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Book of illustrations : Ancient Tragedy

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Год написания книги
2017
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Which struck the bull; beside him shalt thou fall
By a like blow; in Pluto's courts his bride
He shall receive, with whom in heav'n's fair light
Thy couch was shared: to thee this grace I give,
Thou vengeance for my father shalt give me. {1274}

CHORAL INTERLUDE III

The waves of mischief are flowing back, the gale of Violence is veering: Vengeance for the crime of old standing is come at last. {1298}

EXODUS, OR FINALE

Cries are heard from within: the Chorus know that the deed is done.

By the machinery of the roller-stage the interior of the Cottage is displayed, with Orestes and Electra standing over the corpse of Clytaemnestra.

A revulsion of feeling has come over them; they did the deed in frenzy; now, instead of triumph, they have no thoughts but for the act they have done, and how they will carry a curse with them ever after, and all will shun them. With horror they recall the details of the scene:

Ores. Didst thou see her when she drew {1338}

Her vests aside, and bared her breasts, and bow'd
To earth her body whence I drew my birth,
Whilst in her locks my furious hand I wreath'd?

Elec. With anguish'd mind, I know, thou didst proceed,

When heard thy wailing mother's piteous cries.

Ores. These words, whilst with her hands she strok'd my cheeks,

Burst forth, "Thy pity I implore, my son;"
Soothing she spoke, as on my cheeks she hung,
That bloodless from my hand the sword might fall.

Chor. Wretched Electra, how could'st thou sustain

A sight like this? How bear thy mother's death,
Seeing her thus before thine eyes expire?

Ores. Holding my robe before mine eyes, I rais'd

The sword and plung'd it in my mother's breast.

Elec. I urged thee to it, I too touch'd the sword.

Chor. Of deeds most dreadful this which thou hast done.

Cover thy mother's body; in her robes
Decent compose her wounded limbs. – Thou gav'st
Being to those who were to murder thee.

DIVINE INTERVENTION

Suddenly over the Permanent Scene two Supernatural Beings appear and move along, recognized by the Chorus as Castor and Pollux, the Family Deities. {1364}

Hear, son of Agamemnon: for to thee
Thy mother's brothers, twin-born sons of Jove
Castor, and this my brother Pollux, speak.
Late, having calmed the ocean waves, that swell'd
The lab'ring vessel menacing, we came
To Argos, where our sister we beheld,
Thy mother, slain: with justice vengeance falls
On her; in thee unholy is the deed.
Yet Phoebus, Phoebus – but, my king is he;
I will be silent: yet, though wise, he gave
To thee response not wise; but I must praise
Perforce these things. Thou now must do what Fate
And Jove decree.

Electra is to marry Pylades, and Orestes to flee to Athens and be purified by the Court on the Hill of Mars: Apollo assisting. Orestes' future life is foretold [thus working out various details of the Orestes legends]. – With awe Orestes, Electra, and Chorus enter into converse with the gods, and the word is confirmed. They failed to avert the trouble from their house on account of dire Fate and 'the voice unwise of Phoebus from his shrine.' There has been a Demon hostile to Electra's parents. – Then the brother and sister's thoughts turn to the life-long separation, and the painful wandering, sorrows e'en to the gods mournful to hear. Farewell to Argos: the Gods hurry Orestes away for the Furies are already on his track, and conclude:

To the impious thro' the ethereal tract
We no assistance bring: but those to whom
Justice and sanctity of life is dear,
We from their dangerous toils relieve and save.
Let no one then unjustly will to act,
Nor in one vessel with the perjured sail:
A god to mortals this monition gives.

Chor. Oh, be you blest! And those, to whom is given

Calmly the course of mortal life to pass,
By no affliction sunk, pronounce we blest.

THE ALCESTIS OF EURIPIDES[7 - The quotations are from Potter's Translation, in Routledge's Universal Library, freely altered in parts for the purpose of bringing out changes of metre, etc., in the original. The References are to the numbering of the lines in Potter.]

MEMORANDUM

Of the Story as it would be traditionally familiar to the Audience before-hand. – Admetus was the splendid King of Pherae, so famous for the sacred rites of Hospitality that he had Sons of the Gods for Guests, and the God of Brightness, Apollo, himself while he sojourned on earth chose Admetus's household to dwell in. In the full tide of his greatness the time came for him to die: Apollo interposed for his chief votary, and won from the Fates that he might die by substitute. But none was found willing to be the victim, not even his aged parents: at last Alcestis his wife, young and bright as himself, gave herself for her husband and died. Then another Guest-Friend of Admetus came to the rescue, Jupiter's own son Hercules, and by main force wrested Alcestis from the grasp of Death, and restored her to her husband.

PROLOGUE

Scene: Pherae in Thessaly. The early morning sunshine blazes full on the Royal Palace of the Glorious Admetus, and on the statues, conspicuous in front of it, of Jupiter Lord of Host and Guest, and Apollo: nevertheless the Courtyard is silent and deserted. – At last Apollo himself is seen, not aloft in the air as Gods were wont to appear, but on the threshold of the Central Gate.

APOLLO meditates on his happy associations with the house he is quitting. How when there was trouble in heaven, and he himself, for resisting Jove's vengeance on the Healer Aesculapius, was doomed to a year's slavery amongst mortal men, he had bound himself as herdsman to Admetus, and Admetus exercised his lordship with all reverence:

A holy master o'er his holy slave. {13}

How again when trouble came to Admetus he had saved him from the day of death, on condition that another would die in his stead.

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