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Poems
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Was borne within the walls which, in Assyrian rite,
Were built to hide dead majesty from outer sight.
If eye of man the gift uncommon could assume,
And pierce the mass, thick, black as hearse's plume,
To where lays on a horrifying bed
What was King Ninus, now hedged round with dread,
'Twould see by what is shadow of the light,
A line of feath'ry dust, bones marble-white.
A shudder overtakes the pois'nous snakes
When they glide near that powder, laid in flakes.
Death comes at times to him —Life comes no more!
And sets a jug and loaf upon the floor.
He then with bony foot the corpse o'erturns,
And says: "It is I, Ninus! 'Tis Death who spurns!
I bring thee, hungry king, some bread and meat."
"I have no hands," Ninus replies. "Yet, eat!"
Zim pierced to the very quick by these repeated stabs,
Sprang to his feet, while from him pealed a fearful shout,
And, furious, flung down upon the marble slabs
The richly carved and golden Lamp, whose light went out —
Then glided in a form strange-shaped,
In likeness of a woman, moulded in dense smoke,
Veiled in thick, ebon fog, in utter darkness draped,
A glimpse of which, in short, one's inmost fears awoke.
Zim was alone with her, this Goddess of the Night.
The massy walls of stone like vapor part and fade,
Zim, shuddering, tried to call guard or satellite,
But as the figure grasped him firmly, "Come!" she said.
BP. ALEXANDER
A QUEEN FIVE SUMMERS OLD.
("Elle est toute petite.")
{Bk. XXVI.}
She is so little – in her hands a rose:
A stern duenna watches where she goes,
What sees Old Spain's Infanta – the clear shine
Of waters shadowed by the birch and pine.
What lies before? A swan with silver wing,
The wave that murmurs to the branch's swing,
Or the deep garden flowering below?
Fair as an angel frozen into snow,
The royal child looks on, and hardly seems to know.
As in a depth of glory far away,
Down in the green park, a lofty palace lay,
There, drank the deer from many a crystal pond,
And the starred peacock gemmed the shade beyond.
Around that child all nature shone more bright;
Her innocence was as an added light.
Rubies and diamonds strewed the grass she trode,
And jets of sapphire from the dolphins flowed.
Still at the water's side she holds her place,
Her bodice bright is set with Genoa lace;
O'er her rich robe, through every satin fold,
Wanders an arabesque in threads of gold.
From its green urn the rose unfolding grand,
Weighs down the exquisite smallness of her hand.
And when the child bends to the red leafs tip,
Her laughing nostril, and her carmine lip,
The royal flower purpureal, kissing there,
Hides more than half that young face bright and fair,
So that the eye deceived can scarcely speak
Where shows the rose, or where the rose-red cheek.
Her eyes look bluer from their dark brown frame:
Sweet eyes, sweet form, and Mary's sweeter name.
All joy, enchantment, perfume, waits she there,
Heaven in her glance, her very name a prayer.
Yet 'neath the sky, and before life and fate,
Poor child, she feels herself so vaguely great.
With stately grace she gives her presence high
To dawn, to spring, to shadows flitting by,
To the dark sunset glories of the heaven,
And all the wild magnificence of even;
On nature waits, eternal and serene,
With all the graveness of a little queen.
She never sees a man but on his knee,
She Duchess of Brabant one day will be,
Or rule Sardinia, or the Flemish crowd
She is the Infanta, five years old, and proud.
Thus is it with kings' children, for they wear
A shadowy circlet on their forehead fair;
Their tottering steps are towards a kingly chair.
Calmly she waits, and breathes her gathered flower
Till one shall cull for her imperial power.
Already her eye saith, "It is my right;"
Even love flows from her, mingled with affright.
If some one seeing her so fragile stand,
Were it to save her, should put forth his hand,
Ere he had made a step, or breathed a vow,
The scaffold's shadow were upon his brow.
While the child laughs, beyond the bastion thick
Of that vast palace, Roman Catholic,
Whose every turret like a mitre shows,
Behind the lattice something dreadful goes.
