The Jealousies of a Country Town

The Jealousies of a Country Town
Honoré Balzac

Honoré de Balzac

The Jealousies of a Country Town

INTRODUCTION

The two stories of /Les Rivalites/ are more closely connected than it was always Balzac's habit to connect the tales which he united under a common heading. Not only are both devoted to the society of Alencon – a town and neighborhood to which he had evidently strong, though it is not clearly known what, attractions – not only is the Chevalier de Valois a notable figure in each; but the community, imparted by the elaborate study of the old /noblesse/ in each case, is even greater than either of these ties could give. Indeed, if instead of /Les Rivalites/ the author had chosen some label indicating the study of the /noblesse qui s'en va/, it might almost have been preferable. He did not, however; and though in a man who so constantly changed his titles and his arrangements the actual ones are not excessively authoritative, they have authority.

/La Vieille Fille/, despite a certain tone of levity – which, to do Balzac justice, is not common with him, and which is rather hard upon the poor heroine – is one of the best and liveliest things he ever did. The opening picture of the Chevalier, though, like other things of its author's, especially in his overtures, liable to the charge of being elaborated a little too much, is one of the very best things of its kind, and is a sort of /locus classicus/ for its subject. The whole picture of country town society is about as good as it can be; and the only blot that I know is to be found in the sentimental Athanase, who is not quite within Balzac's province, extensive as that province is. If we compare Mr. Augustus Moddle, we shall see one of the not too numerous instances in which Dickens has a clear advantage over Balzac; and if it be retorted that Balzac's object was not to present a merely ridiculous object, the rejoinder is not very far to seek. Such a character, with such a fate as Balzac has assigned to him, must be either humorously grotesque or unfeignedly pathetic, and Balzac has not quite made Athanase either.

He is, however, if he is a failure, about the only failure in the book, and he is atoned for by a whole bundle of successes. Of the Chevalier, little more need be said. Balzac, it must be remembered, was the oldest novelist of distinct genius who had the opportunity of delineating the survivors of the /ancien regime/ from the life, and directly. It is certain – even if we hesitate at believing him quite so familiar with all the classes of higher society from the /Faubourg/ downwards, as he would have us believe him – that he saw something of most of them, and his genius was unquestionably of the kind to which a mere thumbnail study, a mere passing view, suffices for the acquisition of a thorough working knowledge of the object. In this case the Chevalier has served, and not improperly served, as the original of a thousand after-studies. His rival, less carefully projected, is also perhaps a little less alive. Again, Balzac was old enough to have foregathered with many men of the Revolution. But the most characteristic of them were not long-lived, the "little window" and other things having had a bad effect on them; and most of those who survived had, by the time he was old enough to take much notice, gone through metamorphoses of Bonapartism, Constitutional Liberalism, and what not. But still du Bousquier /is/ alive, as well as all the minor assistants and spectators in the battle for the old maid's hand. Suzanne, that tactful and graceless Suzanne to whom we are introduced first of all, is very much alive; and for all her gracelessness, not at all disagreeable. I am only sorry that she sold the counterfeit presentment of the Princess Goritza after all.

/Le Cabinet des Antiques/, in its Alencon scenes, is a worthy pendant to /La Vieille Fille/. The old-world honor of the Marquis d'Esgrignon, the thankless sacrifices of Armande, the /prisca fides/ of Maitre Chesnel, present pictures for which, out of Balzac, we can look only in Jules Sandeau, and which in Sandeau, though they are presented with a more poetical touch, have less masterly outline than here. One takes – or, at least, I take – less interest in the ignoble intrigues of the other side, except in so far as they menace the fortunes of a worthy house unworthily represented. Victurnien d'Esgrignon, like his companion Savinien de Portenduere (who, however, is, in every respect, a very much better fellow), does not argue in Balzac any high opinion of the /fils de famille/. He is, in fact, an extremely feeble youth, who does not seem to have got much real satisfaction out of the escapades, for which he risked not merely his family's fortune, but his own honor, and who would seem to have been a rake, not from natural taste and spirit and relish, but because it seemed to him to be the proper thing to be. But the beginnings of the fortune of the aspiring and intriguing Camusots are admirably painted; and Madame de Maufrigneuse, that rather doubtful divinity, who appears so frequently in Balzac, here acts the /dea ex machina/ with considerable effect. And we end well (as we generally do when Blondet, whom Balzac seems more than once to adopt as mask, is the narrator), in the last glimpse of Mlle. Armande left alone with the remains of her beauty, the ruins of everything dear to her – and God.

