The Atlantic Monthly, Volume 01, No. 05, March, 1858

The Atlantic Monthly, Volume 01, No. 05, March, 1858
Various

Various

The Atlantic Monthly, Volume 01, No. 05, March, 1858 / A Magazine of Literature, Art, and Politics

THE CATACOMBS OF ROME

—–parti elette Di Roma, che son state cimitero Alla milizia che Pietro seguette.

    PARADISO, c. ix.

"Roma Sotterranea,"—the underground Rome of the dead,—the buried city of graves. Sacred is the dust of its narrow streets. Blessed were those who, having died for their faith, were laid to rest in its chambers. In pace is the epitaph that marks the places where they lie. In pace is the inscription which the imagination reads over the entrance to the Christian Catacombs.

Full as the upper city is of great and precious memories, it possesses none greater and more precious than those which belong to the city under ground. Republican Rome had no braver heroes than Christian Rome. The ground and motives of action were changed, but the courage and devotion of earlier times did not surpass the courage and devotion of later days,—while a new spirit displayed itself in new and unexampled deeds, and a new and brighter glory shone from them over the world. But, unhappily, the stories of the early Christian centuries were taken possession of by a Church which has sought in them the means of enhancing her claims and increasing her power; mingling with them falsehoods and absurdities, cherishing the wildest and most unnatural traditions, inventing fictitious miracles, dogmatizing on false assertions, until reasonable and thoughtful religious men have turned away from the history of the first Christians in Rome with a sensation of disgust, and with despair at the apparently inextricable confusion of fact and fable concerning them.

But within a few years the period to which these stories belong has begun to be investigated with a new spirit, even at Rome itself, and in the bosom of the Roman Church. It was no unreasonable expectation, that, from a faithful and honest exploration of the catacombs, and examination of the inscriptions and works of art in them or derived from them, more light might be thrown upon the character, the faith, the feeling, and the life of the early Christians at Rome, than from any other source whatever. Results of unexpected interest have proved the justness of this expectation.

These results are chiefly due to the labors of two Romans, one a priest and the other a layman, the Padre Marchi, and the Cavaliere de Rossi, who have devoted themselves with the utmost zeal and with great ability to the task of exploration. The present Pope, stimulated by the efforts of these scholars, established some years since a Commission of Sacred Archeology for the express purpose of forwarding the investigations in the catacombs; and the French government, soon after its military occupation of Rome, likewise established a commission for the purpose of conducting independent investigations in the same field.[1 - In 1844, Padre Marchi published a series of numbers, seventeen in all, of a work entitled Monumenti delle Arti Cristiane Primitive nella Metropol del Cristianesmo. The numbers are in quarto, and illustrated by many carefully executed plates. The work was never completed; but it contains a vast amount of important information, chiefly the result of Padre Marchi's own inquiries. The Cavaliere de Rossi, still a young man, one of the most learned and accomplished scholars of Italy, is engaged at present in editing all the Christian inscriptions of the first six centuries. No part of this work has yet appeared. He is the highest living authority on any question regarding the catacombs. The work of the French Commission has been published at Paris in the most magnificent style, in six imperial folio volumes, under the title, Catacombes de Rome, etc., etc. Par LOUIS PERRET. Ouvrage publié par Ordre et aux Frais du Gouvernement, sous la Direction d'une Commission composée de MM. AMPERE, INGRES, MERIMÉE, VITET. It consists of four volumes of elaborate colored plates of architecture, mural paintings, and all works of art found in the catacombs, with one volume of inscriptions, reduced in fac-simile from the originals, and one volume of text. The work is of especial value as regards the first period of Christian Art. Its chief defect is the want of entire accuracy, in some instances, in its representations of the mural paintings,—some outlines effaced in the original being filled out in the copy, and some colors rendered too brightly. But notwithstanding this defect, it is of first importance in illustrating the hitherto very obscure history and character of early Christian Art.]

The Roman catacombs consist for the most part of a subterranean labyrinth of passages, cut through the soft volcanic rock of the Campagna, so narrow as rarely to admit of two persons walking abreast easily, but here and there on either side opening into chambers of varying size and form. The walls of the passages, through their whole extent, are lined with narrow excavations, one above another, large enough to admit of a body being placed in each; and where they remain in their original condition, these excavations are closed in front by tiles, or by a slab of marble cemented to the rock, and in most cases bearing an inscription. Nor is the labyrinth composed of passages upon a single level only; frequently there are several stories, connected with each other by sloping ways.

