The Celebrity at Home

Mother shivered when she got into the hall, which is vast and flagged with marble like a church. “It strikes very cold to the feet!” she said to Aunt Gerty. “Mine are like so much ice.”

“Oh, come along, and we’ll brew you a glass of hot toddy!” Aunt Gerty said cheerfully. “It’s a bit chilly, I think, myself, but ’ansom, like the big ’all where ’Amlet ’as the players!”

Aunt Gerty is generally most careful, but she is apt to drop a little h or so when she is excited. She could hardly contain herself, as Ariadne and I had hoped, when she saw the gilt stairs leading up into the study.

“What price broken legs? Why, I shall have to get roller-skates or take off my shoes and stockings to go up them!”

“So you will, Aunt Gerty,” said Ariadne. “It is one of George’s rules. He made Lady Scilly even leave off her high heels before she used them.”

“Took ’em off for her himself with his lily hands, I suppose?” snorted my aunt. “Well, I don’t expect you will find me treading those golden stairs very often. I ain’t one of George’s elect.”

“Such wretched things to keep clean,” Mother complained. “The servants are sure to object to the extra work, and give up their places, and I am sure one can’t blame them, and such good ones as we’ve got, too, in these awful times, when looking for a cook is like looking for a needle in a bottle of hay. Heavens, is the girl there all the time listening to me?”

Kate was, luckily, down-stairs, showing Elizabeth Cawthorne the way about her kitchen, or else it would have been very imprudent to tell a servant how valuable she is. Mother was cowed by the danger she had escaped, but Aunt Gerty went on flouncing about, pricing everything and tinkling her nails against pots and jugs, till she stopped suddenly and put her muff before her face—

“Well, of all the improper objects to meet a lady’s eye coming into a gentleman’s house! Who’s that mouldy old statue of?”

I told her that was Autolycus.

“Cover yourself, Tollie, I would,” Aunt Gerty said, going past him affectedly. “Oh, look, Lucy, at all those dragons and cockroaches doing splits on the fire-place! Brass, too, trimmed copper. My God!”

“I shall just have to clean that brass fire-place myself,” said Mother. “I shall never have the face to ask Kate to do it.”

“And no proper grate, only the bare bricks left showing!” Aunt Gerty wailed. “How could one get up any proper fireside feeling over a contraption like that! The Lyceum scenery is nothing to it. It makes me think of Shakespeare all the time—so painfully meretricious–”

Lady Castlewood in a basket under Mother’s arm, suddenly began to mew very sadly. Aunt Gerty had put Robert the Devil down on the floor, in his hamper, and I suppose a draught got to him, for he spat loudly. Ariadne and I let out the poor things and they bounced straight out on to the parquet floor, and their feet slid from under them. I never saw two cats look so silly!

“Well, if a cat can’t keep his feet on those wooden tiles,” said Mother, “I don’t suppose I can,” and she jumped, just to try, right into the middle of a little square of blue carpet, which, true enough, slid along with her.

“You can give a nice hop here, at any rate,” cried Aunt Gerty, catching her round the waist, and waltzing all over the room, till both their picture hats fell off, and hung down their backs by the pins. “Ask me and all the boys, and give a nice sit-down supper, and do us as well as the old villain will allow you.”

She was quite happy. That is just like an actress! Ariadne and I danced too, and the cats mewed loudly for strangeness. Cats hate newness of any kind, and they weren’t easy till I got some newspaper, crackled it, and let them sit on it, and then they were all right. Then Mother and Aunt Gerty rang the queer-shaped bell, as if it would sting them, and got up some coals which Mother had had the forethought to order in, and lit a modest little fire in a great cave with brass images in front of it under the kind of copper hood. It wouldn’t draw at first, being used to logs, and when it smoked we threw water on it, lest we dirtied the beautiful silk hangings. At last we fetched Elizabeth Cawthorne.

“Hout!” she said. “I’d like to see the fire that’s going to get the better of me!”

She made it burn, sulkily, and Ariadne and I went to a shop we knew of round the corner, and bought tea and sugar and condensed milk, to make ourselves tea with the spirit-lamp Aunt Gerty had brought. We had no butter or bread, only biscuits luckily, so we couldn’t stain the Cinque Cento chairs, whose gold trimmings were simply peeling off them. Sit on them we dared not, they would have let us down on the floor for a certainty. Mother and Aunt Gerty had a high old time blaming Lady Scilly for all her foolish arrangements, and then we all went down to the so-called kitchen to see how Elizabeth Cawthorne was getting on there. She was in a rage, but trying to pass it off, like a good soul as she is.

