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George Eliot's Life, as Related in Her Letters and Journals. Vol. 1 (of 3)

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2017
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So many of us have reason to know that criminal impulses may be felt by a nature which is nevertheless guarded by its entire constitution from the commission of crime, that I can't help hoping that my Caterina will not forfeit the sympathy of all my readers.

The answer you propose to give to curious inquirers is the best possible. For several reasons I am very anxious to retain my incognito for some time to come, and, to an author not already famous, anonymity is the highest prestige. Besides, if George Eliot turns out a dull dog and an ineffective writer – a mere flash in the pan – I, for one, am determined to cut him on the first intimation of that disagreeable fact.

The fates have willed that this shall be a very melancholy story, and I am longing to be a little merrier again.

On the 16th March Mr. Lewes and George Eliot started for Plymouth, Penzance, and the Scilly Isles, and we have the following recollections of their stay there:

Recollections, Scilly Isles, March-May, 1857

I had never before seen a granite coast, and on the southern side of the island of St. Mary's one sees such a coast in its most striking and characteristic forms. Rectangular crevices, the edges of which have been rounded by weather, give many of the granite masses a resemblance to bales of wool or cotton heaped on each other; another characteristic form is the mushroom-shaped mass, often lying poised on the summits of more cubical bowlders or fragments; another is the immense flat platform stretching out like a pier into the sea; another the oval basins formed by the action of the rain-water on the summits of the rocks and bowlders. The coloring of the rocks was very various and beautiful; sometimes a delicate grayish-green, from the shaggy byssus which clothes it, chiefly high up from the water; then a light, warm brown; then black; occasionally of a rich yellow; and here and there purplish. Below the rocks, on the coast, are almost everywhere heaps of white bowlders, sometimes remarkably perfect ovals, and looking like huge eggs of some monstrous bird. Hardly any weed was to be seen on the granite, except here and there in a rock-pool, green with young ulva; and no barnacles incrust the rock, no black mussels, scarcely any limpets. The waves that beat on this coast are clear as crystal, and we used to delight in watching them rear themselves like the horses of a mighty sea-god as they approached the rocks on which they were broken into eddies of milky foam. Along a great part of this southern coast there stretch heathy or furzy downs, over which I used to enjoy rambling immensely; there is a sense of freedom in those unenclosed grounds that one never has in a railed park, however extensive. Then, on the north side of the island, above Sandy Bar, what a view we used to get of the opposite islands and reefs, with their delicious violet and yellow tints – the tall ship or two anchored in the Sound, changing their aspect like living things, and when the wind was at all high the white foam prancing round the reefs and rising in fountain-like curves above the screen of rocks!

Many a wet and dirty walk we had along the lanes, for the weather was often wet and almost always blustering. Now and then, however, we had a clear sky and a calm sea, and on such days it was delicious to look up after the larks that were soaring above us, or to look out on the island and reef studded sea. I never enjoyed the lark before as I enjoyed it at Scilly – never felt the full beauty of Shelley's poem on it before. A spot we became very fond of towards the close of our stay was Carne Lea, where, between two fine, jutting piles of granite, there was a soft down, gay with the pretty pink flowers of the thrift, which, in this island, carpets the ground like greensward. Here we used to sit and lie in the bright afternoons, watching the silver sunlight on the waves – bright silver, not golden – it is the morning and evening sunlight that is golden. A week or two after our arrival we made the acquaintance of Mr. Moyle, the surgeon, who became a delightful friend to us, always ready to help with the contents of his surgery or anything else at his command. We liked to have him come and smoke a cigar in the evening, and look in now and then for a little lesson in microscopy. The little indications of the social life at Scilly that we were able to pick up were very amusing. I was repeatedly told, in order to make me aware who Mr. Hall was, that he married a Miss Lemon. The people at St. Mary's imagine that the lawyers and doctors at Penzance are a sort of European characters that every one knows. We heard a great deal about Mr. Quill, an Irishman, the Controller of the Customs; and one day, when we were making a call on one of the residents, our host said two or three times, at intervals, "I wish you knew Quill!" At last, on our farewell call, we saw the distinguished Quill, with his hair plastered down, his charming smile, and his trousers with a broad stripe down each leg. Our host amused us by his contempt for curs: "Oh, I wouldn't have a cur – there's nothing to look at in a cur!"[55 - "Mill on the Floss," chap. iii. book iv. Bob Jakin.]

