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Joining the Dots: A Woman In Her Time

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2018
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Joining the Dots: A Woman In Her Time
Juliet Gardiner

“A young woman wearing a navy-blue duffle coat stood shivering in the vaulted Victorian booking hall of Temple Meads station in Bristol looking uncertainly around her. It was 1st January 1960 and the woman was me. I was sixteen years old, and I had run away from home.”Over the next ten years, the world changed around young Juliet Gardiner – as it did for most women in Britain. It was the start of a decade that was to be momentous for Britain’s history – politically, economically, socially and culturally.As one of Britain’s best-known social historians, Juliet Gardiner writes here about the span of women’s lives from her birth during the Second World War to the election of Margaret Thatcher as prime minister. Using episodes from her own life as starting points to illuminate the broader history in society at large, she explores changing ideas towards birth and adoption, the importance of education for girls, The opportunities offered by university, to expectations of work and motherhood, not to mention her generation’s yearning for freedom.Everyone has his or her history and at the same time is part of history as this book so perceptively and beautifully demonstrates. As a work of living history, both lyrical and personal, Joining the Dots is an accessible and empowering story of how one mid-twentieth-century woman grew into a world so different from the one into which she was born. It is a story of bed-sits, sexual choice, motherhood and marriage, feminism, family planning and professional ambition.

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Copyright (#ufc64f6c2-df03-58ee-bfa5-8d308ac349ac)

William Collins

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.WilliamCollinsBooks.com (http://www.WilliamCollinsBooks.com)

This eBook first published in Great Britain by William Collins in 2017

Copyright © Juliet Gardiner 2017

Cover photograph by Dave Taylor

Cover design by Jack Smyth

Extract from ‘Having a Baby’ from Collected Poems by Allan Ahlberg (Puffin, 2008). Copyright © Allan Ahlberg, 2008. Reproduced by permission of Penguin Random House UK.

‘Diana’ Words and Music by Paul Anka © 1957, reproduced by permission from Pamco Music Inc/EMI Music Publishing Ltd, London W1F 9LD.

Juliet Gardiner asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

While every effort has been made to trace owners of copyright material produced herein, the publishers will be glad to rectify any omissions in future editions.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007489190

Ebook Edition © August 2017 ISBN: 9780007489183

Version: 2018-05-17

Dedication (#ufc64f6c2-df03-58ee-bfa5-8d308ac349ac)

For Rudi and Sammy

Contents

Cover (#u236186d2-2ac7-51b6-9770-e94b261bb8cc)

Title Page (#uf3cbace4-7eba-52b3-8fd1-f3955daa49f8)

Copyright (#u1f0085aa-0d63-59e8-9466-3a397576a701)

Dedication (#u627eba1c-264d-5bdf-9391-9dbd57b87c87)

Prologue (#u52df498b-c8c5-5d08-9331-dd282404ea1c)

1. A War Baby (#u9caa1761-2134-568d-84ee-7536be76a64b)

2. Second-Hand Baby (#u714d1fd8-6748-5ae9-bcf5-f2b10271b878)

3. An Education (of Sorts) (#u33ce0811-f356-5d2c-a2b5-0225dd1326b0)

4. Old Town Blues (#litres_trial_promo)

5. Expectations (#litres_trial_promo)

6. Spanland (#litres_trial_promo)

7. Making a Historian (#litres_trial_promo)

8. A Political Wife (#litres_trial_promo)

9. Putting Asunder (#litres_trial_promo)

10. A Working Woman (#litres_trial_promo)

Epilogue (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

Picture Section (#litres_trial_promo)

Also by Juliet Gardiner (#litres_trial_promo)

About the Author (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Prologue (#ufc64f6c2-df03-58ee-bfa5-8d308ac349ac)

A young woman wearing a navy-blue duffel coat and bottle-green stockings stood shivering in the vaulted booking hall of Bristol Temple Meads station looking uncertainly around her. It was 1 January 1960 and the woman was me. I was sixteen years old, and, using the money I had earned from delivering letters for the Post Office during the holidays (£8 5s.) and writing ‘amusing’ anecdotes to the letters page of Woman’s Realm, plus a Christmas present of a £2 postal order, I had run away from home.

It was the start of a decade that was to be momentous in changing Britain’s history, politically, economically, socially and culturally. Although of course I could not have foreseen that, nevertheless it seemed a suitably significant date on which to start a new life; to leave behind the pebble-dashed house in the home counties, turn my back on the minor girls’ public school and be a grown-up at last: independent, poised to achieve the freedom for which I had yearned for so long.

It was not, predictably, that simple. Progress over the next few years would be bumpy, interrupted, contradictory, frustrating. Dependencies transferred rather than jettisoned. But the world changed around me, as it did for most women in Britain – and that is the story I want to tell. It is not only or entirely my story; not a straightforward chronological account of women’s history, nor a history, disquisition, celebration or critique of feminism. Rather it is a series of reflections or meditations on some of the expectations and experiences that I, like many other women in Britain, had, or could have had, during the middle years of the twentieth century.
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