Greg Iles 3-Book Thriller Collection: The Quiet Game, Turning Angel, The Devil’s Punchbowl

“The black man is a mongrel creature,” Hanratty says with a tone of regret. “But the good Lord knows a nigger wench is heaven between the sheets.”

“Gag the prisoner,” orders the warden.

“All you motherfuckers gonna die worse than me!” Hanratty shouts. “This ain’t nothing! Nothing!”

Two guards seize Hanratty’s head and fasten a black leather restraining device over his mouth and chin. The warden checks his watch and motions for the guards to follow him out of the room. Mrs. Givens isn’t reading her Bible anymore. She’s gripping my left wrist like it is the handrail on a cliff, her eyes riveted to the gurney.

“Are the chemicals going in?” she asks.

“Yes, ma’am. He’s got about five minutes to live.”

Mrs. Givens says something under her breath.

“I beg your pardon?”

“I said, he ought to be awake while it happens. My people was.”

Mrs. Givens doesn’t notice when I lift the Bible from her lap with my free hand and take up reading where her bookmark lies.

Now there was a day when the sons of God came to present themselves before the Lord, and Satan came also among them. And the Lord said to Satan, Whence comest thou? Then Satan answered the Lord and said, From going to and fro in the earth, and from walking up and down in it. And the Lord said unto Satan, Hast thou considered my servant Job, that there is none like him in the earth, a perfect and upright man, one that feareth God, and escheweth evil? Then Satan answered the Lord, and said, Doth Job fear God for nought? Hast Thou not made an hedge about him, and about his house, and about all that he hath on every side? Thou hast blessed the work of his hands, and his substance is increased in the land. But put forth thine hand now, and touch all that he hath, and he will curse thee to thy face …

As God takes Satan’s suggestion and puts forth his hand, I recall with soul-searing clarity the feeling of being singled out for suffering, of sitting in a plastic chair in the oncologist’s office and hearing the white-coated doctor say to my wife that most terrible of words: malignant. Later I would learn more arcane terms, like daughter cells and highly refractory—

Suddenly everyone in the witness room is standing around me, shuffling, speaking in hushed tones. The prison doctor stands beside the gurney, listening to Hanratty’s chest through a stethoscope, double-checking the leads that run to the EKG monitor. The reporters are wired—they always are at this point—unsure of their reactions even as they try to record them. No first-timer is ever ready for the banality of execution. Only we functionaries of the justice system know how depressing it really is. The doctor nods to the warden, and the warden motions for the curtain to be closed.

Mrs. Givens thanks me for coming, then moves purposefully toward the door.

“You switched to prizefighting for a living?” Joe Cantor is standing beside me, a glint of humor in his eyes.

My hand instinctively goes to my bruised eye. “I fell.”

“We still miss you at the office,” he says, shaking my hand with a grip reminiscent of Shad Johnson’s. “Nobody works a jury the way you did, Penn.”

“I wasn’t working them, Joe. I was speaking from the heart.”

“That’s what I’m talking about. They don’t teach that in school. You were also the only assistant with the balls to argue with me. I kind of miss that too, believe it or not.” He leans closer. “Watch out for Portman. That prick’s had a hard-on for you ever since Hanratty’s trial. And call me if you ever get tired of writing books.”

Then he is past me, shaking hands with someone else, working the crowd even here.

As I pass into the hall beyond the door, I find myself face to face with John Portman. His guards stand two feet behind him, their jackets unbuttoned to provide easy access to their weapons. Portman studies me with gray eyes set in his wind-burned face, a badge of privilege he has cultivated since youth. I decide to fire the first shot in this skirmish.

“I can’t figure out what you’re doing here, Portman. You must have known you were exposing yourself to something like what just happened.”

“I can absorb what just happened,” he replies, his voice edgier than I remember. “It was worth it to see that genetic debris put down.”

A couple of reporters stop to question the FBI director, but the guards hustle them through the door.

“You’re friends with Special Agent Peter Lutjens, aren’t you?” Portman says.