Letter to Mrs. Bray, 5th April, 1857

The smallest details, written in the hastiest way, that will enable me to imagine you as you are, are just what I want; indeed, all I care about in correspondence. We are more and more in love with these little islands. There is not a tree to be seen, but there are grand granite hills on the coast, such as I never saw before, and furze-covered hills with larks soaring and singing above them, and zoological wonders on the shore to fill our bottles and our souls at once. For some time I have been unusually weak and knock-up-able. Our landlady is an excellent woman, but, like almost all peculiarly domestic women, has not more than rudimentary ideas of cooking; and in an island where you can get nothing but beef, except by sending to Penzance, that supreme science has its maximum value. She seems to think eating a purely arbitrary procedure – an abnormal function of mad people who come to Scilly; and if we ask her what the people live on here, is quite at a loss to tell us, apparently thinking the question relates to the abstruser portion of natural history. But I insist, and give her a culinary lecture every morning, and we do, in the end, get fed. Altogether our life here is so far better than the golden age that we work as well as play. That is the happy side of things. But there is a very sad one to me which I shall not dwell upon – only tell you of. More than a week ago I received the news that poor Chrissey had lost one of her pretty little girls of fever; that the other little one – they were the only two she had at home with her – was also dangerously ill, and Chrissey herself and her servant apparently attacked by typhus too. The thought of her in this state is a perpetual shadow to me in the sunshine.

Letter to Miss Sara Hennell, 16th April, 1857

I shudder at entering on such great subjects (as "Design") in letters; my idle brain wants lashing to work, like a negro, and will do nothing under a slighter stimulus. We are enjoying a retrogression to old-fashioned reading. I rush on the slightest pretext to Sophocles, and am as excited about blind old Œdipus as any young lady can be about the latest hero with magnificent eyes. But there is one new book we have been enjoying, and so, I hope, have you – the "Life of Charlotte Brontë." Deeply affecting throughout; in the early part romantic, poetic, as one of her own novels; in the later years tragic, especially to those who know what sickness is. Mrs. Gaskell has done her work admirably, both in the industry and care with which she has gathered and selected her material, and in the feeling with which she has presented it. There is one exception, however, which I regret very much. She sets down Branwell's conduct entirely to remorse. Remorse may make sad work with a man, but it will not make such a life as Branwell's was in the last three or four years, unless the germs of vice had sprouted and shot up long before, as it seems clear they had in him. What a tragedy! – that picture of the old father and the three sisters trembling, day and night, in terror at the possible deeds of their drunken, brutal son and brother! That is the part of the life which affects me most.

Letter to Isaac P. Evans, 16th April, 1857

I have been looking anxiously for some further tidings of Chrissey since your last letter, which told me that she and Kate were better, though not out of danger. I try to hope that no news is good news; but if you do not think it troublesome to write, I shall be thankful to have that hope changed into certainty.

Meanwhile, to save multiplying letters – which I know you are not fond of – I mention now what will take no harm from being mentioned rather prematurely. I should like Chrissey to have £15 of my next half-year's income, due at the beginning of June, to spend in taking a change of air as soon as she is able to do so; and perhaps, if it were desirable for her to leave before the money has been paid in, you would be so kind as to advance it for a few weeks. I am writing, of course, in ignorance of her actual state; but I should think it must be good for her, as soon as she is able to move, to leave that fever-infected place for a time, and I know the money must have gone very fast in recent expenses. I only suggest the change of air as the thing that I should think best for Chrissey; but, in any case, I should like her to have the money, to do what she pleases with it. If she is well enough please to give her the enclosed note, in which I have suggested to her what I have just written to you.

I am much obliged to you for your last letter, and shall be still more so if you will write me word of Chrissey's present condition.

Letter to John Blackwood, 1st May, 1857

Thank you for the pleasant notes of impressions concerning my story, sent to me through Lewes.

I will pay attention to your caution about the danger of huddling up my stories. Conclusions are the weak point of most authors, but some of the fault lies in the very nature of a conclusion, which is at best a negation.

There must be something wrong in the winding-up of "Amos," for I have heard of two persons who are disappointed with the conclusion. But the story never presented itself to me as possible to be protracted after Milly's death. The drama ends there.

I am thinking of writing a short epilogue to "Mr. Gilfil's Love-Story," and I will send it you with the proof from Jersey, where, on a strict promise that I am not to be dissected, I shall shortly join our friend Lewes.

The third story will be very different from either of the preceding, which will perhaps be an advantage, as poor Tina's sad tale was necessarily rather monotonous in its effects.

The epilogue to "Mr. Gilfil" was written sitting on the Fortification Hill, Scilly Isles, one sunshiny morning.

