The Black Tulip

There he would find them, and, moreover, it was not at all difficult, as the sashes of the dry-room might be raised like those of a greenhouse. Cornelius had opened them on that morning, and no one had thought of closing them again.

Everything, therefore, depended upon whether he could procure a ladder of sufficient length, – one of twenty-five feet instead of ten.

Boxtel had noticed in the street where he lived a house which was being repaired, and against which a very tall ladder was placed.

This ladder would do admirably, unless the workmen had taken it away.

He ran to the house: the ladder was there. Boxtel took it, carried it with great exertion to his garden, and with even greater difficulty raised it against the wall of Van Baerle’s house, where it just reached to the window.

Boxtel put a lighted dark lantern into his pocket, mounted the ladder, and slipped into the dry-room.

On reaching this sanctuary of the florist he stopped, supporting himself against the table; his legs failed him, his heart beat as if it would choke him. Here it was even worse than in the garden; there Boxtel was only a trespasser, here he was a thief.

However, he took courage again: he had not gone so far to turn back with empty hands.

But in vain did he search the whole room, open and shut all the drawers, even that privileged one where the parcel which had been so fatal to Cornelius had been deposited; he found ticketed, as in a botanical garden, the “Jane,” the “John de Witt,” the hazel-nut, and the roasted-coffee coloured tulip; but of the black tulip, or rather the seedling bulbs within which it was still sleeping, not a trace was found.

And yet, on looking over the register of seeds and bulbs, which Van Baerle kept in duplicate, if possible even with greater exactitude and care than the first commercial houses of Amsterdam their ledgers, Boxtel read these lines: —

“To-day, 20th of August, 1672, I have taken up the mother bulb of the grand black tulip, which I have divided into three perfect suckers.”

“Oh these bulbs, these bulbs!” howled Boxtel, turning over everything in the dry-room, “where could he have concealed them?”

Then, suddenly striking his forehead in his frenzy, he called out, “Oh wretch that I am! Oh thrice fool Boxtel! Would any one be separated from his bulbs? Would any one leave them at Dort, when one goes to the Hague? Could one live far from one’s bulbs, when they enclose the grand black tulip? He had time to get hold of them, the scoundrel, he has them about him, he has taken them to the Hague!”

It was like a flash of lightning which showed to Boxtel the abyss of a uselessly committed crime.

Boxtel sank quite paralyzed on that very table, and on that very spot where, some hours before, the unfortunate Van Baerle had so leisurely, and with such intense delight, contemplated his darling bulbs.

“Well, then, after all,” said the envious Boxtel, – raising his livid face from his hands in which it had been buried – “if he has them, he can keep them only as long as he lives, and – ”

The rest of this detestable thought was expressed by a hideous smile.

“The bulbs are at the Hague,” he said, “therefore, I can no longer live at Dort: away, then, for them, to the Hague! to the Hague!”

And Boxtel, without taking any notice of the treasures about him, so entirely were his thoughts absorbed by another inestimable treasure, let himself out by the window, glided down the ladder, carried it back to the place whence he had taken it, and, like a beast of prey, returned growling to his house.

Chapter 9. The Family Cell

It was about midnight when poor Van Baerle was locked up in the prison of the Buytenhof.

What Rosa foresaw had come to pass. On finding the cell of Cornelius de Witt empty, the wrath of the people ran very high, and had Gryphus fallen into the hands of those madmen he would certainly have had to pay with his life for the prisoner.

But this fury had vented itself most fully on the two brothers when they were overtaken by the murderers, thanks to the precaution which William – the man of precautions – had taken in having the gates of the city closed.

A momentary lull had therefore set in whilst the prison was empty, and Rosa availed herself of this favourable moment to come forth from her hiding place, which she also induced her father to leave.

The prison was therefore completely deserted. Why should people remain in the jail whilst murder was going on at the Tol-Hek?

Gryphus came forth trembling behind the courageous Rosa. They went to close the great gate, at least as well as it would close, considering that it was half demolished. It was easy to see that a hurricane of mighty fury had vented itself upon it.

About four o’clock a return of the noise was heard, but of no threatening character to Gryphus and his daughter. The people were only dragging in the two corpses, which they came back to gibbet at the usual place of execution.

Rosa hid herself this time also, but only that she might not see the ghastly spectacle.

