The German Classics of the Nineteenth and Twentieth Centuries, Volume 05

I was charmed with this proposal, and we set out immediately, the parrot screaming out abuse of me as I left him.

After we had walked for a long while outside of the city, ascending by a narrow, stony pathway an eminence dotted with villas and vineyards, we reached a small garden very high up, where several young men and maidens were sitting in the open air about a round table. As soon as we made our appearance they all signed to us to keep silence, and pointed toward the other end of the garden, where in a large, vine-wreathed arbor two beautiful ladies were sitting opposite each other at a table. One was singing, while the other accompanied her on the guitar. Between them stood a pleasant-looking gentleman, who occasionally beat time with a small baton. The setting sun shone through the vine-leaves, upon the fruits and flasks of wine with which the table was provided, and upon the plump, white shoulders of the lady with the guitar. The other one grimaced so that she looked convulsed, but she sang in Italian in so extremely artistic a manner that the sinews in her neck stood out like cords.

Just as she was executing a long cadenza with her eyes turned up to the skies, while the gentleman beside her held his baton suspended in the air waiting the moment when she would fall into the beat again, the garden gate was flung open, and a girl looking very much heated, and a young man with a pale, delicate face, entered, quarreling violently. The conductor, startled, stood with raised baton like a petrified conjurer, although the singer had some time before snapped short her long trill and had arisen angrily from the table. All the others turned upon the new arrivals in a rage. "You savage," some one at the round table called out, "you have interrupted the most perfect tableau of the description which the late Hoffmann gives on page 347 of the Ladies' Annual for 1816 of the finest of Hummel's pictures exhibited in the autumn of 1814 at the Berlin Art-Exposition!" But it did no good. "What do I care," the young man retorted, "for your tableau of tableaux! My picture any one may have; my sweetheart I choose to keep for myself. Oh, you faithless, false-hearted girl!" he went on to his poor companion, "you fine critic to whom a painter is nothing but a tradesman, and a poet only a money-maker; you care for nothing save flirtation! May you fall to the lot, not of an honest artist, but of an old Duke with a diamond-mine and beplastered with gold and silver foil! Out with the cursed note that you tried to hide from me! What have you been scribbling? From whom did it come, or to whom is it going?"

But the girl resisted him steadfastly, and the more the other young men present tried to soothe and pacify the angry lover, the more he scolded and threatened; particularly as the girl herself did not restrain her little tongue, until at last she extricated herself, weeping aloud, from the confused coil, and unexpectedly threw herself into my arms for protection. I immediately assumed the correct attitude; but since the rest paid no attention to us, she suddenly composed her face and whispered hastily in my ear, "You odious Receiver! it is all on your account. There, stuff the wretched note into your pocket; you will find out from it where we live. When you approach the gate, at the appointed hour, turn into the lonely street on the right hand."

I was too much amazed to utter a word, for, now that I looked closely, I recognized her at once; actually it was the pert lady's-maid of the Castle who had brought me the flask of wine on that lovely Sunday afternoon. She never looked as pretty as now, when, heated by her quarrel, she leaned against my shoulder, and her black curls hung down over my arm. "But, dear ma'amselle," I said in astonishment, "how do you come—" "For heaven's sake, hush!—be quiet!" she replied, and in an instant, before I could fairly collect myself, she had left me and had fled across the garden.

Meanwhile, the others had almost entirely forgotten the original cause of the turmoil, and now took a pleasing interest in proving to the young man that he was intoxicated—a great disgrace for an honorable painter. The stout, smiling gentleman from the arbor, who was—as I afterward learned—a great connoisseur and patron of Art, and who was always ready to lend his aid for the love of Science, had thrown aside his baton, and showed his broad face, fairly shining with good humor, in the midst of the thickest confusion, zealously striving to restore peace and order, but regretting between-whiles the loss of the long cadenza, and of the beautiful tableau which he had taken such pains to arrange.

In my heart all was as serenely bright as on that blissful Sunday when I had played on my fiddle far into the night at the open window where stood the flask of wine. Since the rumpus showed no signs of abating, I hastily pulled out my violin, and without more ado played an Italian dance, popular among the mountains, which I had learned at the old castle in the forest.