These two stories were written at no long interval, yet, for some reason or other, Balzac did not at once unite them. /La Vieille Fille/ first appeared in November and December 1836 in the /Presse/, and was inserted next year in the /Scenes de la Vie de Province/. It had three chapter divisions. The second part did not appear all at once. Its first installment, under the general title, came out in the /Chronique de Paris/ even before the /Vieille Fille/ appeared in March 1836; the completion was not published (under the title of /Les Rivalites en Province/) till the autumn of 1838, when the /Constitutionnel/ served as its vehicle. There were eight chapter divisions in this latter. The whole of the /Cabinet/ was published in book form (with /Gambara/ to follow it) in 1839. There were some changes here; and the divisions were abolished when the whole book in 1844 entered the /Comedie/. One of the greatest mistakes which, in my humble judgment, the organizers of the /edition definitive/ have made, is their adoption of Balzac's never executed separation of the pair and deletion of the excellent joint-title /Les Rivalites/.

    George Saintsbury

I

AN OLD MAID

BY

HONORE DE BALZAC

Translated By

Katharine Prescott Wormeley

DEDICATION

To Monsieur Eugene-Auguste-Georges-Louis Midy de la Greneraye Surville, Royal Engineer of the Ponts at Chausses.

As a testimony to the affection of his brother-in-law,

    De Balzac

AN OLD MAID

CHAPTER I

ONE OF MANY CHEVALIERS DE VALOIS

Most persons have encountered, in certain provinces in France, a number of Chevaliers de Valois. One lived in Normandy, another at Bourges, a third (with whom we have here to do) flourished in Alencon, and doubtless the South possesses others. The number of the Valesian tribe is, however, of no consequence to the present tale. All these chevaliers, among whom were doubtless some who were Valois as Louis XIV. was Bourbon, knew so little of one another that it was not advisable to speak to one about the others. They were all willing to leave the Bourbons in tranquil possession of the throne of France; for it was too plainly established that Henri IV. became king for want of a male heir in the first Orleans branch called the Valois. If there are any Valois, they descend from Charles de Valois, Duc d'Angouleme, son of Charles IX. and Marie Touchet, the male line from whom ended, until proof to the contrary be produced, in the person of the Abbe de Rothelin. The Valois-Saint-Remy, who descended from Henri II., also came to an end in the famous Lamothe-Valois implicated in the affair of the Diamond Necklace.

Each of these many chevaliers, if we may believe reports, was, like the Chevalier of Alencon, an old gentleman, tall, thin, withered, and moneyless. He of Bourges had emigrated; he of Touraine hid himself; he of Alencon fought in La Vendee and "chouanized" somewhat. The youth of the latter was spend in Paris, where the Revolution overtook him when thirty years of age in the midst of his conquests and gallantries.

The Chevalier de Valois of Alencon was accepted by the highest aristocracy of the province as a genuine Valois; and he distinguished himself, like the rest of his homonyms, by excellent manners, which proved him a man of society. He dined out every day, and played cards every evening. He was thought witty, thanks to his foible for relating a quantity of anecdotes on the reign of Louis XV. and the beginnings of the Revolution. When these tales were heard for the first time, they were held to be well narrated. He had, moreover, the great merit of not repeating his personal bons mots and of never speaking of his love-affairs, though his smiles and his airs and graces were delightfully indiscreet. The worthy gentleman used his privilege as a Voltairean noble to stay away from mass; and great indulgence was shown to his irreligion because of his devotion to the royal cause. One of his particular graces was the air and manner (imitated, no doubt, from Mole) with which he took snuff from a gold box adorned with the portrait of the Princess Goritza, – a charming Hungarian, celebrated for her beauty in the last years of the reign of Louis XV. Having been attached during his youth to that illustrious stranger, he still mentioned her with emotion. For her sake he had fought a duel with Monsieur de Lauzun.

