Songs of the Dying Earth

The three men watched in fascination, for playing across their eyes were colors, singly and in combination, such as few mortals have ever seen. But I had no thought for them now, not even for my betrayal and the unjust abuse I had suffered. I flexed my injured wing, told myself that it would bear the rumblebee’s weight long enough. I bent my six legs and threw myself toward the light, willing my three good, and one bad, membranes to carry me forward.

Instead, I drifted to one side, away from the prize. And now the resident noticed me. At once, he knew me. He came around the edge of the tray, from which the last trickles of the intricate design were flowing up into the orb of light, and struck at me with the hand that still held the final reed. I jinked awkwardly to one side, a last few ashy flakes of nacre dusting the hairs on my back, and the blow did not fall. But my passage had brought me close to Grolion again, and his hand made the same sharp stroke as before, so that the backs of his hairy fingers caught me once more and sent me spinning, helpless—but straight into the globe!

I passed through the glowing wall, heard within me the rumblebee’s tiny last cry as its solid flesh melted in the rarified conditions of this little exemplar of the overworld that had now appeared in our middling plane. Freed from corporeality, I experienced the full, ineffable isness of the upper realm, the colors that ravished even as they healed the wounds. Refulgent ombre was mine, and with it ten thousand hues and shades that mortal eyes could never have seen. I languished, limp with bliss, enervated by rapture.

Somewhere beyond the globe of light, the resident, the invigilant, and the wanderer went about their mundane business. I cared nothing for them and their gross doings, nor for the parcel of flesh, bone, and cartilage that had once housed my essence and was now itself confined in a coffin of lead and antimony.

They had feared my retribution. But there would be no revenge. Then was then, now was now, and I was above it all, in the overworld. I exulted. I reveled. I swilled the wine of ecstasy.

THE MAN who called himself Grolion stared at the multicolored orb. It had stopped growing after the bee had entered it. All of the starburst was now absorbed and the globe hung in the air above the empty tray, complete and self-sufficient. Curious, he reached a hand toward it, but Shalmetz, the man who had finished the design, struck away his arm.

Grolion turned with a scowl, fist raised, but subsided when Shalmetz said, “A sliver of ice thrown on a roaring fire would last longer than your flesh in contact with that.”

Groblens, the fat village officer, pulled back his own hand, that he had been hesitantly stretching toward the microcosm. Grunting, straining, he levered himself to his feet. “Is it over?” he said.

Shalmetz observed the globe. “It seems so.”

“Test it,” said the traveler, aiming his chin toward the blue book on the shelf. Shalmetz touched a finger to the book’s spine. “No spark.”

Grolion gestured meaningfully. Shalmetz made no objection but with a rueful quirk of his lips, passed across the Phandaal. “You are welcome to it,” he said. “I will return to my job at the fish farm.”

“Give me back the steagle knife,” the fat man said. “It is of no use beyond this eldritch intersection of planes.”

“It will have value as a curio,” the foxfaced man said.

Shalmetz looked through the window. “The village may need it to keep the tree content. It seems to have developed a fondness for steagle.” And more than a fondness. The barbthorn had been growing, and was now half again as tall as it had been that morning, and substantially fuller. Moreover, it had grown more active.

“I will cut it one more portion,” he said, “to keep it occupied while we depart. After that, it becomes part of my past and therefore none of my concern. You must deal with it as you can. I recommend fire.”

To Shalmetz and Groblens, the plan had obvious shortcomings, but before they could address them, the traveler was loping to the base of the tree. Again, he cut deep, wide, and long, and in moments another block of steagle dropped before the questing feeders. The tree fell upon the new food with an eagerness that, when displayed by a vegetative lifeform, must always be disturbing.

But there was an even more troublesome coda to its behavior: even as its smaller tubules fixed themselves to the slab of steagle, the main feeder, now grown as thick as a man’s body, darted toward the still closing gap in the air from which the pink flesh had come. Before the opening could close, the thorn-toothed orifice thrust itself through. The end disappeared. But it had connected, for immediately the tube began to pump and swallow, passing larger and larger volumes along the feeder’s length, as if a great serpent was dining on an endless litter of piglets.

A deep thrumming came from the plant, a sound of mingled satisfaction and insatiable gluttony. It visibly swelled in height and girth, while a new complexity of bethorned twigs and branches erupted from its larger limbs. The man with the knife stepped back, as the tree’s roots writhed and grew in harmony with the rest of it, cracking the wall against which it had grown, tearing up the stone pavement in all directions, upturning the fountain and sending the singing fish out into the inhospitable air to gasp and croak their final performance.

The man turned and ran, stumbling over broken flagstones and squirming roots that sprang from the earth beneath his feet. Shalmetz and Groblens fled the workroom just as the tree’s new growth met the foundation of its wall at the garden’s inner end. In an instant, the wall was riven from floor to ceiling. The room collapsed, bringing down the second story above it, though when the debris settled, the kaleidoscopic orb that held a facsimile of the overworld, which in turn held the blissful essence of the house’s builder, remained unscathed, shining through the billows of dust.

