Spring in a Shropshire Abbey

A few of the Watch Tower pigeons swept down with a flutter of musical wings, and were about to fall upon the food, when crowds of jackdaws left the old stone tiled roof and dashed in for their share, uttering as they went their weird ghostly cry. For a moment the noise was chaotic – the pigeons cooed and strutted, the starlings screamed, and the jackdaws pressed greedily forward to seize and carry off all they could get. Suddenly there was a noise, hungry, passionate, furious, like an angry motor pressing forward in a race and bent on dealing death on all sides; and I saw the peacock dash forward, his tail up, and his neck outstretched. He fell upon the food and would allow none to partake of any, till he had had his fill. Behind him followed his three wives, but at a respectful distance; he was not gallant like a barndoor cock, in fact he was much too fine a fellow to think of any one but himself. His tail feathers were not yet quite perfect, and they seemed swathed in places in silver paper, but his neck was glorious, of a brilliant blue with shimmers of golden reflections, and of a colour that has no equal. He had a viperish head, and was gloriously beautiful, and morally, a collection of all the vices – greedy, spiteful, and furiously ill-tempered. He slew, last spring, a whole clutch of young “widdies,” as the country people call ducklings, and killed, in a fit of anger, two of his own chicks. Burbidge dislikes him on account of the damage he does in a garden, but respects him for his beauty.

“He is like an army of ‘blows’” (blossoms), he says, “and creates more damage than a tempest at harvest time, does old Adam.”

Mouse, whilst I was watching the scene outside through the long lancet window, seized upon her opportunity and leapt up upon the bed.

“I wish you wouldn’t,” I said feebly. “I am sure the fire was nice enough, even for a dog.” But Mouse thought differently; she turned round in a distracting, disagreeable way, some three or four times, as wild dogs are said to do in the prairies, on the bed – my bed, and then flumped down heavily across my feet. I wriggled uneasily, but Mouse had gained her point and had no feelings for my discomfort; she rested upon the bed, which to every well-constituted dog-mind is a great achievement, almost an acknowledgment of sovereignty. There she would lie, I knew, until some divertisement could be suggested that would appeal to her palate, or some suggestion of danger outside. For Mouse is greedy and lazy, but faithful as most dogs are, and few human beings. I dared not slap or speak rudely, for great Danes are gifted with acute sensibilities; and if I were to be so ill-judged as to express displeasure by an unpleasant gesture, she would remain broken-hearted and aggrieved for the rest of the day.

Alas! for the liberty of the subject. I groaned for folks who indulge their dogs in caprice and greed, but I had not the courage to fight for myself and so had to suffer. There is really much to be urged in favour of the fortunate people who are dog-less.

A GARDEN OF EDEN

I turned my head and looked with delight at my flowers. While I gazed, my mind flew back, and away to the land of sunshine from whence they came. I thought of sunny Mentone with its blue sky, and glittering groves of oranges and lemons that hung in the sunlight like balls of fire and light; of Cap St. Martin stretching seaward, and, above all, of the beautiful garden of La Mortola that I visited several times when I stayed at the Bellevue. How wonderfully exquisite that garden was, running down to the turquoise sea, a perfect fairy-land of delight – the old villa, once a mediæval palace, in the centre, with its well, with its marble floors, its cypress groves and fir pines, its sheets of brilliant anemones, its agaves and aloes, and its cacti.

It made me think of the garden of Eden before the Fall, that garden of La Mortola – it seemed hardly a real place, so beautiful was it; and its thirty maidens that weeded the paths and watered the blossoms, seemed scarcely more real.

How well I remembered walking round the garden, with the kind and courteous owner of this land of enchantment; how he showed us all his rare and strange plants, plants from all parts of the world, old and new. There were many varieties of oranges and lemons, and the air, as we walked in the golden light of a March day, was laden with the entrancing sweetness of the Pittosporum. But above all, what interested me most in the Enchanted Land was the old Roman road, which runs just above the kitchen garden, and below the flower garden. Here, it is recorded on a tablet let into the wall, is the place where Napoleon and his victorious army passed into Italy. It is a narrow little path on which the whole of the French army passed, with scarcely room for two men to ride abreast. Below lay the sea like a lake, of that wonderful delicate blue that is only to be seen in Mediterranean waters, tideless and brilliant, and beyond were the purple coasts of Corsica.