The chevalier, now fifty-eight years of age, owned to only fifty; and he might well allow himself that innocent deception, for, among the other advantages granted to fair thin persons, he managed to preserve the still youthful figure which saves men as well as women from an appearance of old age. Yes, remember this: all of life, or rather all the elegance that expresses life, is in the figure. Among the chevalier's other possessions must be counted an enormous nose with which nature had endowed him. This nose vigorously divided a pale face into two sections which seemed to have no knowledge of each other, for one side would redden under the process of digestion, while the other continued white. This fact is worthy of remark at a period when physiology is so busy with the human heart. The incandescence, so to call it, was on the left side. Though his long slim legs, supporting a lank body, and his pallid skin, were not indicative of health, Monsieur de Valois ate like an ogre and declared he had a malady called in the provinces "hot liver," perhaps to excuse his monstrous appetite. The circumstance of his singular flush confirmed this declaration; but in a region where repasts are developed on the line of thirty or forty dishes and last four hours, the chevalier's stomach would seem to have been a blessing bestowed by Providence on the good town of Alencon. According to certain doctors, heat on the left side denotes a prodigal heart. The chevalier's gallantries confirmed this scientific assertion, the responsibility for which does not rest, fortunately, on the historian.

In spite of these symptoms, Monsieur de Valois' constitution was vigorous, consequently long-lived. If his liver "heated," to use an old-fashioned word, his heart was not less inflammable. His face was wrinkled and his hair silvered; but an intelligent observer would have recognized at once the stigmata of passion and the furrows of pleasure which appeared in the crow's-feet and the marches-du-palais, so prized at the court of Cythera. Everything about this dainty chevalier bespoke the "ladies' man." He was so minute in his ablutions that his cheeks were a pleasure to look upon; they seemed to have been laved in some miraculous water. The part of his skull which his hair refused to cover shone like ivory. His eyebrows, like his hair, affected youth by the care and regularity with which they were combed. His skin, already white, seemed to have been extra-whitened by some secret compound. Without using perfumes, the chevalier exhaled a certain fragrance of youth, that refreshed the atmosphere. His hands, which were those of a gentleman, and were cared for like the hands of a pretty woman, attracted the eye to their rosy, well-shaped nails. In short, had it not been for his magisterial and stupendous nose, the chevalier might have been thought a trifle too dainty.

We must here compel ourselves to spoil this portrait by the avowal of a littleness. The chevalier put cotton in his ears, and wore, appended to them, two little ear-rings representing negroes' heads in diamonds, of admirable workmanship. He clung to these singular appendages, explaining that since his ears had been bored he had ceased to have headaches (he had had headaches). We do not present the chevalier as an accomplished man; but surely we can pardon, in an old celibate whose heart sends so much blood to his left cheek, these adorable qualities, founded, perhaps, on some sublime secret history.

Besides, the Chevalier de Valois redeemed those negroes' heads by so many other graces that society felt itself sufficiently compensated. He really took such immense trouble to conceal his age and give pleasure to his friends. In the first place, we must call attention to the extreme care he gave to his linen, the only distinction that well-bred men can nowadays exhibit in their clothes. The linen of the chevalier was invariably of a fineness and whiteness that were truly aristocratic. As for his coat, though remarkable for its cleanliness, it was always half worn-out, but without spots or creases. The preservation of that garment was something marvellous to those who noticed the chevalier's high-bred indifference to its shabbiness. He did not go so far as to scrape the seams with glass, – a refinement invented by the Prince of Wales; but he did practice the rudiments of English elegance with a personal satisfaction little understood by the people of Alencon. The world owes a great deal to persons who take such pains to please it. In this there is certainly some accomplishment of that most difficult precept of the Gospel about rendering good for evil. This freshness of ablution and all the other little cares harmonized charmingly with the blue eyes, the ivory teeth, and the blond person of the old chevalier.

