Vittoria. Volume 3

Fresh visitors, more or less mixed, in the conspiracy, and generally willing to leave the management of it to Count Medole, now entered the saloon. These were Count Rasati, Angelo Dovili, a Piedmontese General, a Tuscan duke, and one or two aristocratic notabilities and historic nobodies. They were hostile to the Chief whom Luciano and Carlo revered and obeyed. The former lit a cigarette, and saying to his friend, 'Do you breakfast with your mother? I will come too,' slipped his hand on Ammiani's arm; they walked out indolently together, with the smallest shade of an appearance of tolerating scorn for those whom they left behind.

'Medole has money and rank and influence, and a kind of I-don't-know-what womanishness, that makes him push like a needle for the lead, and he will have the lead and when he has got the lead, there 's the last chapter of him,' said Luciano. 'His point of ambition is the perch of the weather- cock. Why did he set upon you, my Carlo? I saw the big V running up your forehead when you faced him. If you had finished him no great harm would have been done.'

'I saw him for a short time last night, and spoke to him in my father's style,' said Carlo. 'The reason was, that he defended Barto Rizzo for putting the ring about the Signorina Vittoria's name, and causing the black butterfly to be pinned to her dress.'

Luciano's brows stood up.

'If she sings to-night, depend upon it there will be a disturbance,' he said. 'There may be a rising in spite of Medole and such poor sparks, who're afraid to drop on powder, and twirl and dance till the wind blows them out. And mind, the chance rising is commonly the luckiest. If I get a command I march to the Alps. We must have the passes of the Tyrol. It seems to me that whoever holds the Alps must ride the Lombard mare. You spring booted and spurred into the saddle from the Alps.'

Carlo was hurt by his friend's indifference to the base injury done to

Vittoria.

'I have told Medole that she will sing to-night in spite of him,' he was saying, with the intention of bringing round some reproach upon Luciano for his want of noble sympathy, when the crash of an Austrian regimental band was heard coming up the Corso. It stirred him to love his friend with all his warmth. 'At any rate, for my sake, Luciano, you will respect and uphold her.'

'Yes, while she's true,' said Luciano, unsatisfactorily. The regiment, in review uniform, followed by two pieces of artillery, passed by. Then came a squadron of hussars and one of Uhlans, and another foot regiment, more artillery, fresh cavalry.

'Carlo, if three generations of us pour out our blood to fertilize

Italian ground, it's not too much to pay to chase those drilled curs.'

Luciano spoke in vehement undertone.

'We 'll breakfast and have a look at them in the Piazza d'Armi, and show that we Milanese are impressed with a proper idea of their power,' said Carlo, brightening as he felt the correction of his morbid lover's anger in Luciano's reaching view of their duties as Italian citizens. The heat and whirl of the hour struck his head, for to-morrow they might be wrestling with that living engine which had marched past, and surely all the hate he could muster should be turned upon the outer enemy. He gained his mother's residence with clearer feelings.

CHAPTER XVI

COUNTESS AMMIANI

Countess Ammiani was a Venetian lady of a famous House, the name of which is as a trumpet sounding from the inner pages of the Republic. Her face was like a leaf torn from an antique volume; the hereditary features told the story of her days. The face was sallow and fireless; life had faded like a painted cloth upon the imperishable moulding. She had neither fire in her eyes nor colour on her skin. The thin close multitudinous wrinkles ran up accurately ruled from the chin to the forehead's centre, and touched faintly once or twice beyond, as you observe the ocean ripples run in threads confused to smoothness within a space of the grey horizon sky. But the chin was firm, the mouth and nose were firm, the forehead sat calmly above these shows of decay. It was a most noble face; a fortress face; strong and massive, and honourable in ruin, though stripped of every flower.