Jersey, Recollections, 1857

It was a beautiful moment (12th May) when we came to our lodgings at Gorey. The orchards were all in blossom – and this is an island of orchards. They cover the slopes; they stretch before you in shady, grassy, indefinite extent through every other gateway by the roadside; they flourish in some spots almost close to the sea. What a contrast to the Scilly Isles! There you stand on the hills like a sparrow on the housetop; here you are like the same sparrow when he is hopping about on the branches with green above him, green below, and green all round. Gorey stands in Granville Bay, where the grand old castle of Mont Orgueil stands and keeps guard on a fine rocky promontory overlooking the little harbor dotted with fishing craft. There is a charming piece of common, or down, where you can have the quietest, easiest walking, with a carpet of minute wild-flowers that are not hindered from flourishing by the sandy rain of the coast. I delighted extremely in the brownish-green softness of this undulating common, here and there varied with a patch of bright green fern – all the prettier for two little homesteads set down upon it, with their garden-fence and sheltering trees. It was pretty in all lights, but especially the evening light, to look round at the castle and harbor, the village and the scattered dwellings peeping out from among trees on the hill. The castle is built of stone which has a beautiful pinkish-gray tint, and the bright green ivy hangs oblique curtains on its turreted walls, making it look like a natural continuation or outgrowth of the rocky and grassy height on which it stands. Then the eye wanders on to the right and takes in the church standing half-way down the hill, which is clothed with a plantation, and shelters the little village, with its cloud of blue smoke; still to the right, and the village breaks off, leaving nothing but meadows in front of the slope that shuts out the setting sun, and only lets you see a hint of the golden glory that is reflected in the pink, eastern clouds.

The first lovely walk we found inland was the Queen's Fern Valley, where a broad strip of meadow and pasture lies between two high slopes covered with woods and ferny wilderness. When we first saw this valley it was in the loveliest spring-time; the woods were a delicious mixture of red and tender green and purple. We have watched it losing that spring beauty and passing into the green and flowery luxuriance of June, and now into the more monotonous summer tint of July.

When the blossoms fell away from the orchards my next delight was to look at the grasses mingled with the red sorrel; then came the white umbelliferous plants, making a border or inner frame for them along the hedgerows and streams. Another pretty thing here is the luxuriance of the yellow iris, that covers large pieces of moist ground with its broad blades. Everywhere there are tethered cows, looking at you with meek faces – mild-eyed, sleek, fawn-colored creatures, with delicate, downy udders.

Another favorite walk of ours was round by Mont Orgueil, along the coast. Here we had the green or rocky slope on one side of us, and on the other the calm sea stretching to the coast of France, visible on all but the murkiest days. But the murky days were not many during our stay, and our evening walks round the coast usually showed us a peaceful, scarcely rippled sea, plashing gently on the purple pebbles of the little scalloped bays. There were two such bays within the boundary of our sea-side walk in that direction, and one of them was a perpetual wonder to us, in the luxuriant verdure of meadows and orchards and forest-trees that sloped down to the very shore. No distressed look about the trees as if they were ever driven harshly back by the winter winds – it was like an inland slope suddenly carried to the coast.

As for the inland walks, they are inexhaustible. The island is one labyrinth of delicious roads and lanes, leading you by the most charming nooks of houses with shady grounds and shrubberies, delightful farm homesteads, and trim villas.

It was a sweet, peaceful life we led here. Good creatures, the Amys, our host and hostess, with their nice boy and girl, and the little white kid – the family pet. No disagreeable sounds to be heard in the house, no unpleasant qualities to hinder one from feeling perfect love to these simple people. We have had long rambles and long readings. But our choice of literature has been rather circumscribed in this out-of-the-way place. The "Life of George Stephenson" has been a real profit and pleasure. I have read Draper's "Physiology" aloud for grave evening hours, and such books as Currer Bell's "Professor," Mlle. d'Auny's "Mariage en Province," and Miss Ferrier's "Marriage," for lighter food. The last, however, we found ourselves unable to finish, notwithstanding Miss Ferrier's high reputation. I have been getting a smattering of botany from Miss Catlow and from Dr. Thomson's little book on wild-flowers, which have created at least a longing for something more complete on the subject.