I remembered at the end of my first visit my kind host asking me amongst his rare and beautiful flowers, what I had most admired? I replied, the sheets of violets, but violets as it is impossible to imagine in chilly England, sheets of purple, unhidden by leaves, and gorgeous in their amethystine glory – violets growing in great beds many yards long in the middle of the garden, like mantles of purple. They were a glorious vision, a sight of beauty that I shall never forget, a revelation of colour. As I looked at the bunches that my friend had sent, I thought of those exquisite perfumed parterres, of the song of the blackcaps amongst the olives, of the golden sunlight, and of the radiant beauty of sea and sky. Yes, the garden of La Mortola was wonderfully, marvellously beautiful, and it even then seemed to me doubly beautiful, seeing it as I did in my mental vision, across sheets of snow and in the grim atmosphere of an English winter.

What a true joy beautiful memories are! the real jewels of the soul that no robber can steal, and that no moth or rust can corrupt, the great education of sense and heart. Then I took my books and enjoyed a browse. What a good thing leisure is, leisure to read and think. Nobody interrupted me, only the chimes of the old parish church told me the hour from time to time.

With measured cadence, drowsily and melodiously they sounded across the snow-bound earth. “Time to dream, time to dream,” they seemed to say.

Later on came my luncheon, cutlets with onion chips and jelly. Mouse got the bones. She was polite enough to leap off the bed and to crack them on the floor – and I was grateful for small mercies. A minute afterwards, and I rang my hand-bell, and Célestine scurried down.

“Madame a froid, madame est malade,” and in her impetuous Gallic way, waited for no reply. However, when I could make myself heard, I told her that I meant to get up, as my friend was coming down from the Red House to embroider with me.

THE GREAT CURTAINS

When my toilet was completed, I begged Célestine to bring my big basket from the chapel hall below, and the curtain that I was engaged in embroidering for my oratory. The background is of yellow linen and is thickly covered with fourteenth and fifteenth century birds, beasts, and flowers, and in the centre of each there is an angel.

Each curtain is three yards four inches, by two yards four inches. The birds, beasts, and flowers are all finely shaded and are worked in crewels, tapestry wools divided, in darning and fine Berlin wools, and all these various sorts seem to harmonize and mingle wonderfully well together.

The picture, for it really is a picture, was drawn out for me by a very skilful draughtsman. The birds, beasts, and angels have been taken from old Italian work, from mediæval stained-glass windows, and from old missals, and then drawn out to scale. There are Tudor roses, Italian carnations, sprays of shadowy love-in-the-mist, dusky wallflowers, and delightful half-heraldic birds and beasts, running up and hanging down the stems. It is a great work. Constance, who is good enough to admire it, says that she is sure that the Water-poet would have said, if he could have seen it —

“Flowers, plants and fishes, beasts, birds, flies and bees,
Hills, dales, plains, pastures, skies, seas, rivers, trees:
There’s nothing near at hand or farthest sought
But with the needle may be shaped and wrought.
Moreover, posies rare and anagrams,
Art’s life included, within Nature’s bounds.”

There are four curtains to do, and alas, I have only one pair of hands!

I keep all carefully covered up with old damask napkins as I go along, so that neither ground nor work can get rubbed or soiled, and embroider, myself, in what my old housekeeper calls pie-crust sleeves, to save the slightest friction from my dress on the yellow linen.

As to the cherubim’s and seraphim’s wings, they have been my great and constant delight. I dreamt of a wild glory of colour which I hardly dared to realize, but of which I found wonderful examples one sunny day in the macaw grove at the Zoo. I went up and down and inspected the marvellous birds for an hour, drinking in with rapture the extraordinary richness of their plumage. How marvellous they were! Red, blue, mauve, green, scarlet, rose, and yellow, all pure unsullied colours, and like flashes of light. They seemed to me like a triumphant tune set to pealing chords. There seemed in those glorious creatures to be no drawbacks, no shadows, no trivialities of daily life. In their resplendent feathers they appeared to gather light and to reproduce the majesty of the sun itself.