The bag of loot was beneath a fallen roof timber. Its collector reached for it, found it held fast. He addressed himself to one end of the beam, and by dint of prodigious effort was able to lift and shift the weight aside. But as he stooped and seized his prize, he heard Shalmetz’s wavering cry of fear and dismay.

The man stood and turned in the direction of the other’s gaze. He saw the barbthorn, now grown even huger, looming over the ravaged garden, roiling like a storm cloud come down to earth. Its main feeder, now wide enough to have swallowed a horse, continued to pump great gobbets of steagle from beyond this plane. A constant bass note thrummed the air and the ground shook unceasingly as the roots drove ever outward.

But it was not the tree that had frightened Shalmetz or that now caused both him and the invigilant to turn and flee through the corridor that led to the foyer and the outer door. It was the vertical slit that was rending the air above and below the place at which the feeder left this plane and entered another. The fissure rose higher and lower at the same time, cleaving stone and earth as easily as it cut the air. And through the rent appeared a dark shape.

The traveler stood and watched, his bag of loot loose in his grasp. A thing like a great rounded snout, but ringed about its end with tentacles, was forcing its way through the gap, splitting it higher and lower as it came, throwing a bow wave of earth and stone in either direction. More and more of the creature came through, and now it could be seen that, at the place where it would have had a chin if it had had a face, the barbthorn’s feeder was fastened to its flesh. Around the spot where the thorns were sunk out of sight was a network of small scars, and three fresh wounds, still dripping pink juice.

The tentacled snout was now all the way through the gap. Behind it, the body narrowed then swelled again, displaying a ring of limb-like flukes all around its circumference that beat at the air, propelling the creature forward. It showed no eyes, but its tentacles—four large ones and more than a dozen minor specimens—groped toward the tree as if they could sense its presence.

Now two of the steagle’s larger members seized the feeder tube, and, with an audible rip of tearing flesh, detached it from its face. Pink lifejuices gushed from the deep wound left behind, and one of the smaller tendrils bent to place its flattened, leaf-shaped end over the injury.

As the feeder came loose, the tree roared, a sound like an orchestra of bass organ tubes. The main feeder writhed in the steagle’s grasp and the barbthorn’s every creeper, branch, and tubule strained and flailed toward the source of combined nourishment and threat. The steagle met the assault with equal vigor, and now a kind of mouth appeared at the center of the ring of tentacles, from which issued a hiss like that of a steam geyser long denied release, followed by a long, thick tongue coated with a corrugation of rasping hooks and serrated, triangular teeth.

The tentacles pulled the barbthorn toward the steagle, even as the tree wrapped its assailant in a matrix of writhing, thorned vegetation. The traveler heard cracks and snaps, roars and moans, hisses and indefinable sounds. He felt the ground quake anew as the impetus of the steagle’s thrust tore the barbthorn’s new roots from the ground.

Time to go, he told himself, and turned toward the passageway through which the others had fled. But he found himself in the midst of a wriggling, seething mass of roots, erupting from the earth amid volleys of flying clods and pebbles that stung and bruised him. Though he stepped carefully, finding firm footing was impossible; the entire floor of the garden was in constant, violent motion. Worse, some of the roots had snapped, and their ends flailed the air like whips and cudgels. One dealt his thigh a hard blow, knocking him off balance, and as he spun around, a root the thickness of his thumb struck his wrist.

The impact numbed the hand that held the bag. It fell between two roots, and, though he feared his arm might be trapped if the two came together, he reached for the prize. But as his fingers touched the cloth, the floor of the garden collapsed into the crypt below, taking the loot with it, and leaving the man teetering on the brink of the cavity.

He threw himself backward, ignoring the slashing, flailing blows that came from all sides, then turned and scrambled for the corridor that led out. I will come back for the bag, he told himself.

Behind him, the rest of the steagle emerged from the rent between the planes: a segmented tail that ended in a pair of sharp-edged pincers. These now joined the front of the creature in its attack on the barbthorn, and their reinforcement proved decisive. Though the tree’s thorned limbs continued to beat and tear at the steagle’s hide, raising a spray of pink ichor and gouging away wedges of flesh, the unequal battle was moving toward a conclusion. The tentacles and pincers tore the limbs from the tree and severed its roots from the stem, flinging the remnants into the hole that had been the crypt. The barbthorn’s roars became cries that became whimpers.

And then it was done. The steagle snapped and cut and broke the great tree into pieces, filled the hole in the earth with them. At the last, with discernible contempt, it arched its tail and, from an orifice beneath that appendage, directed a stream of red liquid at the wreckage. The wood and greenery burst instantly into strangely colored flames, and a column of oily smoke rose to the sky.

