The Map of Time

‘Who is she?’ asked Andrew. ‘I don’t remember seeing her at any of Lady Holland or Lord B rough ton’s parties.’

‘At those parties?’ Charles laughed. ‘I’m beginning to think the artist is gifted. He’s taken you in as well.’

‘What do you mean?’ asked Andrew, accepting the glass his cousin was holding out to him.

‘Surely you don’t think I gave it to my father because of its artistic merit? Does it look like a painting worthy of my consideration, cousin?’ Charles grabbed his arm, forcing him to move a few steps closer to the portrait. ‘Take a good look. Notice the brushwork: utterly devoid of talent. The painter is no more than an amusing disciple of Degas. Where the Parisian is gentle, he is starkly sombre.’

Andrew did not understand enough about painting to discuss it with his cousin, and all he really wanted to know was the sitter’s identity, so he nodded gravely, giving his cousin to understand he agreed with his view that the artist would do better to devote himself to repairing bicycles. Charles smiled, amused by his cousin’s refusal to converse about painting – it would have given Charles a chance to air his knowledge – and declared: ‘I had another reason for giving it to him, dear cousin.’

He drained his glass slowly, and gazed at the picture, shaking his head with satisfaction.

‘And what reason was that, Charles?’ Andrew asked, becoming impatient.

‘The private enjoyment I get from knowing that my father, who looks down on the lower classes, has the portrait of a common prostitute hanging in his library.’

His words made Andrew reel. ‘A p-p-prostitute?’ he stammered.

‘Yes, cousin,’ replied Charles, beaming with content. ‘But not a high-class whore from the brothels in Russell Square, or even one of the tarts who ply their trade in the park on Vincent Street, but a dirty, foul-smelling draggletail from Whitechapel upon whose ravaged loins the wretched of the earth alleviate their misery for a few meagre pennies.’

Andrew took a swig of brandy. There was no denying that his cousin’s revelation had shocked him, as it would anybody who saw the portrait, but he also felt strangely disappointed. He stared at the painting again, trying to discover the cause of his unease. So, this lovely creature was a vulgar tart. Now he understood the mixture of passion and resentment that the artist had so skilfully captured in her eyes. But Andrew had to admit his disappointment related to a far more selfish logic: the woman did not belong to his social class, which meant he could never meet her.

‘I bought it thanks to Bruce Driscoll,’ Charles explained, pouring more brandy for them both. ‘Do you remember him?’

Andrew nodded unenthusiastically. Bruce was a friend of his cousin whom boredom and money had made an art collector; a conceited, idle young man who had no compunction in showing off his knowledge of painting at every opportunity.

‘You know how he likes to search for treasure in the most unlikely places,’ his cousin said, handing him his glass. ‘Well, the last time I saw him, he told me about a painter he’d dug up during one of his visits to the flea markets. A man called Walter Sickert, a founding member of the New English Art Club. His studio was in Cleveland Street, and he painted East End prostitutes as though they were society ladies. I dropped in there and couldn’t resist his latest canvas.’

‘Did he tell you anything about her?’ Andrew asked, trying to appear nonchalant.

‘About the whore? Only her name. I think she’s called Marie Jeanette.’

‘Marie Jeanette,’ Andrew murmured. The name suited her, like her little hat. ‘A Whitechapel whore …’ he whispered, still unable to get over his surprise.

‘Yes, a Whitechapel whore. And my father has given her pride of place in his library!’ Charles spread his arms theatrically in a mock-triumphant gesture. ‘Isn’t it absolutely priceless?’

With this, Charles flung his arm around his cousin’s shoulders and guided him to the sitting room. Andrew tried to hide his agitation, but could not help thinking about the girl in the portrait as they planned their assault on the charming Keller sisters.

That night, in his bedroom, Andrew lay awake. Where was the woman in the painting now? What was she doing? By the fourth or fifth question he had begun calling her by her name, as though he really knew her and they enjoyed a non-existent intimacy. He realised he was seriously disturbed when he began to feel an absurd jealousy towards the men who could have her for a few pennies when to him, despite his wealth, she was unattainable. And yet was she really beyond his reach? Surely, given his position, he could have her, physically at least, more easily than he could any other woman, and for the rest of his life. The problem was finding her.

Andrew had never been to Whitechapel, but he had heard enough about it to know it was dangerous, especially for someone of his class. It was not advisable to go there alone, but he could not count on Charles accompanying him. His cousin would not understand him preferring a tart’s grubby charms to what the delightful Keller sisters kept hidden beneath their petticoats, or the perfumed honey-pots of the Chelsea madams with whom well-to-do West End gentlemen sated their appetites. Perhaps he would understand, and even agree to go with him for the fun of it, if Andrew explained it as a passing fancy, but what he felt was too powerful to be reduced to a mere whim.

Or was it? He would not know what he wanted from her until he had her in his arms. Would she really be so difficult to find? Three sleepless nights were enough for him to come up with a plan.