All turned their heads to listen. "Bravo! Bravissimo! A delicious idea!" cried the merry connoisseur of Art, running from one to another to arrange a rustic divertissement, as he called it. He made a beginning himself by leading out the lady who had played the guitar in the arbor. Thereupon he began to dance with extraordinary artistic skill, and describe all sorts of letters on the grass with the points of his toes, really trilling with his feet, and now and then jumping pretty high in the air. But he soon had enough of it, for he was rather corpulent. His jumps grew fewer and clumsier, until at last he withdrew from the circle, puffing violently, and mopping the moisture from his forehead with a snowy pocket-handkerchief. Meanwhile, the young man, who had regained his composure, brought from the inn some castanets, and before I was aware all were dancing merrily beneath the trees. The sun had set, but the crimson sky in the west cast bright reflections among the shadows, and upon the old walls and the half-buried columns covered with ivy in the depths of the garden, while below the vineyards we could see the Eternal City bathed in the evening glow. The dance in the still, clear air was charming, and my heart within me laughed to see how the slender girls and the lady's-maid glided among the trees with arms upraised like heathen wood-nymphs, and kept time to the music with their castanets. At last I could no longer restrain myself; I joined their ranks, and danced away merrily, still fiddling all the time.

I had been hopping about thus for some minutes, not noticing that the others were beginning to be tired and were dropping out of the dance, when I felt some one twitch me by the coat-tail. It was the lady's-maid. "Don't be a fool," she said under her breath; "you are jumping about like a kid! Read your note, and come soon; the beautiful young Countess awaits you." She slipped out of the garden in the twilight and vanished among the vineyards.

My heart beat fast; I longed to follow her. Fortunately, a waiter was just lighting the lantern over the garden gate. I took out my note, which contained a somewhat rudely penciled plan of the gate and the streets leading to it, just as I had been directed by the lady's-maid, and in addition the words "Eleven o'clock, at the little door."

Two long hours to wait! Nevertheless I should have set out immediately, for I could not stay still, had not the painter, who had brought me hither, rushed up. "Did you speak to the girl?" he asked. "I cannot see her now. It was the German Countess's maid." "Hush, hush!" I replied; "the Countess is still in Rome." "So much the better," said the painter; "come then and drink her health." And in spite of all I could say he forced me to return to the garden with him.

It looked quite deserted. The merry company had departed, and were sauntering toward Rome, each lad with his lass upon his arm. We could hear them talking and laughing among the vineyards in the quiet evening, until at last their voices died away in the valley below, lost in the rustling of the trees and the murmur of the stream. I stayed with my painter and Herr Eckbrecht, which was the name of the other young painter who had been quarreling with the maid. The moon shone brilliantly through the tall, dark evergreens; a candle on the table before us flickered in the breeze and gleamed over the wine spilled copiously around it. I had to sit down with my companions, and my painter chatted with me about my native village, my travels, and my plans for the future. Herr Eckbrecht had seated upon his knee the pretty girl who had brought us our wine, and was teaching her the accompaniment of a song on the guitar. Her slender fingers soon picked out the correct chords, and they sang together an Italian song; first he sang a verse, and then the girl sang the next; it sounded deliciously, in the clear, bright evening. When the girl was called away, Herr Eckbrecht, taking no further notice of us, leaned back on his bench with his feet on a low stool and played and sang many an exquisite song. The stars glittered; the landscape turned to silver in the moonlight; I thought of the Lady fair, and of my far-off home, and quite forgot the painter at my side. Herr Eckbrecht had occasionally to tune his instrument; whereat he grew downright angry, and at last he screwed a string so tight that it broke, whereupon he tossed aside the guitar and sprang to his feet, noticing for the first time that my painter had laid his head on his arm upon the table and was fast asleep. He hastily wrapped around him a white cloak which hung on a bough near by, then suddenly paused, glanced keenly at my painter, and then at me several times, then seated himself on the table directly in front of me, cleared his throat, settled his cravat, and instantly began to hold forth to me. "Beloved hearer and fellow-countryman," he said, "since the bottles are nearly empty, and morality is indisputably the first duty of a citizen when the virtues are on the wane, I feel myself moved, out of sympathy for a fellow-countryman, to present for your consideration a few moral axioms. It might be supposed," he went on, "that you are a mere youth, whereas your coat has evidently seen its best years; it might be supposed that you had leaped about like a satyr; nay, some might maintain that you are a vagabond, because you are out here in the country and play the fiddle; but I am influenced by no such superficial considerations; I form my judgment on your delicately chiseled nose; I take you for a strolling genius." His ambiguous phrases irritated me; I was about to retort sharply. But he gave me no chance to speak. "Observe," he said, "how you are puffed up by a modicum of praise. Retire within yourself and ponder upon your perilous vocation. We geniuses—for I am one too—care as little for the world as it cares for us; without any ado, in the seven-league boots which we bring into the world with us, we stride on directly into eternity. A most lamentable, inconvenient straddling position this—one leg in the future, where nothing is to be discerned but the rosy morn and the faces of future children, the other leg still in the middle of Rome, in the Piazza del Popolo, where the entire present century would fain seize the opportunity to advance, and clings to the boot tight enough to pull the leg off! And then all this restlessness, wine-bibbing, and hunger solely for an immortal eternity! And look you at my comrade there on the bench, another genius; his time hangs heavy on his hands here and now, what under heaven is he to do in eternity? Yes, my highly-esteemed comrade, you and I and the sun rose early together this morning, and have pondered and painted all day long, and it was all beautiful—and now the drowsy night passes its furred sleeve over the world and wipes out all the colors." He kept on talking for a long while, his hair all disheveled with dancing and drinking, and his face looking deadly pale in the moonlight.