At midnight, people again knocked at the gate of the jail, or rather at the barricade which served in its stead: it was Cornelius van Baerle whom they were bringing.

When the jailer received this new inmate, and saw from the warrant the name and station of his prisoner, he muttered with his turnkey smile, —

“Godson of Cornelius de Witt! Well, young man, we have the family cell here, and we will give it to you.”

And quite enchanted with his joke, the ferocious Orangeman took his cresset and his keys to conduct Cornelius to the cell, which on that very morning Cornelius de Witt had left to go into exile, or what in revolutionary times is meant instead by those sublime philosophers who lay it down as an axiom of high policy, “It is the dead only who do not return.”

On the way which the despairing florist had to traverse to reach that cell he heard nothing but the barking of a dog, and saw nothing but the face of a young girl.

The dog rushed forth from a niche in the wall, shaking his heavy chain, and sniffing all round Cornelius in order so much the better to recognise him in case he should be ordered to pounce upon him.

The young girl, whilst the prisoner was mounting the staircase, appeared at the narrow door of her chamber, which opened on that very flight of steps; and, holding the lamp in her right hand, she at the same time lit up her pretty blooming face, surrounded by a profusion of rich wavy golden locks, whilst with her left she held her white night-dress closely over her breast, having been roused from her first slumber by the unexpected arrival of Van Baerle.

It would have made a fine picture, worthy of Rembrandt, the gloomy winding stairs illuminated by the reddish glare of the cresset of Gryphus, with his scowling jailer’s countenance at the top, the melancholy figure of Cornelius bending over the banister to look down upon the sweet face of Rosa, standing, as it were, in the bright frame of the door of her chamber, with embarrassed mien at being thus seen by a stranger.

And at the bottom, quite in the shade, where the details are absorbed in the obscurity, the mastiff, with his eyes glistening like carbuncles, and shaking his chain, on which the double light from the lamp of Rosa and the lantern of Gryphus threw a brilliant glitter.

The sublime master would, however, have been altogether unable to render the sorrow expressed in the face of Rosa, when she saw this pale, handsome young man slowly climbing the stairs, and thought of the full import of the words, which her father had just spoken, “You will have the family cell.”

This vision lasted but a moment, – much less time than we have taken to describe it. Gryphus then proceeded on his way, Cornelius was forced to follow him, and five minutes afterwards he entered his prison, of which it is unnecessary to say more, as the reader is already acquainted with it.

Gryphus pointed with his finger to the bed on which the martyr had suffered so much, who on that day had rendered his soul to God. Then, taking up his cresset, he quitted the cell.

Thus left alone, Cornelius threw himself on his bed, but he slept not, he kept his eye fixed on the narrow window, barred with iron, which looked on the Buytenhof; and in this way saw from behind the trees that first pale beam of light which morning sheds on the earth as a white mantle.

Now and then during the night horses had galloped at a smart pace over the Buytenhof, the heavy tramp of the patrols had resounded from the pavement, and the slow matches of the arquebuses, flaring in the east wind, had thrown up at intervals a sudden glare as far as to the panes of his window.

But when the rising sun began to gild the coping stones at the gable ends of the houses, Cornelius, eager to know whether there was any living creature about him, approached the window, and cast a sad look round the circular yard before him.

At the end of the yard a dark mass, tinted with a dingy blue by the morning dawn, rose before him, its dark outlines standing out in contrast to the houses already illuminated by the pale light of early morning.

Cornelius recognised the gibbet.

On it were suspended two shapeless trunks, which indeed were no more than bleeding skeletons.

The good people of the Hague had chopped off the flesh of its victims, but faithfully carried the remainder to the gibbet, to have a pretext for a double inscription written on a huge placard, on which Cornelius; with the keen sight of a young man of twenty-eight, was able to read the following lines, daubed by the coarse brush of a sign-painter: —

“Here are hanging the great rogue of the name of John de Witt, and the little rogue Cornelius de Witt, his brother, two enemies of the people, but great friends of the king of France.”

Cornelius uttered a cry of horror, and in the agony of his frantic terror knocked with his hands and feet at the door so violently and continuously, that Gryphus, with his huge bunch of keys in his hand, ran furiously up.

The jailer opened the door, with terrible imprecations against the prisoner who disturbed him at an hour which Master Gryphus was not accustomed to be aroused.