And so it was that while the Crystal Palace (which had been moved to Sydenham after displaying the Empire’s industrial prowess) offered organ recitals, children’s ballets, ventriloquists’ acts and the possibility of picnicking in its gardens with dinosaurs, iguanodons and megatheriums reconstructed from fossils found in the Sussex Weald, and Madame Tussaud’s deprived its visitors of sleep with its famous Chamber of Horrors (in which madmen, cutthroats and poisoners huddled at the foot of the guillotine that had beheaded Marie-Antoinette), Andrew Harrington – oblivious to the festive spirit that had taken hold of the city – put on the humble clothes one of his servants had lent him, and examined his disguise in the cheval glass. He gave a wry smile at the sight of himself in a threadbare jacket and trousers, his fair hair tucked under a checked cap pulled low over his eyes. Surely, looking like that, people would take him for a nobody, possibly a cobbler or a barber.

Disguised in this way, he ordered the astonished Harold Barker to take him to Whitechapel. Before leaving, he made him swear to secrecy. No one must know about his expedition to London’s worst neighbourhood, not his father, not the mistress of the house, not his brother Anthony, not even his cousin Charles. No one.

Chapter III

In order not to draw attention to himself, Andrew made Harold pull up the luxurious carriage in Leadenhall, and continued alone on foot towards Commercial Street. After wandering a good way down that evil-smelling thoroughfare, he plucked up his courage and entered the maze of alleyways that made up Whitechapel. Within ten minutes, a dozen prostitutes loomed out of the fog to offer him a trip to Mount Venus for the price of a few pennies, but none was the girl in the portrait. Had they been draped in seaweed, Andrew might easily have mistaken them for faded, dirty ship’s figureheads. He refused them politely, a dreadful sadness welling up in him at the sight of those scarecrows, hunched against the cold, who had no better way to earn a living. Their toothless mouths, attempting bawdy smiles, were more repulsive than desirable. Would Marie look like that outside the portrait, far from the brushstrokes that had transformed her into an angel?

He soon realised he was unlikely to find her by chance. Perhaps he would have more luck if he asked for her directly. Once he was sure his disguise was convincing, he entered the Ten Bells, a popular tavern on the corner of Fournier Street and Commercial Street, opposite the ghostly Christ Church. When he peered inside the pub, it looked to him the sort of place whores would go in search of clients. As soon as he reached the bar, two came up to him. Trying to seem casual, Andrew refused their propositions as politely as he could and offered them a glass of stout. He explained he was looking for a woman called Marie Jeanette. One of the whores left immediately, pretending to be offended, but the other, the taller of the two, accepted a drink. ‘I suppose you mean Marie Kelly’ she said. ‘That dratted Irishwoman, everybody wants her. I expect she’s done a few by now and is in the Britannia – that’s where we all go when we’ve made enough for a bed and a bit more besides so that we can get drunk quick and forget our sorrows.’ She spoke with more irony than bitterness.

‘Where is this tavern?’ Andrew asked.

‘Near here, on the corner of Crispin Street and Dorset Street.’

The least Andrew could do was thank her for the information by giving her four shillings. ‘Get yourself a room,’ he recommended, with a smile. ‘It’s too cold out there tonight to be traipsing the streets.’

‘Why, thank you, mister. You’re too kind, I’m sure,’ said the whore, genuinely grateful.

Andrew said goodbye, politely doffing his cap.

‘If Marie Kelly won’t give you what you want, come back and see me,’ she added, with a flash of coquettishness that was blighted by her toothless smile. ‘My name’s Liz – Liz Stride. Don’t forget’

Andrew had no problem finding the Britannia, a seedy bar with a windowed front. The room was brilliantly lit by oil lamps and thick with tobacco smoke. At the far end there was a long bar, with a couple of private rooms to the left. A crowd of noisy customers filled the large main area, which was cluttered with tables and chairs, the floor strewn with sawdust. A fleet of bartenders in filthy aprons squeezed their way between tightly packed tables, juggling metal tankards brimming with beer. In the corner, a battered old piano displayed its grubby keys to anyone wishing to enliven the evening with a tune.

Andrew reached the bar, which was laden with large jugs of wine, oil lamps and plates of cheese cut into huge chunks – they looked like bits of rubble from a tip. He lit a cigarette from one of the lamps, ordered a pint of beer, and leaned discreetly against the bar, surveying the crowd and wrinkling his nose at the strong smell of sausage that emanated from the kitchen. As he had been told, the atmosphere was more convivial than it had been at the Ten Bells. Most of the tables were occupied by sailors on shore leave and local people dressed as modestly as he, although he also noticed a few groups of prostitutes busy getting drunk. He sipped his beer slowly and looked for one who fitted Marie Kelly’s description, but none did.

By his third beer, he had begun to despair, and wondered what on earth he was doing there, chasing an illusion. He was about to leave when she pushed her way through the pub door. He recognised her at once. There was no doubt about it: she was the girl in the portrait, but more beautiful still for being endowed with movement. Her face looked drained, yet she moved with the energy Andrew had imagined from seeing her on canvas. Most of the other customers remained oblivious to her. How was it possible for anyone not to react to the small miracle that had just taken place in front of them? Their complete indifference made him feel he was a privileged witness to the phenomenon.

