Further Foolishness

"Stay where you are," said Yump. And Itch stayed.

Meantime Serge had gone upstairs with the fish and the duck and the cheese and the pudding. As he went up he thought. "It is selfish to eat alone. I will give part of the fish to the others." And when he got a little further up the steps he thought, "I will give them all of the fish." And when he got higher still he thought, "They shall have everything."

Then he opened the door and came into the big room where the students were playing with matches at the big table and drinking golgol out of cups. "Here is food, brothers," he said. "Take it. I need none."

The students took the food and they cried, "Rah, Rah," and beat the fish against the table. But the pudding they would not take. "We have no axe," they said. "Keep it."

Then they poured out golgol for Serge and said, "Drink it."

But Serge would not.

"I must work," he said, and all the students laughed. "He wants to work!" they cried. "Rah, Rah."

But Serge went up to his room and lighted his taper, made of string dipped in fat, and set himself to study. "I must work," he repeated.

So Serge sat at his books. It got later and the house grew still. The noise of the students below ceased and then everything was quiet.

Serge sat working through the night. Then presently it grew morning and the dark changed to twilight and Serge could see from his window the great building with the barred windows across the street standing out in the grey mist of the morning.

Serge had often studied thus through the night and when it was morning he would say, "It is morning," and would go down and help Madame Vasselitch unbar the iron shutters and unchain the door, and remove the bolts from the window casement.

But on this morning as Serge looked from his window his eyes saw a figure behind the barred window opposite to him. It was the figure of a girl, and she was kneeling on the floor and she was in prayer, for Serge could see that her hands were before her face. And as he looked all his blood ran warm to his head, and his limbs trembled even though he could not see the girl's face. Then the girl rose from her knees and turned her face towards the bars, and Serge knew that it was Olga Ileyitch and that she had seen and known him.

Then he came down the stairs and Madame Vasselitch was there undoing the shutters and removing the nails from the window casing.

"What have you seen, little son?" she asked, and her voice was gentle, for the face of Serge was pale and his eyes were wide.

But Serge did not answer the question.

"What is that house?" he said. "The great building with the bars that you call the house of the dead?"

"Shall I tell you, little son," said Madame Vasselitch, and she looked at him, still thinking. "Yes," she said, "he shall know.

"It is the prison of the condemned, and from there they go forth only to die. Listen, little son," she went on, and she gripped Serge by the wrist till he could feel the bones of her fingers against his flesh. "There lay my husband, Vangorod Vasselitch, waiting for his death. Months long he was there behind the bars and no one might see him or know when he was to die. I took this tall house that I might at least be near him till the end. But to those who lie there waiting for their death it is allowed once and once only that they may look out upon the world. And this is allowed to them the day before they die. So I took this house and waited, and each day I looked forth at dawn across the street and he was not there. Then at last he came. I saw him at the window and his face was pale and set and I could see the marks of the iron on his wrists as he held them to the bars. But I could see that his spirit was unbroken. There was no power in them to break that. Then he saw me at the window, and thus across the narrow street we said good-bye. It was only a moment. 'Sonia Vasselitch,' he said, 'do not forget,' and he was gone. I have not forgotten. I have lived on here in this dark house, and I have not forgotten. My sons—yes, little brother, my sons, I say—have not forgotten. Now tell me, Sergius Ivanovitch, what you have seen."

"I have seen the woman that I love," said Serge, "kneeling behind the bars in prayer. I have seen Olga Ileyitch."

"Her name," said Madame Vasselitch, and there were no tears in her eyes and her voice was calm, "her name is Olga Vasselitch. She is my daughter, and to-morrow she is to die."

CHAPTER IV

Madame Vasselitch took Serge by the hand.

"Come," she said, "you shall speak to my sons," and she led him down the stairs towards the room of Halfoff and Kwitoff.

"They are my sons," she said. "Olga is their sister. They are working to save her."

Then she opened the door. Halfoff and Kwitoff were working as Serge had seen them before, beside the crucible with the blue flame on their faces.

They had not slept.

Madame Vasselitch spoke.

"He has seen Olga," she said. "It is to-day."

"We are too late," said Halfoff, and he groaned.

"Courage, brother," said Kwitoff. "She will not die till sunrise. It is twilight now. We have still an hour. Let us to work."

Serge looked at the brothers.

"Tell me," he said. "I do not understand."

Halfoff turned a moment from his work and looked at Serge.

"Brother," he said, "will you give your life?"

"Is it for Olga?" asked Serge.

"It is for her."

"I give it gladly," said Serge.

"Listen then," said Halfoff. "Our sister is condemned for the killing of Popoff, inspector of police. She is in the prison of the condemned, the house of the dead, across the street. Her cell is there beside us. There is only a wall between. Look—"

Halfoff as he spoke threw aside a curtain that hung across the end of the room. Serge looked into blackness. It was a tunnel.

"It leads to the wall of her cell," said Halfoff. "We are close against the wall but we cannot shatter it. We are working to make a bomb. No bomb that we can make is hard enough. We can only try once. If it fails the noise would ruin us. There is no second chance. We try our bombs in the crucible. They crumble. They have no strength. We are ignorant. We are only learning. We studied it in the books, the forbidden books. It took a month to learn to set the wires to fire the bomb. The tunnel was there. We did not have to dig it. It was for my father, Vangorod Vasselitch. He would not let them use it. He tapped a message through the wall, 'Keep it for a greater need.' Now it is his daughter that is there."

Halfoff paused. He was panting and his chest heaved. There was perspiration on his face and his black hair was wet.

"Courage, little brother," said Kwitoff. "She shall not die."

"Listen," went on Halfoff. "The bomb is made. It is there beside the crucible. It has power in it to shatter the prison. But the wires are wrong. They do not work. There is no current in them. Something is wrong. We cannot explode the bomb."

"Courage, courage," said Kwitoff, and his hands were busy among the wires before him. "I am working still."

Serge looked at the brothers.

"Is that the bomb?" he said, pointing at a great ball of metal that lay beside the crucible.

"It is," said Halfoff.

"And the little fuse that is in the side of it fires it?

And the current from the wires lights the fuse?"

"Yes," said Halfoff.