The only blemish was that this retired Adonis had nothing manly about him; he seemed to be employing this toilet varnish to hide the ruins occasioned by the military service of gallantry only. But we must hasten to add that his voice produced what might be called an antithesis to his blond delicacy. Unless you adopted the opinion of certain observers of the human heart, and thought that the chevalier had the voice of his nose, his organ of speech would have amazed you by its full and redundant sound. Without possessing the volume of classical bass voices, the tone of it was pleasing from a slightly muffled quality like that of an English bugle, which is firm and sweet, strong but velvety.

The chevalier had repudiated the ridiculous costume still preserved by certain monarchical old men; he had frankly modernized himself. He was always seen in a maroon-colored coat with gilt buttons, half-tight breeches of poult-de-soie with gold buckles, a white waistcoat without embroidery, and a tight cravat showing no shirt-collar, – a last vestige of the old French costume which he did not renounce, perhaps, because it enabled him to show a neck like that of the sleekest abbe. His shoes were noticeable for their square buckles, a style of which the present generation has no knowledge; these buckles were fastened to a square of polished black leather. The chevalier allowed two watch-chains to hang parallel to each other from each of his waistcoat pockets, – another vestige of the eighteenth century, which the Incroyables had not disdained to use under the Directory. This transition costume, uniting as it did two centuries, was worn by the chevalier with the high-bred grace of an old French marquis, the secret of which is lost to France since the day when Fleury, Mole's last pupil, vanished.

The private life of this old bachelor was apparently open to all eyes, though in fact it was quite mysterious. He lived in a lodging that was modest, to say the best of it, in the rue du Cours, on the second floor of a house belonging to Madame Lardot, the best and busiest washerwoman in the town. This circumstance will explain the excessive nicety of his linen. Ill-luck would have it that the day came when Alencon was guilty of believing that the chevalier had not always comported himself as a gentleman should, and that in fact he was secretly married in his old age to a certain Cesarine, – the mother of a child which had had the impertinence to come into the world without being called for.

"He had given his hand," as a certain Monsieur du Bousquier remarked, "to the person who had long had him under irons."

This horrible calumny embittered the last days of the dainty chevalier all the more because, as the present Scene will show, he had lost a hope long cherished to which he had made many sacrifices.

Madame Lardot leased to the chevalier two rooms on the second floor of her house, for the modest sum of one hundred francs a year. The worthy gentleman dined out every day, returning only in time to go to bed. His sole expense therefore was for breakfast, invariably composed of a cup of chocolate, with bread and butter and fruits in their season. He made no fire except in the coldest winter, and then only enough to get up by. Between eleven and four o'clock he walked about, went to read the papers, and paid visits. From the time of his settling in Alencon he had nobly admitted his poverty, saying that his whole fortune consisted in an annuity of six hundred francs a year, the sole remains of his former opulence, – a property which obliged him to see his man of business (who held the annuity papers) quarterly. In truth, one of the Alencon bankers paid him every three months one hundred and fifty francs, sent down by Monsieur Bordin of Paris, the last of the /procureurs du Chatelet/. Every one knew these details because the chevalier exacted the utmost secrecy from the persons to whom he first confided them.