Letter to Miss Sara Hennell, 22d May, 1857

Such hedgerows in this island! Such orchards, white against the green slopes, and shady walks by the woodside, with distracting wild-flowers. We enjoy the greenery and variety of this bushy island all the better for our stay on bare Scilly, which we had gone to and fro upon till we knew it by heart. Our little lodgings are very snug – only 13s. a week – a nice little sitting-room, with a workroom adjoining for Mr. Lewes, who is at this moment in all the bliss of having discovered a parasitic worm in a cuttlefish. We dine at five, and our afternoons are almost exhausted in rambling. I hope to get up my strength in this delicious quiet, and have fewer interruptions to work from headache than I have been having since Christmas. I wonder if I should have had the happiness of seeing Cara if I had been at Richmond now. I would rather see her than any one else in the world – except poor Chrissey. Tell me when you have read the life of Currer Bell. Some people think its revelations in bad taste – making money out of the dead, wounding the feelings of the living, etc. What book is there that some people or other will not find abominable? We thought it admirable, cried over it, and felt the better for it. We read Cromwell's letters again at Scilly with great delight.

In May Mr. Lewes writes to Mr. John Blackwood: "We were both amused with the divination of the Manx seer and his friend Liggers." This is the first mention of the individual, whose real name was Liggins of Nuneaton, who afterwards became notorious for laying claim to the authorship of the "Scenes of Clerical Life" and "Adam Bede."

"Janet's Repentance" had been begun on the 18th April, and the first three parts were finished in Jersey. In reference to the "Scenes of Clerical Life" there are the following entries in the Journal:

Journal, 1857

May 2.– Received letter from Blackwood expressing his approbation of Part IX. of "Mr. Gilfil's Love-Story." He writes very pleasantly, says the series is attributed by many to Bulwer, and that Thackeray thinks highly of it. This was a pleasant fillip to me, who am just now ready to be dispirited on the slightest pretext.

May 21.– The other day we had a pleasant letter from Herbert Spencer, saying that he had heard "Mr. Gilfil's Love-Story" discussed by Baynes and Dallas, as well as previously by Pigott, all expressing warm approval, and curiosity as to the author.

May 26.– Received a pleasant letter from Blackwood, enclosing one from Archer Gurney to the author of "Mr. Gilfil's Love-Story."

I subjoin this letter, as it is the first she received in her character of a creative author, and it still bears a pencil memorandum in her writing: "This letter he brought up to me at Jersey after reading it, saying, with intense joy, 'Her fame is beginning.'"

Letter from Rev. Archer Gurney, to the author of "Mr. Gilfil's Love-Story," 14th May, 1857

"Buckingham (Bucks),

Thursday, 14th May, 1857

"Sir, – Will you consider it impertinent in a brother author and old reviewer to address a few lines of earnest sympathy and admiration to you, excited by the purity of your style, originality of your thoughts, and absence of all vulgar seeking for effect in those 'Scenes of Clerical Life' now appearing in Blackwood? If I mistake not much, your muse of invention is no hackneyed one, and your style is too peculiar to allow of your being confounded with any of the already well-known writers of the day. Your great and characteristic charm is, to my mind, Nature. You frequently, indeed, express what I may call brilliant ideas, but they always seem to come unsought for, never, as in Lytton, for instance, to be elaborated and placed in the most advantageous light. I allude to such brief aphoristic sayings as 'Animals are such agreeable friends, they ask no questions, they pass no criticisms' – 'All with that brisk and cheerful air which a sermon is often observed to produce when it is quite finished.' By-the-bye. I am one of the cloth, and might take exception to certain hints, perhaps, but these are dubious. What I see plainly I admire honestly, and trust that more good remains behind. Will you always remain equally natural? That is the doubt. Will the fear of the critic, or the public, or the literary world, which spoils almost every one, never master you? Will you always write to please yourself, and preserve the true independence which seems to mark a real supremacy of intellect? But these questions are, I fear, impertinent. I will conclude. Pardon this word of greeting from one whom you may never see or know, and believe me your earnest admirer,

    Archer Gurney.

"The Author of 'Mr. Gilfil's Love-Story.'"

Journal, 1857

June.– Blackwood writes from London that he hears nothing but approval of "Mr. Gilfil's Love-Story." Lord Stanley, among other people, had spoken to him about the "Clerical Scenes," at Bulwer's, and was astonished to find Blackwood in the dark as to the author.

Letter to John Blackwood, 2d June, 1857

I send you by the same post with this the first part of my third story, which I hope will not disappoint you. The part is, I think, rather longer than my parts have usually been, but it would have been injurious to the effect of the story to pause earlier.

Pleasant letters like yours are the best possible stimulus to an author's powers, and if I don't write better and better the fault will certainly not lie in my editor, who seems to have been created in pre-established harmony with the organization of a susceptible contributor.

This island, too, with its grassy valleys and pretty, indented coast is not at all a bad haunt for the Muses, if, as one may suppose, they have dropped their too scanty classical attire, and appear in long dresses and brown hats, like decent Christian women likely to inspire "Clerical Scenes."
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