The Two Brothers

Such speeches, which alarmed the good Agathe, only corroborated the judgment she had long since formed upon Philippe and Joseph. Facts sustained that judgment in the mind of a woman who had never ceased to be a provincial. Philippe, her favorite child, was he not the great man of the family at last? in his early errors she saw only the ebullitions of youth. Joseph, to the merit of whose productions she was insensible, for she saw them too long in process of gestation to admire them when finished, seemed to her no more advanced in 1828 than he was in 1816. Poor Joseph owed money, and was bowed down by the burden of debt; he had chosen, she felt, a worthless career that made him no return. She could not conceive why they had given him the cross of the Legion of honor. Philippe, on the other hand, rich enough to cease gambling, a guest at the fetes of Madame, the brilliant colonel who at all reviews and in all processions appeared before her eyes in splendid uniforms, with his two crosses on his breast, realized all her maternal dreams. One such day of public ceremony effaced from Agathe’s mind the horrible sight of Philippe’s misery on the Quai de l’Ecole; on that day he passed his mother at the self-same spot, in attendance on the Dauphin, with plumes in his shako, and his pelisse gorgeous with gold and fur. Agathe, who to her artist son was now a sort of devoted gray sister, felt herself the mother of none but the dashing aide-de-camp to his Royal Highness, the Dauphin of France. Proud of Philippe, she felt he made the ease and happiness of her life, – forgetting that the lottery-office, by which she was enabled to live at all, came through Joseph.

One day Agathe noticed that her poor artist was more worried than usual by the bill of his color-man, and she determined, though cursing his profession in her heart, to free him from his debts. The poor woman kept the house with the proceeds of her office, and took care never to ask Joseph for a farthing. Consequently she had no money of her own; but she relied on Philippe’s good heart and well-filled purse. For three years she had waited in expectation of his coming to see her; she now imagined that if she made an appeal to him he would bring some enormous sum; and her thoughts dwelt on the happiness she should feel in giving it to Joseph, whose judgment of his brother, like that of Madame Descoings, was so unfair.

Saying nothing to Joseph, she wrote the following letter to Philippe: —

To Monsieur le comte de Brambourg:

My dear Philippe, – You have not given the least little word of remembrance to your mother for five years. That is not right. You should remember the past, if only for the sake of your excellent brother. Joseph is now in need of money, and you are floating in wealth; he works, while you are flying from fete to fete. You now possess, all to yourself, the property of my brother. Little Borniche tells me you cannot have less than two hundred thousand francs a year. Well, then, come and see Joseph. During your visit, slip into the skull a few thousand-franc notes. Philippe, you owe them to us; nevertheless, your brother will feel grateful to you, not to speak of the happiness you will give

Your mother,

Agathe Bridau, nee Rouget

Two days later the concierge brought to the atelier, where poor Agathe was breakfasting with Joseph, the following terrible letter: —

My dear Mother, – A man does not marry a Mademoiselle Amelie de Soulanges without the purse of Fortunatus, if under the name of Comte de Brambourg he hides that of

Your son,

Philippe Bridau

As Agathe fell half-fainting on the sofa, the letter dropped to the floor. The slight noise made by the paper, and the smothered but dreadful exclamation which escaped Agathe startled Joseph, who had forgotten his mother for a moment and was vehemently rubbing in a sketch; he leaned his head round the edge of his canvas to see what had happened. The sight of his mother stretched out on the floor made him drop palette and brushes, and rush to lift what seemed a lifeless body. He took Agathe in his arms and carried her to her own bed, and sent the servant for his friend Horace Bianchon. As soon as he could question his mother she told him of her letter to Philippe, and of the answer she had received from him. The artist went to his atelier and picked up the letter, whose concise brutality had broken the tender heart of the poor mother, and shattered the edifice of trust her maternal preference had erected. When Joseph returned to her bedside he had the good feeling to be silent. He did not speak of his brother in the three weeks during which – we will not say the illness, but – the death agony of the poor woman lasted. Bianchon, who came every day and watched his patient with the devotion of a true friend, told Joseph the truth on the first day of her seizure.

“At her age,” he said, “and under the circumstances which have happened to her, all we can hope to do is to make her death as little painful as possible.”

