Up rose the knight, and kept
His hand close clutch'd on his dagger heft,
And down the hall he stept;
And onwards with the dagger bared,
He rush'd to the lady's bower—
'Thou hast been false, and left thy home—
Thou diest this very hour!'
'Oh! it is true, I left my home;
But yet, before I die,
Oh! look not on me with face so changed,
Nor with so fierce an eye!
Oh! let me, but for a minute's space,
Into my chamber hie;
One prayer I would say for thee and me—
One prayer—before I die!'
She left the bower; and as he stept
To and fro in ireful mood,
A stranger from the chamber came,
And close behind him stood.
Long locks of molten yellow gold
Hung over his cheek so brown,
And a red mantle of Venice silk,
Fell from his shoulder, down.
Dark frown'd the knight—'Vile churl!' he said;
But ere he utter'd more,
The stranger let the mantle fall
Unclasp'd upon the floor,—
And off he cast the yellow locks—
And, lo! the lady fair,
Blushing and casting from her cheek
Her glossy raven hair!
Down fell the dagger; down the knight
Sank kneeling and opprest;
And the lady oped her snow white arms,
And wept upon his breast!"
"A foul song!—a wanton woman!"—exclaimed Sir Bryan de Barreilles—"he should have stabbed her for living so long with a Jew villain like the Soldan of Bagdad."
"Was the villain a Jew?" enquired Dr Howlet, who had caught the word. "I did not know Bagdad was in Jewry. Is a heathen the same as a Jew, Mr Peeper?"
The gentleman thus appealed to, coughed as if to clear his throat, and though he usually spoke with the utmost clearness, he mumbled and muttered in the same unintelligible manner as he had done when he was saying grace; and it was a very peculiar habit of the learned individual, whenever he was applied to for an explanation, to betake himself to a mode of speech that would have puzzled a far wiser head than Dr Howlet's, to make head or tail of it.
Dr Howlett, however, appeared to be perfectly satisfied with the information; and by the indignant manner in which he struck his long gold-headed ebony walking-stick on the floor, seemed entirely to agree with the worthy knight in his estimate of the heroine of Phil Lorimer's ballad.
"I like the ballad about the jousting of Romulus the bold Roman, with Judas Maccabaeus in the Camp at Ascalon far better," said Hasket of Norland. "Sing it, Phil."
"No, no," cried Maulerer, who was far gone in intoxication. "Sing us the song of the Feasting at Glaston, when Eneas the Trojan married Arthur's daughter.—Sing the song, sirrah, this moment, or I'll cut your tongue in two, to make your note the sweeter.—Sing."
Thus adjured, Phil once more began:—
"There was feasting high and revelry
In Glaston's lofty hall;
And loud was the sound, as the cup went round,
Of joyous whoop and call;
And Arthur the king, in that noble ring,
Was the merriest of them all.
No thought, no care, found entrance there,
But beauty's smiles were won;
No sour Jack Priest to spoil the feast"—
"Ha!" cried Howlet, interrupting Mr Lorimer in a tremendous passion, "what says the varlet? He is a heathen Turk, and no Christian. How dares he talk so of the church?" The old man rose as he spoke, and, suddenly catching hold of the enormous ebony walking-stick, which generally reposed at the side of his chair, he aimed a blow with all his force at the unfortunate songster; but, being blind, and not calculating his distance, his staff fell with tremendous effect on the left eye of Sir Bryan de Barreilles.
"Is it so?" cried the Knight, stunned; but resisting the tendency to prostration produced by the stroke, and flinging a large silver flagon across the table, which missed Dr Howlet, and made a deep indentation in the skull of Maulerer of Phascald—"Now, then!"
Hasket of Norland attempted to hold Sir Bryan, and prevent his following up his attack; and Mr Maulerer recovered sufficiently to fling the heavy candlestick at his assailant; the branches of which hit the cheek of Hasket, while the massive bottom ejected the three front teeth of Sir Bryan.
There was now no possibility of preventing the quarrel; and while the four strangers were pounding each other with whatever weapons came first to hand, and Mr Peeper crept under the table for safety, and Reginald essayed to talk them into reason, Mr Lutter politely handed Jane to the door of the hall.
"Permit me, madam, to rescue you from this dreadful scene."
"Is it thus always?" enquired Jane, nearly weeping with fright.
"There are many things that may be improved in the castle," said Mr Lutter. "I have seen the necessity of an alteration for a long time, and, if you will favour me with your assistance, much may be done."
"Oh! I will help you to the utmost of my power."
"We must upset the influence of Mr Peeper," said Mr Lutter. "May I speak to you on the subject to-morrow?"
A month had passed since Jane's arrival at Belfront Castle, and she had had many private and confidential conversations with Mr Lutter. The ominous eyes of Mr Peeper grew fiercer and fiercer, and she many times thought of coming to an open rupture with him at once; but was deterred from doing so, by not yet having ascertained whether her influence over Reginald was sufficiently established to stand a contest with the authority of his ancient friend. She could not understand how her husband could have remained hoodwinked so long; or how he had submitted to the despotic proceedings of his former tutor, who persisted in assembling the same airs of authority over him, as he had exercised when he was a child. Such, however, was evidently the case; and Reginald had never entertained a thought of rescuing himself from the thraldom in which he had grown up. A look from Mr Peeper; a solemn statement from him, that such and such things had never been heard of before in Belfront; and, above all, the use of the muttered and unintelligible jargon to which Mr Peeper betook himself in matters of weight and difficulty, were quite sufficient: Reginald immediately gave up his own judgment, and felt in fact rather ashamed of himself for having hinted that he had a judgement at all. Under these circumstances, Mr Lutter had a very difficult part to play; and all that Jane could do, was to second him whenever she had the opportunity. One day, in the lovely month of April, Phil Lorimer sat on a sunny part of the enornous wall that guarded the castle, and leaning his back against one of the little square towers that rose at intervals in the circuit of the fortifications, sang song after song, as if for the edification of a number of crows that were perched on the trees on the other side of the moat. The audience were grossly inattentive, and paid no respect whatever to the performer, who still continued his exertions, as highly satisfied as if he were applauded by boxes, pit, and gallery of a crowded theatre:—Among others, he sang the ballad of the "Silver Scarf."
"It was a King's fair daughter,
With eyes of deepest blue,
She wove a scarf of silver
The whole long summer through—
"A stately chair she sat on
Before the castle door,
And ever in the calm moonlight
She work'd it o'er and o'er.
"And many a knight and noble
Went daily out and in,
And each one marvell'd in his heart
Which the fair scarf might win.
"She took no heed of questions,
From her work ne'er raised her head,
And on the snow-white border
Sew'd her name in blackest thread.