Greg Iles 3-Book Thriller Collection: The Quiet Game, Turning Angel, The Devil’s Punchbowl

Tell it.

“I say, ‘You know how when you got two people, and you got to carry something heavy for a ways? Like a big chest of drawers? There’s different ways you can pick up on it. You can pick up on it straight and level, with your legs and your back, and take your share of the weight’”—Reverend Nightingale pauses, letting the image sink in—“‘or you can kind of fudge it. Pick up with just your arms, or pick up a little high, puttin’ most of the weight on the other person.’”

Soft laughter, guilty recognition. But Reverend Nightingale’s face is set in stone.

“That was not Sister Flowers,” he thunders.

No Jesus, comes the chorus. I know that’s right.

“Sister Flowers picked up square and straight,” he declares. “She picked up whenever she was asked to. And more than that, she picked up when she wasn’t asked to.”

Praise Jesus.

“Sister Flowers was not a rich woman,” the reverend says in a conversational tone. “But she gave unstintingly of the money she made. She had a generous heart. She bought flour and sugar and butter, and she baked cakes deep into the night to sell to raise money for the poor.” Nightingale raises his right hand, forefinger extended toward Heaven. “During the Depression? Sister Flowers visited white families, collecting old coats and sweaters, hats, shoes, and mittens for the wintertime, bringing them out here to kids who didn’t have nothing between them and the cold.” The finger descends, admonitory now. “You children today smirk and turn up your nose when I say old coats and old shoes. But what you don’t know—and you better thank God you don’t know—is that when you’re cold, you’ll take whatever coat you can get, and praise Jesus for it.”

Lord, yes! Praise Jesus!

Reverend Nightingale turns to the Deacons’ Bench and remarks on what fine children Ruby raised. My parents always felt Ruby’s children didn’t do enough for her after they were grown, considering the sacrifices she’d made for them. But they did what Ruby most desired that they do, went North and found good jobs, raised families. Part of the price of their success may have been embarrassment at their mother’s humble position, or confusion at her unwillingness to leave Mississippi, a place they regarded as backward and evil.

“Sister Flowers was not seriously ill or afflicted,” Reverend Nightingale says soberly. “She was taken before her time, by the hand of a stranger. The police don’t know who set that terrible fire. But I know who it was.”

A gasp of shock from the pews.

“It was a man cut off from the Lord. That man is suffering right now. Today. And I hope he’ll soon see the only way to wash his soul is to come forward, confess his sins, and pay the price of justice.”

Reverend Nightingale grips the forward edge of the podium with both hands. “And I know why this man killed Sister Flowers. Because he wanted to stop Mr. Penn Cage from finding out who killed Brother Delano Payton.”

Silence blankets the room. Every eye focuses on me.

“Now, some of you may feel anger toward Mr. Cage because of what happened to Sister Flowers. But not one soul in this room should blame him. Because Penn Cage is doing what no man—white or black—has done in the last thirty years. He is putting himself and his family on the line to find out who murdered Brother Del.

“And why was Del killed?” Reverend Nightingale slams a hand against the podium with a report like a pistol shot. “To keep the black man in this community down! To keep honest black men from getting a leg up. To keep us from making a working wage at a good job. A job with some dignity.”

He removes a white cotton handkerchief from his coat pocket and wipes his forehead. The mass of bodies is turning the little building into a convection oven.

“You may wonder why Mr. Cage, a white man, is doing what he’s doing. He must be gonna make some money some way, right? He must want to get on Oprah with a book or something. But that’s not it. No, sir. I’ll tell you why Mr. Cage is doing what he’s doing. He’s doing it because he was raised by Sister Flowers.”

My mother’s hand closes around mine.

“And he wasn’t raised by Sister Flowers alone. He was raised by Dr. Tom Cage. And Dr. Cage been takin’ care of black people in this town for nigh on forty years. If you couldn’t pay, did Dr. Cage turn you away from the door?”

A great tide of No, sir! Lord, no! issues forth from the congregation and rolls through the church, accompanied by shaking heads and murmurs of gratitude. When I turn to my left, I see a sight I have never seen in my life: my father sitting with his head bowed, staring resolutely at the floor, his jaw muscles clenched as tears run down his face.

“And Mrs. Cage,” says Reverend Nightingale. “Mrs. Cage was one of the ladies who helped Sister Flowers gather up them old coats in the wintertime, and made sure they got where they needed to get.” He smiles at my mother and goes on. “Thursday last, after that newspaper story ran about Del, I asked Sister Flowers about Penn Cage. You know what she said? She said, ‘Pastor, that boy was raised right, and he’ll do whatever he’s got to do to make things right about Del.’”

Ruby and I never discussed the Payton case. But the realization that she knew I was working on it, and approved, eases my conscience in a way nothing else could.

“Some of you older members may remember,” says Nightingale, “that Del Payton visited this church several times when he was a boy. Del was a member of Beulah Baptist, out to Pine Ridge. But that boy had too fine a voice to confine it to one house of worship. Several Sundays we were blessed to have Del solo here at Mandamus. And many a family”—Reverend Nightingale says fambly—“requested Del for solos at funerals. I know right now Del is beatifying Heaven with that sweet voice, preparing the host of angels to receive Sister Flowers.”

“Praise Jesus,” answers the chorus.

“Right now we’re going to have a solo by Sister Lillian Lilly. Sister Lilly is a gospel recording artist from Jackson, and she’s come down to bless us with her talents. Afterwards, Brother Shadrach Johnson wants to speak to you for a few minutes. You all know Brother Johnson is running for mayor, and the election’s getting close. He believes what’s happened in the past few days is important to us all, and he’s gonna talk to you about that. Sister Lilly?”