There is no single circumstance, in relation to the catacombs, of more striking and at first sight perplexing character than their vast extent. About twenty different catacombs are now known and are more or less open,—and a year is now hardly likely to pass without the discovery of a new one; for the original number of underground cemeteries, as ascertained from the early authorities, was nearly, if not quite, three times this number. It is but a very few years since the entrance to the famous catacomb of St. Callixtus, one of the most interesting of all, was found by the Cavaliere de Rossi; and it was only in the spring of 1855 that the buried church and catacomb of St. Alexander on the Nomentan Way were brought to light. Earthquakes, floods, and neglect have obliterated the openings of many of these ancient cemeteries,—and the hollow soil of the Campagna is full "of hidden graves, which men walk over without knowing where they are."

Each of the twelve great highways which ran from the gates of Rome was bordered on either side, at a short distance from the city wall, by the hidden Christian cemeteries. The only one of the catacombs of which even a partial survey has been made is that of St. Agnes, of a portion of which the Padre Marchi published a map in 1845. "It is calculated to contain about an eighth part of that cemetery. The greatest length of the portion thus measured is not more than seven hundred feet, and its greatest width about five hundred and fifty; nevertheless, if we measure all the streets that it contains, their united length scarcely falls short of two English miles. This would give fifteen or sixteen miles for all the streets in the cemetery of St. Agnes."[2 - The foregoing extract is taken from a book by the Rev. J. Spencer Northcote, called The Roman Catacombs, or some Account of the Burial-Places of the Early Christians in Rome: London, 1857. It is the best accessible manual in English,—the only one with any claims to accuracy, and which contains the results of recent investigations. Mr. Northcote is one of the learned band of converts from Oxford to Rome. A Protestant may question some of the conclusions in his book, but not its general fairness. Our own first introduction to the catacombs, in the winter of 1856, was under Mr. Northcote's guidance, and much of our knowledge of them was gained through him. Mr. Northcote estimates the total length of the catacombs at nine hundred miles; we cannot but think this too high.] Taking this as a fair average of the size of the catacombs, for some are larger and some smaller, we must assign to the streets of graves already known a total length of about three hundred miles, with a probability that the unknown ones are at least of equal length. This conclusion appears startling, when one thinks of the close arrangement of the lines of graves along the walls of these passages. The height of the passages varies greatly, and with it the number of graves, one above another; but the Padre Marchi, who is competent authority, estimates the average number at ten, that is, five on each side, for every seven feet,—which would give a population of the dead, for the three hundred miles, of not less than two millions and a quarter. No one who has visited the catacombs can believe, surprising as this number may seem, that the Padre Marchi's calculation is an extravagant one as to the number of graves in a given space. We have ourselves counted eleven graves, one over another, on each side of the passage, and there is no space lost between the head of one grave and the foot of another. Everywhere there is economy of space,—the economy of men working on a hard material, difficult to be removed, and laboring in a confined space, with the need of haste.

This question of the number of the dead in the catacombs opens the way to many other curious questions. The length of time that the catacombs were used as burial-places; the probability of others, beside Christians, being buried in them; the number of Christians at Rome during the first two centuries, in comparison with the total number of the inhabitants of the city; and how far the public profession of Christianity was attended with peril in ordinary times at Rome, previously to the conversion of Constantine, so as to require secret and hasty burial of the dead;—these are points demanding solution, but of which we will take up only those relating immediately to the catacombs.

There can, of course, be no certainty with regard to the period when the first Christian catacomb was begun at Rome,—but it was probably within a few years after the first preaching of the Gospel there. The Christians would naturally desire to separate themselves in burial from the heathen, and to avoid everything having the semblance of pagan rites. And what mode of sepulture so natural for them to adopt, in the new and affecting circumstances of their lives, as that which was already familiar to them in the account of the burial of their Lord? They knew that he had been "wrapped in linen, and laid in a sepulchre which was hewn out of a rock, and a stone had been rolled unto the door of the sepulchre." They would be buried as he was. Moreover, there was a general and ardent expectation among them of the second coming of the Saviour; they believed it to be near at hand; and they believed also that then the dead would be called from their graves, clothed once more in their bodies, and that as Lazarus rose from the tomb at the voice of his Master, so in that awful day when judgment should be passed upon the earth their dead would rise at the call of the same beloved voice.

