The Man Who Laughs

Close observation was necessary to perceive that there was such a descent. In darkness a gentle declivity is portentous. Nothing is more fearful than the vague evils to which we are led by imperceptible degrees.

It is awful to descend into unknown depths.

How long had they proceeded thus? Gwynplaine could not tell.

Moments passed under such crushing agony seem immeasurably prolonged.

Suddenly they halted.

The darkness was intense.

The corridor widened somewhat. Gwynplaine heard close to him a noise of which only a Chinese gong could give an idea; something like a blow struck against the diaphragm of the abyss. It was the wapentake striking his wand against a sheet of iron.

That sheet of iron was a door.

Not a door on hinges, but a door which was raised and let down.

Something like a portcullis.

There was a sound of creaking in a groove, and Gwynplaine was suddenly face to face with a bit of square light. The sheet of metal had just been raised into a slit in the vault, like the door of a mouse-trap.

An opening had appeared.

The light was not daylight, but glimmer; but on the dilated eyeballs of Gwynplaine the pale and sudden ray struck like a flash of lightning.

It was some time before he could see anything. To see with dazzled eyes is as difficult as to see in darkness.

At length, by degrees, the pupil of his eye became proportioned to the light, just as it had been proportioned to the darkness, and he was able to distinguish objects. The light, which at first had seemed too bright, settled into its proper hue and became livid. He cast a glance into the yawning space before him, and what he saw was terrible.

At his feet were about twenty steps, steep, narrow, worn, almost perpendicular, without balustrade on either side, a sort of stone ridge cut out from the side of a wall into stairs, entering and leading into a very deep cell. They reached to the bottom.

The cell was round, roofed by an ogee vault with a low arch, from the fault of level in the top stone of the frieze, a displacement common to cells under heavy edifices.

The kind of hole acting as a door, which the sheet of iron had just revealed, and on which the stairs abutted, was formed in the vault, so that the eye looked down from it as into a well.

The cell was large, and if it was the bottom of a well, it must have been a cyclopean one. The idea that the old word "cul-de-basse-fosse" awakens in the mind can only be applied to it if it were a lair of wild beasts.

The cell was neither flagged nor paved. The bottom was of that cold, moist earth peculiar to deep places.

In the midst of the cell, four low and disproportioned columns sustained a porch heavily ogival, of which the four mouldings united in the interior of the porch, something like the inside of a mitre. This porch, similar to the pinnacles under which sarcophagi were formerly placed, rose nearly to the top of the vault, and made a sort of central chamber in the cavern, if that could be called a chamber which had only pillars in place of walls.

From the key of the arch hung a brass lamp, round and barred like the window of a prison. This lamp threw around it – on the pillars, on the vault, on the circular wall which was seen dimly behind the pillars – a wan light, cut by bars of shadow.

This was the light which had at first dazzled Gwynplaine; now it threw out only a confused redness.

There was no other light in the cell – neither window, nor door, nor loophole.

Between the four pillars, exactly below the lamp, in the spot where there was most light, a pale and terrible form lay on the ground.

It was lying on its back; a head was visible, of which the eyes were shut; a body, of which the chest was a shapeless mass; four limbs belonging to the body, in the position of the cross of Saint Andrew, were drawn towards the four pillars by four chains fastened to each foot and each hand.

These chains were fastened to an iron ring at the base of each column. The form was held immovable, in the horrible position of being quartered, and had the icy look of a livid corpse.

It was naked. It was a man.

Gwynplaine, as if petrified, stood at the top of the stairs, looking down. Suddenly he heard a rattle in the throat.

The corpse was alive.

Close to the spectre, in one of the ogives of the door, on each side of a great seat, which stood on a large flat stone, stood two men swathed in long black cloaks; and on the seat an old man was sitting, dressed in a red robe – wan, motionless, and ominous, holding a bunch of roses in his hand.

The bunch of roses would have enlightened any one less ignorant that Gwynplaine. The right of judging with a nosegay in his hand implied the holder to be a magistrate, at once royal and municipal. The Lord Mayor of London still keeps up the custom. To assist the deliberations of the judges was the function of the earliest roses of the season.

The old man seated on the bench was the sheriff of the county of Surrey.

His was the majestic rigidity of a Roman dignitary.

The bench was the only seat in the cell.

By the side of it was a table covered with papers and books, on which lay the long, white wand of the sheriff. The men standing by the side of the sheriff were two doctors, one of medicine, the other of law; the latter recognizable by the Serjeant's coif over his wig. Both wore black robes – one of the shape worn by judges, the other by doctors.

Men of these kinds wear mourning for the deaths of which they are the cause.

Behind the sheriff, at the edge of the flat stone under the seat, was crouched – with a writing-table near to him, a bundle of papers on his knees, and a sheet of parchment on the bundle – a secretary, in a round wig, with a pen in his hand, in the attitude of a man ready to write.

This secretary was of the class called keeper of the bag, as was shown by a bag at his feet.

These bags, in former times employed in law processes, were termed bags of justice.

With folded arms, leaning against a pillar, was a man entirely dressed in leather, the hangman's assistant.

These men seemed as if they had been fixed by enchantment in their funereal postures round the chained man. None of them spoke or moved.

There brooded over all a fearful calm.

What Gwynplaine saw was a torture chamber. There were many such in England.

The crypt of Beauchamp Tower long served this purpose, as did also the cell in the Lollards' prison. A place of this nature is still to be seen in London, called "the Vaults of Lady Place." In this last-mentioned chamber there is a grate for the purpose of heating the irons.

All the prisons of King John's time (and Southwark Jail was one) had their chambers of torture.

The scene which is about to follow was in those days a frequent one in England, and might even, by criminal process, be carried out to-day, since the same laws are still unrepealed. England offers the curious sight of a barbarous code living on the best terms with liberty. We confess that they make an excellent family party.

Some distrust, however, might not be undesirable. In the case of a crisis, a return to the penal code would not be impossible. English legislation is a tamed tiger with a velvet paw, but the claws are still there. Cut the claws of the law, and you will do well. Law almost ignores right. On one side is penalty, on the other humanity. Philosophers protest; but it will take some time yet before the justice of man is assimilated to the justice of God.

Respect for the law: that is the English phrase. In England they venerate so many laws, that they never repeal any. They save themselves from the consequences of their veneration by never putting them into execution. An old law falls into disuse like an old woman, and they never think of killing either one or the other. They cease to make use of them; that is all. Both are at liberty to consider themselves still young and beautiful. They may fancy that they are as they were. This politeness is called respect.

Norman custom is very wrinkled. That does not prevent many an English judge casting sheep's eyes at her. They stick amorously to an antiquated atrocity, so long as it is Norman. What can be more savage than the gibbet? In 1867 a man was sentenced to be cut into four quarters and offered to a woman – the Queen.[[18 - The Fenian, Burke.]]