The steagle, somehow airborne, floated around the pyre, viewing it from several angles. Its passage brought it within range of the multicolored microcosm of the overworld, which hung in the air, untroubled by the violence wrought nearby. The steagle paused before the orb. Its eyeless face seemed to regard the kaleidoscopic play of colors that moved constantly across the globe’s surface. One of its minor tentacles reached out and stroked the object, paused for a moment as if deciding whether or not it fully approved of the thing’s taste, then curled around it and popped it whole into the steagle’s maw.

The mouth closed, the creature turned toward the rent in the membrane between the planes, and in less time than the man who called himself Grolion would have credited, it was through and gone. The air healed itself, and there was only the burning devastation of the tree and the shattered garden to indicate that anything had happened here,

The man had watched the final act from atop a rise some distance down the road. Here he had found Shalmetz and Groblens. The latter was too winded by the combination of pell-mell flight and a life-long fondness for beebleberry tarts, but the former had greeted him thusly: “Well, Grolion—if that is even an approximation of your name—you certainly invested that situation with a new dynamic.”

The traveler was in no mood to accept criticism; he answered the remark with a blow that sat Shalmetz down on the roadway, from where he offered no further comments. After a while, he and Groblens made their way back to the village. The other man waited until the eerie flames subsided. Toward evening, when all was still, he crept back to the manse.

The house had collapsed. The hole that had been the crypt was full of stinking char. Of his bag and its contents, he could find no trace. The only object left unscathed was the lead coffin, whose incised runes and symbols had somehow protected it from the otherworldly fire. It was not even warm.

The man used ropes and pulleys to haul the object from the pit. In the same outbuilding that had held the tackle, he found a two-wheeled cart. He lowered the coffin onto the vehicle and pushed it away from the stink and soot of the burned-out fire. He admired the emblems and sigils that decorated its sides and top; he was sure that they were of powerful effect.

When he had wheeled the cart out to the road, he set his fingers to the coffin’s lid and pried it loose. He had hoped for jewels or precious metals; he found only fast-rotting flesh and wet bones, with not even a thumbring or an ivory torc to reward his labors. He said a harsh word and threw death’s detritus into a roadside ditch.

Only the coffin itself remained. It might prove useful, if only for the figures carved into it. But now he saw that with the removal of the contents, the signs and characters were fading to nothing.

Still, he believed he could remember most of them. Tomorrow he would carve them into the lead, then cut the soft metal into plaques and amulets. These he could sell at Azenomei Fair, and who knows what possibilities might then arise?

AFTERWORD:

BACK IN the early sixties, when I was busy becoming a teenager, my eldest brother was into science fiction. He would leave paperbacks and pulp mags around the house, and I would take them up and devour them. One was an issue of Galaxy with a story called “The Dragon Masters” by someone named Jack Vance. I read it and was transported. As I moved toward my twenties, whenever I had nickels and dimes enough, I would haunt used bookstores, vacuuming up sf as fast as I could. Any day that I came across a new Vance book or a mag with a new Vance story was a good day.

By my mid-thirties, I had pretty much stopped reading sf in favor of crime fiction. But I still bought and read anything new by Vance; once, when I was supposed to be on vacation, I lay on a hotel bed and did nothing all day but read Suldrun’s Garden, the first Lyonesse book. Now, forty-five years after I first encountered him, Jack Vance is the only author I reread, and I never cease to fall under the spell.

In a well-run world, prominent geographical features and wide, impressive plazas and boulevards would bear his name.

—Matthew Hughes

TERRY DOWLING The Copsy Door (#ulink_310e1f22-9606-502a-aa8a-18e0af044566)

ONE OF the best-known and most celebrated of Australian writers in any genre, winner of eleven Ditmar awards, four Aurealis Awards and the International Horror Guild Award, Terry Dowling made his first sale in 1982, and has since made an international reputation for himself as a writer of science fiction, dark fantasy and horror. Primarily a short story writer, he is the author of the linked collections Rynosseros, Blue Tyson, Twilight Beach and Wormwood, as well as other collections such as Antique Futures: The Best of Terry Dowling, The Man Who Lost Red, An Intimate Knowledge of the Night, Blackwater Days and Basic Black: Tales of Appropriate Fear. He has also written three computer adventures: Schizm: Mysterious Journey, Schizm II: Chameleon and Sentinel: Descendants in Time, and, as editor, produced The Essential Ellison, Mortal Fire: Best Australian SF (with Van Ikin) and The Jack Vance Treasury and The Jack Vance Reader (both with Jonathan Strahan). His most recent book is the fourth and final Tom Rynosseros collection, Rynemonn. Born in Sydney, he lives in Hunters Hill, New South Wales, Australia (www.terrydowling.com).

In the mordant tale that follows, one that takes us through an enigmatic doorway to a place outside of space and time, he shows us that the race isn’t always to the swift or the victory to the strong…

The Copsy Door TERRY DOWLING (#ulink_310e1f22-9606-502a-aa8a-18e0af044566)