Les Misérables

“Where is it going then?”

“To the Cadran-Bleu.”

“In the first place, it’s not in that direction.”

“Well! to la Rapée.”

“Or elsewhere.”

“It’s free. Wedding parties are at liberty.”

“That’s not the point at all. I tell you that you must try to learn for me what that wedding is, who that old cove belongs to, and where that wedding pair lives.”

“I like that! that would be queer. It’s so easy to find out a wedding party that passed through the street on a Shrove Tuesday, a week afterwards. A pin in a hay-mow! It ain’t possible!”

“That don’t matter. You must try. You understand me, Azelma.”

The two files resumed their movement on both sides of the boulevard, in opposite directions, and the carriage of the maskers lost sight of the “trap” of the bride.

CHAPTER II – JEAN VALJEAN STILL WEARS HIS ARM IN A SLING

To realize one’s dream. To whom is this accorded? There must be elections for this in heaven; we are all candidates, unknown to ourselves; the angels vote. Cosette and Marius had been elected.

Cosette, both at the mayor’s office and at church, was dazzling and touching. Toussaint, assisted by Nicolette, had dressed her.

Cosette wore over a petticoat of white taffeta, her robe of Binche guipure, a veil of English point, a necklace of fine pearls, a wreath of orange flowers; all this was white, and, from the midst of that whiteness she beamed forth. It was an exquisite candor expanding and becoming transfigured in the light. One would have pronounced her a virgin on the point of turning into a goddess.

Marius’ handsome hair was lustrous and perfumed; here and there, beneath the thick curls, pale lines – the scars of the barricade – were visible.

The grandfather, haughty, with head held high, amalgamating more than ever in his toilet and his manners all the elegances of the epoch of Barras, escorted Cosette. He took the place of Jean Valjean, who, on account of his arm being still in a sling, could not give his hand to the bride.

Jean Valjean, dressed in black, followed them with a smile.

“Monsieur Fauchelevent,” said the grandfather to him, “this is a fine day. I vote for the end of afflictions and sorrows. Henceforth, there must be no sadness anywhere. Pardieu, I decree joy! Evil has no right to exist. That there should be any unhappy men is, in sooth, a disgrace to the azure of the sky. Evil does not come from man, who is good at bottom. All human miseries have for their capital and central government hell, otherwise, known as the Devil’s Tuileries. Good, here I am uttering demagogical words! As far as I am concerned, I have no longer any political opinions; let all men be rich, that is to say, mirthful, and I confine myself to that.”

When, at the conclusion of all the ceremonies, after having pronounced before the mayor and before the priest all possible “yesses,” after having signed the registers at the municipality and at the sacristy, after having exchanged their rings, after having knelt side by side under the pall of white moire in the smoke of the censer, they arrived, hand in hand, admired and envied by all, Marius in black, she in white, preceded by the suisse, with the epaulets of a colonel, tapping the pavement with his halberd, between two rows of astonished spectators, at the portals of the church, both leaves of which were thrown wide open, ready to enter their carriage again, and all being finished, Cosette still could not believe that it was real. She looked at Marius, she looked at the crowd, she looked at the sky: it seemed as though she feared that she should wake up from her dream. Her amazed and uneasy air added something indescribably enchanting to her beauty. They entered the same carriage to return home, Marius beside Cosette; M. Gillenormand and Jean Valjean sat opposite them; Aunt Gillenormand had withdrawn one degree, and was in the second vehicle.

“My children,” said the grandfather, “here you are, Monsieur le Baron and Madame la Baronne, with an income of thirty thousand livres.”

And Cosette, nestling close to Marius, caressed his ear with an angelic whisper: “So it is true. My name is Marius. I am Madame Thou.”

These two creatures were resplendent. They had reached that irrevocable and irrecoverable moment, at the dazzling intersection of all youth and all joy. They realized the verses of Jean Prouvaire; they were forty years old taken together. It was marriage sublimated; these two children were two lilies. They did not see each other, they did not contemplate each other. Cosette perceived Marius in the midst of a glory; Marius perceived Cosette on an altar. And on that altar, and in that glory, the two apotheoses mingling, in the background, one knows not how, behind a cloud for Cosette, in a flash for Marius, there was the ideal thing, the real thing, the meeting of the kiss and the dream, the nuptial pillow. All the torments through which they had passed came back to them in intoxication. It seemed to them that their sorrows, their sleepless nights, their tears, their anguish, their terrors, their despair, converted into caresses and rays of light, rendered still more charming the charming hour which was approaching; and that their griefs were but so many handmaidens who were preparing the toilet of joy. How good it is to have suffered! Their unhappiness formed a halo round their happiness. The long agony of their love was terminating in an ascension.

It was the same enchantment in two souls, tinged with voluptuousness in Marius, and with modesty in Cosette. They said to each other in low tones: “We will go back to take a look at our little garden in the Rue Plumet.” The folds of Cosette’s gown lay across Marius.