Monsieur de Valois gathered the fruit of his misfortunes. His place at table was laid in all the most distinguished houses in Alencon, and he was bidden to all soirees. His talents as a card-player, a narrator, an amiable man of the highest breeding, were so well known and appreciated that parties would have seemed a failure if the dainty connoisseur was absent. Masters of houses and their wives felt the need of his approving grimace. When a young woman heard the chevalier say at a ball, "You are delightfully well-dressed!" she was more pleased at such praise than she would have been at mortifying a rival. Monsieur de Valois was the only man who could perfectly pronounce certain phrases of the olden time. The words, "my heart," "my jewel," "my little pet," "my queen," and the amorous diminutives of 1770, had a grace that was quite irresistible when they came from his lips. In short, the chevalier had the privilege of superlatives. His compliments, of which he was stingy, won the good graces of all the old women; he made himself agreeable to every one, even to the officials of the government, from whom he wanted nothing. His behavior at cards had a lofty distinction which everybody noticed: he never complained; he praised his adversaries when they lost; he did not rebuke or teach his partners by showing them how they ought to have played. When, in the course of a deal, those sickening dissertations on the game would take place, the chevalier invariably drew out his snuff-box with a gesture that was worthy of Mole, looked at the Princess Goritza, raised the cover with dignity, shook, sifted, massed the snuff, and gathered his pinch, so that by the time the cards were dealt he had decorated both nostrils and replaced the princess in his waistcoat pocket, – always on his left side. A gentleman of the "good" century (in distinction from the "grand" century) could alone have invented that compromise between contemptuous silence and a sarcasm which might not have been understood. He accepted poor players and knew how to make the best of them. His delightful equability of temper made many persons say, —

"I do admire the Chevalier de Valois!"

His conversation, his manners, seemed bland, like his person. He endeavored to shock neither man nor woman. Indulgent to defects both physical and mental, he listened patiently (by the help of the Princess Goritza) to the many dull people who related to him the petty miseries of provincial life, – an egg ill-boiled for breakfast, coffee with feathered cream, burlesque details about health, disturbed sleep, dreams, visits. The chevalier could call up a languishing look, he could take on a classic attitude to feign compassion, which made him a most valuable listener; he could put in an "Ah!" and a "Bah!" and a "What DID you do?" with charming appropriateness. He died without any one suspecting him of even an allusion to the tender passages of his romance with the Princess Goritza. Has any one ever reflected on the service a dead sentiment can do to society; how love may become both social and useful? This will serve to explain why, in spite of his constant winning at play (he never left a salon without carrying off with him about six francs), the old chevalier remained the spoilt darling of the town. His losses – which, by the bye, he always proclaimed, were very rare.

All who know him declare that they have never met, not even in the Egyptian museum at Turin, so agreeable a mummy. In no country in the world did parasitism ever take on so pleasant a form. Never did selfishness of a most concentrated kind appear less forth-putting, less offensive, than in this old gentleman; it stood him in place of devoted friendship. If some one asked Monsieur de Valois to do him a little service which might have discommoded him, that some one did not part from the worthy chevalier without being truly enchanted with him, and quite convinced that he either could not do the service demanded, or that he should injure the affair if he meddled in it.

To explain the problematic existence of the chevalier, the historian, whom Truth, that cruel wanton, grasps by the throat, is compelled to say that after the "glorious" sad days of July, Alencon discovered that the chevalier's nightly winnings amounted to about one hundred and fifty francs every three months; and that the clever old nobleman had had the pluck to send to himself his annuity in order not to appear in the eyes of a community, which loves the main chance, to be entirely without resources. Many of his friends (he was by that time dead, you will please remark) have contested mordicus this curious fact, declaring it to be a fable, and upholding the Chevalier de Valois as a respectable and worthy gentleman whom the liberals calumniated. Luckily for shrewd players, there are people to be found among the spectators who will always sustain them. Ashamed of having to defend a piece of wrong-doing, they stoutly deny it. Do not accuse them of wilful infatuation; such men have a sense of their dignity; governments set them the example of a virtue which consists in burying their dead without chanting the Misere of their defeats. If the chevalier did allow himself this bit of shrewd practice, – which, by the bye, would have won him the regard of the Chevalier de Gramont, a smile from the Baron de Foeneste, a shake of the hand from the Marquis de Moncade, – was he any the less that amiable guest, that witty talker, that imperturbable card-player, that famous teller of anecdotes, in whom all Alencon took delight? Besides, in what way was this action, which is certainly within the rights of a man's own will, – in what way was it contrary to the ethics of a gentleman? When so many persons are forced to pay annuities to others, what more natural than to pay one to his own best friend? But Laius is dead —

