Fruits of Culture

PROFESSOR [pauses, then continues] Molecules are composed of atoms, but the atoms, having no extension, are in reality nothing but the points of application of forces. Strictly speaking, not of forces but of energy, that same energy which is as much a unity and just as indestructible as matter. But matter, though one, has many different aspects, and the same is true of energy. Till recently only four forms of energy, convertible into one another, have been known to us: energies known as the dynamic, the thermal, the electric, and the chemic. But these four aspects of energy are far from exhausting all the varieties of its manifestation. The forms in which energy may manifest itself are very diverse, and it is one of these new and as yet but little known phases of energy, that we are investigating to-night. I refer to mediumistic energy.

Renewed whispering and laughter among the young people.

PROFESSOR [stops and casts a severe look round] Mediumistic energy has been known to mankind for ages: prophecy, presentiments, visions and so on, are nothing but manifestations of mediumistic energy. The manifestations produced by it have, I say, been known to mankind for ages. But the energy itself has not been recognised as such till quite recently – not till that medium, the vibrations of which cause the manifestations of mediumistic energy, was recognised. In the same way that the phenomena of light were inexplicable until the existence of an imponderable substance – an ether – was recognised, so mediumistic phenomena seemed mysterious until the now fully established fact was recognised, that between the particles of ether there exists another still more rarified imponderable substance not subject to the law of the three dimensions …

Renewed laughter, whispers, and giggling.

PROFESSOR [again looks round severely] And just as mathematical calculations have irrefutably proved the existence of imponderable ether which gives rise to the phenomena of light and electricity, so the successive investigations of the ingenious Hermann, of Schmidt, and of Joseph Schmatzhofen, have confirmed beyond a doubt the existence of a substance which fills the universe and may be called spiritual ether.

FAT LADY. Ah, now I understand. I am so grateful …

LEONÍD FYÓDORITCH. Yes, but Alexéy Vladímiritch, could you not … condense it a little?

PROFESSOR [not heeding the remark] And so, as I have just had the honour of mentioning to you, a succession of strictly scientific experiments have made plain to us the laws of mediumistic phenomena. These experiments have proved that, when certain individuals are plunged into a hypnotic state (a state differing from ordinary sleep only by the fact that man's physiological activity is not lowered by the hypnotic influence but, on the contrary, is always heightened – as we have recently witnessed) when, I say, any individual is plunged into such a state, this always produces certain perturbations in the spiritual ether – perturbations quite similar to those produced by plunging a solid body into liquid matter. These perturbations are what we call mediumistic phenomena …

Laughter, and whispers.

SAHÁTOF. That is quite comprehensible and correct; but if, as you are kind enough to inform us, the plunging of the medium into a trance produces perturbations of the spiritual ether, allow me to ask why (as is usually supposed to be the case in spiritualistic séances) these perturbations result in an activity on the part of the souls of dead people?

PROFESSOR. It is because the molecules of this spiritual ether are nothing but the souls of the living, the dead, and the unborn, and any vibration of the spiritual ether must inevitably cause a certain vibration of its atoms. These atoms are nothing but human souls, which enter into communication with one another by means of these movements.

FAT LADY [to Sahátof] What is it that puzzles you? It is so simple… Thank you so, so much!

LEONÍD FYÓDORITCH. I think everything has now been explained, and that we may commence.

DOCTOR. The fellow is in a perfectly normal condition: temperature 37 decimal 2, pulse 74.

PROFESSOR [takes out his pocket-book and notes this down] What I have just had the honour of explaining will be confirmed by the fact, which we shall presently have an opportunity of observing, that after the medium has been thrown into a trance his temperature and pulse will inevitably rise, just as occurs in cases of hypnotism.

LEONÍD FYÓDORITCH. Yes, yes. But excuse me a moment. I should like to reply to Sergéy Ivánitch's question: How do we know we are in communication with the souls of the dead? We know it because the spirit that appears, plainly tells us – as simply as I am speaking to you – who he is, and why he has come, and whether all is well with him! At our last séance a Spaniard, Don Castillos, came to us, and he told us everything. He told us who he was, and when he died, and that he was suffering for having taken part in the Inquisition. He even told us what was happening to him at the very time that he was speaking to us, namely, that at the very time he was talking to us he had to be born again on earth, and, therefore, could not continue his conversation with us… But you'll see for yourselves …

FAT LADY [interrupting] Oh, how interesting! Perhaps the Spaniard was born in one of our houses and is a baby now!

LEONÍD FYÓDORITCH. Quite possibly.

PROFESSOR. I think it is time we began.

LEONÍD FYÓDORITCH. I was only going to say …

PROFESSOR. It is getting late.

LEONÍD FYÓDORITCH. Very well. Then we will commence. Antón Borísitch, be so good as to hypnotise the medium.

GROSSMAN. What method would you like me to use? There are several methods. There is Braid's system, there is the Egyptian symbol, and there is Charcot's system.

LEONÍD FYÓDORITCH [to the Professor] I think it is quite immaterial.

PROFESSOR. Quite.

GROSSMAN. Then I will make use of my own method, which I showed in Odessa.

LEONÍD FYÓDORITCH. If you please!

Grossman waves his arms above Simon. Simon closes his eyes and stretches himself.

GROSSMAN [looking closely at him] He is falling asleep! He is asleep! A remarkably rapid occurrence of hypnosis. The subject has evidently already reached a state of anæsthesia. He is remarkable, – an unusually impressionable subject, and might be subjected to interesting experiments!.. [Sits down, rises, sits down again] Now one might run a needle into his arm. If you like …

PROFESSOR [to Leoníd Fyódoritch] Do you notice how the medium's trance acts on Grossman? He is beginning to vibrate.

LEONÍD FYÓDORITCH. Yes, yes … can the lights be extinguished now?

SAHÁTOF. But why is darkness necessary?

PROFESSOR. Darkness? Because it is a condition of the manifestation of mediumistic energy, just as a given temperature is a condition necessary for certain manifestations of chemical or dynamic energy.

LEONÍD FYÓDORITCH. But not always. Manifestations have been observed by me, and by many others, both by candlelight and daylight.

PROFESSOR [interrupting] May the lights be put out?

LEONÍD FYÓDORITCH. Yes, certainly. [Puts out candles] Ladies and gentlemen! attention, if you please.

Tánya gets from under the sofa and takes hold of a thread tied to a chandelier.

PETRÍSTCHEF. I like that Spaniard! Just in the midst of a conversation – off he goes head downwards … as the French say: piquer une tête.[13 - To take a header.]

BETSY. You just wait a bit, and see what will happen!

PETRÍSTCHEF. I have only one fear, and that is that Vovo may be moved by the spirit to grunt like a pig!

VASÍLY LEONÍDITCH. Would you like me to? I will …

LEONÍD FYÓDORITCH. Gentlemen! Silence, if you please!

Silence. Simon licks the matches on his fingers and rubs his knuckles with them.

LEONÍD FYÓDORITCH. A light! Do you see the light?

SAHÁTOF. A light? Yes, yes, I see; but allow me …

FAT LADY. Where? Where? Oh dear, I did not see it! Ah, there it is. Oh!..

PROFESSOR [whispers to Leoníd Fyódoritch, and points to Grossman, who is moving] Do you notice how he vibrates? It is the dual influence. [The light appears again].

LEONÍD FYÓDORITCH [to the Professor] It must be he – you know!

SAHÁTOF. Who?

LEONÍD FYÓDORITCH. A Greek, Nicholas. It is his light. Don't you think so, Alexéy Vladímiritch?