But I was seized with a horror of him and of his wild talk, and when he turned and addressed the sleeping painter I took advantage of the opportunity and slipped round the table, without being perceived by him, and out of the garden. Thence, alone and glad at heart, I descended through the vine-trellises into the wide moonlit valley.

The clocks in the city were striking ten. Behind me, in the quiet night, I still heard an occasional note of the guitar, and at times the voices of the two painters, going home at last, were audible. I ran on as quickly as possible, that they might not overtake me.

At the city-gate I turned into the street on the right hand, and hurried on with a throbbing heart among the silent houses and gardens. To my amazement, I suddenly found myself in the very Square with the fountain, for which, by daylight, I had vainly searched. There stood the solitary summer-house again in the glorious moonlight, and again the Lady fair was singing the same Italian song as on the evening before. In an ecstasy I tried first the low door, then the house door, and at last the big garden gate, but all were locked. Then first it occurred to me that eleven had not yet struck. I was irritated by the slow flight of time, but good manners forbade my climbing over the garden gate as I had done yesterday. Therefore I paced the lonely Square to and fro for a while, and at last again seated myself upon the basin of the fountain and resigned myself to meditation and calm expectancy.

The stars twinkled in the skies; the Square was quiet and deserted; I listened with delight to the song of the Lady fair, as it mingled with the ripple of the fountain. All at once I perceived a white figure approach from the opposite side of the Square and go directly toward the little garden door. I peered eagerly through the dazzling moonlight—it was the queer painter in his white cloak. He drew forth a key quickly, unlocked the door, and, before I knew it, was within the garden.

I had from the first entertained a special dislike of this painter on account of his nonsensical talk. But now I fell into a rage with him. "The low fellow is certainly intoxicated again," I thought; "he has got the key from the maid, and intends to surprise, and perhaps to assault, the Lady fair." And I rushed precipitately through the low door, which was still open, into the garden.

When I entered, all was quiet and lonely. The folding-doors of the summer-house were open, and a ray of lamplight issuing from it played upon the grass and flowers near. Even from a distance I could see the interior. In a magnificent apartment, hung with green and partially illumined by a lamp with a white shade, the lovely Lady fair with her guitar was reclining on a silken lounge, never dreaming, in her innocence, of the danger without.

I had not much time, however, to look, for I perceived the white figure among the shrubbery, stealthily approaching the summer-house from the opposite side, while the song floating on the air from the house was so melancholy that it went to my very soul. I therefore took no long time for reflection, but broke off a stout bough from a tree, and rushed at the white-cloaked figure, shouting "Murder!" so that the garden rang again.

The painter when he beheld me appear thus unexpectedly took to his heels, screaming frightfully. I screamed louder still. He ran toward the house, and I after him, and I had very nearly caught him, when I became entangled in some plaguy trailing vines, and measured my length upon the ground just before the front door.