To return to the period of which we are writing: after about fifteen years of this way of life the chevalier had amassed ten thousand and some odd hundred francs. On the return of the Bourbons, one of his old friends, the Marquis de Pombreton, formerly lieutenant in the Black mousquetaires, returned to him – so he said – twelve hundred pistoles which he had lent to the marquis for the purpose of emigrating. This event made a sensation; it was used later to refute the sarcasms of the "Constitutionnel," on the method employed by some emigres in paying their debts. When this noble act of the Marquis de Pombreton was lauded before the chevalier, the good man reddened even to his right cheek. Every one rejoiced frankly at this windfall for Monsieur de Valois, who went about consulting moneyed people as to the safest manner of investing this fragment of his past opulence. Confiding in the future of the Restoration, he finally placed his money on the Grand-Livre at the moment when the funds were at fifty-six francs and twenty-five centimes. Messieurs de Lenoncourt, de Navarreins, de Verneuil, de Fontaine, and La Billardiere, to whom he was known, he said, obtained for him, from the king's privy purse, a pension of three hundred francs, and sent him, moreover, the cross of Saint-Louis. Never was it known positively by what means the old chevalier obtained these two solemn consecrations of his title and merits. But one thing is certain; the cross of Saint-Louis authorized him to take the rank of retired colonel in view of his service in the Catholic armies of the West.

Besides his fiction of an annuity, about which no one at the present time knew anything, the chevalier really had, therefore, a bona fide income of a thousand francs. But in spite of this bettering of his circumstances, he made no change in his life, manners, or appearance, except that the red ribbon made a fine effect on his maroon-colored coat, and completed, so to speak, the physiognomy of a gentleman. After 1802, the chevalier sealed his letters with a very old seal, ill-engraved to be sure, by which the Casterans, the d'Esgrignons, the Troisvilles were enabled to see that he bore: /Party of France, two cottises gemelled gules, and gules, five mascles or, placed end to end; on a chief sable, a cross argent/. For crest, a knight's helmet. For motto: "Valeo." Bearing such noble arms, the so-called bastard of the Valois had the right to get into all the royal carriages of the world.

Many persons envied the quiet existence of this old bachelor, spent on whist, boston, backgammon, reversi, and piquet, all well played, on dinners well digested, snuff gracefully inhaled, and tranquil walks about the town. Nearly all Alencon believed this life to be exempt from ambitions and serious interests; but no man has a life as simple as envious neighbors attribute to him. You will find in the most out-of-the way villages human mollusks, creatures apparently dead, who have passions for lepidoptera or for conchology, let us say, – beings who will give themselves infinite pains about moths, butterflies, or the concha Veneris. Not only did the chevalier have his own particular shells, but he cherished an ambitious desire which he pursued with a craft so profound as to be worthy of Sixtus the Fifth: he wanted to marry a certain rich old maid, with the intention, no doubt, of making her a stepping-stone by which to reach the more elevated regions of the court. There, then, lay the secret of his royal bearing and of his residence in Alencon.

CHAPTER II

SUSANNAH AND THE ELDERS

On a Wednesday morning, early, toward the middle of spring, in the year 16, – such was his mode of reckoning, – at the moment when the chevalier was putting on his old green-flowered damask dressing-gown, he heard, despite the cotton in his ears, the light step of a young girl who was running up the stairway. Presently three taps were discreetly struck upon the door; then, without waiting for any response, a handsome girl slipped like an eel into the room occupied by the old bachelor.

"Ah! is it you, Suzanne?" said the Chevalier de Valois, without discontinuing his occupation, which was that of stropping his razor. "What have you come for, my dear little jewel of mischief?"

"I have come to tell you something which may perhaps give you as much pleasure as pain?"

"Is it anything about Cesarine?"