From the midst of the choir a woman in a flowing blue gown rises, folds her hands before her, and begins singing “Precious Lord” with such raw power and authentic faith that the initial cries of Sing it! Sing it! fade to awed silence, and many of the elderly members of the congregation weep openly. When she takes her seat again, the air is brittle with expectation, and it is then that Shad Johnson stands and walks up to the podium. How must he look to this audience, in his two-thousand-dollar suit that shines like a deuce-and-a-quarter on Saturday night? He must look, I believe, like a savior.

“Brothers and sisters,” he begins in a gentle voice. “When I came into this church, I thought I was a stranger to Sister Ruby Flowers. But when I heard Reverend Nightingale’s impassioned eulogy, I knew that I was wrong. I knew a hundred women like Sister Flowers when I was growing up here in Natchez. Five hundred, probably. Strong black women who sacrificed everything so that their children could climb one step higher up the ladder to a better life.”

Yes, Lord.

Shad nods to his left, and the assistant I saw at his headquarters hurries toward the back of the church, stops beside the WLBT cameraman and says a few words. The cameraman looks confused, but a moment later he shrugs and touches the controls on the tripod mounted camera.

“Brothers and sisters,” Shad resumes, “I’ve asked that the camera be turned off, so that I can speak frankly to you. We all know what’s happening in this town. Why there’s so much agony in our hearts today. Sister Flowers died hard. She died scarred and in terrible pain. She died at the hands of a murderer. Undoubtedly at the hands of a white murderer. And the consequences of that act are tearing this community apart. At this moment two of our children are sitting in jail for taking the life of a man who once ordered the beatings and murders of African Americans. You feel anger over this. You feel rage. And that’s only natural.”

Shad holds up his hands and brings them softly together. “But I’ve come here today to ask you to set aside that rage. Because we are poised on the brink of a great victory. The plantation mentality that has paralyzed this town for so long is finally eroding from the inside out. Significant numbers of white people have grown tired of the self-aggrandizement and profiteering of men like Riley Warren. And those are the people who can put me into the mayor’s office in two weeks. Not you, my good friends. Lord knows, I need every one of you. But without those good white people, all our work will have been for naught. The sacrifices of Ruby Flowers and Del Payton? All for nothing. Think about that. Del Payton died thirty years ago. He died for civil rights. But how much better off are you, really, than you were in 1968? You can drink from the public water fountain. You can go into a restaurant and eat next to white people. But can you afford to pay the check? How good a job can you get? If this violence escalates any more, I don’t think we’ll ever see those men from BASF in town again. There are too many towns where things are peaceful to put a good plant like that in a trouble spot.

“So.” Johnson lays his hands on the podium. “What am I asking you to do? Only the same thing Jesus asked. It’s the hardest thing in the world, brothers and sisters. Especially for you younger men. I want you to turn the other cheek. Keep cool. Because if you do, the meek are going to start inheriting a little of this Mississippi earth.”

Shad turns slowly, giving every person in the room a chance to look him in the eye, then stops, facing me. “And I’m asking Penn Cage, right here and now, to withdraw his charges against Judge Leo Marston.”

A low murmur moves through the congregation. Even Reverend Nightingale looks caught by surprise.

“After the election,” Shad goes on, “there’ll be plenty of time to probe the death of Del Payton. And with me running the city, you can rest assured that will happen. But further pressure on Marston at this point could keep Riley Warren in the mayor’s office for another four years. And we simply cannot afford that.”

Shad is staring at me as though he expects me to rise and answer him, here, at the funeral of a woman I loved like a second mother. Every eye in the church is upon me. As though pulled by the collective will of the congregation, I start to stand, but my mother’s hand flattens on my thigh, pushing me back onto the bench. At that moment Althea Payton rises from the first pew and looks around the church. She speaks softly, but in the silent room every word rings with conviction.

“Thirty years ago my husband was taken from me. Murdered. For thirty years I’ve waited for justice. And no man alive has lifted a finger to help me get it, without I paid him money. Last week I went to Mr. Penn Cage and asked him to help me. And he did.”

Althea raises her eyes to the pulpit, from which Shad stares like an attorney facing a dangerously unpredictable witness, and points at him. “That man there wants to be our mayor. He’s come down from Chicago special to do it. And he might be a good one. He sure talks a good game. But I know this. He never came to my house and offered to help me find out who killed my man. And to stand up here like this … to use this poor lady’s funeral to tell a good man to stop trying to do good so he can get elected … well, it don’t sit right with me.”

“Mrs. Payton, I think you’ve misunderstood my motives,” Shad says in an unctuous voice.

“I understand more than you think,” Althea replies. “Get me elected, you say. Then I’ll do good. But like the man said a long time ago, ‘If not now, when?’”

“Tell him!” comes a shout from the back pews.

“Yes, Lord!” from the choir stand. “If not now, when?”

Shad is about to respond when Reverend Nightingale eases him away from the pulpit with a forced smile. Althea retakes her pew as the reverend smooths his jacket and says, “I thank Brother Johnson for that thoughtful comment. We sure have a lot to think about these days. Now, the service is almost over, but I think I’d be remiss if I didn’t give our white friends a chance to speak today.”

This is unexpected, but in the silence that follows, my mother stands and turns to the congregation. Her voice is softer than Althea’s, but it too carries in the church.

“Ruby worked for our family for thirty-five years,” she says. “We considered her part of our family, and we always will.”

And she sits down.

The expression on Shad Johnson’s face makes it clear that he views this statement as white paternalism at its worst, but the faces in the pews say something different.

Reverend Nightingale closes the funeral with a prayer, then directs the choir to sing “Amazing Grace.”