Such a day is an ineffable mixture of dream and of reality. One possesses and one supposes. One still has time before one to divine. The emotion on that day, of being at midday and of dreaming of midnight is indescribable. The delights of these two hearts overflowed upon the crowd, and inspired the passers-by with cheerfulness.

People halted in the Rue Saint-Antoine, in front of Saint-Paul, to gaze through the windows of the carriage at the orange-flowers quivering on Cosette’s head.

Then they returned home to the Rue des Filles-du-Calvaire. Marius, triumphant and radiant, mounted side by side with Cosette the staircase up which he had been borne in a dying condition. The poor, who had trooped to the door, and who shared their purses, blessed them. There were flowers everywhere. The house was no less fragrant than the church; after the incense, roses. They thought they heard voices carolling in the infinite; they had God in their hearts; destiny appeared to them like a ceiling of stars; above their heads they beheld the light of a rising sun. All at once, the clock struck. Marius glanced at Cosette’s charming bare arm, and at the rosy things which were vaguely visible through the lace of her bodice, and Cosette, intercepting Marius’ glance, blushed to her very hair.

Quite a number of old family friends of the Gillenormand family had been invited; they pressed about Cosette. Each one vied with the rest in saluting her as Madame la Baronne.

The officer, Théodule Gillenormand, now a captain, had come from Chartres, where he was stationed in garrison, to be present at the wedding of his cousin Pontmercy. Cosette did not recognize him.

He, on his side, habituated as he was to have women consider him handsome, retained no more recollection of Cosette than of any other woman.

“How right I was not to believe in that story about the lancer!” said Father Gillenormand, to himself.

Cosette had never been more tender with Jean Valjean. She was in unison with Father Gillenormand; while he erected joy into aphorisms and maxims, she exhaled goodness like a perfume. Happiness desires that all the world should be happy.

She regained, for the purpose of addressing Jean Valjean, inflections of voice belonging to the time when she was a little girl. She caressed him with her smile.

A banquet had been spread in the dining-room.

Illumination as brilliant as the daylight is the necessary seasoning of a great joy. Mist and obscurity are not accepted by the happy. They do not consent to be black. The night, yes; the shadows, no. If there is no sun, one must be made.

The dining-room was full of gay things. In the centre, above the white and glittering table, was a Venetian lustre with flat plates, with all sorts of colored birds, blue, violet, red, and green, perched amid the candles; around the chandelier, girandoles, on the walls, sconces with triple and quintuple branches; mirrors, silverware, glassware, plate, porcelain, faïence, pottery, gold and silversmith’s work, all was sparkling and gay. The empty spaces between the candelabra were filled in with bouquets, so that where there was not a light, there was a flower.

In the antechamber, three violins and a flute softly played quartettes by Haydn.

Jean Valjean had seated himself on a chair in the drawing-room, behind the door, the leaf of which folded back upon him in such a manner as to nearly conceal him. A few moments before they sat down to table, Cosette came, as though inspired by a sudden whim, and made him a deep courtesy, spreading out her bridal toilet with both hands, and with a tenderly roguish glance, she asked him:

“Father, are you satisfied?”

“Yes,” said Jean Valjean, “I am content!”

“Well, then, laugh.”

Jean Valjean began to laugh.

A few moments later, Basque announced that dinner was served.

The guests, preceded by M. Gillenormand with Cosette on his arm, entered the dining-room, and arranged themselves in the proper order around the table.

Two large armchairs figured on the right and left of the bride, the first for M. Gillenormand, the other for Jean Valjean. M. Gillenormand took his seat. The other armchair remained empty.

They looked about for M. Fauchelevent.

He was no longer there.

M. Gillenormand questioned Basque.

“Do you know where M. Fauchelevent is?”

“Sir,” replied Basque, “I do, precisely. M. Fauchelevent told me to say to you, sir, that he was suffering, his injured hand was paining him somewhat, and that he could not dine with Monsieur le Baron and Madame la Baronne. That he begged to be excused, that he would come to-morrow. He has just taken his departure.”

That empty armchair chilled the effusion of the wedding feast for a moment. But, if M. Fauchelevent was absent, M. Gillenormand was present, and the grandfather beamed for two. He affirmed that M. Fauchelevent had done well to retire early, if he were suffering, but that it was only a slight ailment. This declaration sufficed. Moreover, what is an obscure corner in such a submersion of joy? Cosette and Marius were passing through one of those egotistical and blessed moments when no other faculty is left to a person than that of receiving happiness. And then, an idea occurred to M. Gillenormand. – “Pardieu, this armchair is empty. Come hither, Marius. Your aunt will permit it, although she has a right to you. This armchair is for you. That is legal and delightful. Fortunatus beside Fortunata.” – Applause from the whole table. Marius took Jean Valjean’s place beside Cosette, and things fell out so that Cosette, who had, at first, been saddened by Jean Valjean’s absence, ended by being satisfied with it. From the moment when Marius took his place, and was the substitute, Cosette would not have regretted God himself. She set her sweet little foot, shod in white satin, on Marius’ foot.