He recalled when, as a child, he had seen the wind take a leaf between invisible fingers and balance its tip on the surface of a puddle, spinning it like a top until a carriage wheel had put an end to its dance. To Andrew, it had seemed Mother Nature had engineered that magic trick for his eyes alone. From then on he was convinced that the universe dazzled mankind with volcanic eruptions, but had its own secret way of communicating with the select few, people like himself, who looked at reality as though it were a strip of wallpaper covering something else. Taken aback, he watched Marie Kelly walk towards him as if she knew him. His heart started to pound. He calmed a little when she propped her elbow on the bar and ordered half a pint of beer without glancing at him.

‘Having a good night, Marie?’

‘Can’t grumble, Mrs Ringer.’

Andrew was on the verge of blacking out. She was standing next to him! He could scarcely believe it, yet it was true. He had heard her voice. A tired, rather husky voice, but lovely in any case. And if he really tried, ignoring the stench of tobacco smoke and sausages, he could probably smell her, too. Smell Marie Kelly. Mesmerised, Andrew gazed at her, rediscovering in her every gesture what he already knew. In the same way that a shell holds the roar of the sea so this fragile body seemed to contain within it a force of nature.

When the landlady placed the beer on the counter, Andrew realised this was an opportunity he must not waste. He rummaged swiftly in his pockets and paid before she could. Allow me, miss.’

The gesture, as unexpected as it was chivalrous, earned him an openly approving look from Marie Kelly. He was paralysed. As the painting had already shown, the girl’s eyes were beautiful, yet they seemed buried beneath a layer of resentment. He could not help comparing her to a poppy field where someone had decided to dump refuse. And yet he was completely, hopelessly enthralled by her, and he tried to make the instant at which their eyes met as meaningful to her as it was to him, but – my apologies to any romantic souls reading these lines – some things cannot be expressed in a look.

How could Andrew make her share in the almost mystical feeling overwhelming him? How could he convey, with nothing more than his eyes, the sudden knowledge that he had been searching for her all his life without knowing it? If in addition we consider that Marie Kelly’s existence up to that point had done little to increase her understanding of life’s subtleties, it should come as no surprise that this initial attempt at spiritual communion (for want of a better way of putting it) was doomed to failure. Andrew did his best, obviously, but the girl understood his passionate gaze just as she interpreted that of the other men who accosted her every evening.

‘Thanks, mister,’ she replied, with a lewd smile, no doubt from force of habit.

Andrew nodded, dismissing the significance of a gesture he considered an all-important part of his strategy, then realised with horror that his careful plan had not taken into account how he was to strike up a conversation with the girl once he found her. What did he have to say to her? Or, more precisely, what did he have to say to a whore? A Whitechapel whore, at that. He had never bothered speaking much to the Chelsea prostitutes, only enough to discuss positions or the lighting in the room, and with the charming Keller sisters, or his other female acquaintances -young ladies whom it would not do to worry with talk of politics or Darwin’s theories – he only discussed trivia: Paris fashions, botany and, more recently, spiritualism, the latest craze. But none of these subjects seemed suitable to embark on with this woman, who was unlikely to want to summon some spirit to tell her which of her many suitors she would marry. So he simply stared at her, enraptured.

Luckily, Marie Kelly knew a better way of breaking the ice. ‘I know what you want, mister, although you’re too shy to ask,’ she said, her grin broadening as she gave his hand a fugitive caress. It brought him out in goose pimples. ‘Thruppence, and I can make your dreams come true. Tonight, at any rate.’

Andrew was shaken: she did not know how right she was. She had been his only dream the past few nights, his deepest longing, his most urgent desire, and now, although he was still scarcely able to believe it, he could have her. His whole body tingled with excitement at the mere thought of touching her, of caressing the slender body silhouetted beneath the shabby dress, of bringing forth moans from her lips as he was set alight by her eyes, those of a wild animal, a tormented, indomitable creature. That tremor of joy rapidly gave way to a profound sadness when he considered the unjust plight of the fallen angel, the ease with which any man could grope her, defile her in a filthy back alley, without anyone in the world uttering a cry of protest. Was that what such a unique creature had been created for?

He had no choice but to accept her invitation, a lump in his throat, distressed at being compelled to take her in the same way as her other clients, as if his intentions were no different from theirs.

Once he had accepted, Marie Kelly smiled with what looked to Andrew like forced enthusiasm, and tilted her head for them to leave the pub.

Andrew felt odd following the whore, walking behind her with bird-like steps as though Marie Kelly were leading him to the gallows instead of to plunge between her thighs. But could their meeting have been any different? From the moment he had come across his cousin’s painting he had been penetrating deeper into unknown territory, where he could not get his bearings because nothing around him was familiar. Everything was new and, to judge from the deserted streets they were going through, quite possibly dangerous. Was he blithely walking into a trap laid by the whore’s pimp? He wondered whether Harold would hear his shouts and, if so, if he would bother coming to his aid, or use the opportunity to avenge himself for the offhand treatment he had received from his master all these years.