This lady in her girlhood had been the one lamb of the family dedicated to heaven. Paolo, the General, her lover, had wrenched her from that fate to share with him a life of turbulent sorrows till she should behold the blood upon his grave. She, like Laura Fiaveni, had bent her head above a slaughtered husband, but, unlike Laura, Marcellina Ammiani had not buried her heart with him. Her heart and all her energies had been his while he lived; from the visage of death it turned to her son. She had accepted the passion for Italy from Paolo; she shared it with Carlo. Italian girls of that period had as little passion of their own as flowers kept out of sunlight have hues. She had given her son to her country with that intensely apprehensive foresight of a mother's love which runs quick as Eastern light from the fervour of the devotion to the remote realization of the hour of the sacrifice, seeing both in one. Other forms of love, devotion in other bosoms, may be deluded, but hers will not be. She sees the sunset in the breast of the springing dawn. Often her son Carlo stood a ghost in her sight. With this haunting prophetic vision, it was only a mother, who was at the same time a supremely noble woman, that could feel all human to him notwithstanding. Her heart beat thick and fast when Carlo and Luciano entered the morning- room where she sat, and stopped to salute her in turn.

'Well?' she said without betraying anxiety or playing at carelessness.

Carlo answered, 'Let us eat and drink, for to-morrow we die. I think that's the language of peaceful men.'

'You are to be peaceful men to-morrow, my Carlo?'

'The thing is in Count Medole's hands,' said Luciano; 'and he is constitutionally of our Agostino's opinion that we are bound to wait till the Gods kick us into action; and, as Agostino says, Medole has raised himself upon our shoulders so as to be the more susceptible to their wishes when they blow a gale.'

He informed her of the momentary thwarting of the conspiracy, and won

Carlo's gratitude by not speaking of the suspicion which had fallen on

Vittoria.

'Medole,' he said, 'has the principal conduct of the business in Milan, as you know, countess. Our Chief cannot be everywhere at once; so Medole undertakes to decide for him here in old Milan. He decided yesterday afternoon to put off our holiday for what he calls a week. Checco, the idiot, in whom he confides, gave me the paper signifying the fact at four o'clock. There was no appeal; for we can get no place of general meeting under Medole's prudent management. He fears our being swallowed in a body if we all meet.'

The news sent her heart sinking in short throbs down to a delicious rest; but Countess Ammiani disdained to be servile to the pleasure, even as she had strengthened herself to endure the shocks of pain. It was a conquered heart that she and every Venetian and Lombard mother had to carry; one that played its tune according to its nature, shaping no action, sporting no mask. If you know what is meant by that phrase, a conquered heart, you will at least respect them whom you call weak women for having gone through the harshest schooling which this world can show example of. In such mothers Italy revived. The pangs and the martyrdom were theirs. Fathers could march to the field or to the grey glacis with their boys; there was no intoxication of hot blood to cheer those who sat at home watching the rise and fall of trembling scales which said life or death for their dearest. Their least shadowy hope could be but a shrouded contentment in prospect; a shrouded submission in feeling. What bloom of hope was there when Austria stood like an iron wall, and their own ones dashing against it were as little feeble waves that left a red mark and no more? But, duty to their country had become their religion; sacrifice they accepted as their portion; when the last stern evil befell them they clad themselves in a veil and walked upon an earth they had passed from for all purposes save service of hands. Italy revived in these mothers. Their torture was that of the re-animation of her frame from the death-trance.

Carlo and Luciano fell hungrily upon dishes of herb-flavoured cutlets, and Neapolitan maccaroni, green figs, green and red slices of melon, chocolate, and a dry red Florentine wine. The countess let them eat, and then gave her son a letter that been delivered at her door an hour back by the confectioner Zotti. It proved to be an enclosure of a letter addressed to Vittoria by the Chief. Genoa was its superscription. From that place it was forwarded by running relays of volunteer messengers. There were points of Italy which the Chief could reach four-and-twenty hours in advance of the Government with all its aids and machinery. Vittoria had simply put her initials at the foot of the letter. Carlo read it eagerly and cast it aside. It dealt in ideas and abstract phraseology; he could get nothing of it between his impatient teeth; he was reduced to a blank wonder at the reason for her sending it on to him. It said indeed—and so far it seemed to have a meaning for her:

'No backward step. We can bear to fall; we cannot afford to draw back.'

And again:

'Remember that these uprisings are the manifested pulsations of the heart of your country, so that none shall say she is a corpse, and knowing that she lives, none shall say that she deserves not freedom. It is the protest of her immortal being against her impious violator.'