But there were, in all probability, other more direct, though not more powerful reasons, which led them to the choice of this mode of burial. We read that the Saviour was buried—at least, the phrase appears applicable to the whole account of his entombment … "as the manner of the Jews is to bury." The Jewish population at Rome in the early imperial times was very large. They clung, as Jews have clung wherever they have been scattered, to the memories and to the customs of their country,—and that they retained their ancient mode of sepulture was curiously ascertained by Bosio, the first explorer of the catacombs. In the year 1602, he discovered a catacomb on what is called Monte Verde,—the southern extremity of the Janiculum, outside the walls of Rome, near to the Porta Portese. This gate is in the Transtiberine district, and in this quarter of Rome the Jews dwelt. The catacomb resembled in its general form and arrangements those which were of Christian origin;—but here no Christian emblem was found. On the contrary, the only emblems and articles that Bosio describes as having been seen were plainly of Jewish origin. The seven-branched candlestick was painted on the wall; the word "Synagogue" was read on a portion of a broken inscription and the whole catacomb had an air of meanness and poverty which was appropriate to the condition of the mass of the Jews at Rome. It seemed to be beyond doubt that it was a Jewish cemetery. In the course of years, through the changes in the external condition and the cultivation of Monte Verde, the access to this catacomb has been lost. Padre Marchi made ineffectual efforts a few years since to find an entrance to it, and Bosio's account still remains the only one that exists concerning it. Supposing the Jews to have followed this mode of interment at Rome, it would have been a strong motive for its adoption by the early Christians. The first converts in Rome, as St. Paul's Epistle shows, were, in great part, from among the Jews. The Gentile and the Jewish Christians made one community, and the Gentiles adopted the manner of the Jews in placing their dead, "wrapped in linen cloths, in new tombs hewn out of the rock."

Believing, then, the catacombs to have been begun within a few years after the first preaching of Christianity in Rome, there is abundant evidence to prove that their construction was continued during the time when the Church was persecuted or simply tolerated, and that they were extended during a considerable time after Christianity became the established creed of the empire. Indeed, several catacombs now known were not begun until some time after Constantine's conversion.[3 - For instance, about the middle of the fourth century, St. Julius, then Pope, is said to have begun three. See Marchi's Momumenti delle Arti Cristiane, p. 82.] They continued to be used as burial-places certainly as late as the sixth century. This use seems to have been given up at the time of the frequent desolation of the land around the walls of Rome by the incursions of barbarians, and the custom gradually discontinued was never resumed. The catacombs then fell into neglect, were lost sight of, and their very existence was almost forgotten. But during the first five hundred years of our era they were the burial-places of a smaller or greater portion of the citizens of Rome,—and as not a single church of that time remains, they are, and contain in themselves, the most important monuments that exist of the Christian history of Rome for all that long period.

It has been much the fashion during the last two centuries, among a certain class of critics hostile to the Roman Church, and sometimes hostile to Christianity, to endeavor to throw doubts on the fact of this immense amount of underground work having been accomplished by the Christians. It has been said that the catacombs were in part the work of the heathen, and that the Christians made use of excavations which they found ready to their hand. Such and other similar assertions have been put forward with great confidence; but there is one overwhelming and complete answer to all such doubts,—a visit to the catacombs themselves. No skepticism can stand against such arguments as are presented there. Every pathway is distinctly the work of Christian hands; the whole subterranean city is filled with a host of the Christian dead. But there are other convincing proofs of the character of their makers. These are of a curiously simple description, and are due chiefly to the investigations of late years. Nine tenths of the catacombs now known are cut through one of the volcanic rocks which abound in the neighborhood of Rome. Of the three chief varieties of volcanic rock that exist there, this is the only one which is of little use for purposes of art or trade. It could not have been quarried for profit. It would not have been quarried, therefore, by the Romans, except for the purposes of burial,—and the only inscriptions and other indications of the character of the occupants of these burial-places prove that they were Christian.[4 - The volcanic rocks are the Tufa litoide, very hard, and used for paving and other such purposes; difficult to be quarried, and unfit for graves on account of this difficulty. The Tufi granulare, a soft, friable, coarse-grained rock, easily cut,—fitted for excavation. It is in this that the catacombs are made. It is used for very few purposes in Rome. One may now and then see some coarse filling-up of walls done with it, or its square-cut blocks piled up as a fence. The third is the Pura pozzolana,—which is the Tufa granulare in a state of compact sand, yielding to the print of the heel, dug like sand, and used extensively in the unsurpassed mortar of the Roman buildings.] They are very different from the sepulchres of the great and rich families of Rome, who lined the Appian, the Nomentan, and Flaminian Ways with their tombs, even now magnificent in ruin; very different, too, from the columbaria, or pigeon-holes, in which the ashes of the less wealthy were packed away; and still more different from the sad undistinguished ditch that received the bodies of the poor:—

"Hoc miserae plebi stabat commune sepulcrum."