A cold wind blows through my soul. “Just tell me.”

“He’s being transferred to Fargo, North Dakota. Lovely winters, I hear.”

“The guy is blameless, John.”

“Internal security is one of the hallmarks of the new Bureau,” he replies in a PR voice. “Agent Lutjens didn’t understand that.”

As I wonder how Portman learned of my contact with Lutjens, he says, “Stick your nose into Bureau business, you get rhinoplasty. It’s that simple.”

I usually try to avoid confrontations like this. They profit no one. But John Portman has a special place in my pantheon of dark spirits, and my guilt for what happened to Lutjens already weighs on me like a heavy stone.

“I go where the cases take me,” I tell him. “And you’d do well to remember what happened the last time you went up against me.”

After years of near omnipotence as a federal judge, a man becomes unused to resistance. FBI directors must enjoy similar insulation from unpleasantness, because Portman’s thin lips narrow to a white line, and his eyes blaze. Before he can threaten me further, I simply walk past him and down the hall. A rush of footsteps comes after me, and a hand jerks me around.

It’s Portman, his face livid. “You fucking dilettante—”

“You’re not a judge anymore, Portman. You’re a civil servant, serving at the pleasure of the President. And presidents are pretty sensitive to negative publicity.”

His grimace morphs into a twisted smile. “You don’t know what power is, Cage. But if you keep pushing, you’re going to find out.”

“All this over a little Mississippi murder,” I murmur. “I push in Natchez, you feel it in Washington. I find that very interesting. I think a lot of people will.”

This time when I walk away, Portman doesn’t follow.

As I descend the staircase and cross the dark pavement outside the death house, I feel my pulse pounding in my temples. There’s nothing quite like threatening the director of the FBI to get the blood circulating. I quicken my steps toward the parking lot, wanting to get out of the prison as swiftly as I can. Life is back at the hotel with Annie and Caitlin, not here at the Walls.

But Portman won’t leave my thoughts. I can’t shake the feeling that he came to Huntsville specifically to see me, and not Arthur Lee Hanratty. He knew he could speak to me here without appearing to have sought me out. His ruthless punishment of Peter Lutjens proves that my interest in the Payton murder has touched a bureaucratic nerve, at the very least. And at worst? I can’t even guess. Anything is possible.

As I near my rental car, a couple of reporters from the witness room start shouting questions at me. Do I really believe the death penalty is a deterrent? Am I absolutely convinced of Hanratty’s guilt? What were John Portman and I talking about? What was the FBI director doing here at all? I climb into the car, resisting the temptation to pour gasoline onto the fire of the Payton case. I need to think. I need to see Annie and Caitlin.

As I drive through the gate of the Walls, passing the now silent crowd standing their candlelight vigil in the rain-swept darkness, one thing comes clear to me. This is the last trip I will make to this prison. The yellow glow of the candles grows smaller in my rearview mirror. Three more men pass their days on death row because I put them here.

They will die without me present.

TWENTY-ONE (#ulink_ea82ec5f-554e-5356-928f-81be44bc7064)

When I reach the hotel, Caitlin is waiting for me with a cold can of Dr Pepper and a chicken sandwich. I’m starving. It took two hours to get back to Houston through the rain and traffic, but knowing that Annie might not go to sleep without me close kept me from stopping for food. I shouldn’t have worried. She is sound asleep in one of the double beds, while the television plays CNN in muted tones. Caitlin is wearing silk pajamas that somehow look demure and sexy at the same time. I collapse at the table by the window and devour the sandwich, then drink the Dr Pepper in a few gulps. Her instincts are as accurate as always; she says nothing while I eat.

“Thank you,” I tell her, tossing the sandwich wrapper into the wastepaper can. “Really.”

“I saw a clip of you coming out of the prison. Was it bad?”

“Bad enough. That’s the last one I go to.”

“Let’s change the subject, then. Annie only woke up once, and I rubbed her back till she fell asleep again.”

“I really appreciate you staying with her.”