The president took his seat with a gesture of assent.
"Gentlemen," said the young husband, "are we quite prepared to deliberate upon so grave a question as that which is presented by the universally bad arrangement of the beds? Is there not here a much wider question than that of mere cabinet-making to decide? For my own part I see in it a question which concerns that of universal human intellect. The mysteries of conception, gentlemen, are still enveloped in a darkness which modern science has but partially dissipated. We do not know how far external circumstances influence the microscopic beings whose discovery is due to the unwearied patience of Hill, Baker, Joblot, Eichorn, Gleichen, Spallanzani, and especially of Muller, and last of all of M. Bory de Saint Vincent. The imperfections of the bed opens up a musical question of the highest importance, and for my part I declare I shall write to Italy to obtain clear information as to the manner in which beds are generally arranged. We do not know whether there are in the Italian bed numerous curtain rods, screws and castors, or whether the construction of beds is in this country more faulty than everywhere else, or whether the dryness of timber in Italy, due to the influence of the sun, does not ab ovo produce the harmony, the sense of which is to so large an extent innate in Italians. For these reasons I move that we adjourn."
"What!" cried a gentleman from the West, impatiently rising to his feet, "are we here to dilate upon the advancement of music? What we have to consider first of all is manners, and the moral question is paramount in this discussion."
"Nevertheless," remarked one of the most influential members of the council, "the suggestion of the former speaker is not in my opinion to be passed by. In the last century, gentlemen, Sterne, one of the writers most philosophically delightful and most delightfully philosophic, complained of the carelessness with which human beings were procreated; 'Shame!' he cried 'that he who copies the divine physiognomy of man receives crowns and applause, but he who achieves the masterpiece, the prototype of mimic art, feels that like virtue he must be his own reward.'
"Ought we not to feel more interest in the improvement of the human race than in that of horses? Gentlemen, I passed through a little town of Orleanais where the whole population consisted of hunchbacks, of glum and gloomy people, veritable children of sorrow, and the remark of the former speaker caused me to recollect that all the beds were in a very bad condition and the bedchambers presented nothing to the eyes of the married couple but what was hideous and revolting. Ah! gentlemen, how is it possible that our minds should be in an ideal state, when instead of the music of angels flying here and there in the bosom of that heaven to which we have attained, our ears are assailed by the most detestable, the most angry, the most piercing of human cries and lamentations? We are perhaps indebted for the fine geniuses who have honored humanity to beds which are solidly constructed; and the turbulent population which caused the French Revolution were conceived perhaps upon a multitude of tottering couches, with twisted and unstable legs; while the Orientals, who are such a beautiful race, have a unique method of making their beds. I vote for the adjournment."
And the gentleman sat down.
A man belonging to the sect of Methodists arose. "Why should we change the subject of debate? We are not dealing here with the improvement of the race nor with the perfecting of the work. We must not lose sight of the interests of the jealous husband and the principles on which moral soundness is based. Don't you know that the noise of which you complain seems more terrible to the wife uncertain of her crime, than the trumpet of the Last Judgment? Can you forget that a suit for infidelity could never be won by a husband excepting through this conjugal noise? I will undertake, gentlemen, to refer to the divorces of Lord Abergavenny, of Viscount Bolingbroke, of the late Queen Caroline, of Eliza Draper, of Madame Harris, in fact, of all those who are mentioned in the twenty volumes published by – ." (The secretary did not distinctly hear the name of the English publisher.)
The motion to adjourn was carried. The youngest member proposed to make up a purse for the author producing the best dissertation addressed to the society upon a subject which Sterne considered of such importance; but at the end of the seance eighteen shillings was the total sum found in the hat of the president.
The above debate of the society, which had recently been formed in London for the improvement of manners and of marriage and which Lord Byron scoffed at, was transmitted to us by the kindness of W. Hawkins, Esq., cousin-german of the famous Captain Clutterbuck. The extract may serve to solve any difficulties which may occur in the theory of bed construction.
But the author of the book considers that the English society has given too much importance to this preliminary question. There exists in fact quite as many reasons for being a Rossinist as for being a Solidist in the matter of beds, and the author acknowledges that it is either beneath or above him to solve this difficulty. He thinks with Laurence Sterne that it is a disgrace to European civilization that there exist so few physiological observations on callipedy, and he refuses to state the results of his Meditations on this subject, because it would be difficult to formulate them in terms of prudery, and they would be but little understood, and misinterpreted. Such reserve produces an hiatus in this part of the book; but the author has the pleasant satisfaction of leaving a fourth work to be accomplished by the next century, to which he bequeaths the legacy of all that he has not accomplished, a negative munificence which may well be followed by all those who may be troubled by an overplus of ideas.