It not unfrequently happens in the soil of the Campagna, that the vein of harder rock in which the catacombs are quarried assumes the soft and sandy character which belongs to it in a state of decomposition. The ancient Romans dug this sand as the modern Romans do; and it seems probable, from the fact that some of the catacombs open out into arenaria, or sandpits, as in the case of the famous one of St. Agnes, that the Christians, in time of persecution, when obliged to bury with secresy, may have chosen a locality near some disused sandpit, or near a sandpit belonging to one of their own number, for the easier concealment of their work, and for the safer removal of the quarried tufa. In such cases the tufa may have been broken down into the condition of sand for removal. In later times, as the catacombs were extended, the tufa dug out from one passage was carried into the old passages no longer used; and thus, as the catacomb extended in one direction, it was closed up in another, and the ancient graves were concealed. This is now one of the great impediments in the way of modern exploration; and the same process is being repeated at present; for the Church allows none of the earth or stone to be removed that has been hallowed as the resting-place of the martyrs, and thus, as one passage is now opened, another has to be closed. The archaeologists may rebel, but the priests have their way. The ancient filling up was, however, productive of one good result; it preserved some of the graves from the rifling to which most were exposed during the period of the desertion of the catacombs. Most of the graves which are now found with their tiled or marble front complete, and with the inscription of name or date upon them unbroken, are those which were thus secluded.

But there is still another curious fact bearing upon the Christian origin of the catacombs. They are in general situated on somewhat elevated land, and always on land protected from the overflow of the river, and from the drainage of the hills. The early traditions of the Church preserve the names of many Christians who gave land for the purpose,—a portion of their vignas, or their villas. The names of the women Priscilla, Cyriaca, and Lucina are honored with such remembrance, and are attached to three of the catacombs. Sometimes a piece of land was thus occupied which was surrounded by property belonging to those who were not Christian. This seems to have been the case, for instance, in regard to the cemetery of St. Callixtus; for (and this is one of the recent discoveries of the Cavaliere de Rossi) the paths of this cemetery, crossing and recrossing in three, four, and five stages, are all limited to a definite and confined area,—and this area is not determined by the quality of the ground, but apparently by the limits of the field overhead. There can be no other probable explanation of this but that Christians would not extend their burial-place under land that was not in their possession. Many other facts, as we shall see in other connections, go to establish beyond the slightest doubt the Christian origin and occupation of the catacombs.

Descending from the level of the ground by a flight of steps into one of the narrow underground passages, one sees on either side, by the light of the taper with which he is provided, range upon range of tombs cut, as has been described, in the walls that border the pathway. Usually the arrangement is careful, but with an indiscriminate mingling of larger and smaller graves, as if they had been made one after another for young and old, according as they might be brought for burial. Now and then a system of regularity is introduced, as if the fossor, or digger, who was a recognized officer of the early Church, had had the leisure for preparing graves before they were needed. Here, there is a range of little graves for the youngest children, so that all infants should be laid together, then a range for older children, and then one for the grown up. Sometimes, instead of a grave suitable for a single body, the excavation is made deep enough into the rock to admit of two, three, or four bodies being placed side by side,—family graves. And sometimes, instead of the simple loculus, or coffin-like excavation, there is an arch cut out of the tufa, and sunk back over the whole depth of the grave, the outer side of which is not cut away, so that, instead of being closed in front by a perpendicular slab of marble or by tiles, it is covered on the top by a horizontal slab. Such a grave is called an arcosolium, and its somewhat elaborate construction leads to the conclusion that it was rarely used in the earliest period of the catacombs[5 - There is one puzzling circumstance in the cemetery of S. Domitilla. All the graves in this cemetery are arcosolia, and yet the date of construction is early. The Cavaliere de Rossi suggests that the cemetery was begun at the expense of the Domitilla whose name it bears, the niece of Domitian, previously to her banishment; that her position enabled her to have it laid out from the beginning on a regular plan, and to introduce this more expensive and elaborate form of grave, which was continued for the sake of uniformity in the later excavations.]. The arcosolia are usually wide enough for more than one body; and it would seem, from inscriptions that have been found upon their covering-slabs, that they were not infrequently prepared during the lifetime of persons who had paid beforehand for their graves. It is not improbable that the expenses of some one or more of the cemeteries may have been borne by the richer members of the Christian community, for the sake of their poorer brothers in the faith. The example of Nicodemus was one that would be readily followed.