"So it is you, is it, you fool!" I heard some one say above me. "You frightened me nearly to death." I picked myself up, and when I had wiped my eyes clear of dust, I saw before me the lady's-maid, from whose shoulders the white cloak was just falling. "But," said I, in confusion, "was not the painter here?" "He was," she replied, saucily; "at least his cloak was, which he put around me when I met him at the gate, because I was cold." The Lady fair, hearing the noise, sprang up from the lounge and came out to us. My heart beat as if it would burst; but what was my dismay when I looked at her, and instead of the lovely Lady fair saw an entire stranger!

She was a rather tall, stout lady, with a haughty, hooked nose and high-arched black eyebrows, very beautiful and imposing. She looked at me so majestically out of her big, glittering eyes that I was overwhelmed with awe. So confused was I that I could only make bow after bow, and at last I attempted to kiss her hand. But she snatched it from me, and said something in Italian to her maid which I could not understand.

Meanwhile, the racket I had made had aroused the entire neighborhood. Dogs barked, children screamed, and men's voices were heard, approaching the garden. The Lady gave me another glance, as though she would have liked to pierce me through and through with fiery bullets, then turned hastily and went into the room, with a haughty, forced laugh, slamming the door directly in my face. The maid seized me by the sleeve and pulled me toward the garden gate.

"Your stupidity is beyond belief!" she said in the most spiteful way as we went along. I too was furious. "What the devil did you mean," I said, "by telling me to come here?" "That's just it!" exclaimed the girl. "My Countess favored you so—first threw flowers out of the window to you, sang songs—and this is her reward! But there is absolutely nothing to be done with you; you positively throw away your luck." "But," I rejoined, "I meant the Countess from Germany, the lovely Lady fair—" "Oh," she interrupted me, "she went back to Germany long ago, with your crazy passion for her. And you'd better run after her! No doubt she is pining for you, and you can play the fiddle together and gaze at the moon, only for pity's sake let me see no more of you!"

All was confusion about us by this time. People from the next garden were climbing over the fence armed with clubs, others were searching among the paths and avenues; frightened faces in nightcaps appeared here and there in the moonlight; it seemed as if the devil had let loose upon us a mob of evil spirits. The lady's-maid was nowise daunted. "There, there goes the thief!" she called out to the people, pointing across the garden. Then she pushed me out of the gate and clapped it to behind me.

There I stood once more beneath the stars in the deserted Square, as forlorn as when I had seen it first the day before. The fountain, which had but now seemed to sparkle as merrily in the moonlight as if cherubs were flitting up and down in it, plashed on, but all joy and happiness were buried beneath its waters. I determined to turn my back forever on treacherous Italy, with its crazy painters, its oranges, and its lady's-maids, and that very hour I wandered forth through the gate.

CHAPTER IX

On guard the faithful mountains stand:
"Who wanders o'er the moorland there
From other climes, in morning fair?"
And as I look far o'er the land,
For very glee my heart laughs out.
The joyous "vivats" then I shout;
Watchword and battle-cry shall be:
Austria, for thee!

The landscape far and near I know;
The birds and brooks and forests fair
Send me their greetings on the air;
The Danube sparkles down below;
St. Stephen's spire far in the blue
Seems waving me a welcome too.
Warm to its core my heart shall be,
Austria, for thee!

I was standing on the summit of a mountain whence the first view of Austria can be had, and I waved my hat joyfully in the air as I sang the last verse, when suddenly from the forest behind me some fine instrumental music joined in. I turned quickly and perceived three young fellows in long blue cloaks, one playing a hautboy, another a clarionet, and the third, who wore an old three-cornered hat, a horn. They played an accompaniment to my song, which made the woods ring again. I, nothing loath, took out my fiddle, and played and sang with a will. Then one glanced meaningly at the others; he who played the horn stopped puffing out his cheeks and took the instrument down from his mouth; at last they all ceased playing, and stared at me. I ended my performance also, and in turn stared at them. "We supposed," the cornetist said at last, "from the length of the gentleman's coat that he was a traveling Englishman, journeying afoot here to admire the beauties of nature, and we thought we might perhaps earn a trifle for our own travels. But the gentleman seems to be a musician himself." "Properly speaking, a Receiver," I interposed, "and I come at present directly from Rome; but, as it is some time since I received anything, I have paid my way with my violin." "'Tis not worth much nowadays," said the cornetist, as he betook himself to the woods again, and began fanning with his cocked hat a fire that they had kindled there. "Wind-instruments are more profitable," he continued. "When a noble family is seated quietly at their mid-day meal, and we unexpectedly enter their vaulted vestibule and all three begin to blow with all our might, a servant is sure to come running out to us with money or food, just to get rid of the noise. But will you not share our repast?"

