The Brotherhood of Consolation

At the farther end of the room, and opposite to the door, was the fireplace, with a green velvet mantel-shelf, on which a few extremely elegant ornaments, the last relics of the opulence of two families, were arranged. These consisted of a curious clock, in the shape of an elephant supporting on its back a porcelain tower which was filled with the choicest flowers; two candelabra in the same style, and several precious Chinese treasures. The fender, andirons, tongs, and shovel were all of the handsomest description.

The largest of the flower-stands was placed in the middle of the room, and above it hung a porcelain chandelier designed with wreaths of flowers.

The bed on which the old man’s daughter lay was one of those beautiful white and gold carved bedsteads such as were made in the Louis XV. period. By the sick woman’s pillow was a very pretty marquetry table, on which were the various articles necessary to this bedridden life. Against the wall was a bracket lamp with two branches, either of which could be moved forward or back by a mere touch of the hand. A small table, adapted to the use of the invalid, extended in front of her. The bed, covered with a beautiful counterpane, and draped with curtains held back by cords, was heaped with books, a work-basket, and articles of embroidery, beneath which Godefroid would scarcely have distinguished the sick woman herself had it not been for the light of the bracket lamps.

There was nothing of her to be seen but a face of extreme whiteness, browned around the eyes by suffering, in which shone eyes of fire, its principal adornment being a magnificent mass of black hair, the numerous heavy curls of which, carefully arranged, showed that the dressing of those beautiful locks occupied a good part of the invalid’s morning. This supposition was further strengthened by the portable mirror which lay on the bed.

No modern arrangement for comfort was lacking. Even a few knick-knacks, which amused poor Vanda, proved that the father’s love was almost fanatical.

The old man rose from an elegant Louis XV. sofa in white and cold, covered with tapestry, and advanced to Godefroid, who would certainly not have recognized him elsewhere; for that cold, stern face now wore the gay expression peculiar to old men of the world, who retain the manners and apparent frivolity of the nobility about a court. His wadded violet gown was in keeping with this luxury, and he took snuff from a gold box studded with diamonds.

“Here, my dear daughter,” said Monsieur Bernard, taking Godefroid by the hand, “is the neighbor of whom I told you.”

He signed to his grandson to draw up one of two armchairs, similar in style to the sofa, which stood beside the fireplace.

“Monsieur’s name is Godefroid, and he is full of friendly kindness for us.”

Vanda made a motion with her head in answer to Godefroid’s low bow; by the very way in which her neck bent and then recovered itself, Godefroid saw that the whole physical life of the invalid was in her head. The thin arms and flaccid hands lay on the fine, white linen of the sheets, like things not connected with the body, which, indeed, seemed to fill no place at all in the bed. The articles necessary for a sick person were on shelves standing behind the bedstead, and were concealed by a drawn curtain.

“You are the first person, monsieur, – except my doctors, who are not men to me, – whom I have seen for six years; therefore you cannot doubt the interest you have excited in my mind, since my father told me this morning that you were to pay me a visit – interest! no, it was an unconquerable curiosity, like that of our mother Eve. My father, who is so good to me, and my son, whom I love so much, do certainly suffice to fill the desert of a soul which is almost without a body; but after all, that soul is still a woman’s; I feel it in the childish joy the thought of your visit has brought me. You will do me the pleasure to take a cup of tea with us, I hope?”

“Monsieur has promised to pass the evening here,” said the old man, with the air of a millionnaire receiving a guest.

Auguste, sitting on a tapestried chair at a marquetry table with brass trimmings, was reading a book by the light of the candelabra on the chimney piece.

“Auguste, my dear,” said his mother, “tell Jean to serve tea in an hour. Would you believe it monsieur,” she added, “that for six years I have been waited upon wholly by my father and son, and now, I really think, I could bear no other attendance. If they were to fail me I should die. My father will not even allow Jean, a poor Norman who has served us for thirty years, to come into my room.”

“I should think not!” said the old man, quickly; “monsieur knows him; he chops wood and brings it in, and cooks; he wears dirty aprons, and would soon spoil all this elegance in which you take such pleasure – this room is really the whole of life to my poor daughter, monsieur.”

“Ah! madame, your father is quite right.”

“But why?” she said; “if Jean did any damage to my room my father would restore it.”

“Yes, my child; but remember you could not leave it; you don’t know what Parisian tradesmen are; they would take three months to renovate your room. Let Jean take care of it? no, indeed! how can you think of it? Auguste and I take such precautions that we allow no dust, and so avoid all sweeping.”

“It is a matter of health, not economy,” said Godefroid; “your father is right.”

“I am not complaining,” said Vanda, in a caressing voice.

That voice was a concert of delightful sounds. Soul, motion, life itself were concentrated in the glance and in the voice of this woman; for Vanda had succeeded by study, for which time was certainly not lacking to her, in conquering the difficulty produced by the loss of her teeth.

“I have much to make me happy in the midst of my sufferings, monsieur,” she said; “and certainly ample means are a great help in bearing trouble. If we had been poor I should have died eighteen years ago, but I still live. Oh, yes, I have many enjoyments, and they are all the greater because they are perpetually won from death. I am afraid you will think me quite garrulous,” she added, smiling.

“Madame, I should like to listen to you forever,” replied Godefroid; “I have never heard a voice that was comparable to yours; it is music; Rubini is not more enchanting.”

“Don’t speak of Rubini or the opera,” said the old man, sadly. “That is a pleasure that, rich as I am, I cannot give to my daughter. She was once a great musician, and the opera was her greatest pleasure.”

“Forgive me,” said Godefroid.

“You will soon get accustomed to us,” said the old man.

