Eugenie Grandet

God thus flung piles of gold upon this prisoner to whom gold was a matter of indifference, who longed for heaven, who lived, pious and good, in holy thoughts, succoring the unfortunate in secret, and never wearying of such deeds. Madame de Bonfons became a widow at thirty-six. She is still beautiful, but with the beauty of a woman who is nearly forty years of age. Her face is white and placid and calm; her voice gentle and self-possessed; her manners are simple. She has the noblest qualities of sorrow, the saintliness of one who has never soiled her soul by contact with the world; but she has also the rigid bearing of an old maid and the petty habits inseparable from the narrow round of provincial life. In spite of her vast wealth, she lives as the poor Eugenie Grandet once lived. The fire is never lighted on her hearth until the day when her father allowed it to be lighted in the hall, and it is put out in conformity with the rules which governed her youthful years. She dresses as her mother dressed. The house in Saumur, without sun, without warmth, always in shadow, melancholy, is an image of her life. She carefully accumulates her income, and might seem parsimonious did she not disarm criticism by a noble employment of her wealth. Pious and charitable institutions, a hospital for old age, Christian schools for children, a public library richly endowed, bear testimony against the charge of avarice which some persons lay at her door. The churches of Saumur owe much of their embellishment to her. Madame de Bonfons (sometimes ironically spoken of as mademoiselle) inspires for the most part reverential respect: and yet that noble heart, beating only with tenderest emotions, has been, from first to last, subjected to the calculations of human selfishness; money has cast its frigid influence upon that hallowed life and taught distrust of feelings to a woman who is all feeling.

“I have none but you to love me,” she says to Nanon.

The hand of this woman stanches the secret wounds in many families. She goes on her way to heaven attended by a train of benefactions. The grandeur of her soul redeems the narrowness of her education and the petty habits of her early life.

Such is the history of Eugenie Grandet, who is in the world but not of it; who, created to be supremely a wife and mother, has neither husband nor children nor family. Lately there has been some question of her marrying again. The Saumur people talk of her and of the Marquis de Froidfond, whose family are beginning to beset the rich widow just as, in former days, the Cruchots laid siege to the rich heiress. Nanon and Cornoiller are, it is said, in the interests of the marquis. Nothing could be more false. Neither la Grande Nanon nor Cornoiller has sufficient mind to understand the corruptions of the world.

ADDENDUM

The following personages appear in other stories of the Human Comedy

Chaulieu, Eleonore, Duchesse de

Letters of Two Brides

Grandet, Victor-Ange-Guillaume

The Firm of Nucingen

Grandet, Charles

The Firm of Nucingen

Keller, Francois

Domestic Peace

Cesar Birotteau

The Government Clerks

The Member for Arcis

Lupeaulx, Clement Chardin des

The Muse of the Department

A Bachelor’s Establishment

A Distinguished Provincial at Paris

The Government Clerks

Scenes from a Courtesan’s Life

Ursule Mirouet

Nathan, Madame Raoul

The Muse of the Department

Lost Illusions

A Distinguished Provincial at Paris

Scenes from a Courtesan’s Life

The Government Clerks

A Bachelor’s Establishment

Ursule Mirouet

The Imaginary Mistress

A Prince of Bohemia

A Daughter of Eve

The Unconscious Humorists

Nucingen, Baronne Delphine de

Father Goriot

The Thirteen

Cesar Birotteau

Melmoth Reconciled

Lost Illusions

A Distinguished Provincial at Paris

The Commission in Lunacy

Scenes from a Courtesan’s Life

Modeste Mignon

The Firm of Nucingen

Another Study of Woman

A Daughter of Eve

The Member for Arcis