The fire in the forest was burning cheerily, the morning was fresh; we all sat down on the grass, and two of the musicians took from the fire a can in which there was coffee with milk. Then they brought forth some bread from the pockets of their cloaks, and each dipped it in the can and drank turn about with such relish that it was a pleasure to see them. But the cornetist said, "I never could endure the black slops," and, after handing me a huge slice of bread and butter, he brought out a bottle of wine, from which he offered me a draught. I took a good pull at it, but had to put it down in a hurry with my face all of a pucker, for it tasted like "old Gooseberry." "The wine of the country," said the cornetist; "but Italy has probably spoilt your German taste."

Then he rummaged in his wallet, and finally produced from among all sorts of rubbish an old, tattered map of the country, in the corner of which the emperor in his royal robes was still to be discerned, a sceptre in his right hand, the orb in his left. This map he carefully spread out upon the ground; the others drew nearer, and they all consulted together as to their route.

"The vacation is nearly over," said one; "let us turn to the left as soon as we leave Linz, so as to be in Prague in time." "Upon my word!" exclaimed the cornetist. "Whom do you propose to pipe to on that road? Nobody there save wood-choppers and charcoal-burners; no culture nor taste for art—no station where one can spend a night for nothing!" "Oh, nonsense!" rejoined the other. "I like the peasants best; they know where the shoe pinches, and are not so particular if you sometimes blow a false note." "That is, you have no point d'honneur," said the cornetist. "Odi profanum vulgus et arceo, as the Latin has it." "Well, there must be some churches on the road," struck in the third; "we can stop at the Herr Pastors'." "No, I thank you," said the cornetist; "they give little money, but long sermons on the folly of philandering about the world when we might be acquiring knowledge, and they wax specially eloquent when they sniff in me a future member of their fraternity. No, no, clericus clericum non decimat. But why be in such a hurry? The Herr Professors are still at Carlsbad, and are sure not to be precise about the very day." "Nay, distinguendum est inter et inter," replied the other; "quod licet Jovi, non licet bovi!"

I now saw that they were students from Prague, and I conceived a great respect for them, especially as they spoke Latin like their mother-tongue. "Is the gentleman a student?" the cornetist asked me. I replied modestly that I had always been very fond of study, but that I had had no money. "That's of no consequence," said the cornetist; "we have neither money nor rich patrons, but we get along by mother-wit. Aurora musis amica, which means, being interpreted, 'Do not waste too much time at breakfast.' But when the bells at noon echo from tower to tower, and from mountain to mountain, and the scholars crowd out of the old dark lecture-room, and swarm shouting through the streets, we betake us to the Capuchin monastery, to the father who presides in the refectory, where there is sure to be a table spread for us, or if not actually spread, there will be at least a dish apiece, and we fall to, and perfect ourselves at the same time in our Latin. So you see we study right ahead from day to day. And when at last the vacation comes, and all the others depart for their homes, by coach or on horseback, then we stroll forth through the streets and through the city gate with our instruments under our cloaks and the world before us."

I can't tell how it was, but, while he spoke, the thought that such learned people were so forlorn and forsaken in this world went to my very heart. And then I thought of myself, and how I was not much better off, and the tears came into my eyes. The cornetist eyed me askance. "I wouldn't give a fig," he went on, "to travel with horses, and coffee, and freshly-made beds, and nightcaps and boot-jacks, all ordered beforehand. It's just the delightful part of it that, when we set out early in the morning, and the birds of passage are winging their flight high in the air above us, we do not know what chimney is smoking for us today, and can never foresee what special piece of luck may befall us before evening." "Yes," said the other, "and wherever we go, and take out our instruments, people are merry; and when we play at noon in the vestibule of some great country-house, the maids will dance before the door, and their masters and mistresses will have the drawing-room door opened a little, the better to hear the music, and the clatter of plates and the smell of the roast float out through the chink, and the young misses at table well-nigh twist their necks off to see the musicians outside." "That's true!" exclaimed the cornetist, with sparkling eyes. "Let who will pore over their compendiums, we choose to study in the vast picture-book which the dear God spreads open before us! Yes, the gentleman may believe me, we make the right sort of fellows, who know how to preach to the peasants from the pulpit and to bang the cushion, so that the clodpoles down below are ready to burst with humiliation and edification."