Evidently the Chief had heard nothing of the counterstroke of Barto Rizzo, and of Count Medole's miserable weakness: but how, thought Carlo, how can a mind like Vittoria's find matter to suit her in such sentences? He asked himself the question, forgetting that a little time gone by, while he was aloof from the tumult and dreaming of it, this airy cloudy language and every symbolism, had been strong sustaining food, a vital atmosphere, to him. He did not for the moment (though by degrees he recovered his last night's conception of her) understand that among the noble order of women there is, when they plunge into strife, a craving for idealistic truths, which men are apt, under the heat and hurry of their energies, to put aside as stars that are meant merely for shining.

His mother perused the letter—holding it out at arm's length—and laid it by; Luciano likewise. Countess Ammiani was an aristocrat: the tone and style of the writing were distasteful to her. She allowed her son's judgement of the writer to stand for her own, feeling that she could surrender little prejudices in favour of one who appeared to hate the Austrians so mortally. On the other hand, she defended Count Medole. Her soul shrank at the thought of the revolution being yielded up to theorists and men calling themselves men of the people—a class of men to whom Paolo her soldier-husband's aversion had always been formidably pronounced. It was an old and a wearisome task for Carlo to explain to her that the times were changed and the necessities of the hour different since the day when his father conspired and fought for freedom. Yet he could not gainsay her when she urged that the nobles should be elected to lead, if they consented to lead; for if they did not lead, were they not excluded from the movement?

'I fancy you have defined their patriotism,' said Carlo.

'Nay, my son; but you are one of them.'

'Indeed, my dearest mother, that is not what they will tell you.'

'Because you have chosen to throw yourself into the opposite ranks.'

'You perceive that you divide our camp, madame my mother. For me there is no natural opposition of ranks. What are we? We are slaves: all are slaves. While I am a slave, shall I boast that I am of noble birth? "Proud of a coronet with gems of paste!" some one writes. Save me from that sort of pride! I am content to take my patent of nobility for good conduct in the revolution. Then I will be count, or marquis, or duke; I am not a Republican pure blood;—but not till then. And in the meantime—'

'Carlo is composing for his newspaper,' the countess said to Luciano.

'Those are the leaders who can lead,' the latter replied. 'Give the men who are born to it the first chance. Old Agostino is right—the people owe them their vantage ground. But when they have been tried and they have failed, decapitate them. Medole looks upon revolution as a description of conjuring trick. He shuffles cards and arranges them for a solemn performance, but he refuses to cut them if you look too serious or I look too eager; for that gives him a suspicion that you know what is going to turn up; and his object is above all things to produce a surprise.'

'You are both of you unjust to Count Medole,' said the countess. 'He imperils more than all of you.'

'Magnificent estates, it is true; but of head or of heart not quite so much as some of us,' said Luciano, stroking his thick black pendent moustache and chin-tuft. 'Ah, pardon me; yes! he does imperil a finer cock's comb.

'When he sinks, and his vanity is cut in two, Medole will bleed so as to flood his Lombard flats. It will be worse than death to him.'

Carlo said: 'Do you know what our Agostino says of Count Medole?'

'Oh, for ever Agostino with you young men!' the countess exclaimed.

'I believe he laughs at you.'

'To be sure he does: he laughs at all. But, what he says of Count Medole holds the truth of the thing, and may make you easier concerning the count's estates. He says that Medole is vaccine matter which the Austrians apply to this generation of Italians to spare us the terrible disease. They will or they won't deal gently with Medole, by-and-by; but for the present he will be handled tenderly. He is useful. I wish I could say that we thought so too. And now,' Carlo stooped to her and took her hand, 'shall we see you at La Scala to-night?'

The countess, with her hands lying in his, replied: 'I have received an intimation from the authorities that my box is wanted.'

'So you claim your right to occupy it!'

'That is my very humble protest for personal liberty.'

'Good: I shall be there, and shall much enjoy an introduction to the gentleman who disputes it with you. Besides, mother, if the Signorina Vittoria sings . . .'