But beside the different forms of the graves, by which their general character was varied, there were often personal marks of affection and remembrance affixed to the narrow excavations, which give to the catacombs their most peculiar and touching interest. The marble facing of the tomb is engraved with a simple name or date; or where tiles take the place of marble, the few words needed are scratched upon their hard surface. It is not too much to say that we know more of the common faith and feeling, of the sufferings and rejoicings of the Christians of the first two centuries from these inscriptions than from all other sources put together. In another paper we propose to treat more fully of them. As we walk along the dark passage, the eye is caught by the gleam of a little flake of glass fastened in the cement which once held the closing slab before the long since rifled grave. We stop to look at it. It is a broken bit from the bottom of a little jar (ampulla); but that little glass jar once held the drops of a martyr's blood, which had been carefully gathered up by those who learned from him how to die, and placed here as a precious memorial of his faith. The name of the martyr was perhaps never written on his grave; if it were ever there, it has been lost for centuries; but the little dulled bit of glass, as it catches the rays of the taper borne through the silent files of graves, sparkles and gleams with a light and glory not of this world. There are other graves in which martyrs have lain, where no such sign as this appears, but in its place the rude scratching of a palm-branch upon the rock or the plaster. It was the sign of victory, and he who lay within had conquered. The great rudeness in the drawing of the palm, often as if, while the mortar was still wet, the mason had made the lines upon it with his trowel, is a striking indication of the state of feeling at the time when the grave was made. There was no pomp or parade; possibly the burial of him or of her who had died for the faith was in secret; those who carried the corpse of their beloved to the tomb were, perhaps, in this very act, preparing to follow his steps,—were, perhaps, preparing themselves for his fate. Their thoughts were with their Lord, and with his disciple who had just suffered for his sake,—with their Saviour who was coming so soon. What matter to put a name on the tomb? They could not forget where they had laid the torn and wearied limbs away. In pace, they would write upon the stone; a palm branch should be marked in the mortar, the sign of suffering and triumph. Their Lord would remember his servant. Was not his blood crying to God from the ground? And could they doubt that the Lord would also protect and avenge? In those first days there was little thought of relics to be carried away,—little thought of material suggestions to the dull imagination, and pricks to the failing memory. The eternal truths of their religion were too real to them; their faith was too sincere; their belief in the actual union of heaven and earth, and of the presence of God with them in the world, too absolute to allow them to feel the need of that lower order of incitements which are the resort of superstition, ignorance, and conventionalism in religion. In the earlier burials, no differences, save the ampulla and the palm, or some equally slight sign, distinguished the graves of the martyrs from those of other Christians.

It is not to be supposed that the normal state of the Christian community in Rome, during the first three centuries, was that of suffering and alarm. A period of persecution was the exception to long courses of calm years. Undoubtedly, during most of the time, the faith was professed under restraint, and possibly with a sense of insecurity which rendered it attractive to ardent souls, and preserved something of its first sincerity. It must be remembered that the first Christian converts were mostly from among the poorer classes, and that, however we might have admired their virtues, we might yet have been offended by much that was coarse and unrefined in the external exhibitions of their religion. The same features which accompany the religious manifestations of the uncultivated in our own days, undoubtedly, with somewhat different aspect, presented themselves at Rome. The enthusiasms, the visions, the loud preaching and praying, the dull iteration and reiteration of inspired truth till all the inspiration is driven out, were all probably to be heard and witnessed in the early Christian days at Rome. Not all the converts were saints,—and none of them were such saints as the Catholic painters of the last three centuries have prostituted Art and debased Religion in producing. The real St. Cecilia stood in the beauty of holiness before the disciples at Rome far purer and lovelier than Raphael has painted her. Domenichino has outraged every feeling of devotion, every sense of truth, every sympathy for the true suffering of the women who were cruelly murdered for their faith, in his picture of the Martyrdom of St. Agnes. It is difficult to destroy the effect that has been produced upon one's own heart by these and innumerable other pictures of declining Art,—pictures honored by the Roman Church of to-day,—and to bring up before one's imagination, in vivid, natural, and probable outline, the life and form of the converts, saints, and martyrs of the first centuries. If we could banish all remembrance of all the churches and all the pictures contained in them, built and painted, since the fourteenth century, we might hope to gain some better view of the Christians who lived above the catacombs, and were buried in them. It is from the catacombs that we must seek all that is left to enable us to construct the image that we desire.

