a large window with small panes, which was on the left, and occupied the whole width of the room; you looked about you, but saw nobody; you listened, but heard neither a footstep nor a human sound; the walls were bare, and the room unfurnished – there was not even a chair.

You looked again, and saw in the wall facing the door a square hole covered with a black knotty substantial cross-barred grating, which formed diamonds – I had almost written meshes – at least an inch and a half across. The little green sprigs on the yellow paper came right up to these bars, calmly and orderly, and the funereal contact did not make them start or wither. Even supposing that any human being had been so wondrously thin as to attempt to go in or out by the square hole, the bars would have prevented him: but though they did not let the body pass, the eyes, that is to say, the mind, could. It seemed as if this had been thought of, for it had been lined with a tin plate, in which were bored thousands of holes more microscopic than those of a strainer. Beneath this plate was an opening exactly like the mouth of a letter-box, and a bell-wire hung by the side of this hole. If you pulled this wire, a bell tinkled, and you heard a voice close to you which made you start.

"Who is there?" the voice asked.

It was a female voice, a gentle voice, so gentle that it was melancholy. Here, again, there was a magic word which it was necessary to know; if you did not know it, the voice ceased, and the wall became silent again, as if the terrifying darkness of the tomb were on the other side. If you knew the word, the voice continued, – "Turn to the right." You then noticed, facing the window, a door, the upper part of which was of gray painted glass. You raised the latch, walked in, and experienced precisely the same expression as when you enter a box at the theatre, before the gilt grating has been lowered and the chandelier lighted. You were in fact in a species of box, scarce lighted by the faint light that came through the glass door, narrow, furnished with two old chairs and a ragged sofa, – a real box with a black entablature to represent the front. This box had a grating; but it was not made of gilt wood as at the opera, but was a monstrous trellis-work of frightfully interlaced iron bars, fastened to the wall by enormous clamps that resembled clenched fists. When the first few moments were past, and your eye began to grow accustomed to this cellar-like gloom, you tried to look through the grating, but could not see more than six inches beyond it; there it met a barrier of black shutters, connected and strengthened by cross-beams, and painted of a ginger-bread yellow. These shutters were jointed, divided into long thin planks, and covered the whole width of the grating; they were always closed. At the expiration of a few minutes you heard a voice calling to you from behind the shutters, and saying to you, —

"I am here; what do you want with me?"

It was a loved voice, sometimes an adored voice, but you saw nobody, and could scarce hear the sound of breathing. It seemed as it were an evocation addressing you through the wall of a tomb. If you fulfilled certain required and very rare conditions, the narrow plank of one of the shutters opened opposite to you, and the evocation became an apparition. Behind the grating, behind the shutter, you perceived, as far as the grating would allow, a head, of which you only saw the mouth and chin, for the rest was covered by a black veil. You caught a glimpse of a black wimple, and of a scarce distinct form covered by a black pall. This head spoke to you, but did not look at you, and never smiled. The light that came from behind you was so arranged that you saw her in brightness and she saw you in darkness; this light was a symbol. Still, your eyes plunged eagerly through the opening into this place, closed against all looks; a profound vacuum surrounded this form clothed in mourning. Your eyes investigated this vacuum and tried to distinguish what there was around the apparition, but in a very little time you perceived that you could see nothing. What you saw was night, emptiness, gloom, a winter fog mingled with the vapor from a tomb; a sort of terrifying peace; a silence in which nothing could be heard, not even sighs; a shadow in which nothing could be distinguished, not even phantoms. What you saw was the interior of a nunnery, the interior of that gloomy and stern house which was called the Convent of the Perpetual Adoration. The box in which you found yourself was the parlor, and the first voice that addressed you was that of a lay sister who always sat, silent and motionless, on the other side of the wall, near the square opening which was defended by the iron grating and the tin plate with the thousand holes like a double visor.

The obscurity in which the grated box was plunged, resulted from the fact that the parlor, which had a window on the side of the world, had none on the side of the convent; profane eyes must not see any portion of this sacred spot. Still, there was something beyond the shadow; there was a light and life amid this death. Although this convent was the most strictly immured of all, we will try to enter it and take the reader in with us, and describe, with due regard to decorum, things which novelists have never seen, and consequently never recorded.

CHAPTER II