“Yes, and this is the process,” said the sick woman, laughing; “when they’ve cried ‘puss, puss, puss,’ often enough you’ll learn the puss-in-the-corner of our conversations.”

Godefroid gave a rapid glance at Monsieur Bernard, who, seeing the tears in the eyes of his new neighbor, seemed to be making him a sign not to undo the results of the self-command he and his grandson had practised for so many years.

This sublime and perpetual imposture, proved by the complete illusion of the sick woman, produced on Godefroid’s mind the impression of an Alpine precipice down which two chamois hunters picked their way. The magnificent gold snuff-box enriched with diamonds with which the old man carelessly toyed as he sat by his daughter’s bedside was like the stroke of genius which in the work of a great man elicits a cry of admiration. Godefroid looked at that snuff-box, wondering it had not been sold or found its way to the mont-de-piete.

“This evening, Monsieur Godefroid, my daughter received the announcement of your visit with such excitement that all the curious symptoms of her malady which have troubled us very much for the last twelve days have entirely disappeared. You can fancy how grateful I am to you.”

“And I, too,” said the invalid in her caressing tones, drooping her head with a motion full of coquetry. “Monsieur is to me a deputy from the world. Since I was twenty years old, monsieur, I have not seen a salon, or a party, or a ball. And I must tell you that I love dancing, and adore the theatre, especially the opera. I imagine everything by thought! I read a great deal; and then my father, who goes into society, tells me about social events.”

Godefroid made an involuntary movement as if to kneel at the old man’s feet.

“Yes, when he goes to the opera, and he often goes, he describes to me the singing and tells me about the dresses of the ladies. Oh! I would I were cured for the sake of my father, who lives solely for me as I live by him and for him, and then for my son, to whom I would fain be a real mother. Ah! monsieur, what blessed beings my old father and my good son are! I should also like to recover so as to hear Lablache, Rubini, Tamburini, Grisi, and ‘I Puritani.’ But – ”

“Come, come, my child, be calm! If we talk music we are lost!” said the old man, smiling.

That smile, which rejuvenated his face, was evidently a perpetual deception to the sick woman.

“Yes, yes, I’ll be good,” said Vanda, with a petulant little air; “but when will you give me an accordion?”

The portable instrument then called by that name had just been invented. It could, if desired, be placed at the edge of a bedstead, and only needed the pressure of a foot to give out the sounds of an organ. This instrument, in its highest development, was equal to a piano; but the cost of it was three hundred francs. Vanda, who read the newspapers and reviews, knew of the existence of the instrument, and had wished for one for the last two months.

“Yes, madame, you shall have one,” said Godefroid, after exchanging a look with the old man. “A friend of mine who is just starting for Algiers has a fine instrument and I will borrow it of him. Before buying, you had better try one. It is possible that the powerful, vibrating tones may be too much for you.”

“Can I have it to-morrow?” she said, with the wilfulness of a creole.

“To-morrow?” said Monsieur Bernard, “that is soon; besides, to-morrow is Sunday.”

“Ah – ” she exclaimed, looking at Godefroid, who fancied he could see a soul hovering in the air as he admired the ubiquity of Vanda’s glances.

Until then, Godefroid had never known the power of voice and eyes when the whole of life is put into them. The glance was no longer a glance, a look, it was a flame, or rather, a divine incandescence, a radiance, communicating life and mind, – it was thought made visible. The voice, with its thousand intonations, took the place of motions, gestures, attitudes. The variations of the complexion, changing color like the famous chameleon, made the illusion, perhaps we should say the mirage, complete. That suffering head lying on the white pillow edged with laces was a whole person in itself.

Never in his life had Godefroid seen so wonderful a sight; he could scarcely control his emotions. Another wonder, for all was wondrous in this scene, so full of horror and yet of poesy, was that in those who saw it soul alone existed. This atmosphere, filled with mental emotions only, had a celestial influence. Those present felt their bodies as little as the sick woman felt hers. They were all mind. As Godefroid contemplated that frail fragment of woman he forgot the surrounding elegancies of the room, and fancied himself beneath the open heavens. It was not until half an hour had passed that he came back to his sense of things about him; he then noticed a fine picture, which the invalid asked him to examine, saying it was by Gericault.

“Gericault,” she told him, “came from Rouen; his family were under certain obligations to my father, who was president of the court, and he showed his gratitude by painting that portrait of me when I was a girl of sixteen.”

“It is a beautiful picture,” said Godefroid; “and quite unknown to those who are in search of the rare works of that master.”

“To me it is merely an object of affection,” replied Vanda; “I live in my heart only, – and it is a beautiful life,” she added, casting a look at her father in which she seemed to put her very soul. “Ah! monsieur, if you only knew what my father really is! Who would believe that the stern and lofty magistrate to whom the Emperor was under such obligations that he gave him that snuff-box, and on whom Charles X. bestowed as a reward that Sevres tea-set which you see behind you, who would suppose that that rigid supporter of power and law, that learned jurist, should have within his heart of rock the heart of a mother, too? Oh! papa, papa! kiss me, kiss me! come!”

The old man rose, leaned over the bed and kissed the broad poetic forehead of his daughter, whose passionate excitements did not always take the turn of this tempest of affection. Then he walked about the room; his slippers, embroidered by his daughter, making no noise.

“What are your occupations?” said Vanda to Godefroid, after a pause.

“Madame, I am employed by pious persons to help the unfortunate.”

“Ah! what a noble mission, monsieur!” she said. “Do you know the thought of devoting myself to that very work has often come to me? but ah! what ideas do not come to me?” she added, with a motion of her head. “Suffering is like a torch which lights up life. If I were ever to recover health – ”