On other graves beside those of the martyrs there are often found some little signs by which they could be easily recognized by the friends who might wish to visit them again. Sometimes there is the impression of a seal upon the mortar; sometimes a ring or coin is left fastened into it; often a terra-cotta lamp is set in the cement at the head of the grave. Touching, tender memorials of love and piety! Few are left now in the opened catacombs, but here and there one may be seen in its original place,—the visible sign of the sorrow and the faith of those who seventeen or eighteen centuries ago rested upon that support on which we rest to-day, and found it, in hardest trial, unfailing.

But the galleries of the catacombs are not wholly occupied with graves. Now and then they open on either side into chambers (cubicula) of small dimension and of various form, scooped out of the rock, and furnished with graves around their sides,—the burial-place arranged beforehand for some large family, or for certain persons buried with special honor. Other openings in the rock are designed for chapels, in which the burial and other services of the Church were performed. These, too, are of various sizes and forms; the largest of them would hold but a small number of persons;[6 - These chapels are generally about ten feet square. Some are larger, and a few smaller than this.] but not unfrequently two stand opposite each other on the passage-way, as if one were for the men and the other for the women who should be present at the services. Entering the chapel through a narrow door whose threshold is on a level with the path, we see at the opposite side a recess sunk in the rock, often semicircular, like the apsis of a church, and in this recess an arcosolium,—which served at the same time as the grave of a martyr and as the altar of the little chapel. It seems, indeed, as if in many cases the chapel had been formed not so much for the general purpose of holding religious service within the catacombs, as for that of celebrating worship over the remains of the martyr whose body had been transferred from its original grave to this new tomb. It was thus that the custom, still prevalent in the Roman Church, of requiring that some relics shall be contained within an altar before it is held to be consecrated, probably began. Perhaps it was with some reference to that portion of the Apocalypse in which St. John says, "I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held. And they cried with a loud voice, saying, How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth? And white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little season, until their fellow-servants also and their brethren that should be killed as they were should be fulfilled."[7 - Revelations, vi. 9-11. It seems probable that another custom of the Roman Church took its rise in the catacombs,—that of burning candles on the altar; a custom simple in its origin, now turned into a form of superstition, and often abused to the profit of priests.] At any rate, these words must have dwelt in the memories of the Christians who came to worship God in the presence of the dead by whom they were surrounded in the catacombs. But they knelt before the altar-tombs, not as before altars consecrated with relics of saints, but as before altars dedicated to God and connected with the memory of their own honored and beloved dead, whom he had called from them into his holy presence.

It is impossible to ascertain the date at which these chapels were first made; probably some time about the middle of the second century they became common. In many of the catacombs they are very numerous, and it is in them that the chief ornaments and decorations, and the paintings which give to the catacombs an especial value and importance in the history of Art, and which are among the most interesting illustrations of the state of religious feeling and belief in the early centuries, are found. Some of the chapels are known to be of comparatively late date, of the fourth and perhaps of the fifth century. In several even of earlier construction is found, in addition to the altar, a niche cut out in the rock, or a ledge projecting from it, which seems to have been intended to serve the place of the credence table, for holding the articles used in the service of the altar, and at a later period for receiving the elements before they were handed to the priest for consecration. The earliest services in the catacombs were undoubtedly those connected with the communion of the Lord's Supper. The mystery of the mass and the puzzles of transubstantiation had not yet been introduced among the believers; but all who had received baptism as followers of Christ, all save those who had fallen away into open and manifest sin, were admitted to partake of the Lord's Supper. Possibly upon some occasions these chapels may have been filled with the sounds of exhortation and lamentation. In the legends of the Roman Church we read of large numbers of Christians being buried alive, in time of persecution, in these underground chambers where they had assembled for worship and for counsel. But we are not aware of any proof of the truth of these stories having been discovered in recent times. This, and many other questionable points in the history and in the uses of the catacombs, may be solved by the investigations which are now proceeding; and it is fortunate for the interests, not only of truth, but of religion, that so learned and so honest-minded a man as the Cavaliere de Rossi should have the direction of these explorations.