THE JOY OF COLOUR

I went home, my eyes almost dazzled with their radiancy, and a week after attempted to work into my curtain something of what I had seen – a feeble reflection, I fear, but still a reflection. In my angels and cherubim I have allowed no greys or browns, no twilight shades. Everywhere I have introduced a pure warm note of intense joyous colour, and if I have not always succeeded, at least the wings of my celestial beings have been a great source of delight to imagine, and to execute. In my colouring it has been always morning. Bess was charmed to run and fetch me the different wools needed – “Summer suns,” she called them.

I have often noticed that to a young child, pure brilliant colours are an intense joy and a source of gaiety. It is only as the shades of the prison-house draw near, and press upon us, that the lack of appreciation creeps in for what to children and to primitive man is a great and constant glory. That day I was going to embroider some anemones, such as I remembered in the old market-place of Mentone, and a sprig of stocks, such as I recollected once having seen on a drive to Brigg. The eye of the mind can be a great pleasure if properly cultivated. It may not be actually correct, but it can give the soul and the life of things remembered, even through the mist of years.

And now one word, dear sister-devotees of the needle, about embroidery. Do not imagine that shading in five or six shades of the same colour, which is the way that nine people out of ten work, is the true and natural one. This only produces a sad and wooden flower, without life or gladness, and conceived and worked amongst the shades of twilight. Take any flower and place it in the sunlight, and you will see in any purple flower, for instance, that there are not only different shades, but different colours – red, mauve, blue, lavender, and violet. I realized as I gazed at my anemone, that it must be embroidered in greyish lavenders, with here and there pure notes of violet with heather tints, in red purples, in greyish whites, and with a vivid apple-green centre. All these were strikingly different colours, but were necessary in the shading to make my blossom look as if it had grown amidst sunlight and shower.

I stood my bunch of real flowers in water in as strong a light as possible; as to the sunshine, alas! of that there was but a scanty supply, and I had to imagine that mostly, as also the scent of the orange groves and the thrilling song of the blackcaps overhead, for in our northern world, let it be written with sorrow, many and long are the dull leaden months between each summer. Still light did something, and imagination did the rest. I imagined myself back under the brilliant sky of southern France, and I thought I saw the bowls of brilliant flowers as I had known them, whilst I threaded my needle.

Suddenly Mouse slipped off the bed, and whined at the door. I understood her anxiety to run out, for I, too, had heard a tramp on the gravel path outside, and had seen the keeper Gregson go off towards the back-door laden with a string of rabbits, a plover or two, and a brace of partridges neatly fastened to a stick, as is the way of keepers.

MOUSE, POUR LE SPORT

The black retriever that was following Gregson is a dear friend of Mouse’s. Once my dog went out shooting. In the cells of her brain that day has always remained a red letter day; I believe on this celebrated occasion she ran in, and did all that a sporting dog should not do, knocked down a beater who was endeavouring to lead “the great beast,” fought a yellow retriever, but did find and successfully bring back, puffing and panting like a grampus, a wounded bird that had escaped keepers, beaters, and trained dogs.

“Her’s like a great colt in the plough, but her has a beautiful nose,” Gregson always declared, “and if so be her had been brought up proper, would have been an ornament to her profession.”

The memory of this “jour de gloire,” as Célestine called it, had never left my canine friend, and my gigantic watch-dog had ever since retained a devouring passion for field sports. To humour my dog, I opened the door, and Mouse disappeared, and swept by like a hurricane, ponderous and terrible, down the newel staircase heaving and whining with impatience. A second later and I saw her below greeting Gregson effusively.

Our old keeper was pleased at her welcome. “Good Mouse,” I heard him call. And then I heard him cry out to our French cook, Auguste, “Mouse, she seems like a bobby off duty when she finds me. There’s nature in the dog for all her lives in the drawing-room, lies on sofas and feeds on kickshaws.” Auguste agreed, and then seeing the game, gesticulated and exclaimed, “Quelle chasse! C’est splendide, et vous – ” A moment later I heard the door close, and Gregson disappeared into the old Abbey kitchen to smoke, doubtless, the pipe of peace, after partaking liberally of a certain game pie, that we had the day before at luncheon.

The voices grew faint, and I returned to my work. I threaded several needles with different colours, pricked them handy for use in a pincushion, and then began to copy my flowers on the table as deftly as I could, and awaited my friend.