The theory of the bed presents questions much more important than those put forth by our neighbors with regard to castors and the murmurs of criminal conversation.
We know only three ways in which a bed (in the general sense of this term) may be arranged among civilized nations, and particularly among the privileged classes to whom this book is addressed. These three ways are as follows:
1. TWIN BEDS. 2. SEPARATE ROOMS. 3. ONE BED FOR BOTH
Before applying ourselves to the examination of these three methods of living together, which must necessarily have different influences upon the happiness of husbands and wives, we must take a rapid survey of the practical object served by the bed and the part it plays in the political economy of human existence.
The most incontrovertible principle which can be laid down in this matter is, that the bed was made to sleep upon.
It would be easy to prove that the practice of sleeping together was established between married people but recently, in comparison with the antiquity of marriage.
By what reasonings has man arrived at that point in which he brought in vogue a practice so fatal to happiness, to health, even to amour-propre? Here we have a subject which it would be curious to investigate.
If you knew one of your rivals who had discovered a method of placing you in a position of extreme absurdity before the eyes of those who were dearest to you – for instance, while you had your mouth crooked like that of a theatrical mask, or while your eloquent lips, like the copper faucet of a scanty fountain, dripped pure water – you would probably stab him. This rival is sleep. Is there a man in the world who knows how he appears to others, and what he does when he is asleep?
In sleep we are living corpses, we are the prey of an unknown power which seizes us in spite of ourselves, and shows itself in the oddest shapes; some have a sleep which is intellectual, while the sleep of others is mere stupor.
There are some people who slumber with their mouths open in the silliest fashion.
There are others who snore loud enough to make the timbers shake.
Most people look like the impish devils that Michael Angelo sculptured, putting out their tongues in silent mockery of the passers-by.
The only person I know of in the world who sleeps with a noble air is Agamemnon, whom Guerin has represented lying on his bed at the moment when Clytemnestra, urged by Egisthus, advances to slay him. Moreover, I have always had an ambition to hold myself on my pillow as the king of kings Agamemnon holds himself, from the day that I was seized with dread of being seen during sleep by any other eyes than those of Providence. In the same way, too, from the day I heard my old nurse snorting in her sleep "like a whale," to use a slang expression, I have added a petition to the special litany which I address to Saint-Honore, my patron saint, to the effect that he would save me from indulging in this sort of eloquence.
When a man wakes up in the morning, his drowsy face grotesquely surmounted by the folds of a silk handkerchief which falls over his left temple like a police cap, he is certainly a laughable object, and it is difficult to recognize in him the glorious spouse, celebrated in the strophes of Rousseau; but, nevertheless, there is a certain gleam of life to illume the stupidity of a countenance half dead – and if you artists wish to make fine sketches, you should travel on the stage-coach and, when the postilion wakes up the postmaster, just examine the physiognomies of the departmental clerks! But, were you a hundred times as pleasant to look upon as are these bureaucratic physiognomies, at least, while you have your mouth shut, your eyes are open, and you have some expression in your countenance. Do you know how you looked an hour before you awoke, or during the first hour of your sleep, when you were neither a man nor an animal, but merely a thing, subject to the dominion of those dreams which issue from the gate of horn? But this is a secret between your wife and God.
Is it for the purpose of insinuating the imbecility of slumber that the Romans decorated the heads of their beds with the head of an ass? We leave to the gentlemen who form the academy of inscriptions the elucidation of this point.
Assuredly, the first man who took it into his head, at the inspiration of the devil, not to leave his wife, even while she was asleep, should know how to sleep in the very best style; but do not forget to reckon among the sciences necessary to a man on setting up an establishment, the art of sleeping with elegance. Moreover, we will place here as a corollary to Axiom XXV of our Marriage Catechism the two following aphorisms:
A husband should sleep as lightly as a watch-dog, so as never to be caught with his eyes shut.
A man should accustom himself from childhood to go to bed bareheaded.
Certain poets discern in modesty, in the alleged mysteries of love, some reason why the married couple should share the same bed; but the fact must be recognized that if primitive men sought the shade of caverns, the mossy couch of deep ravines, the flinty roof of grottoes to protect his pleasure, it was because the delight of love left him without defence against his enemies. No, it is not more natural to lay two heads upon the same pillow, than it is reasonable to tie a strip of muslin round the neck. Civilization is come. It has shut up a million of men within an area of four square leagues; it has stalled them in streets, houses, apartments, rooms, and chambers eight feet square; after a time it will make them shut up one upon another like the tubes of a telescope.
