Notes to Shakespeare, Volume III: The Tragedies

You were theme for, you were the word.

II.ii.51 (143,8) Having alike your cause?] The meaning seems to be, having the same cause as you to be offended with me. But why, because he was offended with Antony, should he make war upon Caesar? May it not be read thus,

—Did he not rather
Discredit my authority with yours,
And make the wars alike against my stomach,
Hating alike our cause?

II.ii.53 (143,9) As matter whole you have not to make it with] The original copy reads,

As matter whole you have to make it with.

Without doubt erroneously; I therefore only observe it, that the reader may more readily admit the liberties which the editors of this authour's works have necessarily taken.

II.ii.61 (144,1) fronted] i.e. opposed.

II.ii.85 (145,4) The honour's sacred which he talks on now,/Supposing that I lack'd it] [Sacred, for unbroken, unviolated. WARB.] Dr. Warburton seems to understand this passage thus; The honour which he talks of me as lacking, is unviolated, I never lacked it. This may perhaps be the true meaning, but before I read the note, I understood it thus: Lepidus interrupts Caesar, on the supposition that what he is about to say will be too harsh to be endured by Antony; to which Antony replies, No, Lepidus, let him speak, the security of honour on which he now speaks, on which this conference is held now, is sacred, even supposing that I lacked honour before.

II.ii.112 (146,5) your considerate stone] This line is passed by all the editors, as if they understood it, and believed it universally, intelligible. I cannot find in it any very obvious, and hardly any possible meaning. I would therefore read,

Go to then, you considerate ones.

You, who dislike my frankness and temerity of speech, and are so considerate and discreet, go to, do your on business.

II.ii.113 (146,6) I do not much dislike the matter, but/The manner of his speech] I do not, says Caesar, think the man wrong, but too free of him interposition; for't cannot be, we shall remain in friendship: yet if it were possible, I would endeavour it.

II.ii.123 (147,7) your reproof/Were well deserv'd] In the old edition,

—your proof
Were well deserv'd—

Which Mr. Theobald, with his usual triumph, changes to approof, which he explains, allowance. Dr. Warburton inserted reproof very properly into Hanmer's edition, but forgot it in his own.

II.ii.159 (148,8) Lest my remembrance suffer ill report] Lest I be thought too willing to forget benefits, I must barely return him thanks, and then I will defy him.

II.ii.210 (150,1) And what they undid, did] It might be read less harshly,

And what they did, undid.

II.ii.212 (150,2) tended her i' the eyes] Perhaps tended her by th' eyes, discovered her will by her eyes.

II.iii.21 (153,6) thy angel/Becomes a Fear] Mr.Uptan reads,

Becomes afear'd,—

The common reading is more poetical.

II.iii.37 (154,7) his quails ever/Beat mine] The ancients used to match quails as we match cocks.

II.iii.38 (154,8) inhoop'd, at odds] Thus the old copy. Inhoop'd is inclosed, confined, that they may fight. The modern editions read,

Beat mine, in whoop'd-at odds.—

II.v.1 (155,9) musick, moody food] [The mood is the mind, or mental disposition. Van Haaren's panegyrick on the English begins, Groot-moedig Volk, great-minded nation.] Perhaps here is a poor jest intended between mood the mind and moods of musick.

II.v.41 (l57,4) Not like a formal man] [Formal, for ordinary. WARB.] Rather decent, regular.

II.v.103 (161,8) Thou art not what thou'rt sure of!] For this, which is not easily understood, Sir Thomas Hanmer has given,

That say'st but what thou'rt sure of!

I am not satisfied with the change, which, though it affords sense, exhibits little spirit. I fancy the line consists only of abrupt starts.

Oh that his fault should make a knave of thee,
That art—not what?—Thou'rt sure on't.—Get thee
hence.

That his fault should make a knave of thee that art—but what shall I say thou art not? Thou art then sure of this marriage.—Get thee hence.

Dr. Warburton has received Sir T. Hanmer's emendation.

II.v.115 (161,9) Let him for ever go] She is now talking in broken sentences, not of the messenger, but Antony.

II.vi.24 (163,2) Thou canst not fear us] Thou canst not affright us with thy numerous navy.

II.vi.28 (163,3) But since the cuckow builds not for himself] Since, like the cuckow, that seizes the nests of other birds, you have invaded a house which you could not build, keep it while you can.

II.vii.1 (167,6) some o' their plants] Plants, besides its common meaning, is here used for the foot, from the Latin.

II.vii.14 (167,9) a partizan] A pike.

II.vii.16 (167,1) To be call'd into a huge sphere, and not to be seen to move in't, are the holes where eyes should be, which pitifully disaster the cheeks] This speech seems to be mutilated; to supply the deficiencies is impossible, but perhaps the sense was originally approaching to this.

To be called into a huge sphere, and not to be seen to move in it, is a very ignominious state; great offices are the holes where eyes should be, which, if eyes be wanting, pitifully disaster the cheeks.

II.vii.88 (170,2) thy pall'd fortunes] Palled, is vapid, past its time of excellence; palled wine, is wine that has lost its original spriteliness.

II.vii.102 (171,3) Strike the vessels] Try whether the casks sound as empty.

II.vii.116 (171,4) The holding every man shall bear] Every man shall accompany the chorus by drumming on his sides, in token of concurrence and applause. [Theobald had emended "beat" to "bear"] (1773)

III.i.1 (173,6) Now, darting Parthia, art thou struck] Struck alludes to darting. Thou whose darts have so often struck others, art struck now thyself. (1773)

III.ii.12 (175,8) Arabian bird!] The phoenix.

III.ii.16 (176,9)

Ho! hearts, tongues, figure, scribes, bards, poets, cannot
Think, speak, cast, write, sing, number, ho!]