It was very peaceful outside. All looked grey and cold, the snow lay white and pure, and the only note of colour was the glistening ivy. There was no sound, the starlings had vanished. Far away I saw a flock of rooks, dim specks against the leaden sky. I sat and embroidered in silence, when suddenly the calm of the winter afternoon was broken by the gay laughter of a child, and I discerned my Bess, chattering below with our old gardener Burbidge.

In one hand he carried a pole, whilst Bess had tightly clutched hold of the other. I opened my lattice window and inquired what they were about to do?

The reply came back from Burbidge that he and the gardeners were going to shake off the snow from the great yew hedge by the bowling-green. “The snow be like lead to my balls,” said the old man, “and as to the peacock’s tail, I fear it will damage the poor bird unless it be knocked off dang-swang” – which is Burbidge’s Shropshire way of saying “at once.”

Burbidge always speaks of the yew peacock as the real bird, and of Adam, our blue-necked pet, as “him that plagues us in the garden.”

Bess laughed with joy at the thought of so congenial an occupation.

“I shall help too,” she cried, as she waved her hand to me, “for Ben” (the odd man) “has cut me a stick, and I am going to knock as well as anybody. I have done all my lessons, mamsie,” she bawled. “I know enough for one day, and now I’m going to work, really work.”

I kissed my hand, and Bess passed off the scene accompanied by a train of gardeners.

A COUNTRY BRINGING UP

Just before Bess was quite out of sight Célestine poked out her head from a top window above, and I heard her raise her voice to scold angrily but ineffectually. Célestine has an unfortunate habit of giving unasked, her advice freely. Like a cat, she has a horror of getting wet, and has a rooted belief that une petite fille bien élevée should remain in, in bad weather, nurse her doll by the fire, or learn to make her dolly’s clothes. I did not catch all that my maid said, but some of her stray words of indignation reached me. I heard that something was not gentil, and something else was infâme, and Bess in particular “une petite fille impolie.” In answer to this I caught a defiant laugh from Bess, and then Célestine banged down her window above.

I sat down and worked in silence. Bess is an only child – and will come to no harm under old Burbidge’s care, I said to myself. In fact, she will learn under his tutorship many of the delightful things that make life worth having afterwards. She will so acquire the knowledge of the things that are seen, and not learnt by book; she will get to know the different notes of the birds, and to distinguish their eggs. She will hear from him the names of the hedge-row flowers, and learn where to find the rare ones, and know by country names all the sweet natural things that enable us to appreciate a long walk in the country, or a turn round our gardens. She will thus unconsciously learn to love simple wild things, and homely pleasures, and these will be for her stepping-stones to the higher education in the future.

Why is the society of old servants so delightful to children? I asked myself this question, as I asked it also of my little maid, a few weeks before, when she gave me her definition of a happy day – a day to be spent, if I remember rightly, in the company of Burbidge with Ben the odd boy, and in driving with Crawley, the Yorkshire coachman.

“I should like to be swung by Ben from the old walnut tree, to garden, and catch tadpoles with Burbidge, and to drive the old grey mare all by myself with Crawley.” And Bess added: “Then, mamsie, I should be quite happy; and mummie, do let it come true on my first holiday, or on my next birthday.” “If there could be no ‘don’ts,’” another time Bess told me, “I should be always good; and if I had no nurse, or governess, I should never be naughty.” I try to implant in Bess’s mind that nurse and governess are her duties in life. She agrees but sadly, and like most modern people, poor child, wishes to get rid of life’s duties as quickly as possible. “I never mean to be naughty,” Bess asserts, “but naughtiness comes to me like spoiling a frock, when I least expect it.” And she once added, “I know, mummy, if people didn’t think me naughty I never should be.”

I pondered over these nursery problems as the work grew under my hands. How delicate and exquisite were all the shades of grey and lavender in the real flowers. I inspected my threaded needles, but I could not find amongst my crewels the necessary tints. I took a thread of tapestry wool, divided it carefully, and then turning to a box of Scotch fingering on cards, found exactly what was needed, a warm shade of heather. Embroidery is so much to me. It is part of my life, and flowers and birds when done recall thoughts and joys and pains, as scents are said to bring back the past to most people. A story is told of a French lady who, when they told her that her daughter-in-law did not like needlework, replied, “She is very young – she has never known real sorrow.”

A PLAYMATE FOR BESS