“Well, I never! Here’s a gold handle to my coal-cellar door! I shall have to wipe my lily hands before I dare use it. And a fine lady of a dresser that I shall be shy to set a plain dish on. Beetles here, do you ask, woman?” (To Kate.) “They’d be ashamed to show their faces in such a smart place as this, I’m thinking. And what’s this couple of drucken little candlesticks for the kitchen? Our Kate’ll soon rive the fond bit handles from off them, or she’s not the girl I take her for!”

She banged it hard against the dresser as servants do, to make it break, but it didn’t, and she looked disappointed. Mother then suggested she should unpack a favourite frying-pan she never goes anywhere without, and sent Kate out for a pound and a half of loin-chops, and cook was to fry them for our dinners.

The kitchen fire, after all, was the only one that would burn, so we ate our chops there, and sat there till bed-time. Ariadne looked like a picture, sitting at a trestle-table, and a thing like a torch burning at the back of her head. She was thoroughly disgusted, and got quite cross, and so did Elizabeth, as the evening went on. She hated trestles, and flambeaus, and dark Rembrandtish corners, and couldn’t lay her hand on her things nohow, so that when we all went up to bed, Mother said to her—

“Good-night, Elizabeth. You have been a bit upset, haven’t you? I wonder we have managed to get through the day without a row!”

“So do I, ma’am,” said the cook. “Heaps of times I’d have given you warning for twopence, but you never gave me ought to lay hold on.”

A horrid wind sprang up and moaned us off to sleep. I thought once or twice of George out on the Mediterranean on a tippity yacht, and didn’t quite want him to get drowned, though he had made us live in such an uncomfortable house. I had tried to colonize a little, and put up a photograph of Mother done at Ramsgate in a blue frame, to make me feel more at home. Ariadne had hung up all her necklaces on a row of nails. She has forty. There is one made of dried marrowfat peas, that she nibbles when she is nervous, and another of horse’s jesses, or whatever you call them, sewn on red velvet. We have a bed each, costing fourteen-and-six. They are apt to shut up with you in them. There is no carpet in our room, and there are not to be any. We are to be hardy. Nothing rouses one like a touch of cold floor in the mornings, and cools one on hot nights better than the same. Our water-jug too is an odd shape. I tilted all the water out of it on to the floor the first time I tried to use it. It must be French, it is so small. I shall not wash my hands very often in the days to come, I fancy.

Ariadne began to get reconciled to our room when she had made up her mind it was like the bower of a mediæval chatelaine, or like Princess Ursula’s bedroom in Carpaccio, but I prefer Early Victorian, and cried myself to sleep.

Next morning Ben come along; he had stayed all night at the Hitchings’, in Corinth Road. Jessie Hitchings likes Ben best of the family. She may marry him, when he is grown up, if she likes. He has birth, but no education, so that will make them even. The only glimmering of hope I see for Ben is that in this house there seems to be no bedroom for him, unless it is a room at the top with all the water tanks in it, which makes me think perhaps George is going to send him to school? For the present we have arranged him a bed in the butler’s pantry. Ben says perhaps George means him to be butler, as he has laid it down as a rule that only women servants are to be used in Cinque Cento House. They look so much nicer than men, George says; he likes a houseful of waving cap-ribbons. Mother thinks she can work a house best on one servant, and better still on none. George doesn’t mind her having any amount of boys from the Home near here, but that doesn’t suit Mother. She says one boy isn’t much good, that two boys is only one and a half, and that three boys is no boy at all. I suppose they get playing together? Ariadne and I would, in their place, I know, and human nature is the same, even in a Home, though I can’t call ours quite that.

CHAPTER VI

GEORGE makes a point of refusing to be interviewed. He hates it, unless it is for one of the best papers. Then he says that it is a sheer kindness, and that a successful man has no right to refuse some poor devil or other the chance of making an honest pound or two. So he suffers him gladly. He even is good enough to work on the thing a little in the proof: just to give the poor fellow a lift, and prevent him making a fool of himself and getting his facts all wrong. In the end George writes the whole thing entirely from beginning to end, and makes the man a present of a complete magazine article, and a very fine one too!