She herself felt so surely called of God that she asked the next day for the religious help of old Abbe Loraux, who had been her confessor for more than twenty-two years. As soon as she was alone with him, and had poured her griefs into his heart, she said – as she had said to Madame Hochon, and had repeated to herself again and again throughout her life: —

“What have I done to displease God? Have I not loved Him with all my soul? Have I wandered from the path of grace? What is my sin? Can I be guilty of wrong when I know not what it is? Have I the time to repair it?”

“No,” said the old man, in a gentle voice. “Alas! your life seems to have been pure and your soul spotless; but the eye of God, poor afflicted creature, is keener than that of his ministers. I see the truth too late; for you have misled even me.”

Hearing these words from lips that had never spoken other than peaceful and pleasant words to her, Agathe rose suddenly in her bed and opened her eyes wide, with terror and distress.

“Tell me! tell me!” she cried.

“Be comforted,” said the priest. “Your punishment is a proof that you will receive pardon. God chastens his elect. Woe to those whose misdeeds meet with fortunate success; they will be kneaded again in humanity until they in their turn are sorely punished for simple errors, and are brought to the maturity of celestial fruits. Your life, my daughter, has been one long error. You have fallen into the pit which you dug for yourself; we fail ever on the side we have ourselves weakened. You gave your heart to an unnatural son, in whom you made your glory, and you have misunderstood the child who is your true glory. You have been so deeply unjust that you never even saw the striking contrast between the brothers. You owe the comfort of your life to Joseph, while your other son has pillaged you repeatedly. The poor son, who loves you with no return of equal tenderness, gives you all the comfort that your life has had; the rich son, who never thinks of you, despises you and desires your death – ”

“Oh! no,” she cried.

“Yes,” resumed the priest, “your humble position stands in the way of his proud hopes. Mother, these are your sins! Woman, your sorrows and your anguish foretell that you shall know the peace of God. Your son Joseph is so noble that his tenderness has never been lessened by the injustice your maternal preferences have done him. Love him now; give him all your heart during your remaining days; pray for him, as I shall pray for you.”

The eyes of the mother, opened by so firm a hand, took in with one retrospective glance the whole course of her life. Illumined by this flash of light, she saw her involuntary wrong-doing and burst into tears. The old priest was so deeply moved at the repentance of a being who had sinned solely through ignorance, that he left the room hastily lest she should see his pity.

Joseph returned to his mother’s room about two hours after her confessor had left her. He had been to a friend to borrow the necessary money to pay his most pressing debts, and he came in on tiptoe, thinking that his mother was asleep. He sat down in an armchair without her seeing him; but he sprang up with a cold chill running through him as he heard her say, in a voice broken with sobs, —

“Will he forgive me?”

“What is it, mother?” he exclaimed, shocked at the stricken face of the poor woman, and thinking the words must mean the delirium that precedes death.

“Ah, Joseph! can you pardon me, my child?” she cried.

“For what?” he said.

“I have never loved you as you deserved to be loved.”

“Oh, what an accusation!” he cried. “Not loved me? For seven years have we not lived alone together? All these seven years have you not taken care of me and done everything for me? Do I not see you every day, – hear your voice? Are you not the gentle and indulgent companion of my miserable life? You don’t understand painting? – Ah! but that’s a gift not always given. I was saying to Grassou only yesterday: ‘What comforts me in the midst of my trials is that I have such a good mother. She is all that an artist’s wife should be; she sees to everything; she takes care of my material wants without ever troubling or worrying me.’”

“No, Joseph, no; you have loved me, but I have not returned you love for love. Ah! would that I could live a little longer – Give me your hand.”

Agathe took her son’s hand, kissed it, held it on her heart, and looked in his face a long time, – letting him see the azure of her eyes resplendent with a tenderness she had hitherto bestowed on Philippe only. The painter, well fitted to judge of expression, was so struck by the change, and saw so plainly how the heart of his mother had opened to him, that he took her in his arms, and held her for some moments to his heart, crying out like one beside himself, – “My mother! oh, my mother!”

“Ah! I feel that I am forgiven!” she said. “God will confirm the child’s pardon of its mother.”

“You must be calm: don’t torment yourself; hear me. I feel myself loved enough in this one moment for all the past,” he said, as he laid her back upon the pillows.