Were built to hide dead majesty from outer sight.
If eye of man the gift uncommon could assume,
And pierce the mass, thick, black as hearse's plume,
To where lays on a horrifying bed
What was King Ninus, now hedged round with dread,
'Twould see by what is shadow of the light,
A line of feath'ry dust, bones marble-white.
A shudder overtakes the pois'nous snakes
When they glide near that powder, laid in flakes.
Death comes at times to him —Life comes no more!
And sets a jug and loaf upon the floor.
He then with bony foot the corpse o'erturns,
And says: "It is I, Ninus! 'Tis Death who spurns!
I bring thee, hungry king, some bread and meat."
"I have no hands," Ninus replies. "Yet, eat!"
Zim pierced to the very quick by these repeated stabs,
Sprang to his feet, while from him pealed a fearful shout,
And, furious, flung down upon the marble slabs
The richly carved and golden Lamp, whose light went out —
Then glided in a form strange-shaped,
In likeness of a woman, moulded in dense smoke,
Veiled in thick, ebon fog, in utter darkness draped,
A glimpse of which, in short, one's inmost fears awoke.
Zim was alone with her, this Goddess of the Night.
The massy walls of stone like vapor part and fade,
Zim, shuddering, tried to call guard or satellite,
But as the figure grasped him firmly, "Come!" she said.
BP. ALEXANDER
A QUEEN FIVE SUMMERS OLD.
("Elle est toute petite.")
{Bk. XXVI.}
She is so little – in her hands a rose:
A stern duenna watches where she goes,
What sees Old Spain's Infanta – the clear shine
Of waters shadowed by the birch and pine.
What lies before? A swan with silver wing,
The wave that murmurs to the branch's swing,
Or the deep garden flowering below?
Fair as an angel frozen into snow,
The royal child looks on, and hardly seems to know.
As in a depth of glory far away,
Down in the green park, a lofty palace lay,
There, drank the deer from many a crystal pond,
And the starred peacock gemmed the shade beyond.
Around that child all nature shone more bright;
Her innocence was as an added light.
Rubies and diamonds strewed the grass she trode,
And jets of sapphire from the dolphins flowed.
Still at the water's side she holds her place,
Her bodice bright is set with Genoa lace;
O'er her rich robe, through every satin fold,
Wanders an arabesque in threads of gold.
From its green urn the rose unfolding grand,
Weighs down the exquisite smallness of her hand.
And when the child bends to the red leafs tip,
Her laughing nostril, and her carmine lip,
The royal flower purpureal, kissing there,
Hides more than half that young face bright and fair,
So that the eye deceived can scarcely speak
Where shows the rose, or where the rose-red cheek.
Her eyes look bluer from their dark brown frame:
Sweet eyes, sweet form, and Mary's sweeter name.
All joy, enchantment, perfume, waits she there,
Heaven in her glance, her very name a prayer.
Yet 'neath the sky, and before life and fate,
Poor child, she feels herself so vaguely great.
With stately grace she gives her presence high
To dawn, to spring, to shadows flitting by,
To the dark sunset glories of the heaven,
And all the wild magnificence of even;
On nature waits, eternal and serene,
With all the graveness of a little queen.
She never sees a man but on his knee,
She Duchess of Brabant one day will be,
Or rule Sardinia, or the Flemish crowd
She is the Infanta, five years old, and proud.
Thus is it with kings' children, for they wear
A shadowy circlet on their forehead fair;
Their tottering steps are towards a kingly chair.
Calmly she waits, and breathes her gathered flower
Till one shall cull for her imperial power.
Already her eye saith, "It is my right;"
Even love flows from her, mingled with affright.
If some one seeing her so fragile stand,
Were it to save her, should put forth his hand,
Ere he had made a step, or breathed a vow,
The scaffold's shadow were upon his brow.
While the child laughs, beyond the bastion thick
Of that vast palace, Roman Catholic,
Whose every turret like a mitre shows,
Behind the lattice something dreadful goes.
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Последний отзыв
Классная книга. Очень многое объясняет, что скрытое реально происходит в человеке