“I have been generous,” he tells us. “I have offered myself up as a burnt sacrifice. I have given myself all, without reservation. I have nothing extenuated, everything set down in malice. I have owned to strange sins that I never committed, to idiosyncrasies that took me all my time to invent, and all to bump out an article by some one else. I have been butchered to make a journalistic holiday!”

This is all very nice and self-sacrificing of George, but this particular interview read very well when it came out, and made George seem a very interesting sort of man with some quaint habits, not half so funny as his real ones, though, and I think the interviewer might just as well have given those.

So, when I got a chance of telling the truth, I did, meaning to act for the best, and give Papa a good show and save him the trouble of telling it all himself, but nobody gave me credit for my good intentions, and kind heart.

In the first place, how dared I put myself forward and offer to see George’s visitors! But the young man asked for me—at least, when he was told that George was out, he said might he see one of the young ladies? Of course I don’t suppose that would have occurred to him, only I was leaning over the new aluminium bannisters, and caught his eye. Then an idea seemed to come into his head. The look of disappointment that had come over him when he was told that George was out changed to a little happy perky look, as if he had just thought of something amusing. He crooked his little finger at me as I slid down the bannister, and said would I do? and would he come in? Kate is a cheeky girl, but even the cook admits that Kate is not a patch upon me. Kate evidently didn’t think it quite right, but she slunk away into the back premises, and left me to deal with the young man.

He handed me a card. I thought that very polite of him, and “Mr. Frederick Cook,” and Representative of The Bittern down in the corner, explained it all to me. We take in about a hundred rags, and that’s the name of one of them. It’s called The Bittern because it booms people, so George says.

“I suppose you have come to interview my Father,” I said. “I’m sorry, but he is out. Did you have an appointment?”

“No, I didn’t,” said the young man right out.

I liked his nice bold way of speaking; he was the least shy young man I ever met.

“I don’t believe in appointments. The subject is conscious, primed, braced up, ready with a series of cards, so to speak, which he wishes to force on the patient public—a collection of least characteristic facts which he would like dragged into prominence. It is as if a man should go to the dentist with his mind made up as to the number of teeth that he is to have pulled out, a decision which should always rest with any dentist who respects himself.”

He went running on like that, not a bit shy, or anything, and amused me very much.

“But then the worst of that is, you’ve got no appointment with George, and he is not here to have his teeth pulled out.”

I really so far wasn’t quite sure if he was an interviewer or a dentist, but I kept calm.

“All the better, my dear young lady, that is if you are willing to aid and abet me a little. Then we shall have a thundering good interview, I can promise you. You see, in my theory of interviewing, the actual collaboration of the patient—shall we call him?—is unnecessary. Indeed, it is more in the nature of an impediment. My method, which of course I have very few opportunities of practising, is to seek out his nearest and dearest, those who have the privilege—or annoyance—of seeing him at all hours, at all seasons, unawares. If a painter, ’tis the wife of his brush that I would question; if an author, the partner of his pen—do you take me?”

Yes, I “took” him, and as George had called me a cockatrice—a very favourite term of abuse with him—only that morning, and remembering how she swaggers about being George’s Egeria, I said, “You’ll have to go to Lady Scilly for that!”

“Quite so!” he said very naturally. “Your distinguished parent dedicated his last book to her, did he not? Did you approve, may I ask?”

“No,” I said. “People should always dedicate all their works to their wife, whether they love her or not, that’s what I think!”

“Quite so,” he said again. “I see we agree famously, and between us we shall concoct a splendid interview. But now, if you would be so very good, and happen to have a small portion of leisure at your disposal–”

“I’ll do what I can for you,” I said, delighted at his nice polite way of putting things. “I’ll take you round the house, shall I? Have you a Kodak with you? Would you like to take a snapshot at George’s typewriter?”

“Certainly, if she is pretty,” said the silly man, and I explained that Miss Mander was out, and that it was the machine I meant. He said one machine was very like another, but that if he might see the study, where so many beautiful thoughts had taken shape? He said it quite gravely, but I felt he was laughing in his jacket all the time.

“We’ll take it all seriam!” I said, not wishing him to have all the fine words. “And we will begin at the beginning—I mean the atrium.”

He had a little pocket-book in his hand, and he said, as I led the way through the hall, “You won’t mind my writing things down as they occur to me?”