From this cause and from many others, such as thrift, fear, and ill-concealed jealousy, has sprung the custom of the sleeping together of the married couple; and this custom has given rise to punctuality and simultaneity in rising and retiring.
And here you find the most capricious thing in the world, the feeling most pre-eminently fickle, the thing which is worthless without its own spontaneous inspiration, which takes all its charm from the suddenness of its desires, which owes its attractions to the genuineness of its outbursts – this thing we call love, subjugated to a monastic rule, to that law of geometry which belongs to the Board of Longitude!
If I were a father I should hate the child, who, punctual as the clock, had every morning and evening an explosion of tenderness and wished me good-day and good-evening, because he was ordered to do so. It is in this way that all that is generous and spontaneous in human sentiment becomes strangled at its birth. You may judge from this what love means when it is bound to a fixed hour!
Only the Author of everything can make the sun rise and set, morn and eve, with a pomp invariably brilliant and always new, and no one here below, if we may be permitted to use the hyperbole of Jean-Baptiste Rousseau, can play the role of the sun.
From these preliminary observations, we conclude that it is not natural for two to lie under the canopy in the same bed;
That a man is almost always ridiculous when he is asleep;
And that this constant living together threatens the husband with inevitable dangers.
We are going to try, therefore, to find out a method which will bring our customs in harmony with the laws of nature, and to combine custom and nature in a way that will enable a husband to find in the mahogany of his bed a useful ally, and an aid in defending himself.
1. TWIN BEDS
If the most brilliant, the best-looking, the cleverest of husbands wishes to find himself minotaurized just as the first year of his married life ends, he will infallibly attain that end if he is unwise enough to place two beds side by side, under the voluptuous dome of the same alcove.
The argument in support of this may be briefly stated. The following are its main lines:
The first husband who invented the twin beds was doubtless an obstetrician, who feared that in the involuntary struggles of some dream he might kick the child borne by his wife.
But no, he was rather some predestined one who distrusted his power of checking a snore.
Perhaps it was some young man who, fearing the excess of his own tenderness, found himself always lying at the edge of the bed and in danger of tumbling off, or so near to a charming wife that he disturbed her slumber.
But may it not have been some Maintenon who received the suggestion from her confessor, or, more probably, some ambitious woman who wished to rule her husband? Or, more undoubtedly, some pretty little Pompadour overcome by that Parisian infirmity so pleasantly described by M. de Maurepas in that quatrain which cost him his protracted disgrace and certainly contributed to the disasters of Louis XVI's reign:
"Iris, we love those features sweet,
Your graces all are fresh and free;
And flowerets spring beneath your feet,
Where naught, alas! but flowers are seen."
But why should it not have been a philosopher who dreaded the disenchantment which a woman would experience at the sight of a man asleep? And such a one would always roll himself up in a coverlet and keep his head bare.
Unknown author of this Jesuitical method, whoever thou art, in the devil's name, we hail thee as a brother! Thou hast been the cause of many disasters. Thy work has the character of all half measures; it is satisfactory in no respect, and shares the bad points of the two other methods without yielding the advantages of either. How can the man of the nineteenth century, how can this creature so supremely intelligent, who has displayed a power well-nigh supernatural, who has employed the resources of his genius in concealing the machinery of his life, in deifying his necessary cravings in order that he might not despise them, going so far as to wrest from Chinese leaves, from Egyptian beans, from seeds of Mexico, their perfume, their treasure, their soul; going so far as to chisel the diamond, chase the silver, melt the gold ore, paint the clay and woo every art that may serve to decorate and to dignify the bowl from which he feeds! – how can this king, after having hidden under folds of muslin covered with diamonds, studded with rubies, and buried under linen, under folds of cotton, under the rich hues of silk, under the fairy patterns of lace, the partner of his wretchedness, how can he induce her to make shipwreck in the midst of all this luxury on the decks of two beds. What advantage is it that we have made the whole universe subserve our existence, our delusions, the poesy of our life? What good is it to have instituted law, morals and religion, if the invention of an upholsterer [for probably it was an upholsterer who invented the twin beds] robs our love of all its illusions, strips it bare of the majestic company of its delights and gives it in their stead nothing but what is ugliest and most odious? For this is the whole history of the two bed system.
LXIII.