At hearing them talk thus, I became so pleased and interested that I longed to be a student too. I could have listened forever, for I enjoy the conversation of men of learning, from whom much is to be gained. But we had no real, sensible conversation, for one of the students was worried because the vacation was so nearly at an end. He put his clarionet together, set up a sheet of music on his knees, and began to practice a difficult passage from a mass which was to be played when they returned to Prague. There he sat and fingered and played away, sometimes so false that it fairly pierced your ears and you couldn't hear your own voice.

Suddenly the cornetist exclaimed in his bass tones, "I have it!" and down came his fist on the map before him. The other stopped practising for a moment, and looked at him in surprise. "Hark ye," said the cornetist, "there is a castle not far from Vienna, and in that castle there is a porter, and that porter is my cousin! Dearest fellow-students, that must be our goal; we must pay our respects to my cousin, and he will arrange for our further journey." When I heard that, I sprang to my feet. "Doesn't he play on the bassoon?" I cried. "Is he not tall and straight, with a big, prominent nose?" The cornetist nodded, upon which I embraced him so enthusiastically that his three-cornered hat fell off, and we all immediately determined to take the mail-boat on the Danube to the castle of the beautiful Countess.

When we arrived at the wharf all was ready for departure. The fat host before whose inn the ship had lain all night was standing broad and cheery in his door-way, which he quite filled, shouting out all sorts of jokes and farewell speeches, while from every window a girl's head was poked out nodding to the sailors, who were just carrying the last packages aboard. An elderly gentleman with a gray overcoat and a black neckerchief, who was also going in the boat, stood on the shore talking very earnestly with a slim young fellow in leather breeches and a trig scarlet jacket, mounted on a magnificent chestnut. To my great surprise, they seemed to glance at times toward me, and to be speaking of me. At last the old gentleman laughed, and the slim young fellow cracked his riding-whip and galloped off through the fresh morning across the shining landscape, with the larks soaring above him.

Meanwhile, the students and I had combined our resources. The captain laughed and shook his head when the cornetist counted out our passage-money to him in coppers, for which we had diligently searched every corner of our pockets. I shouted aloud when I once more saw the Danube before me; we hurried aboard, the captain gave the signal, and away we glided in the brilliant morning sunshine past the meadows and the mountains.

The birds in the woods were singing, and the morning bells echoed afar from the villages on each side of us, while overhead the larks' clear notes were now and then heard. On the boat a canary-bird in its cage trilled and twittered back so that it was a delight to listen to it.

It belonged to a pretty young girl who was on the boat with us. She kept the cage close beside her, and under the other arm she had a small bundle of linen; she sat by herself, quite still, looking in great content, now at her new traveling-shoes, which peeped out from beneath her petticoats, and now down at the water, while the morning sun shone on her white forehead, above which the hair was neatly parted. I noticed that the students would have liked to engage her in polite discourse, for they kept passing to and fro before her, and the cornetist, whenever he did so, cleared his throat, and settled, first his cravat, and then his three-cornered hat. But their courage failed them, and moreover the girl cast down her eyes as soon as they, approached her.

They seemed, besides, to stand in special awe of the elderly gentleman in the gray overcoat, who was now sitting on the other side of the boat, and whom they took for a divine. He held an open breviary, in which he was reading, looking up from it frequently to admire the lovely scenery, while the gilt edges of the book and the gay pictures of saints laid between its leaves shone brilliantly in the sun light. He was perfectly well aware, too, of what was going on around him, and soon recognized the birds by their feathers, for before long he addressed one of the students in Latin, whereupon all three approached him, took off their hats, and made answer also in Latin.

Meanwhile, I had seated myself at the prow of the boat, where, highly delighted, I dangled my legs above the water, gazing, while the boat glided onward and the waves below me leaped and foamed, constantly into the blue distance, watching towers and castles one after another emerge from the dim depths of green, grow and grow upon the sight, and finally recede and vanish behind us. "If I had but wings at this moment!" I thought; and at last in my impatience I drew forth my dear violin and played all my oldest pieces, which I had learned at home and at the castle of the Lady fair.