Few of the chapels that are to be seen now in the catacombs are in their original condition. As time went on, and Christianity became a corrupt and imperial religion, the simple truths which had sufficed for the first Christians were succeeded by doctrines less plain, but more adapted to touch cold and materialized imaginations, and to inflame dull hearts. The worship of saints began, and was promoted by the heads of the Church, who soon saw how it might be diverted to the purposes of personal and ecclesiastical aggrandizement. Consequently the martyrs were made into a hierarchy of saintly protectors of the strayed flock of Christ, and round their graves in the catacombs sprang up a harvest of tales, of visions, of miracles, and of superstitions. As the Church sank lower and lower, as the need of a heavenly advocate with God was more and more impressed upon the minds of the Christians of those days, the idea seems to have arisen that neighborhood of burial to the grave of some martyr might be an effectual way to secure the felicity of the soul. Consequently we find in these chapels that the later Christians, those perhaps of the fifth and sixth centuries, disregarding the original arrangements, and having lost all respect for the Art, and all reverence for the memorial pictures which made the walls precious, were often accustomed to cut out graves in the walls above and around the martyr's tomb, and as near as possible to it. The instances are numerous in which pictures of the highest interest have been thus ruthlessly defaced. No sacredness of subject could resist the force of the superstition; and we remember one instance where, in a picture of which the part that remains is of peculiar interest, the body of the Good Shepherd has been cut through for the grave of a child,—so that only the feet and a part of the head of the figure remain.

There is little reason for supposing, as has frequently been done, that the catacombs, even in times of persecution, afforded shelter to any large body of the faithful. Single, specially obnoxious, or timid individuals, undoubtedly, from time to time, took refuge in them, and may have remained within them for a considerable period. Such at least is the story, which we see no reason to question, in regard to several of the early Popes. But no large number of persons could have existed within them. The closeness of the air would very soon have rendered life insupportable; and supposing any considerable number had collected near the outlet, where a supply of fresh air could have reached them, the difficulty of obtaining food and of concealing their place of retreat would have been in most instances insurmountable. The catacombs were always places for the few, not for the many; for the few who followed a body to the grave; for the few who dug the narrow, dark passages in which not many could work; for the few who came to supply the needs of some hunted and hidden friend; for the few who in better times assembled to join in the service commemorating the last supper of their Lord.

It is difficult, as we have said before, to clear away the obscuring fictions of the Roman Church from the entrance of the catacombs; but doing this so far as with our present knowledge may be done, we find ourselves entering upon paths that bring us into near connection and neighborhood with the first followers of the founders of our faith at Rome. The reality which is given to the lives of the Christians of the first centuries by acquaintance with the memorials that they have left of themselves here quickens our feeling for them into one almost of personal sympathy. "Your obedience is come abroad unto all men," wrote St. Paul to the first Christians of Rome. The record of that obedience is in the catacombs. And in the vast labyrinth of obscure galleries one beholds and enters into the spirit of the first followers of the Apostle to the Gentiles.

[To be continued.]

THE NEST

MAY

When oaken woods with buds are pink,
And new-come birds each morning sing,—
When fickle May on Summer's brink
Pauses, and knows not which to fling,
Whether fresh bud and bloom again,
Or hoar-frost silvering hill and plain,—

Then from the honeysuckle gray
The oriole with experienced quest
Twitches the fibrous bark away,
The cordage of his hammock-nest,—
Cheering his labor with a note
Rich as the orange of his throat.

High o'er the loud and dusty road
The soft gray cup in safety swings,
To brim ere August with its load
Of downy breasts and throbbing wings,
O'er which the friendly elm-tree heaves
An emerald roof with sculptured eaves.

Below, the noisy World drags by
In the old way, because it must,—
The bride with trouble in her eye,
The mourner following hated dust:
Thy duty, winged flame of Spring,
Is but to love and fly and sing.

Oh, happy life, to soar and sway
Above the life by mortals led,
Singing the merry months away,
Master, not slave of daily bread,
And, when the Autumn comes, to flee