During the two weeks’ struggle between life and death, there glowed such love in every look and gesture and impulse of the soul of the pious creature, that each effusion of her feelings seemed like the expression of a lifetime. The mother thought only of her son; she herself counted for nothing; sustained by love, she was unaware of her sufferings. D’Arthez, Michel Chrestien, Fulgence Ridal, Pierre Grassou, and Bianchon often kept Joseph company, and she heard them talking art in a low voice in a corner of her room.

“Oh, how I wish I knew what color is!” she exclaimed one evening as she heard them discussing one of Joseph’s pictures.

Joseph, on his side, was sublimely devoted to his mother. He never left her chamber; answered tenderness by tenderness, cherishing her upon his heart. The spectacle was never afterwards forgotten by his friends; and they themselves, a band of brothers in talent and nobility of nature, were to Joseph and his mother all that they should have been, – friends who prayed, and truly wept; not saying prayers and shedding tears, but one with their friend in thought and action. Joseph, inspired as much by feeling as by genius, divined in the occasional expression of his mother’s face a desire that was deep hidden in her heart, and he said one day to d’Arthez, —

“She has loved that brigand Philippe too well not to want to see him before she dies.”

Joseph begged Bixiou, who frequented the Bohemian regions where Philippe was still occasionally to be found, to persuade that shameless son to play, if only out of pity, a little comedy of tenderness which might wrap the mother’s heart in a winding-sheet of illusive happiness. Bixiou, in his capacity as an observing and misanthropical scoffer, desired nothing better than to undertake such a mission. When he had made known Madame Bridau’s condition to the Comte de Brambourg, who received him in a bedroom hung with yellow damask, the colonel laughed.

“What the devil do you want me to do there?” he cried. “The only service the poor woman can render me is to die as soon as she can; she would be rather a sorry figure at my marriage with Mademoiselle de Soulanges. The less my family is seen, the better my position. You can easily understand that I should like to bury the name of Bridau under all the monuments in Pere-Lachaise. My brother irritates me by bringing the name into publicity. You are too knowing not to see the situation as I do. Look at it as if it were your own: if you were a deputy, with a tongue like yours, you would be as much feared as Chauvelin; you would be made Comte Bixiou, and director of the Beaux-Arts. Once there, how should you like it if your grandmother Descoings were to turn up? Would you want that worthy woman, who looked like a Madame Saint-Leon, to be hanging on to you? Would you give her an arm in the Tuileries, and present her to the noble family you were trying to enter? Damn it, you’d wish her six feet under ground, in a leaden night-gown. Come, breakfast with me, and let us talk of something else. I am a parvenu, my dear fellow, and I know it. I don’t choose that my swaddling-clothes shall be seen. My son will be more fortunate than I; he will be a great lord. The scamp will wish me dead; I expect it, – or he won’t be my son.”

He rang the bell, and ordered the servant to serve breakfast.

“The fashionable world wouldn’t see you in your mother’s bedroom,” said Bixiou. “What would it cost you to seem to love that poor woman for a few hours?”

“Whew!” cried Philippe, winking. “So you come from them, do you? I’m an old camel, who knows all about genuflections. My mother makes the excuse of her last illness to get something out of me for Joseph. No, thank you!”

When Bixiou related this scene to Joseph, the poor painter was chilled to the very soul.

“Does Philippe know I am ill?” asked Agathe in a piteous tone, the day after Bixiou had rendered an account of his fruitless errand.

Joseph left the room, suffocating with emotion. The Abbe Loraux, who was sitting by the bedside of his penitent, took her hand and pressed it, and then he answered, “Alas! my child, you have never had but one son.”

The words, which Agathe understood but too well, conveyed a shock which was the beginning of the end. She died twenty hours later.

In the delirium which preceded death, the words, “Whom does Philippe take after?” escaped her.

Joseph followed his mother to the grave alone. Philippe had gone, on business it was said, to Orleans; in reality, he was driven from Paris by the following letter, which Joseph wrote to him a moment after their mother had breathed her last sigh: —

Monster! my poor mother has died of the shock your letter caused her. Wear mourning, but pretend illness; I will not suffer her assassin to stand at my side before her coffin.

Joseph B.